|As an Actor||Supporting||10||$248,073,436||$167,848,990||$415,922,426|
|Lead Ensemble Member||1||$34,296,320||$7,000,000||$41,296,320|
|Best known as a Supporting Actor based on credits in that role in 10 films, with $415,922,426 worldwide aggregate box office (rank #7,154)|
|Best-Known Acting Roles: Kylo Ren (Star Wars Ep. VII: The Force Awakens), Samuel Beckwith (Lincoln), Phillip Altman (This is Where I Leave You), Al Cody (Inside Llewyn Davis), Clyde Logan (Logan Lucky)|
|Most productive collaborators: Harrison Ford, J.J. Abrams, Mark Hamill, Lawrence Kasdan, Michael Arndt|
August 1st, 2017
July is over and we should all be happy about that. Granted, there were some positive results we can talk about. Spider-Man: Homecoming is a huge hit and Despicable Me 3 will pull in a sizable profit before it reaches the home market. There were also a couple of other $100 million hits and a midlevel hit or two; however, overall, 2017 wasn’t able to compete with 2016 and the box office finally lost its lead over last year. 2017 started the summer about $200 million ahead of 2016, but will finish July about $100 million behind last year’s pace. August doesn’t look any better. There are a couple of films that have a reasonable shot at $100 million, The Dark Tower and Annabelle: Creation, as well as a few that should be solid midlevel hits. However, last year we had Sausage Party and Don’t Breathe, both of which nearly hit $100 million, then we had midlevel hits like Pete’s Dragon, Kubo and the Two Strings, and War Dogs. I don’t know if 2017 will be able to compete with that. ... Now some of you are thinking I forgot about Suicide Squad. Trust me, I will never forget that movie. I ignored it to make a point. Even without Suicide Squad, I don’t think 2017 will make up the deficit it has with 2016. With Suicide Squad, it is going to be a disaster. I want to be optimistic, but there’s no evidence to suggest I should be.
July 7th, 2017
April 3rd, 2017
This is a terrible week on the home market, mostly. Rogue One: A Star Wars Story comes out on DVD or Blu-ray Combo Pack and the competition has clearly scared away any other top-level releases. The only other first-run release is Office Christmas Party, which is worth a rental, if you like anti-Christmas movies. As far as Pick of the Week contenders are concerned, there’s Rogue One... and really that’s it. There are a couple of other releases I highlighted, but they wouldn't be contenders during an average week. Don’t Kill It looks good for a low-budget horror movie, while Paterson is coming out on a featureless DVD / Blu-ray. They are worth picking up if you are a fan of their respective genres.
January 1st, 2017
December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison.
December 30th, 2016
The last weekend of the year is also the last chance for Oscar contenders to qualify for the Oscars. Two of the three films on this week’s list are absolutely Oscar-bait. Paterson has a better shot at Awards Season glory than The Founder does, but The Founder has a wide expansion planned for January, so it will likely do better at the box office. Meanwhile, the third film, Ocean Waves, is earning the best reviews and is a must see for fans of Studio Ghibli.
November 29th, 2016
April 4th, 2016
After ranking Star Wars: The Force Awakens for those who still haven't seen it, we can do a full featured review. The film smashed box office records here and earned 92% positive reviews. Is it as good as its box office / Tomatometer Score? Or did people just get caught up in the hype?
June 29th, 2015
While We're Young is the latest film from writer / director Noah Baumbach. He has a great streak going by his Tomatometer Scores and this film earned 84% positive reviews. However, the audience score is only 58% positive. That dichotomy is a bit troubling. Is this film designed to wow critics, but will leave the average moviegoer cold?
June 5th, 2015
In another improvement to our news this week, the Limited Releases column is expanding to cover both limited and VOD releases. I know what you are thinking. You are thinking, “aren't you already talking about VOD on the Home Market Releases column?” Yes. However, those are for VOD releases for films that already played in theaters some time ago. This column will include films that debut on VOD either before, or simultaneously with, their theatrical release. We think this it an important change, as too often the Limited Release column was “Limited Releases Playing in New York City and Possibly Los Angeles.” For people in most of the rest of the country, there were no films on the list playing anywhere near them. This week, there are at least a few films worth checking out, including We Are Still Here, which is playing on VOD and Love and Mercy and Testament of Youth, which are theatrical-only releases that both have a shot at mainstream success.
|12/15/2017||Star Wars Ep. VIII: The Last Jedi||Kylo Ren||$0||$0||$0|
|8/18/2017||Logan Lucky||Clyde Logan||$8,263,868||$828,969||$9,092,837|
|12/31/2016||The Meyerowitz Stories (New and Selec…||$0||$0||$0|
|12/23/2016||Silence||Father Francisco Garrpe||$7,100,177||$9,049,614||$16,149,791|
|12/18/2015||Star Wars Ep. VII: The Force Awakens||Kylo Ren||$936,662,225||$1,122,000,000||$2,058,662,225|
|3/27/2015||While We're Young||Jamie||$7,582,065||$5,841,111||$13,423,176|
|9/19/2014||This is Where I Leave You||Phillip Altman||$34,296,320||$7,000,000||$41,296,320|
|12/6/2013||Inside Llewyn Davis||Al Cody||$13,248,209||$19,695,038||$32,943,247|
|11/9/2011||J. Edgar||Walter Lyle||$37,306,030||$47,300,000||$84,606,030|