United Kingdom Box Office for Shut In (2016)

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Shut In
Theatrical Performance (US$)
United Kingdom Box Office $671Details
Worldwide Box Office $11,360,665Details
Home Market Performance
North America DVD Sales $1,124,169 Details
North America Blu-ray Sales $830,119 Details
Total North America Video Sales $1,954,288
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Mary Portman is a widowed child psychologist who lives an isolated existence in rural New England. When a young boy Mary is treating goes missing, and is presumed dead, she becomes convinced that his ghost is haunting her and her bedridden son.

Metrics

Movie Details

Production Budget:$10,000,000
United Kingdom Releases: February 24th, 2017 (Wide)
Video Release: February 28th, 2017 by Fox Home Entertainment
MPAA Rating: R for violence and language.
(Rating bulletin 2384, 7/29/2015)
PG-13 for terror and some violence/bloody images, nudity, thematic elements and brief strong language.
(Rating bulletin 2442 (Cert #50644), 9/14/2016)
Running Time: 91 minutes
Keywords: Isolation Horror, Car Accident, Death of a Spouse or Fiancée / Fiancé, Paralysis, Young Child Dealing with the Death of a Parent, Extreme Weather, Orphan, Mute, Wheelchair User
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: EuropaCorp, Lava Bear Films, Transfilm Intl., Canal Plus, OCS., Cine Plus
Production Countries: United States
Languages: English

Home Market Releases for February 28th, 2017

February 28th, 2017

Moonlight

It is not a particularly long list of new releases this week, but there are several that are must haves. This includes Doctor Strange, which was named Pick of the Week last week. Other contenders for that title include The Gate on Blu-ray, The Raid: Collection on Blu-ray, and Moonlight on Blu-ray. In the end, it wasn’t too hard to select Moonlight as Pick of the Week. However, The Gate does earn Puck of the Week for Best Canadian Release. More...

Weekend Predictions: Will Incarnate have a Substantial Opening?

December 1st, 2016

Incarnate

December usually starts on a really soft note, because the weekend after Thanksgiving is usually a terrible weekend. This time around, the wide release of the week is Incarnate, which is opening in 1,737 theaters and is expected to struggle to reach the top ten. That leaves Moana with an easy route to first place. This weekend last year, Krampus opened in second place with $16.29 million. Incarnate will only earn a fraction of that. On the other hand, the number one film was The Hunger Games: Mockingjay, Part 2, which earned $18.86 million during the weekend and Moana should easily beat that. I don’t think 2016 will come out ahead, but it also shouldn’t be a disaster either.

More...

Weekend Wrap-Up: Fantastic Beast Can’t Lift Box Office

November 22nd, 2016

Fantastic Beasts and Where to Find Them

As expected, Fantastic Beasts and Where to Find Them dominated the box office earning nearly as much as the rest of the films combined. However, it was unexpectedly weak earning just $74.40 million. In fact, every film we talked about on Thursday’s predictions underperformed and the overall box office was down to $158 million. Granted, “down” in this case is only off by 0.1%, but considering we were expecting significant growth, even a little drop is distressing. Worse still, the box office is off by 8.9% from this weekend last year. Again, we were expecting growth in the year-over-year comparison, so a drop this big really hurts. Year-to-date, 2016 has pulled in $9.49 billion, which is 5.9% or $540 million better than last year’s pace. That said, I wouldn’t panic, as Moana should help the box office bounce back this weekend. More...

Weekend Wrap-Up: The Holiday Box Office Season has Arrived

November 15th, 2016

Arrival

The weekend box office was better than anticipated, thanks mostly to Remembrance Day. Doctor Strange fell less than 50%, which is stunning for a big blockbuster like this. Trolls held on even better and Arrival had a surprisingly strong opening weekend. Granted, the overall box office still dropped by 18% to $158 million, but some drop-off is unavoidable the weekend after a blockbuster release. This was 46% higher than the same weekend last year and that is a lot more important. Year-to-date, 2016 has earned $9.49 billion, putting it 5.7% or $510 million ahead of last year’s pace. More...

Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office

November 13th, 2016

Doctor Strange

While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks. More...

Friday Estimates: Doctor Heals the Box Office with $14.92 million

November 12th, 2016

Arrival

Doctor Strange held on better than expected to earn $14.92 million on Friday. This was down just 54% compared to its opening Friday. This is partially due to its reviews, but also due to Veterans Day landing on a Friday. It won’t bounce back as much as other sophomore films do in this case, but even if it has the exact same internal multiplier as it did last weekend, it will pull in $39 million this weekend and match our prediction. It will likely top $40 million, maybe even hitting $42 million, if it is lucky. More...

Thursday Night Previews: Arrival Won’t Get Shut Out

November 11th, 2016

Arrival

Arrival earned an impressive $1.45 million during its previews last night. This is a little more than the $1.4 million Gravity earned this time in 2013. Granted, midnight shows were not as ubiquitous as they are now, but I still think this is a positive sign. Its reviews should help its legs and while our prediction was a little more bullish than most, I’m a little more confident now. More...

Weekend Predictions: Will Any New Release Arrive on Top?

November 10th, 2016

Arrival

There are a trio of new releases coming out this week, but none of them are expected to challenge for top spot. Arrival is earning stellar reviews, but it is also being released by Paramount and they’ve had a terrible year. Almost Christmas is a Christmas movie aimed at African-Americans. It should do well enough to become a financial success, but it won’t be a major player at the box office. Then there’s Shut In, which is barely opening wide and will very likely miss the top five. It might miss the Mendoza Line. This will leave Doctor Strange with an easy first place, while Trolls should remain in second. This weekend last year, the new releases were pitiful. The best earned less than $10 million. If 2016 doesn’t win in the year-over-year comparison, then we are in serious trouble. More...

Contest: Arrive on Time

November 4th, 2016

Arrival

There are three widish releases next week, but none of them are opening at a saturation level theater count. In fact, none of them are coming close. Arrival will very likely be the biggest of the three new releases, but it will fall behind Doctor Strange’s sophomore stint. Its estimated theater count is so small it might even open below Trolls. Almost Christmas is looking to become a solid midlevel hit, while Shut In is just praying for a spot in the top five. Because Arrival is expected to do the best, it is the target film in this week’s Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Arrival.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: November

November 1st, 2016

Doctor Strange

October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/02/24 - $671   5 $134   $671 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/9/2016 $0 0 61 171 $470,519 1/1/2019
Czech Republic 12/30/2016 $7,296 21 21 40 $13,971 1/1/2019
France 12/2/2016 $343,993 0 0 0 $559,808 8/17/2018
Italy 12/7/2016 $302,400 0 0 0 $359,632 12/14/2016
Lithuania 11/18/2016 $13,258 70 70 87 $23,535 12/9/2016
Mexico 11/25/2016 $456,648 0 0 0 $815,020 12/6/2016
Netherlands 12/1/2016 $73,205 43 44 105 $170,667 12/21/2016
North America 11/11/2016 $3,613,567 2,058 2,058 4,626 $6,900,335 8/14/2017
Portugal 11/18/2016 $21,994 17 20 50 $51,971 12/15/2016
Russia (CIS) 3/17/2016 $78,390 264 264 264 $112,371 12/31/2018
Slovakia 12/30/2016 $4,841 13 13 35 $15,488 1/18/2017
Slovenia 12/16/2016 $4,305 10 12 29 $14,642 2/6/2017
Turkey 1/27/2017 $15,671 24 24 24 $32,738 2/26/2019
United Kingdom 2/24/2017 $671 5 5 5 $671 3/1/2017
 
Rest of World $1,819,297
 
Worldwide Total$11,360,665 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Naomi Watts    Mary

Supporting Cast

Oliver Platt    Dr. Wilson
Charlie Heaton    Stephen
Jacob Tremblay    Tom
David Cubitt    Doug
Clementine Poidatz    Lucy
Tim Post    Sheriff
Alex Braunstein    Aaron
Crystal Balint    Grace
Ellen David    Joan
Peter Outerbridge    Richard
Anton Chevier    Stephen 5 Years Old
Thomas Macedo    Stephen 9 Years Old

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jason Bateman    Director
Christina Hodson    Screenwriter
Ariel Zeitoun    Producer
Claude Leger    Producer
Christine Haebler    Producer
Tory Metzger    Executive Producer
David Linde    Executive Producer
Lisa Ellzey    Executive Producer
Jonathan Vanger    Executive Producer
Romuald Drault    Executive Producer
Trish Dolman    Executive Producer
Olivier Glaas    Production Manager
Ginette Guillard    Production Manager
Yves Belanger    Director of Photography
Paul Denham Austerberry    Production Designer
Baxter Maryline Monthieux*    Editor
Odette Gadoury    Costume Designer
Nathaniel Mechaly    Composer
Buck Deachman    First Assistant Director
Stephane Bucher    Sound Designer
Ken Yasumoto    Sound Designer
Emmanuel Augeard    Sound Designer
Louis Collin    Sound Designer
Francois-Joseph Hors    Sound Designer
Lucinda Syson    Casting Director
Kate Ringsell    Casting Director
Andrea Kenyon    Casting Director
Randi Wells    Casting Director