Ouija: Origin of Evil (2016)
| Theatrical Performance | ||
| Domestic Box Office | $35,144,505 | Details |
| International Box Office | $46,687,361 | Details |
| Worldwide Box Office | $81,831,866 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,498,420 | |
| Blu-ray Sales (estimated) | $823,781 | |
| Total | $2,322,201 | |
| OpusData ID: 209000100 More info... | ||
| Further financial details... | ||
Synopsis
In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.
Metrics
| Opening Weekend: | $14,065,500 (40.0% of total gross) |
| Legs: | 2.50 (domestic box office/biggest weekend) |
| Domestic Share: | 42.9% (domestic box office/worldwide) |
| Production Budget: | $9,000,000 (worldwide box office is 9.1 times production budget) |
| Theater counts: | 3,167 opening theaters/3,168 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $48,592,870 |
Movie Details
| Domestic Releases: | October 21st, 2016 (Wide) by Universal |
| International Releases: | October 20th, 2016 (Wide) (Switzerland)
October 20th, 2016 (Wide), released as OUIJA: IZVOR ZLA (Slovenia) October 20th, 2016 (Wide) (Argentina) October 20th, 2016 (Wide) (Peru) October 20th, 2016 (Wide) (Panama) ... Show all releases |
| Video Release: | January 10th, 2017 by Universal Home Entertainment February 27th, 2017 by Universal Pictures UK |
| MPA Rating: | PG-13 for disturbing images, terror and thematic elements. (Rating bulletin 2428 (Cert #50490), 6/8/2016) |
| Running Time: | 99 minutes |
| Franchise: | Ouija |
| Cast, crew, or production detail: | Prequel |
| Geographical setting: | Los Angeles |
| Plot point: | Fake Psychics, Possessed, Single Parent, Widow/Widower |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1960s |
| Source: | Based on Game |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Blumhouse, Universal Pictures, Platinum Dunes, Allspark Pictures, Hasbro Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 3 | $14,065,500 | 3,167 | $4,441 | $14,065,500 | 1 | |
| Oct 28, 2016 | 5 | $7,110,185 | -49% | 3,168 | $2,244 | $24,678,810 | 2 |
| Nov 4, 2016 | 8 | $3,869,765 | -46% | 2,380 | $1,626 | $31,259,015 | 3 |
| Nov 11, 2016 | 11 | $1,730,605 | -55% | 1,538 | $1,125 | $34,240,695 | 4 |
| Nov 18, 2016 | 20 | $303,855 | -82% | 381 | $798 | $34,904,885 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 20, 2016 | P | $722,000 | 0 | $722,000 | ||||
| Oct 21, 2016 | 3 | $5,509,610 | 3,167 | $1,740 | $5,509,610 | 1 | ||
| Oct 22, 2016 | 4 | $5,547,055 | +1% | 3,167 | $1,752 | $11,056,665 | 2 | |
| Oct 23, 2016 | 4 | $3,008,835 | -46% | 3,167 | $950 | $14,065,500 | 3 | |
| Oct 24, 2016 | 4 | $878,545 | -71% | 3,167 | $277 | $14,944,045 | 4 | |
| Oct 25, 2016 | 4 | $1,130,450 | +29% | 3,167 | $357 | $16,074,495 | 5 | |
| Oct 26, 2016 | 4 | $724,220 | -36% | 3,167 | $229 | $16,798,715 | 6 | |
| Oct 27, 2016 | 4 | $769,910 | +6% | 3,167 | $243 | $17,568,625 | 7 | |
| Oct 28, 2016 | 5 | $2,196,185 | +185% | -60% | 3,168 | $693 | $19,764,810 | 8 |
| Oct 29, 2016 | 5 | $3,043,010 | +39% | -45% | 3,168 | $961 | $22,807,820 | 9 |
| Oct 30, 2016 | 5 | $1,870,990 | -39% | -38% | 3,168 | $591 | $24,678,810 | 10 |
| Oct 31, 2016 | 3 | $1,231,005 | -34% | +40% | 3,168 | $389 | $25,909,815 | 11 |
| Nov 1, 2016 | 5 | $650,930 | -47% | -42% | 3,168 | $205 | $26,560,745 | 12 |
| Nov 2, 2016 | 6 | $432,580 | -34% | -40% | 3,168 | $137 | $26,993,325 | 13 |
| Nov 3, 2016 | 6 | $395,925 | -8% | -49% | 3,168 | $125 | $27,389,250 | 14 |
| Nov 4, 2016 | 8 | $1,183,340 | +199% | -46% | 2,380 | $497 | $28,572,590 | 15 |
| Nov 5, 2016 | 8 | $1,798,020 | +52% | -41% | 2,380 | $755 | $30,370,610 | 16 |
| Nov 6, 2016 | 8 | $888,405 | -51% | -53% | 2,380 | $373 | $31,259,015 | 17 |
| Nov 7, 2016 | 8 | $335,550 | -62% | -73% | 2,380 | $141 | $31,594,565 | 18 |
| Nov 8, 2016 | 8 | $375,120 | +12% | -42% | 2,380 | $158 | $31,969,685 | 19 |
| Nov 9, 2016 | 9 | $232,985 | -38% | -46% | 2,380 | $98 | $32,202,670 | 20 |
| Nov 10, 2016 | 8 | $307,420 | +32% | -22% | 2,380 | $129 | $32,510,090 | 21 |
| Nov 11, 2016 | 11 | $632,340 | +106% | -47% | 1,538 | $411 | $33,142,430 | 22 |
| Nov 12, 2016 | 11 | $757,235 | +20% | -58% | 1,538 | $492 | $33,899,665 | 23 |
| Nov 13, 2016 | 12 | $341,030 | -55% | -62% | 1,538 | $222 | $34,240,695 | 24 |
| Nov 14, 2016 | 13 | $96,070 | -72% | -71% | 1,538 | $62 | $34,336,765 | 25 |
| Nov 15, 2016 | 13 | $122,895 | +28% | -67% | 1,538 | $80 | $34,459,660 | 26 |
| Nov 16, 2016 | 13 | $90,385 | -26% | -61% | 1,538 | $59 | $34,550,045 | 27 |
| Nov 17, 2016 | 13 | $50,985 | -44% | -83% | 1,538 | $33 | $34,601,030 | 28 |
| Nov 18, 2016 | - | $91,890 | +80% | -85% | 381 | $241 | $34,692,920 | 29 |
| Nov 19, 2016 | - | $136,750 | +49% | -82% | 381 | $359 | $34,829,670 | 30 |
| Nov 20, 2016 | - | $75,215 | -45% | -78% | 381 | $197 | $34,904,885 | 31 |
| Nov 21, 2016 | - | $37,215 | -51% | -61% | 381 | $98 | $34,942,100 | 32 |
| Nov 22, 2016 | - | $31,350 | -16% | -74% | 381 | $82 | $34,973,450 | 33 |
| Nov 23, 2016 | - | $12,390 | -60% | -86% | 381 | $33 | $34,985,840 | 34 |
| Nov 24, 2016 | - | $7,130 | -42% | -86% | 381 | $19 | $34,992,970 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 4 | $17,568,625 | 3,167 | $5,547 | $17,568,625 | 1 | |
| Oct 28, 2016 | 5 | $9,820,625 | -44% | 3,168 | $3,100 | $27,389,250 | 2 |
| Nov 4, 2016 | 8 | $5,120,840 | -48% | 2,380 | $2,152 | $32,510,090 | 3 |
| Nov 11, 2016 | 12 | $2,090,940 | -59% | 1,538 | $1,360 | $34,601,030 | 4 |
| Nov 18, 2016 | 26 | $391,940 | -81% | 381 | $1,029 | $34,992,970 | 5 |
| Nov 25, 2016 | 42 | $70,450 | -82% | 81 | $870 | $35,063,420 | 6 |
| Dec 2, 2016 | 46 | $41,600 | -41% | 69 | $603 | $35,105,020 | 7 |
| Dec 9, 2016 | 47 | $22,975 | -45% | 43 | $534 | $35,127,995 | 8 |
| Dec 16, 2016 | 55 | $13,170 | -43% | 21 | $627 | $35,141,165 | 9 |
| Dec 23, 2016 | 67 | $3,340 | -75% | 4 | $835 | $35,144,505 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/20/2016 | $661,297 | 192 | 192 | 669 | $1,898,904 | 1/1/2019 | |||
| Australia | 10/21/2016 | $696,511 | 171 | 171 | 614 | $1,766,308 | 1/5/2017 | |||
| Austria | 10/21/2016 | $0 | 0 | 24 | 64 | $244,409 | 12/29/2016 | |||
| Belgium | 11/25/2016 | $160,353 | 25 | 25 | 136 | $415,938 | 1/25/2017 | |||
| Brazil | 10/21/2016 | $724,000 | 370 | 470 | 1,146 | $1,796,122 | 12/6/2016 | |||
| Chile | 10/27/2016 | $20,536 | 48 | 57 | 224 | $804,732 | 12/31/2018 | |||
| Colombia | 10/20/2016 | $0 | 0 | 163 | 343 | $1,284,561 | 12/31/2018 | |||
| Croatia | 10/27/2016 | $20,000 | 19 | 19 | 66 | $63,015 | 12/31/2018 | |||
| Finland | 10/21/2016 | $0 | 0 | 26 | 66 | $100,600 | 12/21/2016 | |||
| France | 11/4/2016 | $1,053,393 | 172 | 172 | 642 | $2,616,956 | 12/13/2016 | |||
| Germany | 10/21/2016 | $754,000 | 271 | 276 | 1,331 | $1,973,302 | 12/29/2016 | |||
| Greece | 10/20/2016 | $0 | 0 | 18 | 30 | $148,358 | 11/29/2016 | |||
| Indonesia | 11/4/2016 | $1,600,000 | 200 | 200 | 200 | $1,600,000 | 12/31/2018 | |||
| Italy | 10/27/2016 | $795,712 | 198 | 242 | 627 | $2,675,886 | 12/6/2016 | |||
| Lithuania | 10/28/2016 | $30,432 | 116 | 116 | 198 | $96,861 | 12/14/2016 | |||
| Malaysia | 11/4/2016 | $688,329 | 119 | 120 | 442 | $1,489,417 | 12/21/2016 | |||
| Mexico | 10/21/2016 | $2,206,091 | 713 | 714 | 2,209 | $5,232,885 | 12/21/2016 | |||
| Netherlands | 10/27/2016 | $186,422 | 57 | 57 | 257 | $569,897 | 12/21/2016 | |||
| New Zealand | 10/21/2016 | $72,999 | 35 | 36 | 131 | $205,245 | 12/21/2016 | |||
| Panama | 10/20/2016 | $0 | 0 | 75 | 143 | $995,908 | 12/31/2018 | |||
| Peru | 10/20/2016 | $0 | 0 | 80 | 134 | $912,715 | 12/31/2018 | |||
| Philippines | 10/26/2016 | $403,038 | 160 | 160 | 257 | $791,048 | 12/31/2018 | |||
| Poland | 10/28/2016 | $182,260 | 121 | 121 | 289 | $456,094 | 12/31/2018 | |||
| Russia (CIS) | 11/10/2016 | $559,569 | 651 | 651 | 1,437 | $1,060,064 | 12/31/2018 | |||
| Singapore | 11/4/2016 | $361,450 | 29 | 29 | 82 | $675,916 | 12/6/2016 | |||
| Slovenia | 10/20/2016 | $11,030 | 9 | 9 | 45 | $49,720 | 12/6/2016 | |||
| South Africa | 10/28/2016 | $18,553 | 25 | 25 | 57 | $41,091 | 11/22/2016 | |||
| South Korea | 11/8/2016 | $1,145,379 | 467 | 467 | 875 | $2,257,288 | 12/21/2016 | |||
| Spain | 10/28/2016 | $1,059,296 | 252 | 302 | 1,240 | $3,414,507 | 12/29/2016 | |||
| Sweden | 10/21/2016 | $0 | 0 | 57 | 161 | $384,256 | 12/13/2016 | |||
| Switzerland | 10/20/2016 | $0 | 0 | 30 | 125 | $346,666 | 12/21/2016 | |||
| Switzerland (French Speaking) | 11/4/2016 | $44,000 | 8 | 8 | 8 | $44,000 | 11/7/2016 | |||
| Taiwan | 10/21/2016 | $0 | 0 | 65 | 141 | $613,541 | 11/29/2016 | |||
| Thailand | 11/4/2016 | $70,182 | 41 | 41 | 86 | $149,917 | 11/22/2016 | |||
| Turkey | 11/18/2016 | $40,614 | 72 | 72 | 137 | $106,125 | 2/26/2019 | |||
| United Kingdom | 10/21/2016 | $951,924 | 408 | 419 | 1,467 | $3,452,187 | 12/13/2016 | |||
| Venezuela | 10/21/2016 | $0 | 0 | 45 | 102 | $144,524 | 12/21/2016 | |||
| Rest of World | $5,808,398 | |||||||||
| International Total | $46,687,361 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annalise Basso | Lina Zander |
Supporting
| Elizabeth Reaser | Alice Zander | |
| Lulu Wilson | Doris Zander | |
| Parker Mack | Mikey | |
| Henry Thomas | Father Tom | |
| Halle Charlton | Ellie | |
| Alexis G. Zall | Betty | |
| Doug Jones | Ghoul Marcus / Devil’s Doctor | |
| Kate Siegel | Jenny Browning | |
| Sam Anderson | Mr. Browning | |
| Chelsea Gonzalez | Gloria | |
| Lincoln Melcher | Jack | |
| Nicholas Keenan | Walter | |
| Michael Weaver | Roger Zander | |
| Ele Keats | Ellie’s Mom | |
| Eve Gordon | Joan | |
| Chad Heffelfinger | Male Ghoul | |
| Nina Mansker | Female Ghoul | |
| John Prosky | Doctor Fuller | |
| Lin Shaye | Lina Zander (2013) |
Production and Technical Credits
| Mike Flanagan | Director | |
| Mike Flanagan | Screenwriter | |
| Jeff Howard | Screenwriter | |
| Michael Bay | Producer | |
| Brad Fuller | Producer | |
| Andrew Form | Producer | |
| Jason Blum | Producer | |
| Brian Goldner | Producer | |
| Stephen Davis | Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Trevor Macy | Executive Producer | |
| Victor Ho | Executive Producer | |
| Patricio M Farrell | Production Designer | |
| Mike Flanagan | Editor | |
| The Newton Brothers* | Composer | |
| The Newton Brothers* | Composer | |
| Michael Fimognari | Director of Photography | |
| Lynn Falconer | Costume Designer | |
| Terri Taylor | Casting Director | |
| Phillip Dawe | Co-Producer | |
| Victor Ho | Unit Production Manager | |
| James Moran | First Assistant Director | |
| Marc Newland | Second Assistand Director | |
| Erin Vitali | Production Supervisor | |
| Nancy Kirhoffer | Post-Production Supervisor | |
| Alberto Gonzalez-Reyna | Art Director | |
| Brenda Meyers-Ballard | Set Decorator | |
| Robert Eber | Sound Mixer | |
| John Hartigan | Special Effects Coordinator | |
| Hana Rausalova | Costume Supervisor | |
| Staci Witt | Make up | |
| Patrina Eileen O’Connor | Hairstylist | |
| Todd Tucker | Special Make-up Effects | |
| Jan McWilliams | Script Supervisor | |
| Fermin Davalos | Location Manager | |
| Sarah Domeier | Casting Associate | |
| Ally Conover | Casting Assistant | |
| Jamison Goei | Visual Effects Supervisor | |
| James David Hattin | Visual Effects Supervisor | |
| Nate Smalley | Visual Effects Producer | |
| Jonathan Wales | Re-recording Mixer | |
| Jason Gaya | Additional Sound Re-recording Mixer | |
| Trevor Gates | Supervising Sound Editor | |
| Jonathan Wales | Supervising Sound Editor | |
| Xander Lott | Dialogue and ADR Editor | |
| Joshua Adeniji | Sound Effects Editor | |
| Christopher Bonis | Sound Effects Editor | |
| Matt Ward | Score Mixer | |
| Brett Snacky Pierce* | Music Editor | |
| Rick A. Osako | Unit Production Manager | |
| Mark Rayner | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.
Metrics
| Opening Weekend: | $14,065,500 (40.0% of total gross) |
| Legs: | 2.50 (domestic box office/biggest weekend) |
| Domestic Share: | 42.9% (domestic box office/worldwide) |
| Production Budget: | $9,000,000 (worldwide box office is 9.1 times production budget) |
| Theater counts: | 3,167 opening theaters/3,168 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $48,592,870 |
Movie Details
| Domestic Releases: | October 21st, 2016 (Wide) by Universal |
| International Releases: | October 20th, 2016 (Wide) (Switzerland)
October 20th, 2016 (Wide), released as OUIJA: IZVOR ZLA (Slovenia) October 20th, 2016 (Wide) (Argentina) October 20th, 2016 (Wide) (Peru) October 20th, 2016 (Wide) (Panama) ... Show all releases |
| Video Release: | January 10th, 2017 by Universal Home Entertainment February 27th, 2017 by Universal Pictures UK |
| MPA Rating: | PG-13 for disturbing images, terror and thematic elements. (Rating bulletin 2428 (Cert #50490), 6/8/2016) |
| Running Time: | 99 minutes |
| Franchise: | Ouija |
| Cast, crew, or production detail: | Prequel |
| Geographical setting: | Los Angeles |
| Plot point: | Fake Psychics, Possessed, Single Parent, Widow/Widower |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1960s |
| Source: | Based on Game |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Blumhouse, Universal Pictures, Platinum Dunes, Allspark Pictures, Hasbro Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 3 | $14,065,500 | 3,167 | $4,441 | $14,065,500 | 1 | |
| Oct 28, 2016 | 5 | $7,110,185 | -49% | 3,168 | $2,244 | $24,678,810 | 2 |
| Nov 4, 2016 | 8 | $3,869,765 | -46% | 2,380 | $1,626 | $31,259,015 | 3 |
| Nov 11, 2016 | 11 | $1,730,605 | -55% | 1,538 | $1,125 | $34,240,695 | 4 |
| Nov 18, 2016 | 20 | $303,855 | -82% | 381 | $798 | $34,904,885 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 20, 2016 | P | $722,000 | 0 | $722,000 | ||||
| Oct 21, 2016 | 3 | $5,509,610 | 3,167 | $1,740 | $5,509,610 | 1 | ||
| Oct 22, 2016 | 4 | $5,547,055 | +1% | 3,167 | $1,752 | $11,056,665 | 2 | |
| Oct 23, 2016 | 4 | $3,008,835 | -46% | 3,167 | $950 | $14,065,500 | 3 | |
| Oct 24, 2016 | 4 | $878,545 | -71% | 3,167 | $277 | $14,944,045 | 4 | |
| Oct 25, 2016 | 4 | $1,130,450 | +29% | 3,167 | $357 | $16,074,495 | 5 | |
| Oct 26, 2016 | 4 | $724,220 | -36% | 3,167 | $229 | $16,798,715 | 6 | |
| Oct 27, 2016 | 4 | $769,910 | +6% | 3,167 | $243 | $17,568,625 | 7 | |
| Oct 28, 2016 | 5 | $2,196,185 | +185% | -60% | 3,168 | $693 | $19,764,810 | 8 |
| Oct 29, 2016 | 5 | $3,043,010 | +39% | -45% | 3,168 | $961 | $22,807,820 | 9 |
| Oct 30, 2016 | 5 | $1,870,990 | -39% | -38% | 3,168 | $591 | $24,678,810 | 10 |
| Oct 31, 2016 | 3 | $1,231,005 | -34% | +40% | 3,168 | $389 | $25,909,815 | 11 |
| Nov 1, 2016 | 5 | $650,930 | -47% | -42% | 3,168 | $205 | $26,560,745 | 12 |
| Nov 2, 2016 | 6 | $432,580 | -34% | -40% | 3,168 | $137 | $26,993,325 | 13 |
| Nov 3, 2016 | 6 | $395,925 | -8% | -49% | 3,168 | $125 | $27,389,250 | 14 |
| Nov 4, 2016 | 8 | $1,183,340 | +199% | -46% | 2,380 | $497 | $28,572,590 | 15 |
| Nov 5, 2016 | 8 | $1,798,020 | +52% | -41% | 2,380 | $755 | $30,370,610 | 16 |
| Nov 6, 2016 | 8 | $888,405 | -51% | -53% | 2,380 | $373 | $31,259,015 | 17 |
| Nov 7, 2016 | 8 | $335,550 | -62% | -73% | 2,380 | $141 | $31,594,565 | 18 |
| Nov 8, 2016 | 8 | $375,120 | +12% | -42% | 2,380 | $158 | $31,969,685 | 19 |
| Nov 9, 2016 | 9 | $232,985 | -38% | -46% | 2,380 | $98 | $32,202,670 | 20 |
| Nov 10, 2016 | 8 | $307,420 | +32% | -22% | 2,380 | $129 | $32,510,090 | 21 |
| Nov 11, 2016 | 11 | $632,340 | +106% | -47% | 1,538 | $411 | $33,142,430 | 22 |
| Nov 12, 2016 | 11 | $757,235 | +20% | -58% | 1,538 | $492 | $33,899,665 | 23 |
| Nov 13, 2016 | 12 | $341,030 | -55% | -62% | 1,538 | $222 | $34,240,695 | 24 |
| Nov 14, 2016 | 13 | $96,070 | -72% | -71% | 1,538 | $62 | $34,336,765 | 25 |
| Nov 15, 2016 | 13 | $122,895 | +28% | -67% | 1,538 | $80 | $34,459,660 | 26 |
| Nov 16, 2016 | 13 | $90,385 | -26% | -61% | 1,538 | $59 | $34,550,045 | 27 |
| Nov 17, 2016 | 13 | $50,985 | -44% | -83% | 1,538 | $33 | $34,601,030 | 28 |
| Nov 18, 2016 | - | $91,890 | +80% | -85% | 381 | $241 | $34,692,920 | 29 |
| Nov 19, 2016 | - | $136,750 | +49% | -82% | 381 | $359 | $34,829,670 | 30 |
| Nov 20, 2016 | - | $75,215 | -45% | -78% | 381 | $197 | $34,904,885 | 31 |
| Nov 21, 2016 | - | $37,215 | -51% | -61% | 381 | $98 | $34,942,100 | 32 |
| Nov 22, 2016 | - | $31,350 | -16% | -74% | 381 | $82 | $34,973,450 | 33 |
| Nov 23, 2016 | - | $12,390 | -60% | -86% | 381 | $33 | $34,985,840 | 34 |
| Nov 24, 2016 | - | $7,130 | -42% | -86% | 381 | $19 | $34,992,970 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 4 | $17,568,625 | 3,167 | $5,547 | $17,568,625 | 1 | |
| Oct 28, 2016 | 5 | $9,820,625 | -44% | 3,168 | $3,100 | $27,389,250 | 2 |
| Nov 4, 2016 | 8 | $5,120,840 | -48% | 2,380 | $2,152 | $32,510,090 | 3 |
| Nov 11, 2016 | 12 | $2,090,940 | -59% | 1,538 | $1,360 | $34,601,030 | 4 |
| Nov 18, 2016 | 26 | $391,940 | -81% | 381 | $1,029 | $34,992,970 | 5 |
| Nov 25, 2016 | 42 | $70,450 | -82% | 81 | $870 | $35,063,420 | 6 |
| Dec 2, 2016 | 46 | $41,600 | -41% | 69 | $603 | $35,105,020 | 7 |
| Dec 9, 2016 | 47 | $22,975 | -45% | 43 | $534 | $35,127,995 | 8 |
| Dec 16, 2016 | 55 | $13,170 | -43% | 21 | $627 | $35,141,165 | 9 |
| Dec 23, 2016 | 67 | $3,340 | -75% | 4 | $835 | $35,144,505 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/20/2016 | $661,297 | 192 | 192 | 669 | $1,898,904 | 1/1/2019 | |||
| Australia | 10/21/2016 | $696,511 | 171 | 171 | 614 | $1,766,308 | 1/5/2017 | |||
| Austria | 10/21/2016 | $0 | 0 | 24 | 64 | $244,409 | 12/29/2016 | |||
| Belgium | 11/25/2016 | $160,353 | 25 | 25 | 136 | $415,938 | 1/25/2017 | |||
| Brazil | 10/21/2016 | $724,000 | 370 | 470 | 1,146 | $1,796,122 | 12/6/2016 | |||
| Chile | 10/27/2016 | $20,536 | 48 | 57 | 224 | $804,732 | 12/31/2018 | |||
| Colombia | 10/20/2016 | $0 | 0 | 163 | 343 | $1,284,561 | 12/31/2018 | |||
| Croatia | 10/27/2016 | $20,000 | 19 | 19 | 66 | $63,015 | 12/31/2018 | |||
| Finland | 10/21/2016 | $0 | 0 | 26 | 66 | $100,600 | 12/21/2016 | |||
| France | 11/4/2016 | $1,053,393 | 172 | 172 | 642 | $2,616,956 | 12/13/2016 | |||
| Germany | 10/21/2016 | $754,000 | 271 | 276 | 1,331 | $1,973,302 | 12/29/2016 | |||
| Greece | 10/20/2016 | $0 | 0 | 18 | 30 | $148,358 | 11/29/2016 | |||
| Indonesia | 11/4/2016 | $1,600,000 | 200 | 200 | 200 | $1,600,000 | 12/31/2018 | |||
| Italy | 10/27/2016 | $795,712 | 198 | 242 | 627 | $2,675,886 | 12/6/2016 | |||
| Lithuania | 10/28/2016 | $30,432 | 116 | 116 | 198 | $96,861 | 12/14/2016 | |||
| Malaysia | 11/4/2016 | $688,329 | 119 | 120 | 442 | $1,489,417 | 12/21/2016 | |||
| Mexico | 10/21/2016 | $2,206,091 | 713 | 714 | 2,209 | $5,232,885 | 12/21/2016 | |||
| Netherlands | 10/27/2016 | $186,422 | 57 | 57 | 257 | $569,897 | 12/21/2016 | |||
| New Zealand | 10/21/2016 | $72,999 | 35 | 36 | 131 | $205,245 | 12/21/2016 | |||
| Panama | 10/20/2016 | $0 | 0 | 75 | 143 | $995,908 | 12/31/2018 | |||
| Peru | 10/20/2016 | $0 | 0 | 80 | 134 | $912,715 | 12/31/2018 | |||
| Philippines | 10/26/2016 | $403,038 | 160 | 160 | 257 | $791,048 | 12/31/2018 | |||
| Poland | 10/28/2016 | $182,260 | 121 | 121 | 289 | $456,094 | 12/31/2018 | |||
| Russia (CIS) | 11/10/2016 | $559,569 | 651 | 651 | 1,437 | $1,060,064 | 12/31/2018 | |||
| Singapore | 11/4/2016 | $361,450 | 29 | 29 | 82 | $675,916 | 12/6/2016 | |||
| Slovenia | 10/20/2016 | $11,030 | 9 | 9 | 45 | $49,720 | 12/6/2016 | |||
| South Africa | 10/28/2016 | $18,553 | 25 | 25 | 57 | $41,091 | 11/22/2016 | |||
| South Korea | 11/8/2016 | $1,145,379 | 467 | 467 | 875 | $2,257,288 | 12/21/2016 | |||
| Spain | 10/28/2016 | $1,059,296 | 252 | 302 | 1,240 | $3,414,507 | 12/29/2016 | |||
| Sweden | 10/21/2016 | $0 | 0 | 57 | 161 | $384,256 | 12/13/2016 | |||
| Switzerland | 10/20/2016 | $0 | 0 | 30 | 125 | $346,666 | 12/21/2016 | |||
| Switzerland (French Speaking) | 11/4/2016 | $44,000 | 8 | 8 | 8 | $44,000 | 11/7/2016 | |||
| Taiwan | 10/21/2016 | $0 | 0 | 65 | 141 | $613,541 | 11/29/2016 | |||
| Thailand | 11/4/2016 | $70,182 | 41 | 41 | 86 | $149,917 | 11/22/2016 | |||
| Turkey | 11/18/2016 | $40,614 | 72 | 72 | 137 | $106,125 | 2/26/2019 | |||
| United Kingdom | 10/21/2016 | $951,924 | 408 | 419 | 1,467 | $3,452,187 | 12/13/2016 | |||
| Venezuela | 10/21/2016 | $0 | 0 | 45 | 102 | $144,524 | 12/21/2016 | |||
| Rest of World | $5,808,398 | |||||||||
| International Total | $46,687,361 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annalise Basso | Lina Zander |
Supporting
| Elizabeth Reaser | Alice Zander | |
| Lulu Wilson | Doris Zander | |
| Parker Mack | Mikey | |
| Henry Thomas | Father Tom | |
| Halle Charlton | Ellie | |
| Alexis G. Zall | Betty | |
| Doug Jones | Ghoul Marcus / Devil’s Doctor | |
| Kate Siegel | Jenny Browning | |
| Sam Anderson | Mr. Browning | |
| Chelsea Gonzalez | Gloria | |
| Lincoln Melcher | Jack | |
| Nicholas Keenan | Walter | |
| Michael Weaver | Roger Zander | |
| Ele Keats | Ellie’s Mom | |
| Eve Gordon | Joan | |
| Chad Heffelfinger | Male Ghoul | |
| Nina Mansker | Female Ghoul | |
| John Prosky | Doctor Fuller | |
| Lin Shaye | Lina Zander (2013) |
Production and Technical Credits
| Mike Flanagan | Director | |
| Mike Flanagan | Screenwriter | |
| Jeff Howard | Screenwriter | |
| Michael Bay | Producer | |
| Brad Fuller | Producer | |
| Andrew Form | Producer | |
| Jason Blum | Producer | |
| Brian Goldner | Producer | |
| Stephen Davis | Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Trevor Macy | Executive Producer | |
| Victor Ho | Executive Producer | |
| Patricio M Farrell | Production Designer | |
| Mike Flanagan | Editor | |
| The Newton Brothers* | Composer | |
| The Newton Brothers* | Composer | |
| Michael Fimognari | Director of Photography | |
| Lynn Falconer | Costume Designer | |
| Terri Taylor | Casting Director | |
| Phillip Dawe | Co-Producer | |
| Victor Ho | Unit Production Manager | |
| James Moran | First Assistant Director | |
| Marc Newland | Second Assistand Director | |
| Erin Vitali | Production Supervisor | |
| Nancy Kirhoffer | Post-Production Supervisor | |
| Alberto Gonzalez-Reyna | Art Director | |
| Brenda Meyers-Ballard | Set Decorator | |
| Robert Eber | Sound Mixer | |
| John Hartigan | Special Effects Coordinator | |
| Hana Rausalova | Costume Supervisor | |
| Staci Witt | Make up | |
| Patrina Eileen O’Connor | Hairstylist | |
| Todd Tucker | Special Make-up Effects | |
| Jan McWilliams | Script Supervisor | |
| Fermin Davalos | Location Manager | |
| Sarah Domeier | Casting Associate | |
| Ally Conover | Casting Assistant | |
| Jamison Goei | Visual Effects Supervisor | |
| James David Hattin | Visual Effects Supervisor | |
| Nate Smalley | Visual Effects Producer | |
| Jonathan Wales | Re-recording Mixer | |
| Jason Gaya | Additional Sound Re-recording Mixer | |
| Trevor Gates | Supervising Sound Editor | |
| Jonathan Wales | Supervising Sound Editor | |
| Xander Lott | Dialogue and ADR Editor | |
| Joshua Adeniji | Sound Effects Editor | |
| Christopher Bonis | Sound Effects Editor | |
| Matt Ward | Score Mixer | |
| Brett Snacky Pierce* | Music Editor | |
| Rick A. Osako | Unit Production Manager | |
| Mark Rayner | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.