New Zealand Box Office for Chaos Walking (2021)

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Chaos Walking
Theatrical Performance (US$)
New Zealand Box Office $401,731Details
Worldwide Box Office $27,072,169Details
Home Market Performance
North America DVD Sales $1,431,615 Details
North America Blu-ray Sales $1,872,973 Details
Total North America Video Sales $3,304,588
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home.

Metrics

Movie Details

Production Budget:$100,000,000
New Zealand Releases: March 4th, 2021 (Wide)
Video Release: April 2nd, 2021 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for violence and language.
(Rating bulletin 2653 (cert #52756), 10/28/2020)
Running Time: 108 minutes
Keywords: Post Apocalypse, Fugitive / On the Run, Dystopia, Chase Adventure, Development Hell, Near Future
Source:Based on Fiction Book/Short Story
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Lionsgate, Quadrant Pictures, Allison Shearmur, 3 Arts Entertainment, TIK Films, Hercules Bron Creative Partnership
Production Countries: United States
Languages: English

Weekend estimates: Nobody maintains market momentum

March 28th, 2021

Nobody

An excellent opening for Nobody is more than making up for sluggish results for returning films this weekend and keeps the market recovery on course. More or less. More...

Weekend estimates: Raya stays top with good second-week hold

March 14th, 2021

Raya and the Last Dragon

A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market. More...

Weekend predictions: Tom and Jerry and Raya do battle for top spot

March 12th, 2021

Raya and the Last Dragon

After a relative flurry of new wide releases earlier in the month, this weekend sees no films opening in over 1,000 theaters. We do, however, have a close race at the top of the chart to look forward to, and a nearly-wide release that could tell us something about the state of the theatrical market as more theaters open and some potential moviegoers receive their pandemic recovery checks. We’re almost certainly going to have a down week as Raya and the Last Dragon, Chaos Walking, and Boogie decline from their opening weekend numbers.

First up though, let’s look at the potential for this week’s kind-of-wide release Long WeekendMore...

Weekend estimates: Raya tops the chart with $8.6 million

March 7th, 2021

Raya and the Last Dragon

Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery. More...

Weekend predictions: Raya and the road to recovery

March 5th, 2021

Raya and the Last Dragon

After an excellent opening for Tom and Jerry last weekend, all eyes turn to Raya and the Last Dragon. With theaters reopening in New York and San Francisco, the movie’s Disney Animation pedigree and 95% score on Rotten Tomatoes, and a stronger market for family films than other fare during the pandemic, this seems like a film that could continue the process of rebuilding momentum at the box office. A simultaneous release on Disney+ could put the brakes on though, and our model isn’t convinced it’s set for box office glory.

More...

Chaos Walking trailer

November 23rd, 2020

Sci-fi action movie starring Tom Holland and Daisy Ridley, directed by Doug Liman is scheduled to open in theaters on January 22 ... Full Movie Details.

Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/03/05 3 $97,427   77 $1,265   $97,427 1
2021/03/12 3 $99,786 +2% 76 $1,313   $228,122 2
2021/03/19 3 $74,655 -25% 80 $933   $322,497 3
2021/03/26 5 $35,094 -53% 69 $509   $364,449 4
2021/04/02 11 $11,113 -68% 31 $358   $386,986 5
2021/04/09 - $1,882 -83% 9 $209   $396,047 6
2021/04/16 - $205 -89% 3 $68   $402,299 7
2021/06/11 - $120   1 $120   $401,731 15

Box Office Summary Per Territory

$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/4/2021 $900,191 388 388 1481 $2,936,245 6/2/2021
Austria 6/18/2021 $18,363 15050 15050 15050 $65,018 8/13/2021
Belgium 8/4/2021 $92,378 43 43 88 $180,959 9/10/2021
Brazil 5/13/2021 $0 0 1819 1819 $188,234 6/24/2021
Chile 5/27/2021 $0 0 310300 310300 $944 10/20/2022
China 8/27/2021 $790,000 49008 49008 49591 $1,010,000 10/20/2022
Denmark 5/6/2021 $0 0 12795 12795 $2,351,516 8/6/2021
Estonia 5/28/2021 $0 0 135 135 $14,545 6/24/2021
Finland 7/16/2021 $0 0 6 8 $79,114 8/13/2021
France 2/3/2021 00$0
Germany 6/17/2021 $10,942 8968 8968 8983 $33,071 8/20/2021
Hong Kong 4/29/2021 $108,753 0 0 0 $108,753 5/7/2021
Lithuania 5/14/2021 $3,490 13 13 19 $5,703 5/26/2021
Mexico 3/4/2021 $263,195 0 0 0 $942,984 10/19/2022
Netherlands 6/25/2021 $136,491 91 91 229 $432,866 8/6/2021
New Zealand 3/4/2021 $97,427 77 80 346 $401,731 10/19/2022
North America 3/5/2021 $3,775,350 1,980 2,132 14,276 $13,287,908
Norway 7/16/2021 $0 0 23 45 $885,646 8/20/2021
Peru 8/5/2021 $0 0 0 0 $13,858 10/20/2022
Portugal 6/11/2021 $19,919 57 57 107 $41,248 6/29/2021
Russia (CIS) 3/25/2021 $405,760 1352 1407 3259 $930,209 10/19/2022
Serbia and Montenegro 9/2/2021 $1,841 18 18 18 $1,841 10/20/2022
South Korea 2/24/2021 $504,708 759 759 1425 $1,099,555 4/21/2021
Spain 4/30/2021 $0 0 691 786 $612,765 7/16/2021
Sweden 6/23/2021 $0 0 7 7 $1,007,336 8/6/2021
Switzerland (French Speaking) 8/6/2021 $17,376 13 13 22 $22,304 8/20/2021
Switzerland (German Speaking) 4/22/2021 $0 0 1098 1100 $278,577 8/13/2021
Switzerland (Italian Speaking) 6/10/2021 $0 0 484 484 $1,744 6/24/2021
Turkey 1/28/2022 $23,180 103 103 167 $132,640 10/20/2022
United Kingdom 3/5/2021 00$0
Uruguay 8/26/2021 $0 0 3 3 $4,855 10/20/2022
 
Worldwide Total$27,072,169 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Holland    Todd Hewitt
Daisy Ridley    Viola Eade

Supporting Cast

Mads Mikkelsen    Mayor Prentiss
Demián Bichir    Ben
Cynthia Erivo    Hildy
Nick Jonas    Davy Prentiss, Jr.
Kurt Sutter    Cillian
David Oyelowo    Aaron
Oscar Jaenada    Wilf
Kurt Sutter    Cillian
Cynthia Erivo    Hildy
Bethany Anne Lind    Karyssa Hewitt
Ray McKinnon    Matthew
Vincent LeClerc    Daws
Blane Crockarell    Young Todd
François Gauthiér    Charlie
Tyrone Benskin    Hammer
Frank Fontaine    Mr. Phelps
Don Jordan    Tam
Patrick Garrow    Ivan
Mylène Dinh-Robic    Julie
Julian Richings    Gault
Michael Dyson    Fisherman #1
Glen Michael Grant    Fisherman #2
Maxwell McCabe-Lokos    Prentisstown Man #1
Stephen Eric McIntyre    Prentisstown Man #2
Pete Seaborne    Caleb
Jean Michel Paré    Mayor Camp Man #1
Michael Yarmush    Prentisstown Scout
Frédéric Bélanger    Prentisstown Man #3
Louis-Philippe Duhamel    Stable Boy #1
Janel Boire    Stable #2
Trevor Anderson    Prentisstown Man #4
Brian Alexander    Prentisstown Footman #1
Jerome Huerta    Prentisstown Footman #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Doug Liman    Director
Patrick Ness    Screenwriter
Christopher D. Ford    Screenwriter
Patrick Ness    Story based on the book “The Knife of Never Letting Go” by
Doug Davison    Producer
Allison Shearmur    Producer
Erwin Stoff    Producer
Alison Winter    Producer
Ray Angelic    Executive Producer
Erik Feig    Executive Producer
Iron Chen    Executive Producer
Paris Kasidokostas Latsis    Executive Producer
Jason Cloth    Executive Producer
Ben Seresin    Director of Photography
Dan Weil    Production Designer
Doc Crotzer    Editor
Lon Bender    Sound Designer
Lon Bender    Sound Supervisor
Kate Hawley    Costume Designer
Marco Beltrami    Composer
Brandon Roberts    Composer
Julianne Jordan    Music Supervisor
Matt Johnson    Visual Effects Supervisor
Helene Ross    Unit Production Manager
Ray Angelic    Unit Production Manager
Mark Anthony Little    First Assistant Director
Patrick Murphy    Second Assistant Director
Simon Crane    Second Unit Director
Thomas Elder Groebe    Visual Effects Producer
Simon Crane    Stunt Coordinator
Marc Desourdy    Stunt Coordinator
Gershon Hinkson    Additional Editor
Nicholas Lepage    Supervising Art Director
Daran Fulham    Art Director
Carolyne De Bellefeuille    Art Director
Daniel Carpentier    Set Decorator
Daniel Hamelin    Set Decorator
Brad Rohrer    Post-Production Supervisor
Julia Bloch    Additional Editor
Kevin Greutert    Additional Editor
Adam Schaefer    First Assistant Editor
Andrew Pang    Assistant Editor
Max Miller    Assistant Editor
Elizabeth Tremblay    Script Supervisor
Simon Poudrette    Sound Mixer
Frederic Amblard    Set Designer
Gabriella Douglas    Set Designer
Simon Theberge    Set Designer
Jessica Dan    Set Designer
Louis Craig    Special Effects Supervisor
Colleen Quinton    Make up
Charles Carter    Make up
Bruno Gatien    Special Make-up Effects
Rejean Goderre    Hairstylist
Frédéric Bélanger    Hairstylist
Benoît Mathieu    Location Manager
Ben Cooke    Second Unit Director
Luke Gibleon    Sound Editor
Luke Gibleon    Sound Designer
Alexa Zimmerman    Supervising Dialogue Editor/ADR Editor
Alex Nomick    Sound Designer
Jeffrey A. Pitts    Sound Designer
Rusty Dunn    Sound Designer
Mariusz Glabinski    Sound Effects Editor
Peter Staubli    Sound Effects Editor
Ronald Eng    Sound Effects Editor
Michael McMenomy    Dialogue Editor
Daniel Newman    Dialogue Editor
Andy Hay    Dialogue Editor
Martin Czembor    Re-recording Mixer
David Paterson    Re-recording Mixer
Ron Bartlett    Re-recording Mixer
Lon Bender    Re-recording Mixer
Ryan Collison    Foley Mixer
Connor Nagy    Foley Mixer
Nick Seaman    Foley Editor
Laura Heinzinger    Foley Editor
Mick Gormaley    Music Editor
Philip Tallman    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.