Thank You for Your Service (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $9,479,390 | Details |
| International Box Office | $505,926 | Details |
| Worldwide Box Office | $9,985,316 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,245,223 | |
| Blu-ray Sales (estimated) | $1,094,501 | |
| Total | $2,339,724 | |
| OpusData ID: 285400100 More info... | ||
| Further financial details... | ||
Synopsis
A group of U.S. soldiers returning from Iraq struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they’ve left the battlefield.
Metrics
| Opening Weekend: | $3,817,700 (40.3% of total gross) |
| Legs: | 2.48 (domestic box office/biggest weekend) |
| Domestic Share: | 94.9% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,054 opening theaters/2,083 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,639,184 |
Movie Details
| Domestic Releases: | October 27th, 2017 (Wide) by Universal |
| International Releases: | November 24th, 2017 (Wide) (Netherlands)
December 8th, 2017 (Wide) (South Korea) February 16th, 2018 (Wide) (Spain) |
| Video Release: | January 9th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violent content, language throughout, some sexuality, drug material and brief nudity. (Rating bulletin 2468 (Cert #50975), 3/22/2017) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Biography, Mental Illness, PTSD, Returning Soldiers, Suicide |
| Social setting: | Iraq War |
| Subgenre: | Biographical Drama |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | DreamWorks Pictures, Reliance Entertainment, Rahway Road |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 6 | $3,817,700 | 2,054 | $1,859 | $3,817,700 | 1 | |
| Nov 3, 2017 | 8 | $2,207,855 | -42% | 2,083 | $1,060 | $7,302,585 | 2 |
| Nov 10, 2017 | 14 | $853,295 | -61% | 1,348 | $633 | $9,063,685 | 3 |
| Nov 17, 2017 | 34 | $95,515 | -89% | 268 | $356 | $9,437,885 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 26, 2017 | P | $280,000 | 1,760 | $159 | $280,000 | |||
| Oct 27, 2017 | 5 | $1,511,005 | 2,054 | $736 | $1,511,005 | 1 | ||
| Oct 28, 2017 | 8 | $1,342,060 | -11% | 2,054 | $653 | $2,853,065 | 2 | |
| Oct 29, 2017 | 8 | $964,635 | -28% | 2,054 | $470 | $3,817,700 | 3 | |
| Oct 30, 2017 | 6 | $343,885 | -64% | 2,054 | $167 | $4,161,585 | 4 | |
| Oct 31, 2017 | 9 | $382,740 | +11% | 2,054 | $186 | $4,544,325 | 5 | |
| Nov 1, 2017 | 9 | $267,315 | -30% | 2,054 | $130 | $4,811,640 | 6 | |
| Nov 2, 2017 | 8 | $283,090 | +6% | 2,054 | $138 | $5,094,730 | 7 | |
| Nov 3, 2017 | 7 | $672,755 | +138% | -55% | 2,083 | $323 | $5,767,485 | 8 |
| Nov 4, 2017 | 8 | $933,320 | +39% | -30% | 2,083 | $448 | $6,700,805 | 9 |
| Nov 5, 2017 | 8 | $601,780 | -36% | -38% | 2,083 | $289 | $7,302,585 | 10 |
| Nov 6, 2017 | 8 | $208,680 | -65% | -39% | 2,083 | $100 | $7,511,265 | 11 |
| Nov 7, 2017 | 7 | $310,375 | +49% | -19% | 2,083 | $149 | $7,821,640 | 12 |
| Nov 8, 2017 | 6 | $207,460 | -33% | -22% | 2,083 | $100 | $8,029,100 | 13 |
| Nov 9, 2017 | 7 | $181,290 | -13% | -36% | 2,083 | $87 | $8,210,390 | 14 |
| Nov 10, 2017 | 13 | $282,695 | +56% | -58% | 1,348 | $210 | $8,493,085 | 15 |
| Nov 11, 2017 | 13 | $369,180 | +31% | -60% | 1,348 | $274 | $8,862,265 | 16 |
| Nov 12, 2017 | 15 | $201,420 | -45% | -67% | 1,348 | $149 | $9,063,685 | 17 |
| Nov 13, 2017 | 14 | $72,125 | -64% | -65% | 1,348 | $54 | $9,135,810 | 18 |
| Nov 14, 2017 | 13 | $92,880 | +29% | -70% | 1,348 | $69 | $9,228,690 | 19 |
| Nov 15, 2017 | 13 | $69,015 | -26% | -67% | 1,348 | $51 | $9,297,705 | 20 |
| Nov 16, 2017 | 14 | $44,665 | -35% | -75% | 1,348 | $33 | $9,342,370 | 21 |
| Nov 17, 2017 | - | $26,705 | -40% | -91% | 268 | $100 | $9,369,075 | 22 |
| Nov 18, 2017 | - | $42,990 | +61% | -88% | 268 | $160 | $9,412,065 | 23 |
| Nov 19, 2017 | - | $25,820 | -40% | -87% | 268 | $96 | $9,437,885 | 24 |
| Nov 20, 2017 | - | $16,505 | -36% | -77% | 268 | $62 | $9,454,390 | 25 |
| Nov 21, 2017 | - | $13,050 | -21% | -86% | 268 | $49 | $9,467,440 | 26 |
| Nov 22, 2017 | - | $5,865 | -55% | -92% | 172 | $34 | $9,473,305 | 27 |
| Nov 23, 2017 | - | $6,085 | +4% | -86% | 172 | $35 | $9,479,390 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 6 | $5,094,730 | 2,054 | $2,480 | $5,094,730 | 1 | |
| Nov 3, 2017 | 8 | $3,115,660 | -39% | 2,083 | $1,496 | $8,210,390 | 2 |
| Nov 10, 2017 | 13 | $1,131,980 | -64% | 1,348 | $840 | $9,342,370 | 3 |
| Nov 17, 2017 | 37 | $137,020 | -88% | 172 | $797 | $9,479,390 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 11/24/2017 | $66,023 | 38 | 38 | 127 | $191,524 | 12/20/2017 | |||
| South Korea | 12/8/2017 | $6,291 | 0 | 0 | 0 | $8,467 | 10/14/2018 | |||
| Spain | 2/16/2018 | $47,417 | 102 | 102 | 102 | $47,417 | 2/23/2018 | |||
| Rest of World | $258,518 | |||||||||
| International Total | $505,926 | 10/14/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miles Teller | Adam Schumann |
Supporting
| Haley Bennett | Saskia Schumann | |
| Joe Cole | Billy Waller | |
| Amy Schumer | Amanda Doster | |
| Beulah Koale | Tausolo Aeiti | |
| Scott Haze | Michael Emory | |
| Keisha Castle-Hughes | Alea Aieti | |
| Brad Beyer | Sergeant James Doster | |
| Omar Dorsey | Dante | |
| Kate Lyn Sheil | Bell | |
| Kerry Cahill | Anna Waller | |
| Stella La’ren Pileggi | Zoe Schumann | |
| David Morse | Fred Gusman | |
| Adam Schumann | Staff Sgt. on Tarmac | |
| Tony Winters | Taxi Driver | |
| Han Soto | Doctor | |
| John Clark | Speedway Announcer | |
| Erin Darke | Tracey | |
| Michael Adam Emory | Waiting Veteran | |
| Donna Duplantier | VA Receptionist | |
| Jayson Warner Smith | VA Receptionist | |
| Jake Weber | Col. Plymouth | |
| Tony Nevada | Veteran Preacher | |
| Allison King | Linda Sanders | |
| Sean Bridgers | Sergeant Mozer | |
| Deneen Tyler | Patty Walker | |
| John Way | Street Corner Kid | |
| Valerie Boucvalt | Police Officer | |
| Dennis L.A. White | Dante’s Friend | |
| Bre Blair | Maternity Liaison | |
| Joshua J. Boksuntiea | Karaoke Soldier | |
| Mark Wachter | Staff Sergeant Wachter | |
| Patrick Michael Brown | Sergeant White | |
| Stefano Smith | FOB Medic | |
| Alex Coker | Honor Guard Leader | |
| Alusain Sillah | Detail Leader | |
| Ella Hall | Hannah Doster | |
| Bowie Hall | Emma Doster |
Production and Technical Credits
| Jason Hall | Director | |
| Jason Hall | Screenwriter | |
| David Finkel | Story based on the book by | |
| Jon Kilik | Producer | |
| Ann Ruark | Executive Producer | |
| Jane Evans | Executive Producer | |
| Roman Vasyanov | Director of Photography | |
| Keith P. Cunningham | Production Designer | |
| Jay Cassidy | Editor | |
| Hope Hanafin | Costume Designer | |
| Susan Jacobs | Music Supervisor | |
| Thomas Newman | Composer | |
| Ronna Kress | Casting Director | |
| Monty L. Simons* | Stunt Coordinator | |
| Ann Ruark | Unit Production Manager | |
| Doug Torres | First Assistant Director | |
| Amir R. Khan | Second Assistant Director | |
| Holly Bario | Co-Producer | |
| Alex G Scott | Co-Producer | |
| Dino Jonsater | Additional Editor | |
| Brendan Taylor | Visual Effects Supervisor | |
| Skip Lievsay | Sound Supervisor | |
| Skip Lievsay | Re-recording Mixer | |
| Larry Zipf | Re-recording Mixer | |
| Larry Zipf | Sound Editor | |
| Erik Polczwartek | Art Director | |
| Karen O'Hara | Set Decorator | |
| Vincent Bates | Assistant Art Director | |
| Jay Meagher | Sound Mixer | |
| David Fletcher | Special Effects Supervisor | |
| Monique Younger | Costume Supervisor | |
| Kimberly Jones | Make up | |
| Leighann Yandle | Make up | |
| Rita Parillo | Hairstylist | |
| Elizabeth Robinson | Hairstylist | |
| Scott Peterson | Script Supervisor | |
| John Latenser | Location Manager | |
| Alex G Scott | Production Supervisor | |
| Ahmed Jimmy Abounouom | Line Producer | |
| Donald Sabourin | Production Manager | |
| Sana Elkilali | Production Manager | |
| Stuart MacPhee | Post-Production Supervisor | |
| Rebekah Hernandez | Post-Production Supervisor | |
| Craig Henighan | Sound Designer | |
| Michael Feuser | Dialogue Editor | |
| Jac Rubenstein | Dialogue Editor | |
| Greg Behrens | Visual Effects Producer | |
| Larry Mah | Music Editor | |
| Chad Birmingham | Music Editor | |
| Missy Cohen | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A group of U.S. soldiers returning from Iraq struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they’ve left the battlefield.
Metrics
| Opening Weekend: | $3,817,700 (40.3% of total gross) |
| Legs: | 2.48 (domestic box office/biggest weekend) |
| Domestic Share: | 94.9% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,054 opening theaters/2,083 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,639,184 |
Movie Details
| Domestic Releases: | October 27th, 2017 (Wide) by Universal |
| International Releases: | November 24th, 2017 (Wide) (Netherlands)
December 8th, 2017 (Wide) (South Korea) February 16th, 2018 (Wide) (Spain) |
| Video Release: | January 9th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violent content, language throughout, some sexuality, drug material and brief nudity. (Rating bulletin 2468 (Cert #50975), 3/22/2017) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Biography, Mental Illness, PTSD, Returning Soldiers, Suicide |
| Social setting: | Iraq War |
| Subgenre: | Biographical Drama |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | DreamWorks Pictures, Reliance Entertainment, Rahway Road |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 6 | $3,817,700 | 2,054 | $1,859 | $3,817,700 | 1 | |
| Nov 3, 2017 | 8 | $2,207,855 | -42% | 2,083 | $1,060 | $7,302,585 | 2 |
| Nov 10, 2017 | 14 | $853,295 | -61% | 1,348 | $633 | $9,063,685 | 3 |
| Nov 17, 2017 | 34 | $95,515 | -89% | 268 | $356 | $9,437,885 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 26, 2017 | P | $280,000 | 1,760 | $159 | $280,000 | |||
| Oct 27, 2017 | 5 | $1,511,005 | 2,054 | $736 | $1,511,005 | 1 | ||
| Oct 28, 2017 | 8 | $1,342,060 | -11% | 2,054 | $653 | $2,853,065 | 2 | |
| Oct 29, 2017 | 8 | $964,635 | -28% | 2,054 | $470 | $3,817,700 | 3 | |
| Oct 30, 2017 | 6 | $343,885 | -64% | 2,054 | $167 | $4,161,585 | 4 | |
| Oct 31, 2017 | 9 | $382,740 | +11% | 2,054 | $186 | $4,544,325 | 5 | |
| Nov 1, 2017 | 9 | $267,315 | -30% | 2,054 | $130 | $4,811,640 | 6 | |
| Nov 2, 2017 | 8 | $283,090 | +6% | 2,054 | $138 | $5,094,730 | 7 | |
| Nov 3, 2017 | 7 | $672,755 | +138% | -55% | 2,083 | $323 | $5,767,485 | 8 |
| Nov 4, 2017 | 8 | $933,320 | +39% | -30% | 2,083 | $448 | $6,700,805 | 9 |
| Nov 5, 2017 | 8 | $601,780 | -36% | -38% | 2,083 | $289 | $7,302,585 | 10 |
| Nov 6, 2017 | 8 | $208,680 | -65% | -39% | 2,083 | $100 | $7,511,265 | 11 |
| Nov 7, 2017 | 7 | $310,375 | +49% | -19% | 2,083 | $149 | $7,821,640 | 12 |
| Nov 8, 2017 | 6 | $207,460 | -33% | -22% | 2,083 | $100 | $8,029,100 | 13 |
| Nov 9, 2017 | 7 | $181,290 | -13% | -36% | 2,083 | $87 | $8,210,390 | 14 |
| Nov 10, 2017 | 13 | $282,695 | +56% | -58% | 1,348 | $210 | $8,493,085 | 15 |
| Nov 11, 2017 | 13 | $369,180 | +31% | -60% | 1,348 | $274 | $8,862,265 | 16 |
| Nov 12, 2017 | 15 | $201,420 | -45% | -67% | 1,348 | $149 | $9,063,685 | 17 |
| Nov 13, 2017 | 14 | $72,125 | -64% | -65% | 1,348 | $54 | $9,135,810 | 18 |
| Nov 14, 2017 | 13 | $92,880 | +29% | -70% | 1,348 | $69 | $9,228,690 | 19 |
| Nov 15, 2017 | 13 | $69,015 | -26% | -67% | 1,348 | $51 | $9,297,705 | 20 |
| Nov 16, 2017 | 14 | $44,665 | -35% | -75% | 1,348 | $33 | $9,342,370 | 21 |
| Nov 17, 2017 | - | $26,705 | -40% | -91% | 268 | $100 | $9,369,075 | 22 |
| Nov 18, 2017 | - | $42,990 | +61% | -88% | 268 | $160 | $9,412,065 | 23 |
| Nov 19, 2017 | - | $25,820 | -40% | -87% | 268 | $96 | $9,437,885 | 24 |
| Nov 20, 2017 | - | $16,505 | -36% | -77% | 268 | $62 | $9,454,390 | 25 |
| Nov 21, 2017 | - | $13,050 | -21% | -86% | 268 | $49 | $9,467,440 | 26 |
| Nov 22, 2017 | - | $5,865 | -55% | -92% | 172 | $34 | $9,473,305 | 27 |
| Nov 23, 2017 | - | $6,085 | +4% | -86% | 172 | $35 | $9,479,390 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 6 | $5,094,730 | 2,054 | $2,480 | $5,094,730 | 1 | |
| Nov 3, 2017 | 8 | $3,115,660 | -39% | 2,083 | $1,496 | $8,210,390 | 2 |
| Nov 10, 2017 | 13 | $1,131,980 | -64% | 1,348 | $840 | $9,342,370 | 3 |
| Nov 17, 2017 | 37 | $137,020 | -88% | 172 | $797 | $9,479,390 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 11/24/2017 | $66,023 | 38 | 38 | 127 | $191,524 | 12/20/2017 | |||
| South Korea | 12/8/2017 | $6,291 | 0 | 0 | 0 | $8,467 | 10/14/2018 | |||
| Spain | 2/16/2018 | $47,417 | 102 | 102 | 102 | $47,417 | 2/23/2018 | |||
| Rest of World | $258,518 | |||||||||
| International Total | $505,926 | 10/14/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miles Teller | Adam Schumann |
Supporting
| Haley Bennett | Saskia Schumann | |
| Joe Cole | Billy Waller | |
| Amy Schumer | Amanda Doster | |
| Beulah Koale | Tausolo Aeiti | |
| Scott Haze | Michael Emory | |
| Keisha Castle-Hughes | Alea Aieti | |
| Brad Beyer | Sergeant James Doster | |
| Omar Dorsey | Dante | |
| Kate Lyn Sheil | Bell | |
| Kerry Cahill | Anna Waller | |
| Stella La’ren Pileggi | Zoe Schumann | |
| David Morse | Fred Gusman | |
| Adam Schumann | Staff Sgt. on Tarmac | |
| Tony Winters | Taxi Driver | |
| Han Soto | Doctor | |
| John Clark | Speedway Announcer | |
| Erin Darke | Tracey | |
| Michael Adam Emory | Waiting Veteran | |
| Donna Duplantier | VA Receptionist | |
| Jayson Warner Smith | VA Receptionist | |
| Jake Weber | Col. Plymouth | |
| Tony Nevada | Veteran Preacher | |
| Allison King | Linda Sanders | |
| Sean Bridgers | Sergeant Mozer | |
| Deneen Tyler | Patty Walker | |
| John Way | Street Corner Kid | |
| Valerie Boucvalt | Police Officer | |
| Dennis L.A. White | Dante’s Friend | |
| Bre Blair | Maternity Liaison | |
| Joshua J. Boksuntiea | Karaoke Soldier | |
| Mark Wachter | Staff Sergeant Wachter | |
| Patrick Michael Brown | Sergeant White | |
| Stefano Smith | FOB Medic | |
| Alex Coker | Honor Guard Leader | |
| Alusain Sillah | Detail Leader | |
| Ella Hall | Hannah Doster | |
| Bowie Hall | Emma Doster |
Production and Technical Credits
| Jason Hall | Director | |
| Jason Hall | Screenwriter | |
| David Finkel | Story based on the book by | |
| Jon Kilik | Producer | |
| Ann Ruark | Executive Producer | |
| Jane Evans | Executive Producer | |
| Roman Vasyanov | Director of Photography | |
| Keith P. Cunningham | Production Designer | |
| Jay Cassidy | Editor | |
| Hope Hanafin | Costume Designer | |
| Susan Jacobs | Music Supervisor | |
| Thomas Newman | Composer | |
| Ronna Kress | Casting Director | |
| Monty L. Simons* | Stunt Coordinator | |
| Ann Ruark | Unit Production Manager | |
| Doug Torres | First Assistant Director | |
| Amir R. Khan | Second Assistant Director | |
| Holly Bario | Co-Producer | |
| Alex G Scott | Co-Producer | |
| Dino Jonsater | Additional Editor | |
| Brendan Taylor | Visual Effects Supervisor | |
| Skip Lievsay | Sound Supervisor | |
| Skip Lievsay | Re-recording Mixer | |
| Larry Zipf | Re-recording Mixer | |
| Larry Zipf | Sound Editor | |
| Erik Polczwartek | Art Director | |
| Karen O'Hara | Set Decorator | |
| Vincent Bates | Assistant Art Director | |
| Jay Meagher | Sound Mixer | |
| David Fletcher | Special Effects Supervisor | |
| Monique Younger | Costume Supervisor | |
| Kimberly Jones | Make up | |
| Leighann Yandle | Make up | |
| Rita Parillo | Hairstylist | |
| Elizabeth Robinson | Hairstylist | |
| Scott Peterson | Script Supervisor | |
| John Latenser | Location Manager | |
| Alex G Scott | Production Supervisor | |
| Ahmed Jimmy Abounouom | Line Producer | |
| Donald Sabourin | Production Manager | |
| Sana Elkilali | Production Manager | |
| Stuart MacPhee | Post-Production Supervisor | |
| Rebekah Hernandez | Post-Production Supervisor | |
| Craig Henighan | Sound Designer | |
| Michael Feuser | Dialogue Editor | |
| Jac Rubenstein | Dialogue Editor | |
| Greg Behrens | Visual Effects Producer | |
| Larry Mah | Music Editor | |
| Chad Birmingham | Music Editor | |
| Missy Cohen | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.