Italy Box Office for I morti non muoiono (2019)

← Go to main The Dead Don’t Die page

The Dead Don’t Die
Theatrical Performance (US$)
Italy Box Office $661,944Details
Worldwide Box Office $15,744,054Details
Home Market Performance
North America DVD Sales $910,128 Details
North America Blu-ray Sales $1,785,892 Details
Total North America Video Sales $2,696,020
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don’t Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival.

Metrics

Movie Details

Italy Releases: June 13th, 2019 (Wide), released as I morti non muoiono
Video Release: September 3rd, 2019 by Universal Home Entertainment
November 18th, 2019 by Universal Pictures UK
MPAA Rating: R for zombie violence/gore, and for language.
(Rating bulletin 2574 (Cert #52114), 4/17/2019)
Running Time: 103 minutes
Keywords: Zombies, Life in a Small Town, Alien Abduction, Intentional B Movie , Horror Comedy
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Fox Searchlight Pictures, Kill The Head, Longride, Animal Kingdom, Chimney, Film i Vast
Production Countries: Sweden, United States
Languages: English

Home Market Releases for September 10th, 2019

September 11th, 2019

Echo in the Canyon

There are two monster hits coming out this week, Aladdin and John Wick: Chapter 3 — Parabellum, and this has scared away almost all of the competition. Fortunately, John Wick is amazing and a clear Pick of the Week contender. There was only one other film in contention for that title, Echo in the Canyon. Granted, I like Parabellum more, but it was already awarded the Pick of the Week when it hit VOD, so Echo in the Canyon gets the honor this week. More...

Home Market Releases for September 3rd, 2019

September 4th, 2019

My Hero Academia: Season Three, Part Two

It’s another short week with not a lot to talk about. The biggest release of the week is Men in Black International, but it missed expectations by a significant margin. The best first-run release is Booksmart, which also missed expectations by a significant margin, but it is still good enough to be a Pick of the Week contender. In fact, it’s only competition is My Hero Academia: Season Three, Part Two. It came down to a literal coin toss and My Hero Academia won, but both deserve the title. More...

Theater Averages: Spider-man is Lonely at the Top

July 11th, 2019

Spider-Man: Far From Home

Spider-Man: Far From Home led the way on the theater average chart with an average of $19,978. This is even more impressive, because it was a Tuesday opening. It earned a theater average of nearly $40,000 over its six day debut. The only other film to reach the $10,000 club was Marianne & Leonard: Words of Love with an average of $11,235 in four theaters. More...

Theater Averages: Chambermaid Cleans Up the Competition

July 3rd, 2019

The Chambermaid

The Chambermaid topped the theater average chart with $28,490 in one theater, which is double The Other Story’s opening of $14,163, also in one theater. The only other film in the $10,000 club was Toy Story 4, which remained in first place on the overall chart, while earning an average of $13,049. More...

Theater Averages: Quiet Weekend

June 27th, 2019

Toy Story 4

There weren’t many new releases to talk about, but a surprising percentage of them landed in the $10,000 club. This includes the overall box office champ, Toy Story 4, which opened with an average of $26,428. Wild Rose was the best of the limited releases earning an average of $13,235 in four theaters, while Toni Morrison: The Pieces I Am was right behind with an average of $12,013, also in four theaters. More...

Theater Averages: Nothing New to Report

June 20th, 2019

Paris is Burning

There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters. More...

Weekend Wrap-Up: Weekend Bests Estimates, Still Clobbered by Incredibles

June 18th, 2019

Men in Black: International

There is some good news to report, as the weekend final numbers beat both the projections based on Friday estimates and Sunday’s estimates. There’s also some bad news. Even with this improvement, the weekend was really soft at the box office. Men in Black: International led the way with just $30.04 million during its opening weekend, while only two other films topped $10 million over the weekend. This left the overall box office down 18% from last weekend to just $135 million. This is 50% lower than the same weekend last year; a decline that we normally only see when there is a misalignment in a holiday. However, in this case, it was due to Incredibles 2, which earned more by itself than the total box office did this year. This has left 2019 further behind 2018 and it is now off last year’s pace by 7.0% or $370 million at $4.99 billion to $5.36 billion. Several weeks worth of gaining ground has gone in a single weekend. More...

Weekend Estimates: Black Skies for MiB

June 16th, 2019

Men in Black: International

According to weekend estimates, Men in Black: International is topping projections based on Friday estimates, but is still weaker than predicted with $28.5 million. This is a pleasant surprise, as the film’s reviews are terrible and its B from CinemaScore strongly suggested weaker legs. Maybe it will continue to surprise going forward. The film is doing much better internationally with $73.7 million on 41,400 screens in 56 markets. This includes $26.3 million in China, $5.1 million in Russia, $4.9 million in South Korea, and $3.9 million in Mexico. On the downside, the film has opened in most major markets, so it will be mostly coasting on holdovers at this point. It should still earn enough to cover its production budget worldwide, but that’s not enough to break even in any timely fashion. More...

Friday Estimates: Toy Story 4 needs to be a Monster Hit

June 15th, 2019

Men in Black: International

It is going to be a really bad weekend. All of the progress we made since Endgame came out could be erased in a week and if Toy Story 4 isn’t a monster hit, then 2019 will be in serious trouble, again. Men in Black: International led the way on Friday, but it only managed $10.4 million. Sony is projecting a $26.2 million opening weekend, which would be the studio’s biggest opening of the year so far. In fact, it would be the studio’s third biggest hit of the year after just three days. Yikes. The film’s reviews are terrible and it only managed a B from CinemaScore, so I don’t expect long legs. There are some rumors going around that the film didn’t cost as much as its official $110 million production budget, but even if those are true, this is still not a good start. Maybe it will thrive internationally. More...

Weekend Predictions: Can Men in Black Open in the Black?

June 13th, 2019

Men in Black: International

It’s a busy weekend at the box office with the potential for four new entries in the top ten. Unfortunately, only one of those films, Late Night, is earning good reviews. The other films’ reviews range from mediocre reviews to depressing reviews. Likewise, the four film’s box office chances range from mediocre, with Men in Black: International expected to open south of $30 million, to depressing, with some suggesting Late Night and / or The Dead Never Die missing the Mendoza Line. This weekend last year, Incredibles 2 opened with $182.69 million. That’s more than the entire box office will make this weekend. 2019 is going to get crushed in the year-over-year comparison. More...

2019 Preview: June

June 1st, 2019

Toy Story 4

While the final weekend in May isn’t over yet, we can safely say the month was merely okay. It managed to keep pace with last May, but I was really hoping to cut into 2019’s deficit by a significant margin. June is not looking any better, at least not compared to 2018. There are two potential monster hits, The Secret Life of Pets 2 and Toy Story 4, as well as a trio of $100 million hits, Dark Phoenix, Men in Black: International, and Annabelle Comes Home. On the surface, this looks excellent; however, last June was even better on top with Incredibles 2 and Jurassic World: Fallen Kingdom earning a combined $1 billion domestically. Granted, the only other $100 million hit was Oceans 8, so this year should have a lot better depth. I don’t think it will be enough to gain any ground in the year-over-year comparison, which is the only way to really judge how a month is doing at this point. More...

The Dead Don’t Die Trailer

May 14th, 2019

Jim Jarmusch horror comedy with an ensemble cast led by Bill Murray, Adam Driver and Chloë Sevigny opens June 14 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/14 5 $258,371   0     $258,371 1
2019/06/21 7 $155,633 -40% 0     $533,915 2
2019/06/28 13 $36,606 -76% 0     $625,739 3
2019/07/05 - $6,068 -83% 10 $607   $644,879 4
2019/07/19 - $1,916   8 $240   $652,399 6
2019/07/26 - $2,425 +27% 8 $303   $655,822 7
2019/08/02 - $763 -69% 2 $382   $656,789 8
2019/08/16 - $340   3 $113   $660,205 10
2019/08/23 - $1,307 +284% 5 $261   $661,944 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/27/2019 $26,527 14 14 86 $233,992 12/25/2019
Austria 6/14/2019 $43,000 48 53 281 $202,736 9/25/2019
Central America 10/3/2019 $3,275 1 1 2 $5,045 10/16/2019
Colombia 1/16/2020 $17,485 43 43 43 $17,485 1/23/2020
Czech Republic 7/4/2019 $31,977 92 92 181 $99,460 10/19/2022
Ecuador 1/10/2020 $0 0 23 23 $25,884 1/23/2020
Finland 8/23/2019 $39,963 63 63 131 $106,913 11/6/2019
France 5/15/2019 $1,203,000 501 501 1797 $2,451,269 7/3/2019
Germany 6/13/2019 $0 0 121 833 $1,146,878 9/18/2019
Greece 7/18/2019 $31,403 33 33 56 $82,052 8/21/2019
Israel 6/27/2019 $5,703 5 5 8 $10,876 7/10/2019
Italy 6/13/2019 $258,371 0 10 40 $661,944 10/19/2022
Japan 6/5/2020 $171,568 0 0 0 $818,621 7/3/2020
Mexico 7/26/2019 $0 0 8 12 $105,605 1/23/2020
Middle East Region 6/20/2019 $77,389 35 35 37 $159,250 7/3/2019
Netherlands 7/25/2019 $5,429 28 28 144 $163,259 10/2/2019
New Zealand 10/24/2019 $83 1 7 31 $10,899 10/19/2022
North America 6/14/2019 $2,540,240 613 690 2,264 $6,782,066
Norway 8/23/2019 $12,550 21 21 61 $39,388 10/9/2019
Poland 7/26/2019 $69,806 85 86 282 $245,736 10/19/2022
Portugal 6/14/2019 $1,073 1 21 52 $56,280 8/21/2019
Russia (CIS) 7/11/2019 $333,564 433 434 1021 $747,031 10/19/2022
Singapore 7/18/2019 $8,065 2 2 7 $20,099 8/21/2019
Slovakia 7/4/2019 $13,203 57 57 95 $37,388 8/14/2019
Slovenia 8/1/2019 $7,934 1 2 5 $12,482 11/6/2019
South Korea 7/31/2019 $21,366 29 29 49 $73,450 10/4/2019
Spain 6/28/2019 $109,263 83 110 310 $315,830 8/21/2019
Sweden 8/30/2019 $37,714 90 90 142 $89,624 10/23/2019
Switzerland 5/17/2019 $48,000 19 33 114 $240,117 6/9/2021
Thailand 10/10/2019 $964 1 1 3 $2,577 10/30/2019
United Arab Emirates 6/20/2019 $13,780 23 23 23 $18,562 6/27/2019
United Kingdom 7/12/2019 $242,175 175 175 441 $761,256 1/29/2020
 
Worldwide Total$15,744,054 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Bill Murray    Chief Cliff Robertson
Adam Driver    Officer Ronald Peterson
Tilda Swinton    Scottish Morgue Worker
Chloë Sevigny    Minerva Morrison
Steve Buscemi    Farmer Miller
Danny Glover    Hank Thompson
Caleb Landry-Jones    Bobby Wiggins
Rosie Perez    News Reporter
Iggy Pop    Zombie
Sara Driver    Zombie
RZA    Dean
Carol Kane    Zombie
Selena Gomez    Zoe
Tom Waits    Hermit Bob

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jim Jarmusch    Director
Jim Jarmusch    Screenwriter
Carter Logan    Producer
Joshua Astrachan    Producer
Norio Hatano    Executive Producer
Frederick W. Green    Executive Producer
Carrie Fix    Co-Producer
Peita Carnevale    Co-Producer
Frederick Elmes    Director of Photography
Alex DiGerlando    Production Designer
Affonso Goncalves    Editor
Catherine George    Costume Designer
Sturgill Simpson    Song Writer
Ellen Lewis    Casting Director