Rock Dog (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $9,420,546 | Details |
| International Box Office | $14,727,942 | Details |
| Worldwide Box Office | $24,148,488 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,831,097 | |
| Blu-ray Sales (estimated) | $1,183,501 | |
| Total | $3,014,598 | |
| OpusData ID: 263890100 More info... | ||
| Further financial details... | ||
Synopsis
For the Tibetan Mastiffs living on Snow Mountain, a dog’s life has a simple riff: Guard a peaceful village of wool-making sheep from the thuggish wolf Linnux and his rabid pack. To avoid distractions, Mastiff leader Khampa forbids all music from the mountain. But when Khampa’s son Bodi discovers a radio dropped by a passing airplane, it takes just a few guitar licks for his fate to be sealed: Bodi wants to be a rock n’ roll star. Yet that means defying his father’s wishes, heading to the city, and locating the legendary—and reclusive—musician Angus Scattergood, who needs to write a new song and fast.
Metrics
| Opening Weekend: | $3,704,749 (39.3% of total gross) |
| Legs: | 2.54 (domestic box office/biggest weekend) |
| Domestic Share: | 39.0% (domestic box office/worldwide) |
| Production Budget: | $60,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,077 opening theaters/2,077 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,560,727 |
Movie Details
| Domestic Releases: | February 24th, 2017 (Wide) by Lionsgate |
| International Releases: | July 2nd, 2016 (Wide) (China)
September 6th, 2016 (Wide) (South Korea) September 14th, 2016 (Wide) (South Korea) December 2nd, 2016 (Wide) (Italy) February 17th, 2017 (Wide) (Argentina) ... Show all releases |
| Video Release: | May 9th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | PG for action and language. (Rating bulletin 2447 (Cert #50651), 10/19/2016) |
| Running Time: | 80 minutes |
| Cast, crew, or production detail: | Animal Lead, Development Hell |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Plot point: | Father’s Footsteps, Musicians, Rock 'n' Roll, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Summit Premiere, Huayi Brothers Corp., Mandoo Pictures, Huayi Tencent Entertainment Company, Eracme Entertainment, Dream Factory Group |
| Production Countries: | China, United States, Hong Kong |
| Languages: | English, Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 11 | $3,704,749 | 2,077 | $1,784 | $3,704,749 | 1 | |
| Mar 3, 2017 | 12 | $2,300,973 | -38% | 2,077 | $1,108 | $6,735,271 | 2 |
| Mar 10, 2017 | 16 | $1,031,963 | -55% | 1,376 | $750 | $8,247,524 | 3 |
| Mar 17, 2017 | 25 | $249,490 | -76% | 444 | $562 | $9,090,843 | 4 |
| Mar 24, 2017 | 40 | $60,968 | -76% | 122 | $500 | $9,235,312 | 5 |
| Mar 31, 2017 | 37 | $67,722 | +11% | 133 | $509 | $9,340,388 | 6 |
| Apr 7, 2017 | 42 | $39,781 | -41% | 106 | $375 | $9,404,922 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 11 | $899,598 | 2,077 | $433 | $899,598 | 1 | ||
| Feb 25, 2017 | 11 | $1,673,469 | +86% | 2,077 | $806 | $2,573,067 | 2 | |
| Feb 26, 2017 | 9 | $1,131,682 | -32% | 2,077 | $545 | $3,704,749 | 3 | |
| Feb 27, 2017 | 12 | $165,338 | -85% | 2,077 | $80 | $3,870,087 | 4 | |
| Feb 28, 2017 | 12 | $241,289 | +46% | 2,077 | $116 | $4,111,376 | 5 | |
| Mar 1, 2017 | 12 | $162,067 | -33% | 2,077 | $78 | $4,273,443 | 6 | |
| Mar 2, 2017 | 13 | $160,855 | -1% | 2,077 | $77 | $4,434,298 | 7 | |
| Mar 3, 2017 | - | $404,352 | +151% | -55% | 2,077 | $195 | $4,838,650 | 8 |
| Mar 4, 2017 | 12 | $1,084,236 | +168% | -35% | 2,077 | $522 | $5,922,886 | 9 |
| Mar 5, 2017 | 10 | $812,385 | -25% | -28% | 2,077 | $391 | $6,735,271 | 10 |
| Mar 6, 2017 | 15 | $124,195 | -85% | -25% | 2,077 | $60 | $6,859,466 | 11 |
| Mar 7, 2017 | - | $147,066 | +18% | -39% | 2,077 | $71 | $7,006,532 | 12 |
| Mar 8, 2017 | - | $104,694 | -29% | -35% | 2,077 | $50 | $7,111,226 | 13 |
| Mar 9, 2017 | - | $104,335 | n/c | -35% | 2,077 | $50 | $7,215,561 | 14 |
| Mar 10, 2017 | - | $185,681 | +78% | -54% | 1,376 | $135 | $7,401,242 | 15 |
| Mar 11, 2017 | - | $484,413 | +161% | -55% | 1,376 | $352 | $7,885,655 | 16 |
| Mar 12, 2017 | 14 | $361,869 | -25% | -55% | 1,376 | $263 | $8,247,524 | 17 |
| Mar 13, 2017 | 14 | $144,269 | -60% | +16% | 1,376 | $105 | $8,391,793 | 18 |
| Mar 14, 2017 | 15 | $172,925 | +20% | +18% | 1,376 | $126 | $8,564,718 | 19 |
| Mar 15, 2017 | 13 | $153,436 | -11% | +47% | 1,376 | $112 | $8,718,154 | 20 |
| Mar 16, 2017 | 12 | $123,199 | -20% | +18% | 1,376 | $90 | $8,841,353 | 21 |
| Mar 17, 2017 | - | $64,319 | -48% | -65% | 444 | $145 | $8,905,672 | 22 |
| Mar 18, 2017 | - | $110,287 | +71% | -77% | 444 | $248 | $9,015,959 | 23 |
| Mar 19, 2017 | - | $74,884 | -32% | -79% | 444 | $169 | $9,090,843 | 24 |
| Mar 20, 2017 | - | $18,660 | -75% | -87% | 444 | $42 | $9,109,503 | 25 |
| Mar 21, 2017 | - | $24,386 | +31% | -86% | 444 | $55 | $9,133,889 | 26 |
| Mar 22, 2017 | - | $22,122 | -9% | -86% | 444 | $50 | $9,156,011 | 27 |
| Mar 23, 2017 | - | $18,333 | -17% | -85% | 444 | $41 | $9,174,344 | 28 |
| Mar 24, 2017 | - | $19,596 | +7% | -70% | 122 | $161 | $9,193,940 | 29 |
| Mar 25, 2017 | - | $24,202 | +24% | -78% | 122 | $198 | $9,218,142 | 30 |
| Mar 26, 2017 | - | $17,170 | -29% | -77% | 122 | $141 | $9,235,312 | 31 |
| Mar 27, 2017 | - | $8,933 | -48% | -52% | 122 | $73 | $9,244,245 | 32 |
| Mar 28, 2017 | - | $9,576 | +7% | -61% | 122 | $78 | $9,253,821 | 33 |
| Mar 29, 2017 | - | $10,032 | +5% | -55% | 122 | $82 | $9,263,853 | 34 |
| Mar 30, 2017 | - | $8,813 | -12% | -52% | 122 | $72 | $9,272,666 | 35 |
| Mar 31, 2017 | - | $20,296 | +130% | +4% | 133 | $153 | $9,292,962 | 36 |
| Apr 1, 2017 | - | $30,344 | +50% | +25% | 133 | $228 | $9,323,306 | 37 |
| Apr 2, 2017 | - | $17,082 | -44% | -1% | 133 | $128 | $9,340,388 | 38 |
| Apr 3, 2017 | - | $5,226 | -69% | -41% | 133 | $39 | $9,345,614 | 39 |
| Apr 4, 2017 | - | $7,031 | +35% | -27% | 133 | $53 | $9,352,645 | 40 |
| Apr 5, 2017 | - | $5,673 | -19% | -43% | 133 | $43 | $9,358,318 | 41 |
| Apr 6, 2017 | - | $6,823 | +20% | -23% | 133 | $51 | $9,365,141 | 42 |
| Apr 7, 2017 | - | $12,782 | +87% | -37% | 106 | $121 | $9,377,923 | 43 |
| Apr 8, 2017 | - | $17,413 | +36% | -43% | 106 | $164 | $9,395,336 | 44 |
| Apr 9, 2017 | - | $9,586 | -45% | -44% | 106 | $90 | $9,404,922 | 45 |
| Apr 10, 2017 | - | $2,773 | -71% | -47% | 106 | $26 | $9,407,695 | 46 |
| Apr 11, 2017 | - | $4,644 | +67% | -34% | 106 | $44 | $9,412,339 | 47 |
| Apr 12, 2017 | - | $3,502 | -25% | -38% | 106 | $33 | $9,415,841 | 48 |
| Apr 13, 2017 | - | $4,705 | +34% | -31% | 106 | $44 | $9,420,546 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 12 | $4,434,298 | 2,077 | $2,135 | $4,434,298 | 1 | |
| Mar 3, 2017 | 14 | $2,781,263 | -37% | 2,077 | $1,339 | $7,215,561 | 2 |
| Mar 10, 2017 | 16 | $1,625,792 | -42% | 1,376 | $1,182 | $8,841,353 | 3 |
| Mar 17, 2017 | 26 | $332,991 | -80% | 444 | $750 | $9,174,344 | 4 |
| Mar 24, 2017 | 39 | $98,322 | -70% | 122 | $806 | $9,272,666 | 5 |
| Mar 31, 2017 | 38 | $92,475 | -6% | 133 | $695 | $9,365,141 | 6 |
| Apr 7, 2017 | 41 | $55,405 | -40% | 106 | $523 | $9,420,546 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/17/2017 | $48,714 | 0 | 0 | 0 | $94,632 | 1/1/2019 | |||
| Brazil | 5/5/2017 | $236,078 | 0 | 0 | 0 | $379,816 | 6/26/2018 | |||
| Bulgaria | 3/3/2017 | $31,475 | 0 | 0 | 0 | $137,907 | 2/26/2019 | |||
| China | 7/2/2016 | $209,254 | 0 | 13,445 | 13,445 | $6,010,000 | 8/27/2018 | |||
| Czech Republic | 2/24/2017 | $58,522 | 119 | 119 | 282 | $135,199 | 1/1/2019 | |||
| Italy | 12/2/2016 | $202,570 | 0 | 0 | 0 | $535,488 | 12/21/2016 | |||
| Lithuania | 5/12/2017 | $14,231 | 132 | 132 | 442 | $102,199 | 7/19/2017 | |||
| Mexico | 3/3/2017 | $495,978 | 0 | 0 | 0 | $907,194 | 3/15/2017 | |||
| Poland | 7/14/2017 | $0 | 0 | 0 | 0 | $477,106 | 1/1/2019 | |||
| Portugal | 3/3/2017 | $74,664 | 55 | 55 | 215 | $202,301 | 6/27/2018 | |||
| Russia (CIS) | 4/28/2017 | $216,552 | 858 | 1,236 | 3,730 | $1,439,122 | 1/1/2019 | |||
| Slovakia | 2/24/2017 | $42,875 | 69 | 69 | 168 | $89,965 | 4/7/2017 | |||
| South Korea | 9/6/2016 | $0 | 0 | 399 | 898 | $1,555,523 | 11/29/2016 | |||
| Turkey | 3/10/2017 | $87,676 | 204 | 204 | 447 | $211,059 | 2/26/2019 | |||
| United Kingdom | 6/16/2017 | $17,060 | 93 | 93 | 93 | $17,060 | 6/21/2017 | |||
| Rest of World | $2,433,371 | |||||||||
| International Total | $14,727,942 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Luke Wilson | Bodi | |
| Eddie Izzard | Angus Scattergood | |
| J.K. Simmons | Khampa | |
| Lewis Black | Linnux |
Supporting
| Kenan Thompson | Riff |
Lead Ensemble Member
| Mae Whitman | Darma | |
| Jorge Garcia | Germur |
Supporting
| Matt Dillon | Trey | |
| Sam Elliott | Fleetwood Yak | |
| Liza Richardson | Radio DJ | |
| Ash Brannon | Ian | |
| Will Finn | Floyd / Carl | |
| Julie Craig | Additional Voice | |
| Deng Feng | Additional Voice | |
| Kellen Goff | Additional Voice | |
| Jennifer Hale | Additional Voice | |
| Matt Taylor | Additional Voice |
Production and Technical Credits
| Ash Brannon | Director | |
| Ash Brannon | Screenwriter | |
| Kurt Voelker | Screenwriter | |
| Zheng Jun | Screenwriter | |
| Ash Brannon | Story by | |
| Zheng Jun | Based on the Graphic Novel “Tibetan rock Dog” by | |
| Zheng Jun | Producer | |
| Amber Wang | Producer | |
| Rob Feng | Producer | |
| Joyce Lou | Producer | |
| David B. Miller | Producer | |
| Wang Zhongjun | Executive Producer | |
| Deng Feng | Executive Producer | |
| Angela Wu | Executive Producer | |
| Andrew Yang | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Jerry Ye | Executive Producer | |
| Xu Xiaoping | Executive Producer | |
| Liu Shengyi | Executive Producer | |
| Tan Fei | Executive Producer | |
| Chuck Peil | Executive Producer | |
| Uri Fleming | Executive Producer | |
| Mike Bundlie | Executive Producer | |
| Lauren Selig | Executive Producer | |
| Elad Tibi | Production Designer | |
| Ivan Bilancio | Editor | |
| Ed Fuller | Editor | |
| Rolfe Kent | Composer | |
| Niu Xue | Co-Producer | |
| Benjamin Gilberg | Co-Producer | |
| Bin Huang | Co-Producer | |
| Alonzo Ruvalcaba | Co-Producer | |
| Richard Zhang | Associate Producer | |
| Felix Liu | Associate Producer | |
| Yang Ruiyi | Associate Producer | |
| Roger Luo | Associate Producer | |
| Jen Rudin | Casting Director | |
| Christian Schellewald | Art Director | |
| Matthew Bates | Character Designer | |
| John Clark | Head of Layout | |
| David Esneault | Digital Supervisor | |
| Scott Petersen | Digital Supervisor | |
| Bill Haller | Supervising Animator | |
| Liza Richardson | Music Supervisor | |
| Steven Ticknor | Sound Designer | |
| Joanna D. Ferguson | Production Manager | |
| Carolyn Gair | Head of Story | |
| Kathy Cavaiola | Script Supervisor | |
| Lawrence Gan | First and Second Assistant Editor | |
| Dave Colman | Character Designer | |
| Gary Dunn | Character Designer | |
| Damjan Mitrevski | Animation Supervisor | |
| Jovan Matoski | Animation | |
| Mihail Naumov | Animation | |
| David Dresher | Post-Production Supervisor | |
| Tateum Kohut | Re-recording Mixer | |
| Steven Ticknor | Re-recording Mixer | |
| Greg Orloff | Re-recording Mixer | |
| Joe Iemola | Sound Effects Editor | |
| Jamie Hardt | Sound Effects Editor | |
| David Williams | Dialogue Editor | |
| Andy Sisul | Dialogue Editor | |
| Nick South | Music Editor | |
| Bruno Coon | Music Editor | |
| Daniel Mandelman | Additional Music | |
| Greg Townley | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
For the Tibetan Mastiffs living on Snow Mountain, a dog’s life has a simple riff: Guard a peaceful village of wool-making sheep from the thuggish wolf Linnux and his rabid pack. To avoid distractions, Mastiff leader Khampa forbids all music from the mountain. But when Khampa’s son Bodi discovers a radio dropped by a passing airplane, it takes just a few guitar licks for his fate to be sealed: Bodi wants to be a rock n’ roll star. Yet that means defying his father’s wishes, heading to the city, and locating the legendary—and reclusive—musician Angus Scattergood, who needs to write a new song and fast.
Metrics
| Opening Weekend: | $3,704,749 (39.3% of total gross) |
| Legs: | 2.54 (domestic box office/biggest weekend) |
| Domestic Share: | 39.0% (domestic box office/worldwide) |
| Production Budget: | $60,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,077 opening theaters/2,077 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,560,727 |
Movie Details
| Domestic Releases: | February 24th, 2017 (Wide) by Lionsgate |
| International Releases: | July 2nd, 2016 (Wide) (China)
September 6th, 2016 (Wide) (South Korea) September 14th, 2016 (Wide) (South Korea) December 2nd, 2016 (Wide) (Italy) February 17th, 2017 (Wide) (Argentina) ... Show all releases |
| Video Release: | May 9th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | PG for action and language. (Rating bulletin 2447 (Cert #50651), 10/19/2016) |
| Running Time: | 80 minutes |
| Cast, crew, or production detail: | Animal Lead, Development Hell |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Plot point: | Father’s Footsteps, Musicians, Rock 'n' Roll, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Summit Premiere, Huayi Brothers Corp., Mandoo Pictures, Huayi Tencent Entertainment Company, Eracme Entertainment, Dream Factory Group |
| Production Countries: | China, United States, Hong Kong |
| Languages: | English, Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 11 | $3,704,749 | 2,077 | $1,784 | $3,704,749 | 1 | |
| Mar 3, 2017 | 12 | $2,300,973 | -38% | 2,077 | $1,108 | $6,735,271 | 2 |
| Mar 10, 2017 | 16 | $1,031,963 | -55% | 1,376 | $750 | $8,247,524 | 3 |
| Mar 17, 2017 | 25 | $249,490 | -76% | 444 | $562 | $9,090,843 | 4 |
| Mar 24, 2017 | 40 | $60,968 | -76% | 122 | $500 | $9,235,312 | 5 |
| Mar 31, 2017 | 37 | $67,722 | +11% | 133 | $509 | $9,340,388 | 6 |
| Apr 7, 2017 | 42 | $39,781 | -41% | 106 | $375 | $9,404,922 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 11 | $899,598 | 2,077 | $433 | $899,598 | 1 | ||
| Feb 25, 2017 | 11 | $1,673,469 | +86% | 2,077 | $806 | $2,573,067 | 2 | |
| Feb 26, 2017 | 9 | $1,131,682 | -32% | 2,077 | $545 | $3,704,749 | 3 | |
| Feb 27, 2017 | 12 | $165,338 | -85% | 2,077 | $80 | $3,870,087 | 4 | |
| Feb 28, 2017 | 12 | $241,289 | +46% | 2,077 | $116 | $4,111,376 | 5 | |
| Mar 1, 2017 | 12 | $162,067 | -33% | 2,077 | $78 | $4,273,443 | 6 | |
| Mar 2, 2017 | 13 | $160,855 | -1% | 2,077 | $77 | $4,434,298 | 7 | |
| Mar 3, 2017 | - | $404,352 | +151% | -55% | 2,077 | $195 | $4,838,650 | 8 |
| Mar 4, 2017 | 12 | $1,084,236 | +168% | -35% | 2,077 | $522 | $5,922,886 | 9 |
| Mar 5, 2017 | 10 | $812,385 | -25% | -28% | 2,077 | $391 | $6,735,271 | 10 |
| Mar 6, 2017 | 15 | $124,195 | -85% | -25% | 2,077 | $60 | $6,859,466 | 11 |
| Mar 7, 2017 | - | $147,066 | +18% | -39% | 2,077 | $71 | $7,006,532 | 12 |
| Mar 8, 2017 | - | $104,694 | -29% | -35% | 2,077 | $50 | $7,111,226 | 13 |
| Mar 9, 2017 | - | $104,335 | n/c | -35% | 2,077 | $50 | $7,215,561 | 14 |
| Mar 10, 2017 | - | $185,681 | +78% | -54% | 1,376 | $135 | $7,401,242 | 15 |
| Mar 11, 2017 | - | $484,413 | +161% | -55% | 1,376 | $352 | $7,885,655 | 16 |
| Mar 12, 2017 | 14 | $361,869 | -25% | -55% | 1,376 | $263 | $8,247,524 | 17 |
| Mar 13, 2017 | 14 | $144,269 | -60% | +16% | 1,376 | $105 | $8,391,793 | 18 |
| Mar 14, 2017 | 15 | $172,925 | +20% | +18% | 1,376 | $126 | $8,564,718 | 19 |
| Mar 15, 2017 | 13 | $153,436 | -11% | +47% | 1,376 | $112 | $8,718,154 | 20 |
| Mar 16, 2017 | 12 | $123,199 | -20% | +18% | 1,376 | $90 | $8,841,353 | 21 |
| Mar 17, 2017 | - | $64,319 | -48% | -65% | 444 | $145 | $8,905,672 | 22 |
| Mar 18, 2017 | - | $110,287 | +71% | -77% | 444 | $248 | $9,015,959 | 23 |
| Mar 19, 2017 | - | $74,884 | -32% | -79% | 444 | $169 | $9,090,843 | 24 |
| Mar 20, 2017 | - | $18,660 | -75% | -87% | 444 | $42 | $9,109,503 | 25 |
| Mar 21, 2017 | - | $24,386 | +31% | -86% | 444 | $55 | $9,133,889 | 26 |
| Mar 22, 2017 | - | $22,122 | -9% | -86% | 444 | $50 | $9,156,011 | 27 |
| Mar 23, 2017 | - | $18,333 | -17% | -85% | 444 | $41 | $9,174,344 | 28 |
| Mar 24, 2017 | - | $19,596 | +7% | -70% | 122 | $161 | $9,193,940 | 29 |
| Mar 25, 2017 | - | $24,202 | +24% | -78% | 122 | $198 | $9,218,142 | 30 |
| Mar 26, 2017 | - | $17,170 | -29% | -77% | 122 | $141 | $9,235,312 | 31 |
| Mar 27, 2017 | - | $8,933 | -48% | -52% | 122 | $73 | $9,244,245 | 32 |
| Mar 28, 2017 | - | $9,576 | +7% | -61% | 122 | $78 | $9,253,821 | 33 |
| Mar 29, 2017 | - | $10,032 | +5% | -55% | 122 | $82 | $9,263,853 | 34 |
| Mar 30, 2017 | - | $8,813 | -12% | -52% | 122 | $72 | $9,272,666 | 35 |
| Mar 31, 2017 | - | $20,296 | +130% | +4% | 133 | $153 | $9,292,962 | 36 |
| Apr 1, 2017 | - | $30,344 | +50% | +25% | 133 | $228 | $9,323,306 | 37 |
| Apr 2, 2017 | - | $17,082 | -44% | -1% | 133 | $128 | $9,340,388 | 38 |
| Apr 3, 2017 | - | $5,226 | -69% | -41% | 133 | $39 | $9,345,614 | 39 |
| Apr 4, 2017 | - | $7,031 | +35% | -27% | 133 | $53 | $9,352,645 | 40 |
| Apr 5, 2017 | - | $5,673 | -19% | -43% | 133 | $43 | $9,358,318 | 41 |
| Apr 6, 2017 | - | $6,823 | +20% | -23% | 133 | $51 | $9,365,141 | 42 |
| Apr 7, 2017 | - | $12,782 | +87% | -37% | 106 | $121 | $9,377,923 | 43 |
| Apr 8, 2017 | - | $17,413 | +36% | -43% | 106 | $164 | $9,395,336 | 44 |
| Apr 9, 2017 | - | $9,586 | -45% | -44% | 106 | $90 | $9,404,922 | 45 |
| Apr 10, 2017 | - | $2,773 | -71% | -47% | 106 | $26 | $9,407,695 | 46 |
| Apr 11, 2017 | - | $4,644 | +67% | -34% | 106 | $44 | $9,412,339 | 47 |
| Apr 12, 2017 | - | $3,502 | -25% | -38% | 106 | $33 | $9,415,841 | 48 |
| Apr 13, 2017 | - | $4,705 | +34% | -31% | 106 | $44 | $9,420,546 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 12 | $4,434,298 | 2,077 | $2,135 | $4,434,298 | 1 | |
| Mar 3, 2017 | 14 | $2,781,263 | -37% | 2,077 | $1,339 | $7,215,561 | 2 |
| Mar 10, 2017 | 16 | $1,625,792 | -42% | 1,376 | $1,182 | $8,841,353 | 3 |
| Mar 17, 2017 | 26 | $332,991 | -80% | 444 | $750 | $9,174,344 | 4 |
| Mar 24, 2017 | 39 | $98,322 | -70% | 122 | $806 | $9,272,666 | 5 |
| Mar 31, 2017 | 38 | $92,475 | -6% | 133 | $695 | $9,365,141 | 6 |
| Apr 7, 2017 | 41 | $55,405 | -40% | 106 | $523 | $9,420,546 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/17/2017 | $48,714 | 0 | 0 | 0 | $94,632 | 1/1/2019 | |||
| Brazil | 5/5/2017 | $236,078 | 0 | 0 | 0 | $379,816 | 6/26/2018 | |||
| Bulgaria | 3/3/2017 | $31,475 | 0 | 0 | 0 | $137,907 | 2/26/2019 | |||
| China | 7/2/2016 | $209,254 | 0 | 13,445 | 13,445 | $6,010,000 | 8/27/2018 | |||
| Czech Republic | 2/24/2017 | $58,522 | 119 | 119 | 282 | $135,199 | 1/1/2019 | |||
| Italy | 12/2/2016 | $202,570 | 0 | 0 | 0 | $535,488 | 12/21/2016 | |||
| Lithuania | 5/12/2017 | $14,231 | 132 | 132 | 442 | $102,199 | 7/19/2017 | |||
| Mexico | 3/3/2017 | $495,978 | 0 | 0 | 0 | $907,194 | 3/15/2017 | |||
| Poland | 7/14/2017 | $0 | 0 | 0 | 0 | $477,106 | 1/1/2019 | |||
| Portugal | 3/3/2017 | $74,664 | 55 | 55 | 215 | $202,301 | 6/27/2018 | |||
| Russia (CIS) | 4/28/2017 | $216,552 | 858 | 1,236 | 3,730 | $1,439,122 | 1/1/2019 | |||
| Slovakia | 2/24/2017 | $42,875 | 69 | 69 | 168 | $89,965 | 4/7/2017 | |||
| South Korea | 9/6/2016 | $0 | 0 | 399 | 898 | $1,555,523 | 11/29/2016 | |||
| Turkey | 3/10/2017 | $87,676 | 204 | 204 | 447 | $211,059 | 2/26/2019 | |||
| United Kingdom | 6/16/2017 | $17,060 | 93 | 93 | 93 | $17,060 | 6/21/2017 | |||
| Rest of World | $2,433,371 | |||||||||
| International Total | $14,727,942 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Luke Wilson | Bodi | |
| Eddie Izzard | Angus Scattergood | |
| J.K. Simmons | Khampa | |
| Lewis Black | Linnux |
Supporting
| Kenan Thompson | Riff |
Lead Ensemble Member
| Mae Whitman | Darma | |
| Jorge Garcia | Germur |
Supporting
| Matt Dillon | Trey | |
| Sam Elliott | Fleetwood Yak | |
| Liza Richardson | Radio DJ | |
| Ash Brannon | Ian | |
| Will Finn | Floyd / Carl | |
| Julie Craig | Additional Voice | |
| Deng Feng | Additional Voice | |
| Kellen Goff | Additional Voice | |
| Jennifer Hale | Additional Voice | |
| Matt Taylor | Additional Voice |
Production and Technical Credits
| Ash Brannon | Director | |
| Ash Brannon | Screenwriter | |
| Kurt Voelker | Screenwriter | |
| Zheng Jun | Screenwriter | |
| Ash Brannon | Story by | |
| Zheng Jun | Based on the Graphic Novel “Tibetan rock Dog” by | |
| Zheng Jun | Producer | |
| Amber Wang | Producer | |
| Rob Feng | Producer | |
| Joyce Lou | Producer | |
| David B. Miller | Producer | |
| Wang Zhongjun | Executive Producer | |
| Deng Feng | Executive Producer | |
| Angela Wu | Executive Producer | |
| Andrew Yang | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Jerry Ye | Executive Producer | |
| Xu Xiaoping | Executive Producer | |
| Liu Shengyi | Executive Producer | |
| Tan Fei | Executive Producer | |
| Chuck Peil | Executive Producer | |
| Uri Fleming | Executive Producer | |
| Mike Bundlie | Executive Producer | |
| Lauren Selig | Executive Producer | |
| Elad Tibi | Production Designer | |
| Ivan Bilancio | Editor | |
| Ed Fuller | Editor | |
| Rolfe Kent | Composer | |
| Niu Xue | Co-Producer | |
| Benjamin Gilberg | Co-Producer | |
| Bin Huang | Co-Producer | |
| Alonzo Ruvalcaba | Co-Producer | |
| Richard Zhang | Associate Producer | |
| Felix Liu | Associate Producer | |
| Yang Ruiyi | Associate Producer | |
| Roger Luo | Associate Producer | |
| Jen Rudin | Casting Director | |
| Christian Schellewald | Art Director | |
| Matthew Bates | Character Designer | |
| John Clark | Head of Layout | |
| David Esneault | Digital Supervisor | |
| Scott Petersen | Digital Supervisor | |
| Bill Haller | Supervising Animator | |
| Liza Richardson | Music Supervisor | |
| Steven Ticknor | Sound Designer | |
| Joanna D. Ferguson | Production Manager | |
| Carolyn Gair | Head of Story | |
| Kathy Cavaiola | Script Supervisor | |
| Lawrence Gan | First and Second Assistant Editor | |
| Dave Colman | Character Designer | |
| Gary Dunn | Character Designer | |
| Damjan Mitrevski | Animation Supervisor | |
| Jovan Matoski | Animation | |
| Mihail Naumov | Animation | |
| David Dresher | Post-Production Supervisor | |
| Tateum Kohut | Re-recording Mixer | |
| Steven Ticknor | Re-recording Mixer | |
| Greg Orloff | Re-recording Mixer | |
| Joe Iemola | Sound Effects Editor | |
| Jamie Hardt | Sound Effects Editor | |
| David Williams | Dialogue Editor | |
| Andy Sisul | Dialogue Editor | |
| Nick South | Music Editor | |
| Bruno Coon | Music Editor | |
| Daniel Mandelman | Additional Music | |
| Greg Townley | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.