Love, Gilda (2018)

Love, Gilda
Theatrical Performance
Domestic Box Office $626,318Details
Home Market Performance
Est. Domestic DVD Sales $51,564 Details
Total Est. Domestic Video Sales $51,564
Further financial details...

Synopsis

A unique window into the honest and whimsical world of beloved performer Gilda Radner, whose greatest role was sharing her story. Working with the Radner estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggles with cancer. These never-before-seen-or-heard footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story—through laughter and sometimes tears.

Metrics

Opening Weekend:$189,639 (30.3% of total gross)
Legs:3.30 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:82 opening theaters/112 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $741,125

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 9,601-9,700) 9,630 $626,318
All Time Worldwide Box Office (Rank 17,101-17,200) 17,156 $626,318
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,201-2,300) 2,201 $626,318

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Hulu:Hulu

Movie Details

Domestic Releases: September 21st, 2018 (Limited) by Magnolia Pictures
Video Release: January 1st, 2019 by Magnolia Home Entertainment
MPAA Rating: Not Rated
Running Time: 86 minutes
Comparisons: Create your own comparison chart…
Keywords: Early / Simultaneous Video-on-Demand release, Archive Footage, Voiceover/Narration, Terminal Illness, Cancer, Intertitle, 1950s, 1960s, 1970s, 1980s, Young Child Dealing with the Death of a Parent, Set in Detroit, Set in Toronto, Set in New York City, Mental Illness, Eating Disorder, Depression, Epilogue, Scene in End Credits
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: CNN Films
Production Countries: Canada, United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 26 $189,639   82 $2,313   $189,639 1
Sep 28, 2018 32 $135,397 -29% 108 $1,254   $416,104 2
Oct 5, 2018 36 $55,514 -59% 74 $750   $539,976 3
Oct 12, 2018 46 $15,777 -72% 34 $464   $580,406 4
Oct 19, 2018 54 $10,581 -33% 19 $557   $599,410 5
Oct 26, 2018 60 $7,835 -26% 18 $435   $612,478 6
Nov 2, 2018 74 $2,227 -72% 9 $247   $619,076 7
Nov 9, 2018 82 $1,367 -39% 3 $456   $624,211 8

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 26 $280,707   88 $3,190   $280,707 1
Sep 28, 2018 32 $203,755 -27% 112 $1,819   $484,462 2
Oct 5, 2018 38 $80,167 -61% 78 $1,028   $564,629 3
Oct 12, 2018 55 $24,200 -70% 36 $672   $588,829 4
Oct 19, 2018 55 $15,814 -35% 21 $753   $604,643 5
Oct 26, 2018 59 $12,206 -23% 19 $642   $616,849 6
Nov 2, 2018 65 $5,995 -51% 9 $666   $622,844 7
Nov 9, 2018 75 $3,474 -42% 5 $695   $626,318 8

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Gilda Radner    Herself

Interviewee(s)

Andrew Alexander    Himself
Anne Beatts    Herself
Chevy Chase    Himself
Bill Hader    Himself
Janis Hirsch    Herself
Judy Levy    Herself
Melissa McCarthy    Herself
Lorne Michaels    Himself
Laraine Newman    Herself
Alan Zweibel    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lisa Dapolito    Director
Bronwyn Berry    Producer
Meryl Goldsmith    Producer
James Tumminia    Producer
Alan Zweibel    Executive Producer

Home Market Releases for January 1st, 2019

January 1st, 2019

Love, Gilda

New Year’s Day lands on a Tuesday and I don’t think there are many people who celebrate the new year by buying a Blu-ray. That said, while there’s not a lot of releases on this week’s list, a surprising percentage of them are first-run releases. Love, Gilda is the only real contender for Pick of the Week. Bad Times at the El Royale is the second best, but I want to be able to watch the full thing for my review before coming up with a final judgment. More...

Featured DVD Review: Love, Gilda

December 31st, 2018

Love, Gilda

2018 was a great year for Documentaries with several that earned more than $1 million at the box office. Love, Gilda didn’t get to that milestone, although it was playing on VOD at the time. Is it as good as some of the top box office draws in the genre? Or does it have a more limited target audience. More...

Theater Averages: Collette Collects First Place with $40,295

September 25th, 2018

Collette

Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday. More...

Limited and VOD Releases: Starting to Love Awards Season

September 21st, 2018

Collette

It is not a particularly busy week for limited releases, as there are only nine films on the main list. However, several of them could do very well at the box office. Of these, I’m the most bullish about Colette and The Sisters Brothers, but there are two documentaries, Love, Gilda and Nothing Like a Dame, that could also open in the $10,000 club. All four could earn some Awards Season glory. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A unique window into the honest and whimsical world of beloved performer Gilda Radner, whose greatest role was sharing her story. Working with the Radner estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggles with cancer. These never-before-seen-or-heard footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story—through laughter and sometimes tears.

Metrics

Opening Weekend:$189,639 (30.3% of total gross)
Legs:3.30 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:82 opening theaters/112 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $741,125

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 9,601-9,700) 9,630 $626,318
All Time Worldwide Box Office (Rank 17,101-17,200) 17,156 $626,318
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,201-2,300) 2,201 $626,318

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Hulu:Hulu

Movie Details

Domestic Releases: September 21st, 2018 (Limited) by Magnolia Pictures
Video Release: January 1st, 2019 by Magnolia Home Entertainment
MPAA Rating: Not Rated
Running Time: 86 minutes
Comparisons: Create your own comparison chart…
Keywords: Early / Simultaneous Video-on-Demand release, Archive Footage, Voiceover/Narration, Terminal Illness, Cancer, Intertitle, 1950s, 1960s, 1970s, 1980s, Young Child Dealing with the Death of a Parent, Set in Detroit, Set in Toronto, Set in New York City, Mental Illness, Eating Disorder, Depression, Epilogue, Scene in End Credits
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: CNN Films
Production Countries: Canada, United States
Languages: English

Documentary Subject(s)

Gilda Radner    Herself

Interviewee(s)

Andrew Alexander    Himself
Anne Beatts    Herself
Chevy Chase    Himself
Bill Hader    Himself
Janis Hirsch    Herself
Judy Levy    Herself
Melissa McCarthy    Herself
Lorne Michaels    Himself
Laraine Newman    Herself
Alan Zweibel    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lisa Dapolito    Director
Bronwyn Berry    Producer
Meryl Goldsmith    Producer
James Tumminia    Producer
Alan Zweibel    Executive Producer

Home Market Releases for January 1st, 2019

January 1st, 2019

Love, Gilda

New Year’s Day lands on a Tuesday and I don’t think there are many people who celebrate the new year by buying a Blu-ray. That said, while there’s not a lot of releases on this week’s list, a surprising percentage of them are first-run releases. Love, Gilda is the only real contender for Pick of the Week. Bad Times at the El Royale is the second best, but I want to be able to watch the full thing for my review before coming up with a final judgment. More...

Featured DVD Review: Love, Gilda

December 31st, 2018

Love, Gilda

2018 was a great year for Documentaries with several that earned more than $1 million at the box office. Love, Gilda didn’t get to that milestone, although it was playing on VOD at the time. Is it as good as some of the top box office draws in the genre? Or does it have a more limited target audience. More...

Theater Averages: Collette Collects First Place with $40,295

September 25th, 2018

Collette

Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday. More...

Limited and VOD Releases: Starting to Love Awards Season

September 21st, 2018

Collette

It is not a particularly busy week for limited releases, as there are only nine films on the main list. However, several of them could do very well at the box office. Of these, I’m the most bullish about Colette and The Sisters Brothers, but there are two documentaries, Love, Gilda and Nothing Like a Dame, that could also open in the $10,000 club. All four could earn some Awards Season glory. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 26 $189,639   82 $2,313   $189,639 1
Sep 28, 2018 32 $135,397 -29% 108 $1,254   $416,104 2
Oct 5, 2018 36 $55,514 -59% 74 $750   $539,976 3
Oct 12, 2018 46 $15,777 -72% 34 $464   $580,406 4
Oct 19, 2018 54 $10,581 -33% 19 $557   $599,410 5
Oct 26, 2018 60 $7,835 -26% 18 $435   $612,478 6
Nov 2, 2018 74 $2,227 -72% 9 $247   $619,076 7
Nov 9, 2018 82 $1,367 -39% 3 $456   $624,211 8

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 26 $280,707   88 $3,190   $280,707 1
Sep 28, 2018 32 $203,755 -27% 112 $1,819   $484,462 2
Oct 5, 2018 38 $80,167 -61% 78 $1,028   $564,629 3
Oct 12, 2018 55 $24,200 -70% 36 $672   $588,829 4
Oct 19, 2018 55 $15,814 -35% 21 $753   $604,643 5
Oct 26, 2018 59 $12,206 -23% 19 $642   $616,849 6
Nov 2, 2018 65 $5,995 -51% 9 $666   $622,844 7
Nov 9, 2018 75 $3,474 -42% 5 $695   $626,318 8

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.