South Korea Box Office for Paris Can Wait (2017)

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Paris Can Wait
Theatrical Performance (US$)
South Korea Box Office $834,079Details
Worldwide Box Office $15,478,255Details
Home Market Performance
North America DVD Sales $174,912 Details
Total North America Video Sales $174,912
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A Hollywood producer’s wife unexpectedly takes a trip through France, which reawakens her sense of self and her joie de vivre. Anne is at a crossroads in her life. Long married to a successfully driven but inattentive movie producer, she finds herself taking a car trip from Cannes to Paris with a business associate of her husband. What should be a seven hour drive turns into a journey of discovery involving mouthwatering meals, spectacular wines, and picturesque sights.

Metrics

Movie Details

South Korea Releases: July 18th, 2017 (Wide)
Video Release: September 5th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: PG for thematic elements, smoking and some language.
(Rating bulletin 2460 (Cert #50866), 1/25/2017)
Running Time: 92 minutes
Keywords: Movie Business, Road Trip, Food, Romance, Infidelity, Relationships Gone Wrong, Set in France, Set in Paris
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lifetime Films, American Zoetrope, Corner Piece Capital LLC, Protagonist Pictures, Tohokushinsha Film Corporation
Production Countries: United States
Languages: English

Home Market Releases for September 5th, 2017

September 5th, 2017

Rebecca

There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week. More...

Theater Averages: Spider-Man has Storybook $26,915 Opening

July 11th, 2017

Spider-Man: Homecoming

There was a really close race on the theater chart this week with Spider-Man: Homecoming topping A Ghost Story $26,915 to $26,008. The only other film to top $10,000 was The Big Sick, which earned an average of $10,971 in 326 theaters. More...

Theater Averages: Beatriz Fills Up with Average of $28,392

June 13th, 2017

Beatriz-at-Dinner

Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters. More...

Theater Averages: Wonder Woman Kisses the Top of the Chart with $24,790

June 7th, 2017

Wonder Woman

Wonder Woman dominated the theater average chart with an average of $24,790. Second place went to The Exception, a.k.a., The Kaiser’s Last Kiss, which earned an average of $10,675 in two theaters. More...

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Weekend Estimates: Second Place Snatched from King Arthur

May 14th, 2017

Snatched

King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...

Paris Can Wait Trailer

March 31st, 2017

Comedy starring Diane Lane, Alec Baldwin, and Arnuad Viard, written and directed by Eleanor Coppola opens May 12 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/08/04 8 $116,236   79 $1,471   $147,177 3
2017/08/11 10 $111,108 -4% 58 $1,916   $370,307 4
2017/08/18 12 $86,972 -22% 59 $1,474   $575,014 5
2017/08/25 17 $48,487 -44% 40 $1,212   $688,365 6
2017/09/01 18 $31,362 -35% 27 $1,162   $744,844 7
2017/09/08 22 $16,259 -48% 20 $813   $777,634 8
2017/09/15 - $7,610 -53% 10 $761   $794,483 9
2017/09/22 - $5,417 -29% 7 $774   $796,448 10
2017/10/06 - $3,599   4 $900   $824,112 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/16/2017 $46,528 0 0 0 $207,498 1/1/2019
Australia 6/23/2017 $1,597 1 123 824 $1,246,522 10/30/2017
Brazil 6/9/2017 $126,482 0 0 0 $608,366 6/26/2018
Germany 7/14/2017 $204,915 0 0 0 $451,777 6/29/2018
India 9/8/2017 $0 0 0 0 $2,367,556 10/3/2018
Italy 6/15/2017 $48,086 0 0 0 $264,795 8/11/2017
Lithuania 9/15/2017 $13,923 31 40 89 $34,812 10/10/2017
Netherlands 7/27/2017 $31,272 13 20 123 $146,808 10/3/2017
New Zealand 7/21/2017 $70,103 30 33 199 $202,543 9/11/2017
North America 5/12/2017 $98,850 4 214 874 $5,608,745 10/19/2019
Poland 7/21/2017 $98,883 0 0 0 $106,223 1/1/2019
Portugal 6/30/2017 $23,890 14 15 45 $76,499 8/10/2017
Russia (CIS) 5/19/2017 $36,208 126 126 221 $96,802 1/1/2019
South Korea 7/18/2017 $0 0 79 304 $834,079 9/7/2018
Spain 6/16/2017 $131,344 84 88 288 $434,465 7/13/2017
 
Rest of World $2,790,765
 
Worldwide Total$15,478,255 10/19/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Diane Lane    Anne

Supporting Cast

Alec Baldwin    Michael
Arnaud Viard    Jacques
Elise Tielrooy    Martine
Cedric Monnet    Musée Des Tissus Guard
Elodie Navarre    Carole
Serge Onteniente    Mechanic
Pierre Cuq    Philippe
Aurore Clement    Concierge
Davia Nelson    Suzanne
Eleanor Lambert    Alexandra

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Eleanor Coppola    Director
Eleanor Coppola    Screenwriter
Eleanor Coppola    Producer
Fred Roos    Producer
Lisa Hamilton Daly    Executive Producer
Tanya Lopez    Executive Producer
Robert Sharenow    Executive Producer
Molly Thompson    Executive Producer
Michael Zakin    Executive Producer
Laura Karpman    Composer
Richard Beggs    Sound Designer
Glen Scantlebury    Editor
Anne Seibel    Production Designer
Crystel Fournier    Cinematographer
Milena Canonero    Costume Designer