|Feb 25, 2005||Diary of a Mad Black Woman||$5,500,000||$21,905,089||$50,406,346||$50,458,356|
|Feb 24, 2006||Madea's Family Reunion||$10,000,000||$30,030,661||$63,257,940||$63,320,521|
|Feb 20, 2009||Madea Goes To Jail||$17,500,000||$41,030,947||$90,508,336||$90,508,336|
|Sep 11, 2009||I Can Do Bad All By Myself||$19,000,000||$23,446,785||$51,733,921||$51,733,921|
|Apr 22, 2011||Madea's Big Happy Family||$25,000,000||$25,068,677||$53,345,287||$53,345,287||Play|
|Dec 13, 2013||Tyler Perry's A Madea Christmas||$25,000,000||$16,007,634||$52,543,354||$52,543,354||Play|
|Oct 21, 2016||Tyler Perry’s Boo! A Madea Halloween||$20,000,000||$28,501,448||$73,206,343||$73,206,343||Play|
|Oct 20, 2017||Tyler Perry’s Boo 2! A Madea Halloween||$20,000,000||$21,226,953||$47,319,572||$47,879,572||Play|
Box Office History for Madea Movies
|Jun 27, 2006||Madea's Family Reunion||$29,978,652||$29,978,652|
|Jun 16, 2009||Madea Goes To Jail||$30,434,059||$30,434,059|
|Jan 12, 2010||I Can Do Bad All By Myself||$19,657,313||$754,022||$20,411,335|
|Aug 30, 2011||Madea's Big Happy Family||$12,040,083||$1,139,341||$13,179,424|
|Nov 25, 2014||Tyler Perry's A Madea Christmas||$14,469,402||$1,850,912||$16,320,314|
|Jan 30, 2017||Tyler Perry’s Boo! A Madea Halloween||$9,968,090||$2,420,217||$12,388,307|
|Jan 30, 2018||Tyler Perry’s Boo 2! A Madea Halloween||$7,312,457||$2,710,301||$10,022,758|
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
April 3rd, 2018
Ready Player One not only opened in first place over the weekend, but its three-day total of $41.77 million was Steven Spielberg’s best opening weekend as a director in almost exactly a decade. Acrimony was a solid second place finisher with $17.17 million. God’s Not Dead: A Light in Darkness missed the top ten. Overall, the box office rose 4.9% from last weekend hitting $136 million, but this was still 20% lower than the same weekend last year. 2018 is now 4.9% or $150 million behind 2017’s pace at $2.84 billion to $2.99 billion.
March 29th, 2018
March comes to a close with three wide releases. Of these, only Ready Player One is expected to be even a midlevel hit. In fact, it will likely earn more over its four-day weekend than the other two films earn in total. Acrimony should open in the mid to low teens, while God’s Not Dead: A Light in Darkness will barely make the top ten. This weekend last year, The Boss Baby opened with just over $50 million. Maybe Ready Player One will make that much over four days. Even if it does, 2017’s impressive depth means there’s almost no chance 2018 will win in the year-over-year comparison.
November 2nd, 2017
November begins with Thor: Ragnarok and A Bad Moms Christmas. Thor: Ragnarok is widely expected to be the sixth film of 2017 to open with $100 million. On the other hand, A Bad Moms Christmas opened yesterday and when I started writing this in the early hours of Thursday morning, there were still no reviews on Rotten Tomatoes. Oh boy. That’s not a good sign. Worse still, no other new release it going to come close to $10 million over the weekend. This weekend last year, there were three wide releases that earned more than $10 million, led by Doctor Strange with $85 million. Thor: Ragnarok will top that, but this year's depth is terrible compared to last year and we will very likely see yet another loss in the year-over-year comparison.
October 31st, 2017
It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case.
October 26th, 2017
There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno.
October 24th, 2017
The weekend box office was weaker than expected with only one of the new releases topping predictions. Tyler Perry’s Boo 2: A Madea Halloween wasn’t that one film, but it still led the way with $21.23 million. The only other film to top $10 million was Geostorm with $13.71 million, but it lived up to its disaster genre due to its $100 million production budget. Overall, the box office fell 6.5% from last week to $95 million. That decline is positively glowing compared to the year-over-year comparison. Compared to this weekend last year, 2017 was down 25%. Year-to-date, 2017 is now behind last year’s pace by 5.0% or $440 million at $8.46 billion to $8.90 billion. Unless November and December are stellar, there’s no way 2017 is going to catch up to 2017.
October 22nd, 2017
Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run.
October 20th, 2017
There are five films opening wide or semi-wide this week, but only one of them, Tyler Perry’s Boo 2: A Madea Halloween, has a real shot at top spot. The best-reviewed new release of the week is Only the Brave, while the Geostorm is the widest release. Then there are the two semi-wide releases, The Snowman and Same Kind of Different as Me. Because there are so many new releases coming out this week, one or two of them are practically guaranteed to slip between the cracks. This weekend last year, the box office was led by the original Boo! with $28.50 million, while the new releases made just over $70 million combined. That seems out of reach for this year’s crop, so 2017 will likely lose in the year-over-year comparison.
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
January 31st, 2017
It’s a slow week at the top, as there are no new releases that were hits in theaters. That doesn’t mean we have no contenders for Pick of the Week, just that they are smaller films or ones that struggled in theaters. Queen of Katwe is the best of this list and the Blu-ray is the Pick of the Week.
November 11th, 2016
Arrival earned an impressive $1.45 million during its previews last night. This is a little more than the $1.4 million Gravity earned this time in 2013. Granted, midnight shows were not as ubiquitous as they are now, but I still think this is a positive sign. Its reviews should help its legs and while our prediction was a little more bullish than most, I’m a little more confident now.
November 7th, 2016
Doctor Strange’s opening weekend was off by 0.069% when compared to our prediction. I think that gives us reason to brag. Both Trolls and Hacksaw Ridge beat expectations by a relatively significant margin. Overall, the weekend box office rose 115% from last weekend to $191 million. That’s 18% more than the same weekend last year. Year-to-date, 2016’s lead over 2015 increased to 5.6% or $490 million at $9.28 billion to $8.79 billion. If 2016 can maintain this lead until Rogue One comes out, then 2016 will win in the end.
November 1st, 2016
Halloween helped boost Tyler Perry’s Boo! A Madea Halloween’s numbers over the weekend allowing it to earn first place with $17.22 million. This was much better than the $14.86 million Inferno opened with. While Halloween didn’t happen until Monday, the holiday still had a negative effect on the box office, as it fell 29% to just $88 million. That’s worse than anticipated. Compared to the same weekend last year, 2016 was better by 17%, but it’s hard to spin this as a real victory. Year-to-date, 2016’s lead over 2015 barely budged at $9.06 billion to $8.69 billion. That said, if 2016 can just maintain this lead till Rogue One debuts, then we should have at least some growth at the end of the year.
October 29th, 2016
As expected, Inferno earned first place on Friday. However, it was unexpectedly weak at just $5.6 million. Even strong legs over the weekend would result in an opening of just over $15 million. Given its reviews and its B+ rating from CinemaScore, it won’t have strong legs. Just over $14 million seems more likely at this point. Although it is aimed at a more mature crowd, so that could help. Plus, it is performing much better internationally, so it could break even regardless of how much it makes domestically.
October 27th, 2016
There’s only one wide release this week, Inferno, and it should have no trouble earning first place. On the other hand, it won’t come close to matching the other two films in the Da Vinci Code franchise. Tyler Perry’s Boo! A Madea Halloween earned first place last week, but Madea movies tend to have short legs, so it could see a large drop-off this weekend. Or perhaps Halloween will help it thrive. This weekend last year, Halloween landed on a Saturday. It comes as no surprise that this was a disaster for the box office. The “best” new release, Burnt opened outside of the top five with just $5 million. The two and a half wide releases earned a combined $10 million last year. This year, there’s a small chance Inferno will earn $10 million during its opening day. There’s almost no chance 2016 won’t crush 2015 in the year-over-year comparison.
October 25th, 2016
2016 finally has a real reason to celebrate this weekend. Not every film topped expectations, but the top did enough to overcome any weakness at the bottom. The biggest hit of the week was Tyler Perry’s Boo! A Madea Halloween, which beat expectations with $28.50 million. Jack Reacher: Never Go Back had to settle for second place with $22.87 million, which is still better than most were predicting. Ouija: Origin of Evil did well for a movie that cost just $9 million to make, but the less said about the other two new releases, the better. Overall, the box office rose 26% from last week, reaching $124 million. More importantly, the box office was 18% higher than the same weekend last year. Year-to-date, 2016 extended its lead over 2015 at $8.93 billion to $8.53 billion. Having a $400 million cushion this late in the year is good news, even with The Force Awakens looming in the future.
October 23rd, 2016
Hollywood has a habit of underestimating Tyler Perry. When Diary of a Mad Black Woman opened back in 2005, it was expected to struggle to make the top 10, and yet finished top of the chart with a $21.9 million weekend. More than eleven years later, he, or perhaps more accurately, Madea, continues to defy tracking models and rack up wins at the box office, with Boo! A Madea Halloween set to top this weekend’s chart with a projected $27.6 million. That’s nearly $5 million better than the debut of Jack Reacher: Never Go Back, which Paramount has coming in at $23 million.
October 22nd, 2016
Tyler Perry’s Boo! A Madea Halloween beat expectations on Friday to earn first place at the box office with with $9.4 million. I was a little more bullish than most, but even I didn’t think it would finish in first place on Friday. This is not quite as much as Madea’s Big Happy Family made on its opening day in 2011, but it is enough to put the film on pace for $25 million. Its reviews have risen to 33% positive, which isn’t bad for a Madea movie, while it earned an A from CinemaScore, so the fans are clearly happy with the film.
October 21st, 2016
Jack Reacher: Never Go Back pulled in $1.33 million during previews, which is approximately inline with expectations. It is just a hair below the $1.35 million The Accountant earned last week. However, The Accountant also earned significantly better reviews than Never Go Back is earning and that will likely hurt its legs. That said, we predicted $21 million and that seems safe at the moment.
October 20th, 2016
It is a busy week as far as wide releases are concerned, although not as busy as we thought it would be at the beginning of the month, as I’m Not Ashamed has dropped to “select cities”. It still has a shot at the top ten, but a slim shot. The biggest release of the week is Jack Reacher: Never Go Back, as it is opening in an estimated 3,800 theaters. However, the buzz is weak and its reviews won’t help either. It will likely struggle to top $20 million. This gives Tyler Perry’s Boo! A Madea Halloween a shot at first place. The best new release of the week is Ouija: Origin of Evil. One would hope a horror film earning 80% positive reviews ten days before Halloween would at least have a shot at first place. We’ll see. Finally there’s Keeping Up with the Joneses. It’s bad and that’s all I need to say about that. There is good news. This weekend last year was a disaster. The biggest wide release was The Last Witch Hunter and it earned less than $11 million. The biggest film was The Martian, which earned under $16 million. We could have two films top $20 million, so 2016 should end the slump it has been in.
October 1st, 2016
September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result.
March 14th, 2014
Another week, another pair of wide releases. This time around, Need for Speed is competing with Tyler Perry's Single Mothers Club. Neither film is expected to be a huge hit, but Need for Speed has a better chance at earning first place. 300: Rise of an Empire does have a shot at repeating on top, but it could also collapse due to mixed reviews and direct competition. Last year, the box office was led by Oz the Great and Powerful with $41.25 million during its second weekend of release. No single film is going to come close to that figure this weekend. On the other hand, 2014 has better depth than 2013 had, so it could still come out on top.
March 1st, 2014
2014 continued its strong run in February with The Lego Movie beating even the high end expectations and will become the first film released in 2014 to reach $200 million. March doesn't look as strong, as no film is on track to hit $200 million, but there are five films that have a chance at $100 million. Granted, not all of them will get there; in fact, there's a chance only one of them will get there. Divergent is the film I think has the best shot at the century club, but it could be joined by Mr. Peabody and Sherman, for instance, which is earning surprisingly strong reviews. Noah is a big-budget Bible epic and the studio has to be hoping for at least $100 million, but the buzz is quite negative and there have been reports of troubles behind-the-scenes. Last March was led by Oz The Great and Powerful, which pulled in more than $200 million domestically. I don't think any film opening this March will match that figure. In addition, The Croods and G.I. Joe: Retaliation also hit the $100 million milestone, while Olympus Has Fallen came very close. Granted, there were also some big bombs last March, like The Host, but even so, I think 2014 will lose ground in the year-over-year comparison.
December 16th, 2013
It's a good news / bad news weekend at the box office. The Hobbit: The Desolation of Smaug earned first place with ease earning the fourth biggest December opening weekend of all time. On the other hand, it was a little weaker than expected opening on the low end of predictions. Tyler Perry's A Madea Christmas also underperformed by a significant degree, which didn't help the overall box office. The overall box office rose 59% to $147 million, which seems like a huge amount, till you realize last weekend was the weekend after Thanksgiving, which is historically one of the worst weekends of the year. If there wasn't a massive jump at the box office, it would have been fatal for the month. This was also higher than the same weekend last year, albeit by a smaller margin of 6%. Year-to-date, 2013 is still ahead of 2012, but by less than 0.5% at $9.90 million to $9.85 million.
December 1st, 2013
We had some good news and some bad news in November. The bad news is the overall weakness at the box office continued and 2013 lost its lead over 2012. Strong runs by The Hunger Games: Catching Fire and Frozen did help it bounce back in the end, but 2013 is still going to have a tough time topping 2012. Looking forward to December, we find about a dozen wide releases, sort of. There are several films that are opening in limited release that are expected to expand wide by the end of the month, but I'm not sure that will be the case for all of them. The Hobbit: The Desolation of Smaug should be the easy winner this month and if it is a little lucky, it might even top its predecessor at the box office. There is a huge amount of hype surrounding Anchorman 2: The Legend Continues and it could double the first film's box office numbers. On the other hand, those two films might be the only two December wide releases to reach $100 million. There are a few that have the potential to get to the century mark, if they are big players during Awards Season. Obviously some of the films coming out this month will win awards, but there's already a lot of competition in theaters before the month begins. There were three $100 million movies last December, led by The Hobbit: An Unexpected Journey, so while it could be close, it looks like December will lose in the year-over-year comparison. This is really bad news, as 2013 can't afford to go out on a losing streak if it wants to top 2012.
May 9th, 2013
Summer got off to a fantastic start last weekend, but sadly it is not going to continue this weekend. Neither The Great Gatsby nor Peeples have blockbuster potential. In fact, the pair combined won't match Iron Man 3's sophomore stint. This is similar to what happened last year, as Dark Shadows got crushed by The Avengers, which broke yet another record. Iron Man 3 won't be able to do the same this year, but we could have better depth. I'm not saying 2013 will win the weekend, but it won't as bad as it has been either.
March 1st, 2013
February is over, and for the most part, we should be very happy it is done and buried. The biggest hit of the month turned out to be Identity Thief, which will cross $100 million shortly. There were also a couple of impressive midlevel hits, like Warm Bodies and Escape from Planet Earth, but for the most part, it was miss after miss. This is bad news for March, which is not only dealing with a slumping 2013 box office, but will be compared with a strong March of 2012. Last March started with The Lorax, which earned more than $200 million. There's a good chance no March release this year will reach this milestone. Last March was also the month The Hunger Games opened, which earned more than $400 million. There's a chance the top three films opening this month won't earn that much combined. 2013 is going to take a beating in the year-over-year comparison and it is already $100 million behind last year's pace.
February 3rd, 2013
Tyler Perry has been a money making machine, but while he, or more accurately, Madea, has a dedicated following, he hasn't been able to generate a lot of crossover appeal. Alex Cross was his first attempt to truly get away from his iconic character. It didn't go so well. The film opened in fifth place and quickly disappeared from there. Is is as bad as its box office numbers would indicate? Or does Tyler Perry just need more time to distance himself from Madea before moviegoers who don't like that character are willing to accept him in a role like this?
Note: This list contains actors who appeared in at least two movies in the franchise.
|Cassi Davis||3||Aunt Bam||$174,431,202||$206,040,445||84.7%|
Note: This list contains people who contributed to at least two movies in the franchise.
Based on the play "Madea Goes to Jail" (1)
|Joel C. High||5||Music Supervisor (5)||$317,482,892||$600,785,688||52.8%|
Executive Producer (1)
|Maysie Hoy||3||Editor (3)||$196,396,977||$409,785,230||47.9%|
|Kim Taylor-Coleman||3||Casting Director (3)||$173,629,269||$650,287,991||26.7%|
|Mike Wilhoit||3||Supervising Sound Editor (3)||$173,629,269||$2,330,335,244||7.5%|
|Reuben Cannon||2||Producer (2)||$143,853,623||$711,459,613||20.2%|
|Will Areu||2||Producer (2)||$121,085,915||$167,633,792||72.2%|
|Michael Paseornek||2||Executive Producer (2)||$143,853,623||$851,201,118||16.9%|
|Richard Vialet||2||Director of Photography (2)||$121,085,915||$169,270,629||71.5%|
|Joseph P. Genier||2||
Executive Producer (1)
|Larry Sexton||2||Editor (2)||$121,085,915||$167,633,792||72.2%|
|Alexander Gruszynski||2||Cinematographer (2)||$143,051,690||$441,124,935||32.4%|
|Crystal Hayslett||2||Costume Designer (2)||$121,085,915||$167,633,792||72.2%|
Art Director (1)
Set Decorator (1)
|Ina Mayhew||2||Production Designer (2)||$143,853,623||$271,854,875||52.9%|
|Roger M. Bobb||2||
Assistant Director (1)
|Aaron Zigman||2||Composer (2)||$143,853,623||$3,112,504,183||4.6%|
|Keith G. Lewis||2||Costume Designer (2)||$143,853,623||$200,899,042||71.6%|
Production Supervisor (1)
Post-Production Supervisor (1)
|Jennifer Carriere||2||Script Supervisor (2)||$121,085,915||$211,291,949||57.3%|
|Crystal Brown||2||Costume Supervisor (2)||$121,085,915||$167,633,792||72.2%|
|Syretta L Bell||2||Make up (2)||$121,085,915||$121,090,420||100.0%|
|Kimberly Ellis||2||Dialogue Editor (2)||$121,085,915||$167,633,792||72.2%|
|Joe Barnett||2||Re-recording Mixer (2)||$125,749,697||$1,122,170,773||11.2%|
|Taryn Spates||2||Visual Effects Producer (2)||$121,085,915||$167,633,792||72.2%|
|Johnny Caruso||2||Music Editor (2)||$121,085,915||$282,026,819||42.9%|