Australia Box Office for Fast Five (2011)

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Fast Five poster
Theatrical Performance (US$)
Australia Box Office $16,733,705Details
Worldwide Box Office $629,975,898Details
Home Market Performance
North America DVD Sales $38,781,005 Details
North America Blu-ray Sales $30,172,046 Details
Total North America Video Sales $68,953,051
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Since Brian and Mia Toretto broke Dom out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he's not the only one on their tail. Hard-nosed federal agent Luke Hobbs never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can't separate the good guys from the bad. Now, he must rely on his instincts to corner his prey... before someone else runs them down first.

Metrics

Movie Details

Production Budget:$125,000,000
Australia Releases: April 27th, 2023 (Limited)
Video Release: October 4th, 2011 by Universal Home Entertainment
MPAA Rating: PG-13 for intense sequences of violence and action, sexual content and language.
(Rating bulletin 2166, 4/6/2011)
Running Time: 130 minutes
Franchise: Fast and the Furious
Keywords: Street Racing, Car Chase, Gangs, Prequel, Fugitive / On the Run, Revenge, Rescue, Foreign Language, Organized Crime, Corrupt Cops, Epilogue, One Last Job, Ensemble, IMAX: DMR, Set in Monte Carlo
Source:Based on Factual Book/Article
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Universal Pictures, Original Film, One Race Films
Production Countries: United States
Languages: English

DVD Sales: Interstellar Completes Another Orbit

April 27th, 2015

There were no new releases to chart this week. However, there was a new film in top spot, or to be more accurate, a returning film in top spot. The Hobbit: The Battle of the Five Armies reclaimed first place with 109,000 units / $1.63 million for the week, giving it totals of 1.06 million units / $15.82 million after three weeks of release. More...

DVD Sales: Ray of Sunshine for Dark Skies

June 23rd, 2013

New releases were really weak with only one reaching the top ten on the DVD sales chart. That film was Dark Skies, which opened in first place with 136,000 units / $2.04 million. This is actually a little better than expected, given its box office numbers. More...

2011 Holiday Gift Guide: Part I

November 23rd, 2011

This weekend is Thanksgiving and as always that means Black Friday and Cyber Monday plus 48 hours of shopping in-between. And as always, I've already done my Christmas shopping, for the most part. (I'm still waiting to see if the B.C.Lions win the Grey Cup. If not, I'll need to look for an alternative gift.) For everyone else who is still searching, we present the first part in our annual Holiday Gift Guide. As usual, the gift guide is divided into several sections, starting with Major Movie Releases. These are first run releases, franchise box sets, etc. However, before we get into the individual titles, we will start with an update on... More...

DVD Sales: Just Plain Bad

November 1st, 2011

The top of the DVD sales chart was the weakest it's been since August, as Bad Teacher was the number one selling DVD with just 265,000 units sold and $4.71 million in opening week revenue. More...

Blu-ray Sales: Green Lantern can't Dethrone Lion King

October 26th, 2011

Despite the presence of four new releases in the top ten on the Blu-ray sales chart, none were able to overtake The Lion King for top spot. It sold an additional 496,000 units generating $12.39 million for totals of 2.03 million units / $57.86 million after two weeks of release. More...

DVD Sales: The Top of the Chart Looks Quite Horrible

October 25th, 2011

The top of the DVD sales chart was the weakest its been in more than a month and no new release was able to top 500,000 units sold. Horrible Bosses came the closest with 451,000 units / $6.89 million. More...

Blu-ray Sales: King Begins Reign of the Century

October 19th, 2011

A pair of powerful new releases helped push the Blu-ray sales chart to record levels. The Lion King led the way with 1.57 million units sold, earning $46.46 million. If you add in The Trilogy Box Set, which sold 44,000 units / $3.33 million, the film earned nearly $50 million in opening week sales. I wasn't expecting it to sell this well. More...

DVD Sales: Fast Five Takes Checkered Flag

October 18th, 2011

The list of new releases to reach the top 30 on this week's DVD sales chart was short with only two such DVDs. This does include a new number one film, Fast Five, which sold 851,000 units while generating $13.92 million during its first week of release. More...

International Box Office: Snakes Swallow Smurfs

October 6th, 2011

The Smurfs were finally knocked off the top spot on the international chart, falling prey to The Sorcerer And The White Snake. This Chinese film opened in a trio of markets earning $15.88 million, but no other details were released. More...

DVD and Blu-ray Releases for October 4th, 2011

October 5th, 2011

It's a maddening week on the home market. There were more than a dozen featured reviews this week, and what seems like an equal number that are late. (And that's not mentioning the more than a dozen Blu-rays and DVDs that arrived late last week that I still haven't gotten to. At least I don't have to worry about not having enough to do for the next few weeks.) There were a number of contenders for Pick of the Week, including The Walking Dead: Season One on DVD or Blu-ray. But in the end I choose The Lion King Blu-ray Combo Pack. More...

Featured Blu-ray / DVD Review: Fast Five

October 2nd, 2011

I don't have high expectations for Fast Five. It did help start the summer blockbuster season a week early this year and ended with $200 million domestically and $600 million worldwide, but I don't expect the plot, the acting, the dialog to be selling points. All I expect is a fun popcorn flick. However, I recently reviewed Transformers: Dark of the Moon, and with that film I was also only expecting a fun popcorn flick, but I was disappointed. Will Fast Five be a more satisfying romp? Or will it too fall for the trap of caring more about the humans than the machines? More...

International Box Office: Stranger Tides Sweeps Away More Records

June 8th, 2011

I think it is not unfair to call Pirates of the Caribbean: On Stranger Tides a disappointment domestically, as it seems very likely that it won't match its hefty production budget, while it is practically guaranteed it will be the weakest installment in the franchise. On the other hand, the film is breaking records internationally. This weekend it tied the record for the fastest film to reach $600 million internationally, which was previously set by Avatar at just 19 days. It also became the fastest to reach $700 million worldwide at 16 days. This weekend its haul was down to $70.78 million on 15,962 screens in 69 markets for a total of $601.58 million internationally and $791.78 million worldwide, but that was enough to earn first place for the third weekend in a row. The film's biggest market of the weekend was Japan where it made $8.63 million on 802 screens, giving it a total of $62.75 million after just three weeks of release. More...

Weekend Wrap-up: First Place for First Class, But Will It Last?

June 6th, 2011

It wasn't exactly a disappointing weekend at the box office, but we did see the overall box office fall closer to the low end of expectations. With $160 million over the weekend, the box office was down 28% from the Friday-through-Sunday portion of the Memorial Day long weekend. However, it was up 24% from this weekend last year. Year-to-date, 2011 now has pulled in $4.23 billion, compared to $4.55 billion for last year. 2011 is still in a massive hole, but at least there's a chance we can close the gap, while reaching $10 billion in total for the year has become a lot more likely. More...

International Box Office: Two plus Two can't top Four

June 2nd, 2011

The fourth installment of the Pirates of the Caribbean franchise, On Stranger Tides, held off a pair of sequels on the international chart with $122.8 million on 18,000 screens in 65 markets for a total of $470.8 million internationally and $623.7 million worldwide. It tied the record for fastest film to reach $600 million worldwide, which was previously set by At World's End at 12 days. Its biggest single market of the weekend was Japan, where it was down just 8% from its opening weekend with $13.75 million on 800 screens over the weekend for a total of $44.57 million after two. It also cracked $10 million in Germany ($11.16 million on 820 screens for a total of $35.26 million) and in Russia ($10.62 million on 1716 screens over a total of 49.87 million). At this pace, it is likely that the film has already topped the final figure for Curse of the Black Pearl, while $600 million internationally and $900 million worldwide is not out of the question. More...

International Box Office: Pirates Sink Competition, Plunder Box Office

May 25th, 2011

While Pirates of the Caribbean: On Stranger Tides opened on the low end of expectations domestically, it broke records internationally with $222.03 million on 18,210 screens in 65 markets over the weekend for a total opening of $260.43 million. This is the largest ever international opening, and adding in its domestic debut, the film has $350.58 million worldwide. Its biggest single market was Russia, surprisingly, with $26.75 million on 1,716 screens over the weekend for a total opening of $31.42 million. That's more than At World's End earned in that market in total. The film also reportedly earned $20 million during its debut in China, but further details are not available. More...

Pirates Pillage the Box Office

May 23rd, 2011

We had a reason to celebrate this weekend as On Stranger Tides had the best opening of any film so far in 2011, even if it was a little weaker than expected. This helped the overall box office grow nearly 20% from last weekend to $167 million, which is 12% higher than the same weekend last year. Year-to-date, 2011 is still behind 2010 by $3.65 billion to $4.13 billion, but the gap is down to 11.6% and the box office is moving in the right direction. More...

Weekend Predictions: Will a Strange Tide Lift the Box Office?

May 19th, 2011

Not to put too fine a point on it, but so far 2011 has been a terrible year at the box office. Granted, the past month or so have been better, but if we were to extrapolate the total box office based on how we've done so far, we'd have the worst year in a decade in terms of dollars, and way longer than that in terms of tickets sold. This really should change this weekend with the release of On Stranger Tides, which should earn more than Shrek Forever After, last year's number one film, with relative ease. In fact, it might earn more than the top five combined did last year. More...

International Box Office: Fast Five Laps Competition

May 18th, 2011

Fast Five remained in top spot on the international chart with $58.34 million on 8,819 screens in 61 markets for totals of $272.24 million internationally and $441.93 million worldwide. The film's only major market opening was in China, where it grabbed $9.1 million, which was easily enough for first place. It remained in first place in France ($4.97 million on 500 screens) and in Mexico ($4.77 million on 1,003) while it now has $15.17 million and $17.22 million in those two markets respectively. Its biggest market so far has been Russia, where it has earned $27.39 million after three weeks of release, including $2.53 million on 752 screens this past weekend. At this point, $600 million worldwide is becoming very likely, even with few additional markets left to open in. In fact, its next major market is Japan, but it doesn't open there till October. More...

Weekend Wrap-Up: Thor and Bridesmaids Spark Surprise Win

May 16th, 2011

A stronger than expected hold by Thor and a better than expected debut by Bridesmaids helped 2011 earn a surprise win in the year-over-year comparison. Granted, with an overall haul of $140 million, it was 16% lower than last weekend, but it topped the same weekend last year... By less than $1 million. Hey, a win is a win and I'll take it. Year-to-date, 2011 is still behind 2010 by $500 million at $3.44 billion to $3.94 billion, but we could see that gap close next weekend. More...

Weekend Estimates: Thor Tops Strong Opening for Bridesmaids

May 15th, 2011

A bigger-than-expected opening for Bridesmaids gave the market a welcome shot in the arm this weekend, according to studio estimates. While the comedy didn't top the weekend, it did top most predictions (although C.S. just about nailed it in his Friday column) with an estimated debut of $24.4 million, continuing an excellent run for Universal after a long stretch of under-performance. Thor remained top of the chart though, and will drop a respectable 47% according to Paramount's figures. That puts it on track for about $170 million in total, which isn't bad for the first outing in a franchise, although hardly record-breaking. More...

Weekend Predictions: Lightning Likely to Strike Twice

May 12th, 2011

With no blockbuster releases this weekend, Thor seems set to repeat at the box office champion. This will likely result in a pretty big decline from last weekend's total box office, and there's almost no chance the box office will keep pace with last year. Hopefully next weekend things will turn around.

Thor has to deal with direct competition and the Fanboy Effect this weekend. On the positive side, it also has strong reviews and neither of the new films are expected to be monster hits. The combination of factors makes a 50% drop-off likely, while a fall as much as 60% would not be a large surprise. More...

International Box Office: Fast Five Takes Pole Position

May 11th, 2011

Fast Five expanded worldwide and stormed into first place with $85.77 million on 7,363 screens in 58 markets for a total of $184.54 million internationally and $324.32 million worldwide. This is the biggest international weekend for an Universal film ever, just edging out King Kong's debut. It opened in 44 markets, finishing in first place in all of them. Highlights include France with $9.13 million on 500 screens, Mexico with $6.99 million on 1,743, Brazil with $4.85 million on 517, and Italy with $4.78 million on 533 screens over the weekend and $7.04 million in total. Meanwhile, the film held onto first place in Russia with $5.15 million on 1,100 screens over the weekend for a massive total of $22.64 million after two and it also repeated on top in Germany with $4.61 million on 645 screens over the weekend for a total of $16.72 million, also after two. Finally, the film completed the hattrick in Australia, leading the way for the third weekend in a row, with $1.97 million on 349 screens over the weekend lifting its total to $23.11 million. Fast Five doesn't have many more markets left to open in, but it is already an overwhelming success, so the studio should be ecstatic, so much so that extending the franchise is practically guaranteed at this point. More...

Per Theater Chart: Thor's Lonely on Top

May 10th, 2011

Thor was the only film to top the $10,000 mark on the per theater chart with an average of $16,618 in just under 4,000 theaters. Fast Five did come reasonably close to that mark with an average of $8,860, while the best limited release was Cave of Forgotten Dreams with $8,059. More...

Thor Thunders to the Top

May 9th, 2011

There were reasons to celebrate the opening weekend of summer, even if it didn't get off to the best opening in recent memory. Thor took top spot, but its opening weekend was the weakest for the start of summer since Mission: Impossible: III kicked things off in 2006. The overall box office was up 5% from last weekend to $167 million, but that was 7% lower than the same weekend last year. However, this time last year the biggest film was Iron Man 2, which had the biggest opening of the year, so falling being by just 7% is not a bad result. Year-to-date, 2011 is behind 2010 by 13% at $3.25 billion to $3.75 billion, but hopefully in a couple of weeks we can start seeing that gap close. More...

Weekend Preview: Hammer Time!

May 5th, 2011

Box office watchers are looking at the second potential monster hit opening in as many weeks and many are hoping Thor can maintain the pace set last weekend by Fast Five. It's unlikely Thor will open with as much as Fast Five did, but perhaps the two films as a one-two punch can help 2011 keep pace with last year. More...

International Box Office: Thor Nears Century Mark in Opening

May 4th, 2011

Thor began its international run in earnest this weekend and it screamed into first place with $89.16 million on 8,401 screens in 54 markets for a total of $98.92 million. It scored a first place $8.99 million opening on 500 screens in the U.K., which was its biggest opening. However, it was arguably better in Mexico with $7.06 million on 1664 screens, as that market is smaller. It also opened in first place in France with $7.05 million on 608 screens and in Brazil with $5.34 million on 557 screens. It opened a few days early in South Korea and in Italy, but still earned first place in both with total openings of $5.93 million on 555 screens and $5.46 million on 581 screens respectively. More...

Contest: Cinq Rapide: Winning Announcement

May 3rd, 2011

The winners of our Cinq Rapide contest were determined and they are... More...

IMAX: Fast Five Revs Up on IMAX

May 3rd, 2011

The overall weakness at the box office has hurt IMAX films substantially as the first quarter revenue was $45.2 million, compared to $72.8 million from the same period last year. However, Fast Five showed that when there is a reason to go, people are still interested in IMAX. The film earned $8.3 million on just 243 IMAX screens, giving the film an opening per screen average of $34,000. And with Thor opening this Friday, IMAX theaters should be buzzing again this weekend. More...

Cave has Memorable Start on the Per Theater Chart

May 3rd, 2011

Cave of Forgotten Dreams had the best per theater average for any Werner Herzog film with an average of $27,820. The 3-D ticket prices helped, but so did the reviews. The overall number one film, Fast Five, was in second place on the per theater chart with an average of $23,655, which is a stunning result. The only other film to reach the $10,000 mark was 13 Assassins with an average of $11,464 in four theaters. More...

Fast Five Laps Competition

May 2nd, 2011

There's finally reason to celebrate at the box office as Fast Five surpassed even the high end expectations and helped the overall box office numbers to their best levels of the year at $159 million. This was up 17% from last weekend and was a stunning 56% improvement over the same weekend last year. Granted, 2011 still lags behind 2010 by $500 million at $3.04 billion to $3.54 billion, but this is great news in the short term, and perhaps its a sign of strength to come. More...

Weekend Estimates: Fast Five Has Biggest 2011 Opening By Miles

May 1st, 2011

After four months fretting about poor box office performance, we finally have an out-and-out success to celebrate. Fast Five has opened with an estimated $83.6 million, according to Universal's figures released on Sunday, which makes it not only the biggest opener of the year (with more than double the debut of the previous record-holder, Rio), but will take the record for the biggest weekend in April, topping the previous entry in the franchise, Fast & Furious (see top April weekends). Perhaps the message in all this is not so much that the industry is dying as that moviegoers haven't had anything to get excited about. More...

Weekend Predictions: Going for the Hat Trick

April 28th, 2011

Analysts are optimistic this week, and for good reason. Not only is one of the most anticipated films of the spring opening this week, it is opening with better than expected reviews and with buzz that is growing at the right time. There's an outside chance that the number one film this year will earn more than the top ten films earned this weekend last year. Even if the top film misses expectations by a 50% margin, 2011 should still earn its third victory in a row in the year-over-year comparison. More...

International Box Office: Rio Dominates While Reaching A New Milestone

April 27th, 2011

Rio is the first film of 2011 to top $200 million on the international chart, reaching that milestone late in the weekend. It earned $44.27 million on 12,901 screens in 67 markets for a three-week total of $206.01 million internationally and $286.82 million worldwide. The film didn't open in any major markets this past weekend, but that clearly didn't hurt too badly, as the holds were excellent. For instance, the film was down just 10% in Brazil, earning $6.65 million on 971 screens for a total of $31.19 million. To put this into perspective, Avatar made less than $60 million in that market in total, and only had just over $20 million after three weeks of release. At this pace, $300 million internationally and $400 million worldwide is easily within reach. More...

Contest: Cinq Rapide

April 22nd, 2011

There are three or four wide releases coming out next weekend, but only one of them, Fast Five, has any real shot at top spot and it is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Fast Five. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of The Backyardigans: Join The Adventures' Club on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of The Backyardigans: Robot Repairman on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2011 Preview: April

April 1st, 2011

Another month has gone by and 2011 has slipped further behind 2010's pace. March was a bit of an improvement over the first two months, but only in the most generous of terms. It still lost ground to 2010, but not at the same disastrous pace as January and February did. There is some good news, as last April was rather weak and there's a chance 2011 could actually gain ground. After all, only Clash of the Titans earned $100 million last year (although Date Night came awfully close). This year, there are three or four films that could hit the century mark. That would be welcome news indeed. On a side note, April is usually a bit of a dumping ground as studios fear going head-to-head with summer blockbusters opening in May. However, I get the feeling that this year they are hoping to extend summer by having it open a couple of weeks early. Maybe they'll succeed. More...

IMAX Was Seeing Double

January 4th, 2011

IMAX released their 2010 numbers and they had a lot of reasons to celebrate, more than 500 million of them. Total worldwide revenues doubled from their previous record of $270 million in 2009 to $546 million in 2010. This is partially due to increased market penetration, especially internationally (international revenue tripled from $70 million to $212 million) but their per theater revenue also grew by an impressive 50%. Revenue for the fourth quarter was also up compared to last year, but by a tiny margin at $102 to $101 million. However, this should be considered a solid result, as last year was boosted by Avatar, and there was nothing that came close to matching its box office this year. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2023/04/28 - $696   1 $696   $16,921,261 1
2023/05/05 - $546 -22% 1 $546   $16,733,705 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/27/2023 $696 1 1 2 $16,733,705 5/8/2023
New Zealand 4/21/2011 $0 0 14 14 $2,335 5/24/2021
North America 4/29/2011 $86,198,765 3,644 3,793 23,595 $210,031,325 2/22/2021
 
Rest of World $403,208,533
 
Worldwide Total$629,975,898 5/8/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Vin Diesel    Dominic Toretto
Paul Walker    Brian O'Conner
Dwayne Johnson    Hobbs

Supporting Cast

Jordana Brewster    Mia
Tyrese Gibson    Roman
Chris ‘Ludacris’ Bridges    Tej
Matt Schulze    Vince
Sung Kang    Han
Gal Gadot    Gisele
Tego Calderon    Leo
Don Omar    Santos
Joaquim de Almeida    Reyes
Elsa Pataky    Elena
Michael Irby    Zizi
Fernando Chien    Wilkes
Alimi Ballard    Fusco
Yorgo Constantine    Chato
Geoff Meed    Macroy
Joseph Melendez    Chief of Police Alemeida
Jeirmarie Osorio    Rosa
Mark Hicks    Capa
Esteban Cueto    Berto
Corey Eubanks    Lanzo
Luis Dasilva, Jr.    Diogo
Luis Gonzaga    Cash House Door Guard
Carlos Sanchez    Evidence Technician
Ben Blankenship    Lead DEA Agent
Pedro Garcia    Conductor
Arturo Gaskins    Croupier
Jay Jackson    Field Reporters
Arlene Santana    Field Reporter
Kent Shocknek    News Anchor
Sharon Tay    News Anchor
Andy Rosa Adler    News Anchor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Justin Lin    Director
Chris Morgan    Screenwriter
Neal H. Moritz    Producer
Vin Diesel    Producer
Michael Fottrell    Producer
Gary Scott Thompson    Character Creator
Amanda Lewis    Executive Producer
Stephen F. Windon    Director of Photography
Peter Wenham    Production Designer
Christian Wagner    Editor
Kelly Matsumoto    Editor
Fred Raskin    Editor
Sanja Milkovic Hays    Costume Designer
Debra Zane    Casting Director
Brian Tyler    Composer
Fernando Serzedelo    Line Producer
Vincent Lascoumes    Assistant Director
Malu Miranda    Assistant Director
Spiro Razatos    Second Unit Director
Alexander Witt    Second Unit Director
Michael Fottrell    Unit Production Manager
Fernando Zagallo    Production Manager
Thomas Hayslip    Production Supervisor
Thomas Valentine    Supervising Art Director
Andrew Neskorommy    Art Director
Beat Frutiger    Art Director
Robert Kensinger    Set Decorator
Monica Costa    Set Decorator
Igor Meglic    Second Unit Camera
Michael J. Wassel    Visual Effects Supervisor
R. Bruce Steinheimer    Special Effects Coordinator
Nick Scarano    Costume Supervisor
Gladyris Silva    Costume Supervisor
Whit Norris    Sound Mixer
Jorge Saldanha    Sound Mixer
Jon Taylor    Re-recording Mixer
Frank A. Montano    Re-recording Mixer
Peter Brown    Supervising Sound Editor
Tim Walston    Sound Effects Editor
Charles Maynes    Sound Effects Editor
Peter Brown    Sound Designer
Glynna Grimala    Sound Designer
Ann Scibelli    Sound Designer
Stephen Robinson    Sound Designer
Peter Staubli    Sound Designer
Anna Mackenzie    Supervising Dialogue Editor
Laura Harris Atkinson    Dialogue Editor
Sheri Ozeki    Music Editor
Joe Lisanti    Music Editor
John Blake    Make up
James Mackinnon    Make up
Joani Yarbrough    Hairstylist
Jo Jo Stephens    Hairstylist
Mike Gunther    Stunt Coordinator
Troy Robinson    Stunt Coordinator
Spiro Razatos    Stunt Coordinator
Jack Gill    Second Unit Stunt Coordinator
Kelvin McIlwain    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.