Qatar Box Office for Anna (2019)

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Anna
Theatrical Performance (US$)
Qatar Box Office $117,174Details
Worldwide Box Office $32,825,217Details
Home Market Performance
North America DVD Sales $1,298,178 Details
North America Blu-ray Sales $1,705,801 Details
Total North America Video Sales $3,003,979
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Beneath Anna Poliatova’s striking beauty lies a secret that will unleash her indelible strength and skill to become one of the world’s most feared government assassins.

Metrics

Movie Details

Production Budget:$30,000,000
Qatar Releases: June 27th, 2019 (Wide)
Video Release: September 10th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence, language, and some sexual content.
(Rating bulletin 2540 (Cert #51631), 8/15/2018)
Running Time: 118 minutes
Keywords: Hitmen, Crime Thriller, Set in Paris, Set in Russia, Models
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Summit Entertainment, EuropaCorp, TF1 Film Productions, OCS., Canal Plus, TMC
Production Countries: France
Languages: English, Russian

Home Market Releases for September 24th, 2019

September 26th, 2019

Midsommar

It is a horrible week on the home market, at least from my perspective. There are no monster hits to talk about, but a flood of middling releases that I can’t really ignore. The biggest first-run release of the week is Yesterday and it is the closest we have to a Pick of the Week contender on this week’s list. That is if you don’t count Crawl and Midsommar, which are hitting VOD this week. More...

Home Market Releases for September 10th, 2019

September 11th, 2019

Echo in the Canyon

There are two monster hits coming out this week, Aladdin and John Wick: Chapter 3 — Parabellum, and this has scared away almost all of the competition. Fortunately, John Wick is amazing and a clear Pick of the Week contender. There was only one other film in contention for that title, Echo in the Canyon. Granted, I like Parabellum more, but it was already awarded the Pick of the Week when it hit VOD, so Echo in the Canyon gets the honor this week. More...

Weekend Wrap-Up: Toy Story Can’t Overcome Box Office Woes

July 2nd, 2019

Toy Story 4

June ended with shrug, as the weekend was neither a success nor a disaster. Toy Story 4 was the top draw, but it fell faster than most family films do, down 51% to $59.70 million. Annabelle Comes Home had the weakest opening in the franchise, while Yesterday did well as counter-programming, but that’s all. The overall box office fell 26% from last weekend and, more importantly, 15% from the same weekend last year. Year-to-date, 2019 has fallen behind 2018’s pace by a margin of 9.5% or $580 million at $5.52 billion to $6.10 billion. At the beginning of June, I thought 2019 would have cut into 2018’s lead by $100 million, but that clearly didn’t happen. More...

Weekend Wrap-Up: Toy Story Latest Film to Miss Expectations

June 25th, 2019

Toy Story 4

I think 2019 is done. The year isn’t quite halfway done, but I think I’m ready to call the box office race with 2018 over. Toy Story 4 was the latest potential monster hit to miss expectations by a huge margin. Granted, it still opened in first place with $120.10 million and it will make a substantial profit, but this is still about 25% lower than a lot of people expected and the overall weekend is still a massive disappointment. It did rise 50% from last weekend hitting $204 million, but this was 25% lower than the same weekend last year and that’s a much more important figure. Year-to-date, 2019 is now behind 2018 by 8.9% or $510 million at $5.26 billion to $5.77 billion. If you want to stretch for some good news, then this isn’t the worst deficit we’ve seen this year. More...

Weekend Estimates: Toy Story has the Best Opening in the Franchise, Still Disappoints

June 23rd, 2019

Toy Story 4

Almost none of the films on this week’s list are living up to expectations, at least not according to the weekend estimates. Toy Story 4 is earning the best opening in the franchise with an estimated $118.0 million weekend. This is third-highest opening for an animated film, so there is reason to celebrate. However, it is also much lower than expected and a little more front-loaded than anticipated, so its future might be in doubt. The film is doing better internationally with an estimated opening weekend of $120.0 million in 37 markets. The film had the third biggest opening in Mexico with $23.4 million, putting it behind just the two most recent Avengers movies. It had the biggest opening for an animated film in Brazil with $9.6 million. The film was also a monster hit in the U.K. with $15.0 million. On the other hand, it struggled in China with a second-place $13.4 million opening there; however, most animated films struggle in China. Hopefully the film’s reviews and its A from CinemaScore translate into long legs, because 2019 really needs more success stories at the box office. More...

Friday Estimates: Toy Story Doesn’t Have an Incredible Start

June 22nd, 2019

Toy Story 4

Toy Story 4 is on pace to earn the third-best opening weekend for an animated film, but despite this, it will be seen as a disappointment, as many people were expecting a lot more. The film earned $47.39 million on Friday, putting it on pace for $123 million over the full weekend, which is behind Incredibles 2 and Finding Dory on the all-time opening chart for an animated film. It really needed to be higher up that list in order to help 2019 win in the year-over-year competition. At this pace, it won’t even match last year’s number one film, Jurassic World: Fallen Kingdom. On the positive side, the film is earning 97% positive reviews and managed an A from CinemaScore, so it should have long legs. It will be a hit for Pixar and Disney is not going to lose money on this movie. However, I’m getting tired of big films failing to live up to expectations and I don’t think 2019 is going to be able to turn things around. More...

Thursday Night Previews: Toy Story 4 has Second Best Animated Previews

June 21st, 2019

Toy Story 4

First the good news: Toy Story 4 had the second best previews for an animated film earning $12 million. Now the bad news: Incredibles 2 had the best earning $18.5 million last year. Toy Story 4 better have better legs or 2019 is in real trouble. Fortunately, most analysts agree that it will and it is still on pace to match our $155 million prediction. We will obviously know more tomorrow when Friday’s numbers show up, but also the CinemaScore will be a big help. If audiences love the movie as much as critics did, then its legs should be a real asset. More...

Weekend Predictions: Can Toy Story 4 Save June’s Box Office Run?

June 20th, 2019

Toy Story 4

June has not lived up to expectations and unless Toy Story 4 is a record-breaking hit, we are going to end the month with a loss. I don’t think it will break records, but it will easily be the biggest hit of the month. Also opening this week is Child’s Play, the reboot to the long-running horror franchise of the same name. Finally, Anna is the latest film from Luc Besson and many are comparing it to Lucy. It’s not going to do that well. It likely won’t reach the top five. This weekend last year, Jurassic World: Fallen Kingdom opened with $148.02 million. I really hope Toy Story 4 tops that; however, even if it does, nothing playing this weekend is going to compare with Incredibles 2’s run last year, so 2019 is going to lose in the year-over-year comparison. More...

2019 Preview: June

June 1st, 2019

Toy Story 4

While the final weekend in May isn’t over yet, we can safely say the month was merely okay. It managed to keep pace with last May, but I was really hoping to cut into 2019’s deficit by a significant margin. June is not looking any better, at least not compared to 2018. There are two potential monster hits, The Secret Life of Pets 2 and Toy Story 4, as well as a trio of $100 million hits, Dark Phoenix, Men in Black: International, and Annabelle Comes Home. On the surface, this looks excellent; however, last June was even better on top with Incredibles 2 and Jurassic World: Fallen Kingdom earning a combined $1 billion domestically. Granted, the only other $100 million hit was Oceans 8, so this year should have a lot better depth. I don’t think it will be enough to gain any ground in the year-over-year comparison, which is the only way to really judge how a month is doing at this point. More...

Anna Trailer

May 2nd, 2019

Luc Besson thriller starring Sasha Luss opens June 21 ... Full Movie Details.

Beneath Anna Poliatova’s striking beauty lies a secret that will unleash her indelible strength and skill to become one of the world’s most feared government assassins. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/28 - $58,470   14 $4,176   $58,470 1
2019/07/05 - $9,015 -85% 2 $4,508   $107,009 2
2019/07/12 - $4,507 -50% 0     $114,221 3
2019/07/19 - $1,275 -72% 0     $117,174 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/15/2019 $16,749 41 41 45 $23,313 9/5/2019
Aruba 6/20/2019 $2,245 0 0 0 $7,673 7/16/2019
Austria 7/19/2019 $56,203 0 28 38 $218,889 9/12/2019
Bahrain 6/27/2019 $25,868 7 7 7 $104,252 7/25/2019
Bangladesh 6/21/2019 $4,734 0 2 9 $4,734 8/9/2019
Belgium 7/10/2019 $196,725 0 67 183 $615,530 10/10/2019
Bolivia 8/8/2019 $0 0 4 4 $9,244 8/23/2019
Brazil 8/29/2019 $302,209 240 240 246 $450,035 10/3/2019
Bulgaria 7/19/2019 $16,818 0 0 0 $101,965 9/11/2019
Cambodia 7/25/2019 $15,662 12 12 34 $32,446 9/2/2019
Chile 8/15/2019 $19,622 22 22 44 $33,378 9/5/2019
Colombia 9/12/2019 $178,500 182 182 297 $356,369 10/3/2019
Costa Rica 8/15/2019 $10,956 14 14 20 $15,515 9/2/2019
Croatia 6/20/2019 $35,615 66 66 178 $119,053 8/23/2019
Curacao 6/20/2019 $1,165 0 0 0 $15,973 7/18/2019
Cyprus 7/18/2019 $5,137 7 7 21 $14,365 8/9/2019
Czech Republic 8/23/2019 $22,956 96 96 153 $62,314 10/19/2022
Dominican Republic 9/12/2019 $25,677 28 28 51 $57,024 10/10/2019
Ecuador 8/16/2019 $23,476 27 27 82 $89,207 9/19/2019
Egypt 7/3/2019 $14,371 13 13 13 $31,617 8/1/2019
El Salvador 8/15/2019 $3,931 7 7 12 $7,779 9/2/2019
Estonia 7/5/2019 $11,105 17 17 22 $36,241 8/9/2019
France 7/10/2019 $1,585,577 657 818 3555 $5,351,713 9/19/2019
Germany 7/18/2019 $354,908 235 238 1094 $1,010,512 9/12/2019
Greece 7/18/2019 $30,986 46 46 91 $118,504 9/5/2019
Guatemala 8/15/2019 $9,198 15 15 18 $13,406 9/2/2019
Honduras 8/15/2019 $5,269 15 15 18 $8,844 9/2/2019
Hungary 7/18/2019 $76,538 0 50 117 $240,555 10/19/2022
Iceland 7/24/2019 $13,644 0 0 0 $34,065 9/12/2019
India 6/21/2019 $10,333 24 24 24 $20,401 7/10/2019
Iraq 6/27/2019 $5,491 7 7 13 $20,706 7/25/2019
Israel 6/20/2019 $77,196 0 22 71 $266,274 10/19/2022
Japan 6/5/2020 $84,793 0 0 0 $310,243 6/19/2020
Jordan 6/27/2019 $8,037 5 5 6 $14,640 7/25/2019
Kuwait 6/27/2019 $72,951 9 9 16 $190,785 8/9/2019
Laos 7/11/2019 $1,800 0 0 0 $1,800 7/18/2019
Latvia 7/5/2019 $12,096 10 10 19 $47,680 9/2/2019
Lebanon 6/27/2019 $16,808 17 17 32 $68,933 8/23/2019
Lithuania 6/28/2019 $15,843 117 117 209 $67,125 10/19/2022
Malaysia 7/25/2019 $85,887 86 86 234 $197,165 8/23/2019
Mexico 9/27/2019 $233,728 0 272 272 $398,336 10/19/2022
Mongolia 6/21/2019 $4,009 8 8 8 $10,340 7/25/2019
Netherlands 9/13/2019 $167,697 76 76 223 $544,707 10/19/2022
New Zealand 6/20/2019 $42,802 45 45 144 $92,203 8/9/2019
Nicaragua 8/15/2019 $5,067 5 5 8 $8,461 9/2/2019
North America 6/21/2019 $3,600,647 2,114 2,114 4,787 $7,743,794 4/13/2021
Oman 6/27/2019 $42,469 14 14 23 $105,831 7/25/2019
Pakistan 6/21/2019 $6,985 28 28 28 $11,769 7/25/2019
Panama 8/15/2019 $18,432 17 17 21 $28,890 9/2/2019
Paraguay 8/29/2019 $3,535 18 18 18 $4,681 9/12/2019
Peru 8/22/2019 $87,088 60 60 72 $147,704 9/12/2019
Philippines 6/19/2019 $301,786 171 171 171 $543,214 7/16/2019
Poland 6/28/2019 $146,042 162 162 556 $629,554 10/19/2022
Portugal 7/19/2019 $42,849 52 53 148 $260,599 9/12/2019
Qatar 6/27/2019 $58,470 14 14 16 $117,174 7/25/2019
Romania 7/19/2019 $69,406 0 70 123 $310,300 10/8/2019
Russia (CIS) 7/11/2019 $1,578,614 1574 1596 4467 $3,685,665 10/19/2022
Serbia and Montenegro 6/20/2019 $14,848 29 29 99 $60,051 8/23/2019
Singapore 6/20/2019 $77,064 23 23 69 $188,205 8/9/2019
Slovakia 8/30/2019 $28,464 60 60 109 $63,377 10/19/2022
Slovenia 6/20/2019 $11,945 21 21 59 $38,547 8/9/2019
South Africa 6/21/2019 $105,571 62 62 195 $361,723 8/9/2019
South Korea 8/28/2019 $339,141 425 425 597 $800,265 10/10/2019
Spain 8/30/2019 $82,145 132 132 309 $209,214 10/10/2019
Sri Lanka 6/21/2019 $2,300 14 14 15 $4,607 7/16/2019
Suriname 6/20/2019 $144 0 0 0 $4,069 7/16/2019
Switzerland (French Speaking) 7/10/2019 $43,310 23 23 76 $147,914 9/5/2019
Switzerland (German Speaking) 7/11/2019 $116,946 55 55 190 $364,954 9/19/2019
Taiwan 6/21/2019 $11,993 81 81 277 $931,791 8/9/2019
Thailand 7/11/2019 $229,382 135 135 216 $462,996 8/9/2019
Turkey 6/20/2019 $86,052 319 319 775 $304,462 10/19/2022
Ukraine 7/11/2019 $267,626 0 221 341 $514,995 9/5/2019
United Arab Emirates 6/27/2019 $271,253 53 53 82 $692,004 8/23/2019
United Kingdom 7/5/2019 $248,113 300 300 680 $668,380 9/19/2019
Uruguay 8/29/2019 $3,895 9 9 9 $3,895 9/5/2019
Vietnam 9/19/2019 $30,392 0 309 309 $54,706 10/25/2019
West Indies 6/19/2019 $13,764 0 0 0 $73,334 7/16/2019
 
Rest of World $1,842,239
 
Worldwide Total$32,825,217 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Sasha Luss    Anna

Supporting Cast

Luke Evans    Alex Tchenkov
Cillian Murphy    Lenny Miller
Helen Mirren    Olga
Alexander Petrov    Piotr
Nikita Pavlenko    Vlad
Anna Krippa    Nika
Aleksey Maslodudov    Jimmy
Eric Godon    Vassiliev
Ivan Franěk    Mossan
Jean-Baptiste Puech    Samy
Lera Abova    Maud
Nastya Sten    Blonde Anna
Adrian Can    John McKee
Alison Wheeler    Dorothée
Andrew Howard    Oleg
Pauline Hoarau    Nato’s Model 1
Cansu Tosun    Spy
Reginal Kudiwu    Agent Blake
Jess Liaudin    Olga’s Technician
Colin Bates    CIA Agent
William Sciortino    KGB Agent
Mikhail Safronov    Anna’s Father
Jan Oliver Schroeder    Frederick
James Joint    Chauffeur
Victoria Cyr    CIA Agent
Avant Strangel    CIA Agent
Manuel Sinor    Agent Pitts
Christophe Tek    The Stylist
Rupert Wynne James    Man in Car/Man in Shower
Andre Raphael Ivanov    KGB Agent
Lauren de Graaf    Inge
Greta Varlese    Renata
Julia Munrow    Vassiliev’s Secretary
Maria Luss    Anna’s Mom
Francois Girard    Cascadeur
Sergey Bachurskiy    Moscow Cabbie
Ernest Gromov    KGB Officer
Sophia Dunn-Walker    Fashion Week Guest
Grace Hancock    Neta
Zac Andianas    The Stylist
Emmanuel Ménard    Diplomat

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Luc Besson    Director
Luc Besson    Screenwriter
Luc Besson    Producer
Marc Shmuger    Producer
Hugues Tissander    Production Designer
Julien Rey    Editor
Eric Serra    Composer
Thierry Arbogast    Director of Photography
Olivier Beriot    Costume Designer
San Pham    Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.