Mexico Box Office for Ruega por nosotros (2021)

← Go to main The Unholy page

The Unholy
Theatrical Performance (US$)
Mexico Box Office $6,087,218Details
Worldwide Box Office $30,792,024Details
Home Market Performance
North America DVD Sales $1,129,482 Details
North America Blu-ray Sales $1,300,426 Details
Total North America Video Sales $2,429,908
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The Unholy follows Alice, a young hearing-impaired girl who, after a supposed visitation from the Virgin Mary, is inexplicably able to hear, speak and heal the sick. As word spreads and people from near and far flock to witness her miracles, a disgraced journalist hoping to revive his career visits the small New England town to investigate. When terrifying events begin to happen all around, he starts to question if these phenomena are the works of the Virgin Mary or something much more sinister.

Metrics

Movie Details

Production Budget:$10,000,000
Mexico Releases: April 22nd, 2021 (Wide), released as Ruega por nosotros
Video Release: June 22nd, 2021 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for violent content, terror and some strong language.
(Rating bulletin 2671 (cert #52633), 3/10/2021)
Running Time: 99 minutes
Keywords: Supernatural Horror, Deaf, Miracle, Faith Healer, Religious
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Ghost House Pictures
Production Countries: United States
Languages: English

Weekend estimates: Mortal Kombat and Demon Slayer knock it out the park

April 25th, 2021

Demon Slayer The Movie: Mugen Train

After a few pleasant surprises in recent months, this looks like the weekend that the theatrical business has been looking for. Not only is Mortal Kombat beating expectations with a weekend projected to hit $22.5 million, per Warner Bros.’ Sunday morning numbers, but Demon Slayer The Movie: Mugen Train is headed for the second-best opening for an anime movie ever, behind 1999’s Pokemon: The First Movie, with a projected $19.5 million. What’s more, both films are R-rated, meaning that they firmly fall outside the family-film space that has been the brightest spot in the market recently. More...

Weekend predictions: Mortal Kombat and Demon Slayer go head to head

April 23rd, 2021

Mortal Kombat

This weekend is shaping up to be a real David and Goliath battle, with indie distributor FUNimation going up against the might of Warner Bros., and looking likely to come out with their heads held high, even if a weekend win looks out of reach. More...

Weekend predictions: Godzilla vs. Kong looking for another weekend over $10 million

April 16th, 2021

Godzilla vs. Kong

With no new wide releases and an already formidable lead at the box office, Godzilla vs. Kong is about as certain a winner in theaters this weekend as it’s possible to be. The main question is how much it will decline this weekend after dropping 57% in its second outing. Our model thinks the benchmark figure for the film will be around $10 million this weekend. More...

Weekend estimates: Godzilla vs. Kong still number one as Voyagers disappoints

April 11th, 2021

Godzilla vs. Kong

After last weekend’s relatively excellent opening for Godzilla vs. Kong, the theatrical market is treading water this time around, based on the studios’ Sunday morning estimates. GvK itself is performing a little worse than expected, although not terribly considering its coming off the biggest weekend of the pandemic. Voyagers will earn a disappointing $1.35 million opening, and the returning films are something of a mixed bag. More...

Weekend predictions: Voyagers won’t trouble Godzilla vs. Kong

April 9th, 2021

Voyagers

There will be no prizes for predicting the winner at the box office this weekend, but the race for second place looks as though it’ll be close, with three returning films—Nobody, Raya and the Last Dragon, The Unholy—and debutant Voyagers all looking like they have a shot. Here’s what our model thinks going into the weekend… More...

Weekend estimates: Godzilla vs. Kong delivers monster* $32.2-million weekend

April 4th, 2021

Godzilla vs. Kong

Godzilla vs. Kong will earn $32.2 million over the Friday–Sunday weekend, and deliver a $48.5-million 5-day opening, according to Warner Bros.’ Sunday morning projection. The film will earn an additional $3 million in Canada from its PVOD release there, which the studio offered to allow Canadian audiences to see the film while around 80% of the Canadian market remains closed. It’s also showing on HBO Max in the US, but the studio hasn’t offered any numbers on its performance there. More...

Weekend predictions: Godzilla vs. Kong could top $30 million this weekend

April 2nd, 2021

Godzilla vs. Kong

Godzilla vs. Kong has stormed out the gate over the past two days, at least by pandemic standards. Its $9.6-million opening day was the best single day by a film in the past year, and it didn’t drop by all that much yesterday, posting $6.7 million. That puts it on track for easily the biggest weekend box office for a film since theaters started reopening. Predicting how much it will make is complicated by its unusual release pattern—opening on Wednesday in 2,409 theaters and expanding to 3,064 theaters today—and by the fact that, well, there’s still a pandemic on. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/04/23 1 $1,274,431   0     $1,274,431 1
2021/04/30 1 $1,303,981 +2% 0     $3,183,103 2
2021/05/07 1 $648,209 -50% 0     $4,351,540 3
2021/05/14 1 $473,313 -27% 0     $5,085,599 4
2021/05/21 3 $330,993 -30% 0     $5,571,715 5
2021/05/28 3 $235,825 -29% 0     $5,930,758 6
2021/06/04 6 $80,293 -66% 0     $6,087,218 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/15/2021 $590,007 229 229 965 $1,492,127 10/20/2022
Czech Republic 6/18/2021 $9,293 51 51 51 $9,293 10/20/2022
France 7/7/2021 $263,379 116 116 228 $502,224 7/23/2021
Germany 6/17/2021 $24,312 0 0 0 $24,312 6/28/2021
Italy 5/20/2021 $125,841 0 9 9 $313,670 10/20/2022
Lithuania 5/7/2021 $24,522 11 11 38 $61,178 10/20/2022
Mexico 4/22/2021 $1,274,431 0 0 0 $6,087,218 10/20/2022
Netherlands 7/16/2021 $50,057 54 54 156 $141,836 8/11/2021
North America 4/2/2021 $3,153,456 1,850 2,057 12,519 $15,532,137
Portugal 5/6/2021 $32,741 40 40 127 $109,028 6/2/2021
Romania 6/18/2021 $76,166 72 72 200 $196,736 10/20/2022
Russia (CIS) 4/22/2021 $212,494 662 662 662 $252,792 10/20/2022
Slovakia 6/18/2021 $9,874 41 41 56 $18,369 7/1/2021
Spain 4/2/2021 $237,737 219 219 251 $1,189,061 6/4/2021
United Kingdom 5/17/2021 $573,964 314 314 497 $802,745 6/2/2021
 
Rest of World $4,059,298
 
Worldwide Total$30,792,024 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jeffrey Dean Morgan    Gerry Fenn

Supporting Cast

Katie Aselton    Natalie Gates
William Sadler    Father Hagan
Cricket Brown    Alice
Diogo Morgado    Monsignor Delgarde
Cary Elwes    Bishop Gyles
Danny Corbo    Toby Walsh
Sonny Corbo    Toby Walsh
Madison LaPlante    Teenage Girl
Christine Adams    Monica Slade

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Evan Spiliotopoulos    Director
Evan Spiliotopoulos    Screenwriter
James Herbert    Story based on the book “Shrine” by
Robert Tapert    Producer
Sam Raimi    Producer
Evan Spiliotopoulos    Producer
Andrea Ajemian    Executive Producer
Romel Adam    Executive Producer
Michael C. Stone    Set Decorator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.