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France Box Office for Ice Age: Continental Drift (2012)

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Ice Age: Continental Drift poster
Theatrical Performance (US$)
France Box Office $55,073,360Details
Worldwide Box Office $879,765,137Details
Home Market Performance
North America DVD Sales $43,485,576 Details
North America Blu-ray Sales $20,073,745 Details
Total North America Video Sales $63,559,321
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer


Scrat's nutty pursuit of the cursed acorn, which he's been after since the dawn of time, has world-changing consequences - a continental cataclysm that triggers the greatest adventure of all for Manny, Diego and Sid. In the wake of these upheavals, Sid reunites with his cantankerous Granny, and the herd encounters a ragtag menagerie of seafaring pirates determined to stop them from returning home.


Movie Details

Production Budget:$95,000,000
France Releases: June 27th, 2012 (Wide)
Video Release: December 11th, 2012 by Fox Home Entertainment
MPAA Rating: PG for mild rude humor and action/peril.
(Rating bulletin 2224, 5/23/2012)
Running Time: 87 minutes
Franchise: Ice Age
Keywords: Animal Lead, Talking Animals, 3-D, Pirates, On a Boat, Prehistoric Times, Prologue, Epilogue, Intertitle, Dysfunctional Family, Letting Go, Disaster, Hallucinations, Revenge, Romance, Relationships Gone Wrong, Coming of Age, Scene in End Credits
Source:Original Screenplay
Production Method:Digital Animation
Creative Type:Fantasy
Production Companies: 20th Century Fox, Blue Sky Studios
Production Countries: United States

DVD Sales: New Year, Old Releases

February 5th, 2013

This week is a little confusing on the home market, as there are two weeks of new releases to deal with. (Because Christmas landed on a Tuesday, new releases were spread throughout the week, including some the following Monday.) One of the old new releases topped the DVD sales chart, as Looper sold 553,000 units and generated $9.71 million during its first full week on the home market. This is better than I was expecting. More...

DVD Sales: New Releases Take a Holiday

January 29th, 2013

New releases were even weaker than expected and none of them reached the top 30 of the DVD sales chart. The top five were identical to last week with Ted earning top spot for the third weekend in a row. It sold an additional 714,000 units generating $12.44 million in sales giving it totals of 3.42 million units / $57.68 million after three weeks of releases. More...

Blu-ray Sales: New Releases are Far From Perfect

January 25th, 2013

There were plenty of new releases to chart this week, but none of them were able to top the Blu-ray sales chart. In fact, most missed the top ten. This left Ted on top for the second weekend in a row with 558,000 units / $13.93 million giving it totals of 1.86 million units / $39.92 million after two. These are amazing Blu-ray totals for a comedy. More...

DVD Sales: Ted Takes Down the Competition

January 23rd, 2013

While there were a number of new releases to reach the to 30 of the DVD sales chart this week, Ted was able to remain in first place. It sold an additional 1.04 million units while generating $18.59 million, lifting its totals to 2.71 million units / $45.24 million after two weeks of release. More...

Blu-ray Sales: Ted Loves Being High (Definition)

January 22nd, 2013

Like it did on the DVD sales chart, Ted led a trio of new releases that placed high on the Blu-ray sales chart. The film earned first place with 1.28 million units / $25.64 million for an opening week Blu-ray share of 43%. That's very strong for a comedy, even one aimed at the prime demographic for Blu-ray. More...

DVD Sales: Ted Knocks Out Batman

January 22nd, 2013

Ted led a trio of new releases that placed high on the DVD sales chart. It earned first place with 1.67 million units and $26.66 million, which was better than I anticipated. More...

DVD and Blu-ray Releases for December 25th, 2012

December 22nd, 2012

This year, Christmas day lands on the Tuesday, so it should come as no surprise there are not a lot of DVDs or Blu-ray coming out that day, or over the next week. (There are some films in this week's list that are definitely fillers, plus two late reviews, and I still could only get to a dozen releases.) However, there are some coming out during the week that are of interest and there are two that would be contenders for Pick of the Week in all but the busiest weeks. Justified: The Complete Third Season on DVD or Blu-ray is one such contender. However, in the end I went with Looper on DVD or Blu-ray as Pick of the Week. More...

DVD and Blu-ray Releases for December 11th, 2012

December 10th, 2012

It's a terrible week on the home market from top to bottom, but for different reasons. There are a few really big releases at the top, Ted, Ice Age: Continental Drift, The Bourne Legacy, Girls: Season One, Futurama: Volume Seven. However, I am waiting for the final screener for all of them. (I did get a DVD screener for a couple.) After that glut of good releases, there's a sharp drop-off in sales potential. That doesn't mean there aren't other releases worth picking up, but I don't expect Following to sell 100,000 units on DVD or Blu-ray. It is the best release on this week's list and the winner of the Pick of the Week honor. On a side note, there are a ton of cheap releases with the word, "Django" in the title, obviously hoping to cash in on Django Unchained. There are also a lot of releases that I would describe as porn, or at least porn-lite. I assume those two trends are unrelated. More...

Featured DVD / Blu-ray Review: Ice Age: Continental Drift

December 9th, 2012

I've seen all of the Ice Age films. I thought the first film was great and the second film was good, but I thought the third film was only average for a kids film. Will the franchise bounce back with Ice Age: Continental Drift? Or will the fourth film continue the decline? More...

International Box Office: Taken Over the Top

October 11th, 2012

Taken 2 was just as strong internationally as it was domestically earning first place with $55.23 million on 6,319 screens in 50 markets for a total of $66.79 million. The film had a trio of first place openings in major markets, starting with the U.K. with $11.85 million on 506 screens. It also opened in first place in France with $8.29 million on 561 screens and in Australia with $7.92 million on 246. On the other hand, the film had to settle for second place in Mexico with $2.54 million on 930 screens, in Russia with $2.00 million on 750, and in Spain with $1.24 million on 320. More...

International Box Office: Looper Leads, But Not as Lively

October 4th, 2012

Well... we found out why the Chinese box office numbers were extra late this week. There was an accounting error in Looper's previously reported numbers and it took time to sort things out. Instead of making $23 million to $25 million, it made about $6 million. That's actually still really good and better than it performed here, relative to the size of the two markets, but it wasn't a monster hit. The wide gap in the initial reported number and the final figure is an embarrassment, but hopefully it will spur China to build the infrastructure needed to collect box office data faster and more accurately. China might be the most important international market, but studios can't invest money into making movies aimed more at a Chinese market if they can't trust the box office numbers they get. The other numbers we had were accurate leading to a total weekend haul of $22.85 million on 2,506 million in 17 markets. It wasn't a hit in all of them, as it only managed third place in Brazil with $955,000 on 332 screens. The film is just starting its international run, so it is hard to predict where it will end up, but so far most signs are very positive. More...

International Box Office: Looper Leaps to the Top

October 4th, 2012

It looks like International numbers will be late this week, for reasons I hinted at earlier. Looper won the weekend race, but about two thirds of its opening weekend haul came from China which is notoriously slow for getting final box office numbers. (The same used to be true of Russia, but they've gotten a lot better.) Overall it is estimated the film made $36 million, including China, with first place openings in Russia ($5.09 million on 1,010 screens) and the U.K. ($3.92 million on 449). Resident Evil: Retribution was knocked to second place after two weeks on top, but held strong with $21.1 million over the weekend for running tally of $136.9 million after three. Finally, Ice Age: Continental Drift became the highest grossing animated film at the international box office and is on pace to become the first animated film to cross $700 million. More information will come when the weekend final numbers are out. More...

International Box Office: Expendables Brave the Competition

August 29th, 2012

The Expendables 2 remained in first place with $25.96 million on 5,672 screens in 33 markets for a total of $66.76 million. It debuted in first place in Spain with $2.45 million on 459 screens, which is significantly more than the original made in Spain when it opened. Meanwhile, it added $3.13 million on 815 screens in Russia, for a total of $14.22 million after two weeks of release in that market. This is more than its predecessor earned in total in Russia. More...

International Box Office: International Box Office is Essential for The Expendables

August 23rd, 2012

The Expendables 2 earned first place during its international debut with $23.01 million on 3,741 screens in 19 markets. It was led by Russia where it made $8.12 million on 804 during its opening weekend. It also topped the chart in Mexico ($3.32 million on 1,249) and in Italy ($1.91 million on 379). It only managed fourth place in the U.K. with $3.12 million on 451 screens. By comparison, The Expendables earned much less in Russia, Mexico, and Italy, but much more in the U.K. Overall, the sequel has made a little more than its predecessor, but it is too soon to tell where it will end up. More...

International Box Office: Rising to Another Milestone

August 15th, 2012

The Dark Knight Rises remained in first place with $35.1 million on 12,000 screens in 58 markets over the weekend. After nearly a month in release, it has $446.6 million internationally and $836.2 million worldwide. It became just the 33rd film to reach $800 million worldwide. The film had no major market openings this past weekend, but has yet to open in Italy, while it should have enough left to get to $900 million with relative ease, getting to $1 billion will be a whole lot harder. More...

International Box Office: Rises Remains Top Draw

August 8th, 2012

The Dark Knight Rises held onto first place with $66.7 million on 15,400 screens in 58 markets lifting its totals to $378.1 million internationally and $732.0 million worldwide. Since last week, it cracked $300 million internationally and became just the 49th film to reach $700 million worldwide. The film had no major market openings this past weekend, but still finished in first place in Mexico with $5.38 million on 2,370 screens and in Brazil with $4.76 million on 904 screens. In those two markets, it has two-week totals of $21.28 million and $15.28 million respectively. It was forced into second place in the U.K., but earned $6.67 million on 567 screens over the weekend for a total of $63.53 million after two. The film still has a few markets left to open in, including Italy, so it isn't quite done yet. More...

Weekend Wrap-Up: New Releases Can't Rise to the Occasion

August 6th, 2012

As I've mentioned before, for a film to repeat at the top of the box office, it generally just needs to earn a massive opening and to avoid a big fall during its sophomore stint. However, for a film to earn first place at the box office three times in a row, it needs help from weak new releases. This is certainly the case with The Dark Knight Rises. Granted, it did hold on better than expected this weekend, but the two new releases, Total Recall and Diary of a Wimpy Kid: Dog Days, were so far behind that The Dark Knight Rises would have won with ease, even if it just missed expectations. The weakness in the new releases resulted in the overall box office falling 8.5% from last week to just $123 million. More importantly, this was 27% lower than the same weekend last year. 2012 is still head of 2011's pace, but the margin has been reduced to just 4.2% at $6.80 billion to $6.53 billion. If things don't turn around soon, 2012 might relinquish its lead before the end of the year. More...

Weekend Predictions: Will Dark Knight Complete Threepeat, or Will Recall Rise to the Top?

August 2nd, 2012

The Dark Knight Rises should have a relatively easy time earning first place this weekend, but the new releases are stronger than last week. There are some that think Total Recall will earn first place, but there are also some who think it won't open with as much as the original opened with, despite more than 20 years of inflation and a change in the business that favors bigger opening weekends. Diary of a Wimpy Kid: Dog Days is playing counter-programming and while there's not a lot of direct competition in theaters, it is still aiming for a midlevel hit, and no more. Last year, Rise of the Planet of the Apes opened with more than $54 million and there's really no chance that will be replicated this weekend and August will very likely start out on a losing note. More...

International Box Office: Dark Knight Rises Rises in Sophomore Stint

August 2nd, 2012

The Dark Knight Rises overall numbers are still limited to studio estimates, but it was clearly the best film of the weekend with $126.2 million on 17,200 screens in 57 markets for a total of $252.0 million internationally and $539.1 million worldwide. Its best new market was France, where it made $10.91 million on 892 screens. It also dominated the box office in Mexico with $9.75 million on 2,765 screens and in Germany with $9.40 million on 718 screens over the weekend for a total opening of $11.40 million. Russia was close behind with $8.33 million on 1,312 screens. The film also earned first place in Brazil, but with $6.70 million on 944, which is a little more subdued, while it missed top spot in Japan with $4.76 million on 546 screens over the weekend for a total opening of $5.82 million. The film remained in first place in the U.K. with $11.42 million on 589 screens over the weekend for a two-week total of $47.96 million. It also remained champion in Australia with $7.77 million on 628 screens over the weekend for a total of $28.00 million after two. On the other hand, it was pushed into second place in South Korea with $5.93 million on 807 screens over the weekend for a total of $27.67 million after two. So far, The Dark Knight Rises has been about on par with Ice Age: Continental Drift, maybe a little behind that film's pace, and it is on track to earn close to $600 million internationally and about $1 billion worldwide. This is a fantastic result, but still below expectations. More...

Weekend Wrap-Up: Rises Sinks, Watch Unseen

July 30th, 2012

That was a pretty bad week. The Dark Knight Rises fell faster than most people were expecting while The Watch flopped. Step Up Revolution came very close to matching expectations, but it was expected to struggle, so that's not saying much. Overall, the box office fell 42% from last week to $134 million, which was 25% lower than the same weekend last year. The swings we've seen at the box office are erratic, to be polite, but at least 2012 remains ahead of 2011, even if the margin shrunk to 5.5% at $6.61 billion to $6.27 billion. More...

Weekend Predictions: Dark Knight Set to Dominate Again

July 26th, 2012

There's little doubt that The Dark Knight Rises will repeat as the box office champion this weekend. There are some questions regarding how much it will dominate the box office. Will it continue to match The Dark Knight's pace? Will it show the same legs as The Avengers did earlier this summer? Or will it collapse like Harry Potter and the Deathly Hallows, Part II did? There are also a few, very few, asking questions about The Watch and Step Up Revolution. Both films are opening wide, but neither film looks like it will be able to get anywhere beyond a midlevel hit and they are very unlikely to match last year's two wide releases, Cowboys and Aliens and The Smurfs. Fortunately, The Dark Knight Rises should earn enough to ensure a win in the year-over-year comparison. More...

International Box Office: Dark Knight's Limited Release Roars to the Top

July 26th, 2012

Some international numbers were late in reporting, others are still limited to studio estimates, but it is clear which film came out on top. The Dark Knight Rises only opened in 17 markets, but that was still enough to earn first place during its first weekend in international release. It managed $88 million on 7,173 screens in those 17 markets, with the U.K. leading the way with $22.23 million on 594 screens. South Korea was next with $15.65 million on 1,210 (including $12.90 million over the weekend proper), while Australia was right behind with $15.50 million on 628. It was not quite as potent in Spain, but it still earned first place with $4.17 million on 624 screens. The film will more than triple its market count this coming weekend with debuts in France, Russia, Brazil, Mexico, Japan, and many smaller markets, so it should rise even further. More...

Weekend Wrap-Up: Knight Rise, but Overshadowed by Darkness

July 23rd, 2012

There was tragedy over the weekend at a midnight showing of The Dark Knight Rises, which is clearly a more important story than any box office numbers. However, we try to avoid politics here, and try to stick with the numbers, but the two stories might be hard to untangle. As expected, The Dark Knight Rises led the box office, but with a more subdued opening. It failed to match The Avengers's opening from earlier in the summer, but was the biggest from the franchise. It helped propel the overall box office to $230 million, which was 39% higher than last weekend and 21% higher than the same weekend last year. Year-to-date, 2012 now leads 2011 by 6.7% at $6.37 billion to $5.96 billion. More...

Weekend Predictions: How High will The Dark Knight Rise?

July 19th, 2012

The Dark Knight Rises looks to crush the competition at the box office this weekend. No one is wondering if it will be the number one film this weekend. People are wondering if it will have the number one opening of all time. At the beginning the year, I would have put the odds of that happening at about 80%. However, after The Avengers opened with more than $200 million, the chance of The Dark Knight Rises breaking that record is now very slim. It has a better shot at earning more than the entire box office this weekend last year, or about $191 million. The odds of 2012 winning in the year-over-year comparison is nearly 100%. More...

International Box Office: International Releases hit an Iceberg

July 18th, 2012

Ice Age: Continental Drift returned to top spot with $97.56 million on 14,354 screens in 64 markets for totals of $339.21 million internationally and $385.84 million worldwide. The film opened in first place in the U.K. with $15.66 million on 522 screens over the weekend for a total opening of $20.27 million, including previews. It was just as powerful in Russia with $16.86 million on 2,090 screens. The film grew by 9% in Germany to $12.16 million on 825 screens over the weekend for a total of $31.20 million after two weeks of release. The film doesn't have a lot of markets left to open in, but it has already made enough to pay for its production budget and likely has covered a large chunk of its P&A budget. More...

Contest: Rising Water: Winning Announcement

July 18th, 2012

The winners of our Rising Water contest were determined and they are... More...

2016 is the Future of the Per Theater Chart

July 17th, 2012

One of two Obama related films topped the per theater chart this past weekend. 2016 earned $31,610 in its lone theater, which suggests potential to earn some measure of mainstream success; however, documentaries rarely get too far. The Imposter earned $22,379, also in one theater. This also suggests some potential, but again, it is a documentary. Easy Money earned an average of $12,342 in two theaters, while Ice Age: Continental Drift was right behind with an average of $12,015. More...

Weekend Wrap-Up: Ice Age off to a Cold Start

July 16th, 2012

Ice Age: Continental Drift opened on the low end of expectations. The rest of the top five did better than predicted, but that wasn't enough to compensate and the overall box office fell 16% from last weekend to $165 million. This was 37% lower than the same weekend last year, and less than Harry Potter and the Deathly Hallows: Part II opened with. 2012 is still ahead of 2011, even if the margin is down to 6.6% at $6.05 billion to $5.68 million. The box office should bounce back next weekend with the release of The Dark Knight Rises. More...

Weekend Estimates: Ice Age Delivers Cool $46 Million

July 15th, 2012

Ice Age: Continental Drift will deliver a very solid $46 million over the weekend, according to Fox's Sunday morning estimate. While that's down quite a bit from the franchise's high point, The Meltdown's $68 million in 2006, it is up from the $41.7 million debut of Dawn of the Dinosaurs. If word-of-mouth is decent enough, the film should enjoy four weeks of relatively light direct competition, and might become the first title from the franchise to top $200 million domestically. Even more encouragingly for Fox, it's living up to the gigantic performances of its predecessors internationally, having already topped $200 million and broken a number of national records. The franchise as a whole has now cruised past $2 billion in global box office receipts and stands behind only Shrek among animated franchises. More...

Weekend Predictions: Will Ice Age Heat Up the Box Office?

July 12th, 2012

This weekend, Ice Age: Continental Drift has the weekend to itself, at least as far as new wide releases goes. It will still have to deal with holdovers, but The Amazing Spider-Man will likely be in a distant second place. Last year, the number one release was Harry Potter and the Deathly Hallows: Part II, which opened with a then record $169.19 million. Ice Age won't match that. In fact, there's a chance Ice Age won't make that much during its entire run. 2012 box office is going to take a tumble this weekend. More...

International Box Office: Spidey Reboot Ensnares First Place

July 11th, 2012

After a narrow opening last weekend, The Amazing Spider-Man expanded worldwide this weekend taking first place with $127.49 million on 18,343 screens in 74 markets for an early total of $200.86 million internationally and $337.89 million worldwide. If it didn't make another dollar at the box office, it would still likely break even early in its home market run. The film's biggest opening was in the U.K. where it dominated the box office with $17.19 million on 552 screens. That is like opening with about $100 million here. More...

Weekend Estimates: Spider-Man Swings to $140 Million

July 8th, 2012

The Amazing Spider-Man has continued its strong performance through the weekend, adding another $65 million to the $75 million it accumulated through Thursday. Its $140 million total is ahead of Sony's pre-release prediction, but mostly in line with independent analysis. With only Ice Age: Continental Drift opening next weekend, it will have a clear couple of weeks to pick up the teenage crowd and something over $200 million, before being blown away by The Dark Knight Rises on July 20. The weekend's other two debutantes are less amazing. More...

Contest: Rising Waters

July 6th, 2012

Ice Age: Continental Drift broke records during its international debut, which certainly improves its chances here. Additionally, it has the weekend box office to itself, so it could be the biggest animated hit of the year. It is also the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Ice Age: Continental Drift . Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of iCarly: Season Four on DVD. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of The Backyardigans: We Arrrr Pirates! on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

International Box Office: Ice Drifts to the Top

July 5th, 2012

Ice Age: Continental Drift started its international run a little earlier than its domestic run, and if this is any indication, its box office chances here are fantastic. The film pulled in $80.31 million on 9,653 screens in 35 markets. This includes $12.23 million on 2,617 screens over the weekend in Mexico for a total opening there of $13.87 million, which was the third biggest opening of all time in that market. It also made $11.31 million on 841 screens in France, which was the biggest opening of the year. The film dominated Brazil with $6.56 million on 1,004. Its opening in Australia was not quite as strong with $5.02 million on 490 screens over the weekend for a total opening of $6.43 million, but that's still equivalent to $60 million here, given the relative size of the two markets. It broke the record for biggest opening in Argentina at $4.1 million on 284 screens, and did the same in a number of smaller Latin American markets ($3.2 million on 296 in Colombia, $3.1 million on 252 in Peru, etc.). I think its chances of reaching $1 billion worldwide are better than I previously thought. More...

2012 Preview: July

July 1st, 2012

June was not a good month. Of the twelve films that opened wide last month, only four beat expectations by any serious margin, while there were seven that we know will fail to match expectations and one that's too close to call. That's a really bad record. Granted, 2012 still has a huge advantage over 2011, but it did shrink over the month of June. Looking forward to July, we get mixed signals. On the one hand, last July there were two monster hits, Transformers: Dark of the Moon, which I'm considering a July film even though it opened on June 29th, and Harry Potter and the Deathly Hallows, Part 2. Those two films combined earned more than $700 million. This time around the only guaranteed monster hit is The Dark Knight Rises and I don't think there are many analysts bullish enough to think it will make $700 million by itself. That's not to say analysts aren't bullish on the film's chances. Some think it will top The Avengers at the box office. If it fails to reach $500 million, it would be seen as a disappointment. On the other hand, last year there were four other films that topped $100 million, while this year there are only six other films, period, and only two of those, The Amazing Spider-man and Ice Age: Continental Drift, are sure things to hit $100 million. There is a chance The Dark Knight Rises will earn more than the rest of the wide releases earn combined. And if this movie bombs, there's little hope for the rest of the month. But that won't happen, right? More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2012/07/06 1 $9,456,081   841 $11,244   $25,015,648 2
2012/07/13 1 $7,555,672 -20% 841 $8,984   $35,414,984 3
2012/07/20 1 $3,839,833 -49% 841 $4,566   $41,091,692 4
2012/07/27 1 $2,668,347 -31% 841 $3,173   $44,742,976 5
2012/08/10 4 $1,103,267   658 $1,677   $48,810,288 7
2012/08/17 2 $1,019,318 -8% 561 $1,817   $50,420,516 8
2012/08/24 3 $1,108,385 +9% 514 $2,156   $51,922,184 9
2012/08/31 3 $1,200,749 +8% 399 $3,009   $55,073,360 10

Box Office Summary Per Territory

Territory Release
Box Office
Argentina 6/28/2012 $0 0 265 1601 $28,673,312 12/12/2015
Australia 6/28/2012 $4,748,725 490 564 3082 $28,231,990 12/11/2015
Austria 7/2/2012 $1,343,158 100 105 1197 $10,038,187 12/12/2015
Bahrain 6/28/2012 $15,465 1 1 44 $141,036 12/14/2015
Belgium 6/27/2012 $901,852 160 160 1446 $7,446,543 12/12/2015
Bolivia 6/28/2012 $355,311 23 26 192 $1,693,488 12/11/2015
Brazil 6/29/2012 $0 0 899 5868 $44,502,216 12/12/2015
Bulgaria 7/4/2012 $287,917 41 41 391 $1,785,316 12/14/2015
Chile 6/28/2012 $0 0 143 905 $13,783,204 12/12/2015
Colombia 6/29/2012 $0 0 299 1469 $14,009,373 12/12/2015
Croatia 7/5/2012 $0 0 32 452 $1,081,662 12/12/2015
Czech Republic 6/28/2012 $0 0 61 612 $4,430,325 12/12/2015
Denmark 6/28/2012 $708,338 224 224 1437 $4,803,226 12/12/2015
East Africa 6/29/2012 $2,872 1 1 2 $6,493 12/10/2015
Ecuador 6/29/2012 $0 0 89 469 $3,853,878 12/11/2015
Egypt 8/29/2012 $54,503 9 9 86 $362,817 12/14/2015
Estonia 7/6/2012 $0 0 14 74 $858,772 12/11/2015
Finland 6/29/2012 $688,939 190 190 1129 $3,659,135 12/11/2015
France 6/27/2012 $0 0 841 5496 $55,073,360 12/11/2015
Germany 7/2/2012 $11,435,048 820 825 11109 $67,098,540 12/12/2015
Greece 7/5/2012 $671,741 138 138 759 $2,626,941 12/12/2015
Hong Kong 7/12/2012 $379,774 41 84 217 $4,926,445 12/11/2015
Hungary 7/5/2012 $0 0 62 620 $3,295,737 12/12/2015
Iceland 7/11/2012 $34,981 13 14 83 $231,236 12/12/2015
India 7/27/2012 $1,539,570 294 294 747 $4,245,635 12/11/2015
Indonesia 7/13/2012 $1,076,194 172 172 448 $2,934,364 12/11/2015
Iraq 6/28/2012 $0 0 1 5 $36,323 12/11/2015
Israel 6/28/2012 $0 0 65 432 $3,464,798 12/12/2015
Italy 9/28/2012 $7,138,559 838 858 2980 $21,369,792 12/12/2015
Kenya 7/13/2012 $19,100 7 8 66 $83,401 12/12/2015
Kuwait 6/28/2012 $194,742 14 14 58 $716,009 12/11/2015
Latvia 7/6/2012 $0 0 20 200 $813,593 12/12/2015
Lebanon 6/28/2012 $0 0 14 51 $644,503 12/11/2015
Lithuania 7/4/2012 $0 0 18 186 $1,137,540 12/12/2015
Malaysia 7/12/2012 $193,136 122 157 700 $2,641,087 12/11/2015
Mexico 6/28/2012 $11,462,936 2611 2611 10445 $46,845,580 12/11/2015
Netherlands 7/4/2012 $1,493,971 277 310 2960 $9,635,288 12/12/2015
New Zealand 6/28/2012 $456,713 169 169 1008 $3,627,683 12/11/2015
Nigeria 7/13/2012 $0 0 6 34 $91,531 12/12/2015
North America 7/13/2012 $46,629,259 3881 3886 27365 $161,321,843
Norway 6/29/2012 $2,417,905 158 158 1068 $11,660,952 12/13/2015
Oman 6/28/2012 $24,811 3 4 13 $104,156 12/11/2015
Peru 6/28/2012 $0 0 189 868 $9,834,504 12/11/2015
Philippines 7/12/2012 $1,047,708 194 194 459 $2,228,093 12/11/2015
Poland 7/6/2012 $1,525,558 271 271 2121 $9,607,277 12/12/2015
Portugal 6/28/2012 $763,152 118 118 652 $3,894,573 12/12/2015
Qatar 6/28/2012 $46,699 3 3 22 $216,514 12/11/2015
Romania 7/6/2012 $0 0 57 480 $1,967,546 12/12/2015
Russia (CIS) 7/12/2012 $16,972,164 2090 2090 8773 $52,445,008 12/12/2015
Serbia and Montenegro 7/5/2012 $0 0 26 416 $678,536 12/12/2015
Singapore 7/12/2012 $1,015,265 70 70 223 $2,311,351 12/11/2015
Slovakia 6/28/2012 $0 0 19 184 $1,756,109 12/12/2015
Slovenia 7/5/2012 $112,954 30 30 570 $1,090,147 12/12/2015
South Africa 6/29/2012 $0 0 81 254 $3,400,680 12/11/2015
South Korea 7/25/2012 $0 0 269 269 $4,549,342 12/11/2015
Spain 6/29/2012 $3,473,095 771 771 4544 $19,602,660 12/12/2015
Sweden 6/27/2012 $1,284,411 200 200 1593 $8,612,444 12/12/2015
Switzerland 7/2/2012 $0 0 87 407 $11,429,626 12/12/2015
Taiwan 7/13/2012 $883,062 63 65 295 $3,604,814 12/11/2015
Thailand 7/12/2012 $487,818 90 90 228 $1,034,591 12/11/2015
Turkey 6/29/2012 $0 0 381 1968 $10,347,227 12/14/2015
Ukraine 7/12/2012 $1,339,019 157 157 1091 $4,416,800 12/12/2015
United Arab Emirates 6/28/2012 $0 0 29 113 $3,283,654 12/11/2015
United Kingdom 6/29/2012 $1,310,811 134 550 6057 $47,482,484 12/14/2015
Uruguay 6/29/2012 $0 0 17 76 $1,692,639 12/12/2015
Venezuela 7/20/2012 $2,056,823 132 132 914 $14,680,514 12/12/2015
Vietnam 7/18/2012 $550,736 55 55 228 $1,962,780 12/12/2015
Rest of World $83,647,914
Worldwide Total$879,765,137 12/14/2015

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at

Leading Cast

   Sid's Ganny

Supporting Cast

Nicki Minaj    Steffie
Drake    Ethan
Jennifer Lopez    Shira
Queen Latifah    Ellie
Seann William Scott    Crash
Josh Peck    Eddie
Peter Dinklage    Captian Gutt
Josh Gad    Louis
Nick Frost    Flynn
Aziz Ansari    Squint
Alan Tudyk    Milton/Hunky Siren
Kunal Nayyar    Gupta
Eddie Sotelo    Uncle Fungus
Joy Behar    Eunice
Alain Chabat    Silas
Heather Morris    Katie
Christopher Campbell    Creature Siren/Various
Karen Disher    Scratte
Jason Fricchione    Dumb Mammoth/Various
Ben Gleib    Marshall
George Jacobs    Beaver
James M. Palumbo    Panicked Start
Alexandra Romano    Meghan
Matthew D. Simmons    Teen Elk
Patrick Stewart    Ariscratle
Meghan Thurmeier    Baby Bird
Chris Wedge    Scrat
Keith Silverstein    Various Voices


Ester Dean    Female Siren
Rebel Wilson    Raz

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Berg    Screenwriter
Jason Fuchs    Screenwriter
Michael Berg    Story Creator
Lori Forte    Story Creator
Lori Forte    Producer
John C. Donkin    Producer
Chris Wedge    Executive Producer
Carlos Saldanha    Executive Producer
James M. Palumbo    Editor
David Ian Salter    Editor
John Powell    Composer
Renato Falcao    Director of Photography
Peter De Seve    Character Designer
Nash Dunnigan    Art Director
Christian Kaplan    Casting Director
Anthony Nisi    Production Manager
Christopher Campbell    Co-Editor
Randy Thom    Re-recording Mixer
Lora Hirschberg    Re-recording Mixer
Scott R. Lewis    Additional Re Recording Mixer
David Parker    Additional Re Recording Mixer
Randy Thom    Supervising Sound Editor
Michael Silvers    Supervising Sound Editor
Scott Guitteau    Sound Effects Editor
David Chrastka    Sound Effects Editor
Nia Hansen    Sound Effects Editor
Theresa Eckton    Sound Effects Editor
Randy Thom    Sound Designer
Brian Chumney    Dialogue Editor
Tom Carlson    Music Editor
Adam Schlesinger    Additional Music
Ester Dean    Additional Music

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.