Portugal Box Office for A-X-L: Uma Amizade Extraordinária (2018)

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A.X.L.
Theatrical Performance (US$)
Portugal Box Office $3,960Details
Worldwide Box Office $8,259,753Details
Home Market Performance
North America DVD Sales $136,401 Details
North America Blu-ray Sales $62,599 Details
Total North America Video Sales $199,000
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A down-on-his luck teenage bike rider, Miles, stumbles upon an advanced, robotic, military dog named A.X.L. Endowed with next-generation artificial intelligence but with the heart of a dog, A.X.L. forms an emotional bond with Miles, much to the chagrin of the rogue military scientists who created A.X.L. and would do anything to retrieve him. Knowing what is at stake if A.X.L. gets captured, Miles teams up with his smart, resourceful crush, Sara, to protect his new best friend.

Metrics

Movie Details

Production Budget:$10,000,000
Portugal Releases: December 21st, 2018 (Wide), released as A-X-L: Uma Amizade Extraordinária
Video Release: January 1st, 2019 by Global Road Entertainment
MPAA Rating: PG for sci-fi action/peril, suggestive material, thematic elements and some language.
(Rating bulletin 2515 (Cert #51189), 2/21/2018)
Running Time: 98 minutes
Keywords: Scientific Experiment Gone Awry, Robot, Artificial Intelligence, Animal Lead, Social Outcast, Remake, Director Remaking Their Own Movie, Action Adventure
Source:Based on Short Film
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Global Road Entertainment, Lakeshore Entertainment, Phantom Four
Production Countries: United States
Languages: English

Home Market Releases for January 1st, 2019

January 1st, 2019

Love, Gilda

New Year’s Day lands on a Tuesday and I don’t think there are many people who celebrate the new year by buying a Blu-ray. That said, while there’s not a lot of releases on this week’s list, a surprising percentage of them are first-run releases. Love, Gilda is the only real contender for Pick of the Week. Bad Times at the El Royale is the second best, but I want to be able to watch the full thing for my review before coming up with a final judgment. More...

Weekend Wrap-Up: Summer Ends on a Sweet Note with Crazy Rich Asians Crossing $100 million

September 5th, 2018

Crazy Rich Asians

Crazy Rich Asians came close enough to our predictions over the weekend that I’m willing to call it a victory. The only other film to earn more than $10 million over the three-date weekend was The Meg. This wasn’t enough to help the overall box office grow, but the overall box office only fell 3.6% when compared to last weekend earning $99 million. It is a little disappointing to drop below the $100 million mark, but it could have been much worse. Speaking of much worse, this weekend last year, the overall box office was just $76 million, meaning 2018 improved on the three-day mark by 29% and stretched its year-to-date lead. 2018 now sits 10.6% or $790 million ahead of 2017 at $8.22 billion to $7.43 million. The lead won’t remain this large for long, not with It’s opening on the horizon. That said, it would take a spectacular collapse for 2018 to completely lose this lead. More...

Weekend Wrap-Up: Crazy Rich Asians Continues Box Office Dominance with Nearly $25 million

August 28th, 2018

Crazy Rich Asians

Summer officially ends next weekend with Labor Day, but Crazy Rich Asians is keeping the summer going with a sophomore stint of $24.80 million over the weekend. This is nearly twice as much as the second place film, The Meg. Meanwhile, the only true wide release of the week, The Happytime Murders, missed low end expectations with $9.53 million. The overall box office is down 21% from last weekend to just $103 million. That’s a sharp decline, but not uncommon for this time of year. More importantly, it was 49% more than the same weekend last year. That’s not as impressive as it seems, as this weekend last year one of the worst weekends in the past decade. Year-to-date, 2018 extended its lead to 10.1% or $740 million at $8.05 billion to $7.19 billion. On the down side, it won’t be long before 2017 really starts to eat into that lead. More...

Weekend Estimates: Crazy Rich Nearly Matches Opening Weekend with $25 million

August 26th, 2018

Crazy Rich Asians

Crazy Rich Asians led the way over the weekend with $25.01 million for a two-week total of $76.82 million. This is way more than expected and actually in line with our opening weekend prediction. Its sophomore stint decline was just a 6% from its opening three-day weekend; it’s just a 29% decline from its opening five-day weekend. On the downside, this is such an amazing hold that it is hard for analysts to figure out where it will go from here. We can safely say it will continue to pull in millions of dollars for weeks to come, but we don’t know if it will soar past $150 million or not. If it has a more normal decline next week, we will be able to be more sure. Regardless of what it does over the rest of its domestic run or how well it performs internationally, it will be a massively profitable movie and one of Warner Bros.’ biggest hits of the year. More...

Friday Estimates: The Rich Keep Getting Richer

August 25th, 2018

Crazy Rich Asians

Crazy Rich Asians is this year’s The Hitman’s Bodyguard, at least in terms of legs. The film fell just 4% from its opening Friday earning $7.0 million on this Friday. The film was a Wednesday opening, so it likely won’t perform better on Saturday compared to last weekend, but the film will still earn about $23 million over the weekend. The book Crazy Rich Asians is based on is the first in a trilogy and I would be amazed if Warner Bros. hasn’t already begun work on the next two installments. More...

Thursday Night Previews: Happytime has a Melancholy Debut

August 24th, 2018

The Happytime Murders

The Happytime Murders only managed $950,000 during its Thursday previews. I was really expecting a little more than $1 million during previews. This is close enough that matching our $13 million prediction is still possible, but $12 million is more likely. Its also means Crazy Rich Asians will have no problem repeating on top of the box office chart. In fact, it appears to be headed for an amazing sophomore stint, but more on that tomorrow. More...

Weekend Predictions: Can Happytime Overtake Crazy Rich Asians at the Box Office?

August 23rd, 2018

Crazy Rich Asians

Summer is winding down and there are only one and a half wide releases this week. The Happytime Murders is a high-concept, lowbrow comedy that is probably too out there to find an audience. Meanwhile, A.X.L. is opening in less than 2,000 theaters and tracking has it opening below the Mendoza Line. This does mean Crazy Rich Asians has a real shot at repeating on top of the box office chart. This weekend last year, The Hitman’s Bodyguard was the only film to earn more than $10 million. This year, we should have two or three films do the same and 2018 should easily win in the year-over-year chart. More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

A.X.L. Trailer

July 12th, 2018

Sci-fi adventure starring Alex Neustaedter and Becky G opens August 24 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/12/21 18 $3,960   10 $396   $3,960 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Italy 10/12/2018 $166,759 0 10 13 $344,068 12/16/2018
Netherlands 8/24/2018 $32,947 33 33 66 $60,010 9/4/2018
North America 8/24/2018 $2,798,229 1,710 1,710 4,270 $6,501,381
Norway 11/23/2018 $201 1 1 1 $201 11/27/2018
Portugal 12/21/2018 $3,960 10 10 10 $3,960 12/27/2018
Russia (CIS) 8/16/2018 $529,207 1243 1243 2535 $1,215,223 1/1/2019
South Korea 10/18/2018 $69,608 142 142 200 $134,910 11/14/2018
 
Worldwide Total$8,259,753 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Alex Neustaedter    Miles
Dorian Kingi    A.X.L.

Supporting Cast

Becky G    Sara
Alex MacNicoll    Sam
Dominic Rains    Andric
Thomas Jane    Chuck
Patricia De Leon    Joanna
Ted McGinley    Mr. Fontaine
Eric Etebari    Operative Berman
Maggy Vick    Pam
Lou Taylor Pucci    Randall
Sam Upton    Operative Stark
Stacey Arwen Raab    FOX Racing Fan
Jonathan Camp    Operative Cameron
Ashley Gibson    Monica
Dominic Vedder    Sam’s Party Friend
Chris Verdugo    Sam’s Party Friend
Marie-Francoise Theodore    Captain Webber
Nick Wayne    BTO Crew Member
Stanton Lee    Crane Security Operative
Jerry DiLeo    Teacher
Donnie Smith    Weber Agent #1
Andrew Ortenberg    Royce
Alejandro Galang    Sam’s Posse

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Oliver Daly    Director
Oliver Daly    Screenwriter
Tom Rosenberg    Producer
Gary Lucchesi    Producer
Richard Wright    Producer
Eric Reid    Producer
David S. Goyer    Producer
Kevin Turen    Producer
David Kern    Executive Producer
James McQuaide    Executive Producer
Elizabeth Gesas    Executive Producer
Adam P. Schneider    Executive Producer
Tom Ortenberg    Executive Producer
Kassee Whiting    Executive Producer
Tim Orr    Director of Photography
Suzuki Ingerslev    Production Designer
Jeff McEvoy    Editor
Lindsay Ann McKay    Costume Designer
Ian Hultquist    Composer
Courtney Bright    Casting Director
Nicole Daniels    Casting Director
Alexander Goodwin    Animation
Brendan Jacquin    Animation
Daniel Fotheringham    Animation
Dean Elliot    Animation
Fabrice Nianzou    Animation
Guillaume Roux    Animation

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.