Australia Box Office for Colette (2018)

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Colette
Theatrical Performance (US$)
Australia Box Office $1,274,363Details
Worldwide Box Office $15,910,183Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

Australia Releases: October 26th, 2018 (Wide)
Video Release: December 4th, 2018 by Universal Home Entertainment
MPAA Rating: R for some sexuality/nudity.
(Rating bulletin 2540 (Cert #51757), 8/15/2018)
Running Time: 111 minutes
Keywords: Writing and Writers, Relationships Gone Wrong, Dysfunctional Family, Set in France, Set in Paris, Battle of the Sexes, Sundance Film Festival 2018, Infidelity, LGBTQ+, Biographical Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Number 9 Films, Killer Films, Bold Films, Bleecker Street , 30 West, BFI
Production Countries: Hungary, United Kingdom, United States
Languages: English

Home Market Releases for December 11th, 2018

December 11th, 2018

Collette

There isn’t a huge number of releases on this week’s list home market release report. The Equalizer 2 is the biggest, but it is far from the best. As for the best, there are some Pick of the Week contenders, including Colette, My Neighbor Totoro and A Simple Favor. My Neighbor Totoro is worth owning, but it is a triple-dip at this point, maybe more. A Simple Favor is coming out on VOD this week. This leaves Colette’s DVD or Blu-ray Combo Pack as the Pick of the Week. More...

Home Market Releases for December 4th, 2018

December 4th, 2018

The Handmaid’s Tale

It’s not a bad week when it comes to the home market. The biggest release is Mission: Impossible—Fallout and while I didn’t like it as much as most critics, the Blu-ray / 4K Ultra HD Combo Packs are still worth picking up. There were also a trio of releases that were contenders for Pick of the Week, all of which were TV on DVD release: The Handmaid’s Tale: Season Two, Love, Chunibyo & Other Delusions: Take On Me, and Westworld: Season Two: The Door. In the end, it came down to a roll of the dice, with The Handmaid’s Tale coming out on top. More...

Theater Averages: Gate Begins Eternity on Top

November 20th, 2018

At Eternity’s Gate

At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday. More...

2018 - Awards Season: Independent Spirit Awards - Nominations

November 17th, 2018

We The Animals

The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio. More...

Theater Averages: Suspiria Surprises with Yearly Best Average

October 31st, 2018

Suspiria

Suspiria led the theater average chart both over the weekend and for the year earning just over $180,000 in two theaters for an average of $92,019. This tops the previous average of $73,572 by Free Solo, although that movie was playing in four theaters. Up next was Can You Ever Forgive Me? with an average of $14,255 in 25 theaters during its second weekend of release. A couple of foreign-language films were next with Burning earning an average of $13,066 in two theaters and Border earning an average of $10,529 in seven. More...

Theater Averages: Mid90s Kickflips to the Top

October 25th, 2018

Mid90s

Mid90s had a much better than expected start earning an average of $64,539 in four theaters. This is the third highest theater average of 2018 behind just Free Solo ($73,572 in four theaters) and Eighth Grade ($65,949 also in four theaters). On the other hand, its reviews are good, but not great, so it could struggle to expand wide. That said, I would be absolutely shocked if the film didn’t earn some measure of mainstream success after this start. Can You Ever Forgive Me? opened in second place with an average of $32,302 in five theaters. Its reviews are award-worthy, so it should have very long legs and if it actually picks up some major award nominations, it could expand truly wide. Wildlife also rode amazing reviews to an average of $26,147 in four theaters. The overall box office leader, Halloween, was next with an average of $19,405. The Price of Everything opened with $16,817 in one theater, while the re-release of Wings of Desire managed $12,885, also in one theater. More...

Theater Averages: Beautiful Start

October 17th, 2018

Beautiful Boy

Beautiful Boy had the best theater average of the weekend and the fourth best average for a limited release this year at $54,722 in four theaters. However, its reviews are well below what limited releases normally need to thrive, so I’m worried about its legs going forward. The only other film in the $10,000 club was Charm City, which opened with $10,511 in its lone theater. More...

Theater Averages: Venom is the Toast of the Town

October 10th, 2018

Venom

The overall box office leader, Venom, was also the top film on the theater average chart earning an average of $18,884. Studio 54 was yet another documentary success story opening with $14,909 in its lone theater. The only holdover in the $10,000 club was Free Solo with an average of $13,726 in 41 theaters and by the end of Sunday, it was nearly at $1 million. The Hate U Give was close behind with an average of $13,336 in 36 theaters. Finally, A Star is Born was the last film in the $10,000 club, earning an average of $12,373 in wide release. More...

Theater Averages: Free Doesn’t Go Solo

October 3rd, 2018

Free Solo

Free Solo didn’t quite live up to weekend estimates, but it still overtook Eighth Grade for the best theater average of the year with $72,551. It also surpassed An Inconvenient Truth as the documentary with the best theater average of all time. The Old Man and the Gun was in a distant second place with an average of $28,426 in five theaters, while Matangi/Maya/M.I.A. was close behind with an average of $21,787 in two. The only holdover in the $10,000 club was Colette with an average of $10,172 in 38 theaters. It will continue to expand. More...

Theater Averages: Collette Collects First Place with $40,295

September 25th, 2018

Collette

Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday. More...

Limited and VOD Releases: Starting to Love Awards Season

September 21st, 2018

Collette

It is not a particularly busy week for limited releases, as there are only nine films on the main list. However, several of them could do very well at the box office. Of these, I’m the most bullish about Colette and The Sisters Brothers, but there are two documentaries, Love, Gilda and Nothing Like a Dame, that could also open in the $10,000 club. All four could earn some Awards Season glory. More...

Colette Trailer

August 25th, 2018

Real-life historical drama starring Keira Knightley opens September 21 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/10/26 21 $23,490   7 $3,356   $24,208 1
2018/11/09 21 $33,419   10 $3,342   $58,097 3
2018/11/16 - $11,676 -65% 5 $2,335   $72,414 4
2018/12/07 - $846   3 $282   $72,247 7
2018/12/21 12 $154,385   87 $1,775   $228,627 9
2018/12/28 17 $38,023 -75% 88 $432   $334,034 10
2019/01/04 13 $161,449 +325% 83 $1,945   $838,165 11
2019/01/11 17 $86,233 -47% 69 $1,250   $1,015,746 12
2019/01/18 26 $34,688 -60% 45 $771   $1,095,474 13
2019/01/25 - $18,921 -45% 29 $652   $1,132,636 14
2019/02/01 - $25,077 +33% 33 $760   $1,188,438 15
2019/02/08 22 $58,201 +132% 38 $1,532   $1,226,672 16
2019/02/15 - $7,099 -88% 22 $323   $1,252,078 17
2019/02/22 - $4,961 -30% 19 $261   $1,266,875 18
2019/03/01 - $5,413 +9% 9 $601   $1,263,504 19
2019/03/08 - $3,719 -31% 7 $531   $1,264,063 20
2019/03/15 - $1,088 -71% 4 $272   $1,274,363 21

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/7/2018 $41,999 44 44 104 $110,736 3/25/2019
Australia 10/26/2018 $23,490 7 88 564 $1,274,363 3/19/2019
Brazil 12/14/2018 $70,519 236 236 572 $1,282,140 2/16/2019
Czech Republic 3/1/2019 $34,710 88 88 118 $56,935 3/12/2019
France 1/18/2019 $489,594 140 207 686 $1,282,140 2/16/2019
Italy 12/6/2018 $285,644 0 11 15 $536,839 3/5/2019
Lithuania 11/23/2018 $15,270 41 41 89 $48,937 1/11/2019
Netherlands 12/21/2018 $52,322 38 39 265 $368,475 4/27/2019
North America 9/21/2018 $161,179 4 593 1,828 $5,126,985 11/21/2019
Portugal 12/14/2018 $32,399 19 20 61 $113,066 1/29/2019
Russia (CIS) 11/29/2018 $127,220 284 284 568 $281,635 2/12/2019
Slovakia 3/1/2019 $18,526 46 46 73 $41,317 4/2/2019
South Korea 3/27/2019 $105,440 169 169 316 $344,556 5/2/2019
Spain 11/16/2018 $165,054 72 84 238 $463,472 12/14/2018
Turkey 7/12/2019 $3,935 24 24 70 $17,007 10/19/2022
United Kingdom 1/9/2019 $1,011,978 321 321 1059 $3,240,617 4/10/2019
 
Rest of World $1,320,963
 
Worldwide Total$15,910,183 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Keira Knightley    Gabrielle Colette

Supporting Cast

Dominic West    Henry Gauthier-Villars
Denise Gough    Mathilde de Morny
Aiysha Hart    Polaire
Fiona Shaw   
Robert Pugh   
Rebecca Root   
Eleanor Tomlinson    Georgie Raoul-Duval
Julian Wadham   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Wash Westmoreland    Director
Wash Westmoreland    Screenwriter
Richard Glatzer    Screenwriter
Rebecca Lenkiewicz    Screenwriter
Richard Glatzer    Story by
Elizabeth Karlsen    Producer
Pamela Koffler    Producer
Michel Litvak    Producer
Christine Vachon    Producer
Stephen Wooley    Producer
Gary Michael Walters    Producer
Svetlana Metkina    Executive Producer
Norman Merry    Executive Producer
Mary Burke    Executive Producer
Caroline Levy    Co-Producer
Giles Nuttgens    Director of Photography
Michael Carlin    Production Designer
Lucia Zucchetti    Editor
Thomas Ades    Composer
Karen Elliott    Music Supervisor
Andrea Flesch    Costume Designer
Susie Figgis    Casting Director