Bulgaria Box Office for The Amazing Spider-Man 2 (2014)
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Theatrical Performance (US$) |
Bulgaria Box Office |
$385,465 | Details |
Worldwide Box Office |
$708,996,336 | Details |
Home Market Performance |
North America DVD Sales |
$21,872,217 |
Details |
North America Blu-ray Sales |
$26,803,218 |
Details |
Total North America Video Sales |
$48,675,435 | |
Further financial details... |
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Synopsis
We’ve always known that Spider-Man’s most important battle has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that a greater conflict lies ahead.
It’s great to be Spider-Man. For Peter Parker, there’s no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: OsCorp.
Metrics
Movie Details
Production Budget: | $200,000,000 |
Bulgaria Releases: |
April 18th, 2014 (Wide) |
Video Release: |
August 19th, 2014 by Sony Pictures Home Entertainment January 1st, 2016 by Sony Pictures |
MPAA Rating: |
PG-13 for sequences of sci-fi action/violence. (Rating bulletin 2315, 3/26/2014) |
Running Time: |
141 minutes |
Franchise: |
Spider-Man |
Keywords: |
3-D, Corporate Malfeasance, Revenge, Terminal Illness, Genetic Engineering, 3-D - Shot in 3-D, Marvel Comics, Motion Capture Performance, 3-D - Post-production Conversion, IMAX: DMR |
Source: | Based on Comic/Graphic Novel |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Super Hero |
Production/Financing Companies: |
Marvel Studios |
Production Countries: |
United States |
Languages: |
English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2014/06/27 |
11 |
$259 |
|
1 |
$259 |
$385,117 |
11 |
2014/07/04 |
15 |
$34 |
-87% |
1 |
$34 |
$385,465 |
12 |
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
Austria |
4/17/2014 |
$0 |
0 |
9 |
18 |
$1,581,184 |
12/17/2015 |
Bahrain |
5/1/2014 |
$0 |
0 |
2 |
4 |
$649,944 |
12/30/2018 |
Brazil |
5/1/2014 |
$0 |
0 |
11 |
28 |
$24,869,494 |
12/17/2015 |
Bulgaria |
4/18/2014 |
$0 |
0 |
1 |
2 |
$385,465 |
12/30/2018 |
Chile |
5/1/2014 |
$0 |
0 |
1 |
3 |
$3,107,285 |
12/30/2018 |
Denmark |
4/17/2014 |
$0 |
0 |
2 |
3 |
$2,254,321 |
12/15/2015 |
Egypt |
5/1/2014 |
$0 |
0 |
4 |
9 |
$562,511 |
12/30/2018 |
Finland |
4/25/2014 |
$0 |
0 |
2 |
2 |
$865,715 |
12/15/2015 |
France |
4/30/2014 |
$0 |
0 |
96 |
156 |
$22,738,176 |
12/16/2015 |
Germany |
4/17/2014 |
$0 |
0 |
18 |
38 |
$15,932,503 |
12/16/2015 |
Ghana |
5/2/2014 |
$0 |
0 |
1 |
1 |
$66,491 |
12/30/2018 |
Greece |
5/1/2014 |
$0 |
0 |
3 |
4 |
$1,526,775 |
12/15/2015 |
India |
5/1/2014 |
$0 |
0 |
5 |
19 |
$13,603,981 |
12/17/2015 |
Japan |
4/25/2014 |
$0 |
0 |
11 |
12 |
$30,253,480 |
12/15/2015 |
Latvia |
4/25/2014 |
$0 |
0 |
1 |
3 |
$106,144 |
12/30/2018 |
Lebanon |
5/1/2014 |
$0 |
0 |
1 |
4 |
$541,985 |
12/30/2018 |
Malaysia |
5/1/2014 |
$0 |
0 |
2 |
6 |
$9,394,162 |
12/17/2015 |
Mexico |
4/17/2014 |
$0 |
0 |
2 |
3 |
$28,460,484 |
12/15/2015 |
Netherlands |
4/24/2014 |
$0 |
0 |
2 |
2 |
$3,546,094 |
12/15/2015 |
Nigeria |
5/2/2014 |
$0 |
0 |
12 |
31 |
$381,935 |
12/30/2018 |
North America |
5/2/2014 |
$91,608,337 |
4,324 |
4,324 |
22,133 |
$202,853,933 |
5/2/2016 |
Norway |
4/25/2014 |
$0 |
0 |
1 |
1 |
$2,050,825 |
12/15/2015 |
Peru |
5/1/2014 |
$0 |
0 |
1 |
3 |
$3,380,646 |
12/30/2018 |
Philippines |
4/30/2014 |
$0 |
0 |
1 |
1 |
$10,211,056 |
12/30/2018 |
Portugal |
4/17/2014 |
$0 |
0 |
3 |
7 |
$1,168,538 |
12/16/2015 |
Romania |
5/2/2014 |
$0 |
0 |
3 |
9 |
$655,469 |
12/30/2018 |
Russia (CIS) |
4/24/2014 |
$0 |
0 |
1 |
1 |
$20,871,832 |
12/30/2018 |
Singapore |
5/1/2014 |
$0 |
0 |
1 |
1 |
$7,118,537 |
12/15/2015 |
South Africa |
4/25/2014 |
$0 |
0 |
3 |
5 |
$2,085,829 |
12/16/2015 |
Spain |
4/17/2014 |
$0 |
0 |
20 |
78 |
$8,892,763 |
11/19/2018 |
Sweden |
4/18/2014 |
$0 |
0 |
3 |
5 |
$2,833,430 |
12/16/2015 |
Turkey |
4/25/2014 |
$0 |
0 |
1 |
1 |
$3,630,348 |
12/30/2018 |
United Arab Emirates |
5/1/2014 |
$0 |
0 |
4 |
13 |
$5,080,537 |
12/30/2018 |
United Kingdom |
4/16/2014 |
$0 |
0 |
4 |
4 |
$40,447,180 |
12/15/2015 |
Uruguay |
4/17/2014 |
$0 |
0 |
2 |
5 |
$361,052 |
12/30/2018 |
Venezuela |
4/25/2014 |
$0 |
0 |
6 |
18 |
$7,335,251 |
12/17/2015 |
Vietnam |
4/30/2014 |
$0 |
0 |
3 |
3 |
$2,164,104 |
12/30/2018 |
|
Rest of World |
$227,026,877 |
|
|
Worldwide Total | $708,996,336 |
12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.