Australia Box Office for The Sisters Brothers (2018)

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The Sisters Brothers
Theatrical Performance (US$)
Australia Box Office $67,555Details
Worldwide Box Office $14,636,067Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Two brothers—Eli and Charlie Sisters—are hired to kill a prospector who has stolen from their boss.

Metrics

Movie Details

Production Budget:$38,000,000
Australia Releases: March 8th, 2019 (Wide)
Video Release: January 22nd, 2019 by Fox Home Entertainment
MPAA Rating: R for violence including disturbing images, language, and some sexual content.
(Rating bulletin 2537 (Cert #51673), 7/25/2018)
Running Time: 121 minutes
Keywords: Cowboys, 1800s, Assassination, Mid-Life Crisis, Road Trip, Dysfunctional Family, Addiction, Fugitive / On the Run, Dream Sequence, Voiceover/Narration, Suicide, Paralysis / Loss of a Limb, Domestic Abuse, Child Abuse, Young Child Dealing with the Death of a Parent, Revisionist Western
Source:Based on Fiction Book/Short Story
Genre:Western
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Annapurna Pictures, Top Drawer Entertainment
Production Countries: France, Romania, Spain, United States
Languages: English

Home Market Releases for February 5th, 2019

February 5th, 2019

Widows

We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying. More...

Home Market Releases for January 22nd, 2019

January 24th, 2019

The Hate U Give

We’re getting close to the monster hits from fall finally coming out on the home market. Closer, but we are not quite there yet. This week’s biggest release is First Man, but it is not the best. The race for Pick of the Week came down to three contenders: Dirty Rotten Scoundrels, The Hate U Give, and JoJo’s Bizarre Adventure: Set Three. It was a close race, but in the end The Hate U Give won out. More...

Theater Averages: Boy Erased Writes its Way to the Top

November 7th, 2018

Boy Erased

Boy Erased led the way on the theater average chart earning an average of $41,411 in five theaters. This was nearly three times the second place film, A Private War, which earned an average of $15,123 in four theaters. The only other film in the $10,000 club was the overall box office leader, Bohemian Rhapsody, with an average of $12,765. More...

Friday Estimates: Halloween Closing in on Venom’s October Record

October 20th, 2018

Halloween

Before the weekend began, people were asking if Halloween would top The Nun for biggest opening weekend for a horror film released this year. After Friday, no one is asking that question anymore, because the answer is obviously going to be yes. The film pulled in $33.34 million during its opening day, meaning it is within striking distance of Venom’s record for biggest October weekend. Venom earned $32.50 million during its opening day. Additionally, Halloween has 81% positive reviews and a B plus from CinemaScore, which is great for a horror film. On the other hand, horror films do tend to have shorter legs than comic book movies, so Halloween is essentially a coin-toss to break the record. Universal is going with $80.3 million, so we likely won’t know the answer until Monday when the final numbers show up. More...

Theater Averages: Beautiful Start

October 17th, 2018

Beautiful Boy

Beautiful Boy had the best theater average of the weekend and the fourth best average for a limited release this year at $54,722 in four theaters. However, its reviews are well below what limited releases normally need to thrive, so I’m worried about its legs going forward. The only other film in the $10,000 club was Charm City, which opened with $10,511 in its lone theater. More...

Theater Averages: Collette Collects First Place with $40,295

September 25th, 2018

Collette

Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday. More...

Weekend Estimates: Clock Runs Fast, Other Openings Stumble

September 23rd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls was the only new release to top expectations this weekend, and it is doing so with ease. The film will pull in a projected $26.85 million over the weekend, which is close to Goosebumps’s $28.87 million debut and is much better than predicted. Its reviews and its B plus from CinemaScore suggest merely average legs, but this is still a great start for a film that cost $42 million to make. It is way too early to make a call on its international numbers, so I’m a little wary of calling this a financial hit just yet. It did open in first place in the Philippines with 602,000 in 195 theaters, but it only managed third place in Germany with $789,000 in 465. More...

Friday Estimates: Beating the Clock

September 22nd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls is the only new release that opened well on Friday, with $7.82 million during its opening day. Its reviews are in the overall positive level and it earned a B plus from CinemaScore. This is nearly identical to Miss Peregrine’s Home for Peculiar Children and weaker than Goosebumps’ result. If this film has the same legs as Miss Peregrine, then it will earn $25 million during its opening weekend. That would be an amazing start for a film that cost $42 million to make and significantly better than we predicted. More...

Limited and VOD Releases: Starting to Love Awards Season

September 21st, 2018

Collette

It is not a particularly busy week for limited releases, as there are only nine films on the main list. However, several of them could do very well at the box office. Of these, I’m the most bullish about Colette and The Sisters Brothers, but there are two documentaries, Love, Gilda and Nothing Like a Dame, that could also open in the $10,000 club. All four could earn some Awards Season glory. More...

2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...

The Sisters Brothers Trailer

August 10th, 2018

Western starring John C. Reilly, Joaquin Phoenix, and Jake Gyllenhaal opens September 21 ... Full Movie Details.

Two brothers—Eli and Charlie Sisters—are hired to kill a prospector who has stolen from their boss. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/03/08 - $6,092   9 $677   $6,092 1
2019/03/15 28 $11,995 +97% 13 $923   $25,100 2
2019/03/22 - $8,595 -28% 14 $614   $39,248 3
2019/03/29 - $7,894 -8% 15 $526   $50,784 4
2019/04/05 - $8,002 +1% 14 $572   $62,188 5
2019/04/12 - $2,172 -73% 4 $543   $66,756 6
2019/04/19 - $804 -63% 1 $804   $67,317 7
2019/04/26 - $741 -8% 2 $371   $67,555 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/8/2019 $6,092 9 15 72 $67,555 4/30/2019
France 9/21/2018 $1,903,494 0 536 891 $6,486,235 11/9/2018
Germany 5/3/2019 $0 0 37 37 $482,203 5/24/2019
Italy 5/2/2019 $283,922 0 37 65 $518,023 9/8/2019
Lithuania 12/14/2018 $5,218 44 44 59 $16,399 1/11/2019
Netherlands 10/26/2018 $75,488 38 38 268 $374,696 2/12/2019
North America 9/21/2018 $115,575 4 1,141 2,434 $3,143,056 11/16/2020
Portugal 2/22/2019 $12,863 24 24 50 $24,414 3/12/2019
Russia (CIS) 11/29/2018 $143,226 364 364 642 $317,707 2/16/2019
Spain 5/10/2019 $200,109 116 151 613 $819,500 9/6/2019
Turkey 2/8/2019 $6,015 45 45 91 $11,181 2/28/2019
United Kingdom 4/5/2019 $329,413 163 163 315 $697,408 4/17/2019
 
Rest of World $1,677,690
 
Worldwide Total$14,636,067 11/16/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

John C. Reilly   
Joaquin Phoenix   

Supporting Cast

Jake Gyllenhaal   
Riz Ahmed   
Rutger Hauer   
Rebecca Root   
Carol Kane   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jacques Audiard    Director
Jacques Audiard    Screenwriter
Thomas Bidegain    Screenwriter
Patrick deWitt    Based on the book by
Pascal Caucheteux    Producer
Gregoire Sorlat    Producer
John C. Reilly    Producer
Michel Merkt    Producer
Michael De Luca    Producer
Alison Dickey    Producer
Megan Ellison    Executive Producer
Chelsea Barnard    Executive Producer
Sammy Scher    Executive Producer
Benoît Debie    Director of Photography
Michel Barthelemy    Production Designer
Martine Cassinelli    Line Producer
Jean-Baptiste Pouilloux    First Assistant Director
Juliette Welfling    Editor
Milena Canonero    Costume Designer
Alexandre Desplat    Composer
Francine Maisler    Casting Director