Argentina Box Office for Wrath of the Titans (2012)

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Wrath of the Titans poster
Theatrical Performance (US$)
Argentina Box Office $5,223,497Details
Worldwide Box Office $305,270,083Details
Home Market Performance
North America DVD Sales $20,146,423 Details
North America Blu-ray Sales $16,104,486 Details
Total North America Video Sales $36,250,909
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

Production Budget:$150,000,000
Argentina Releases: March 29th, 2012 (Wide)
Video Release: June 26th, 2012 by Warner Home Video
MPAA Rating: PG-13 for intense sequences of fantasy violence and action.
(Rating bulletin 2213, 3/7/2012)
Running Time: 99 minutes
Franchise: Clash of the Titans
Keywords: 3-D, Gods and Goddesses, Visual Effects, Sword & Sorcerer, Monster, Rescue, Heaven and Hell, Dysfunctional Family, IMAX: DMR, Sword and Sandal, 3-D - Post-production Conversion, Action Adventure
Source:Based on Folk Tale/Legend/Fairytale
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Fantasy
Production/Financing Companies: Warner Bros., Legendary Pictures, Furia de Titanes II, A.I.E, Thunder Road Film, Cott Productions
Production Countries: United Kingdom, United States
Languages: English

Blu-ray Sales: Games Scores Early

August 29th, 2012

The short sales week didn't stop The Hunger Games from earning first place on the Blu-ray Sales Chart. It led all new releases with 1.67 million units / $33.33 million over two days. This is more than I thought it would sell and puts it in the top ten all time openings on Blu-ray. Its opening week Blu-ray share was 43%, which is a little low for a major blockbuster, but it was aimed more at women, who don't buy as many Blu-rays as men do. More...

Blu-ray Sales: Reunions Make People Blu

July 24th, 2012

There were only two new releases to chart this week, but one of them, American Reunion, led the way with 352,000 units / $7.04 million. Its opening week Blu-ray share was 46%, which is excellent for a comedy. On the other hand, it has missed expectations nearly every step of the way, so this isn't enough to make the studio really happy. More...

DVD Sales: Four Hundred Thousand Reunite with American Pie Franchise

July 23rd, 2012

New releases were not exactly plentiful this week on the DVD sales chart, but we did have a new film on top of the chart. American Reunion sold 411,000 units and generated $6.57 million in opening week sales. That's below expectations, but it also struggled theatrically, so it's not a surprise. More...

Blu-ray Sales: Holdovers Overshadow New Releases

July 18th, 2012

Like on the DVD sales chart, there were no new releases to reach the top ten on the Blu-ray sales chart. In fact, the best selling Blu-ray was Sherlock Holmes: A Game of Shadows, which leapt up from fourth to earned first place with 156,000 units / $2.55 million for the week giving it totals of 2.22 million units / $51.32 million after four. More...

DVD Sales: 21 Jump Street has Serious Hang Time

July 18th, 2012

New releases were nearly absent from the DVD sales chart this week with none in the top ten. This left the top five pretty much the same as last week. 21 Jump Street remained in top spot with 280,000 units / $5.03 million for the week giving it totals of 1.01 million units / $17.47 million. More...

Blu-ray Sales: Wrath of the Blu-rays

July 10th, 2012

Wrath of the Titans led a trio of new releases on top of the Blu-ray sales chart. It sold 800,000 units and generated $18.37 million in revenue, giving the film an opening week Blu-ray share of 55%. A visually-intensive action movie opening with a Blu-ray share above 50% is no longer a noteworthy event. More...

DVD Sales: 21 Leaps to the Top

July 9th, 2012

New releases dominated the DVD sales chart with four of them placing in the top five. Things were led by 21 Jump Street, which sold 869,000 units while generating $14.77 million in opening week sales. This is a fine start, but given its theatrical run, it isn't a great start. On the other hand, it didn't need a great start to break even. More...

DVD and Blu-ray Releases for June 26th, 2012

June 25th, 2012

It's a good week on the home market, especially for this time of year. Not only do we have a first-run release that hit $100 million at the box office, 21 Jump Street, but we have an art house film that found massive success with moviegoers, critics, and even Awards Season voters, The Artist. There are also a couple of wide releases that should have some impact on the overall sales, Mirror Mirror and Wrath of the Titans, as well as some TV on DVD releases, limited releases, catalogue titles, etc. that are also of interest. As for Pick of the Week, The Artist on Blu-ray is the most obvious choice, but The 39 Steps on Blu-ray and Sound of Noise on DVD were also in the running. Finally, Phineas and Ferb: - The Perry Files arrived late, but it too is worthy of that honor. More...

International Box Office: Battle on the High Seas

April 26th, 2012

For the second weekend in a row, Battleship and Titanic 3D were battling for top spot on the international chart, but this week Battleship came out on top. It managed $60 million on 9,038 screens in 50 markets for an early total of $131.1 million. The film opened in second place in China with $17 million on 2,287 screens, while it placed first in Russia with $11.20 million on 809. It also maintained first place in a trio of major markets, led by South Korea with $3.44 million on 624 screens over the weekend for a total of $12.68 million. It also repeated on top in Germany ($2.16 million on 637 screens for a total of $7.39 million) and in the U.K. ($2.06 million on 497 screens for a total of $9.80 million). More...

International Box Office: Titanic International Run Would Sink an Iceberg

April 18th, 2012

Titanic 3D had an insane second weekend on re-release on the international chart earning $98.90 million on 10,066 screens in 69 markets for totals of $157.15 million internationally and $201.87 million worldwide. Its complete total is now $2.04 billion, which is a stunning figure. The majority of the film's weekend haul came from China, where it broke records with $67 million, which broke Transformers: Dark of the Moon's record opening weekend in that market. The film remained in top spot in Russia with $3.15 million on 972 screens for a total of $10.34 million after two. Its total in the U.K. rose to $12.68 million after two weeks of release, including $2.87 million on 429 screens this past weekend. At this point, I can imagine studio heads looking at every film that earned more than $300 million and trying to figure out if they can be converted to 3D or not. If it only costs $18 million to convert a film and it can make $200 million worldwide, it's an easy way to make money. Of course, it's also an easy way to over-saturate the market to the point of no return. More...

International Box Office: Wrath is Titanic Internationally

April 11th, 2012

Wrath of the Titans is really struggling domestically, but it could mitigate some of the losses here with its box office numbers internationally. This weekend it added $42.1 million on 13,070 screens in 61 markets for a total of $151.6 million. Its best market of the weekend was Russia, where it earned $4.09 million on 1,116 screens over the weekend for a total of $19.55 million after two. It has yet to open in Japan, and if it can get to $300 million worldwide, it should break even very early in the film's home market run. More...

IMAX: Titanic's Opening Smooth Sailing on IMAX

April 10th, 2012

Titanic 3D led the Global IMAX box office with $3.6 million on 159 screens over the weekend. Of that, $2.0 million was earned on 79 domestic screens giving the film a $25,000 per screen average. Wrath of the Titans was in a very close second place with $3.3 million worldwide. More...

Weekend Wrap-Up: Box Office Feels Hunger Pangs

April 9th, 2012

There's good news and bad news at the box office this weekend. The good news was The Hunger Games, which not only earned its third first place finish on the chart, but it also held on better than expected and crossed a major milestone. The bad news was practically everything else. Neither American Reunion or Titanic 3D matched expectations, while the overall box office suffered as a result falling 17% to $123 million. Fortunately, this was higher than last year by a margin of 6%. Year-to-date, 2012 is still ahead of 2011 with $2.81 billion to $2.34 billion. Unfortunately, we needed the new releases this weekend to be stronger if we have a chance of winning over the next couple weekends. More...

Weekend Predictions: Can 3D Stop a Threepeat? Or Will Reunion Rule?

April 5th, 2012

A trio of films are looking to grab top spot on the box office chart this weekend. Some think American Reunion will win. It is the latest installment in a very popular franchise, one that hasn't had a theatrical release in almost nine years. Some think Titanic 3D will lead the way. It is a 3D re-release of the second-biggest hit of all time. While still others think The Hunger Games will win for the third weekend in a row. It is by far the biggest hit of the year and topped the chart on Wednesday, despite the debut of Titanic. All three films are have a chance to make more than $30 million over the weekend. On the other hand, this weekend last year, no films made more than $30 million and only one, Hop, made more than $20 million. This means 2012 should win with ease. More...

International Box Office: Wrath Fills Up on International Sales

April 5th, 2012

In a reversal of what happened domestically, Wrath of the Titans won the race on the international chart with an estimated $78 million in 60 markets. This includes some powerhouse results, like $12.66 million on 1,164 screens in Russia, which is more than The Hunger Games has made in two weeks. However, Russia tends to reward fantasy films over most other genres. It also did very well in Mexico ($5.09 million on 1,494 screens) and in Brazil ($4.05 million on 517). On the other hand, it struggled in the U.K. placing second with $3.52 million 466 screens. That's a weaker opening than it had here, given the relative size of the two markets. With a production budget of $150 million, it will likely need close to $400 million to break even before the home market. Anything more than $300 million will be enough to cover expenses, eventually, but probably won't be enough to greenlight a third installment in the franchise. More...

IMAX: Wrath Feels Good

April 4th, 2012

Wrath of the Titans opened with $8.6 million on IMAX screens worldwide, including $4.7 million on 292 screens domestically. It has a short run as Titanic 3D opens in theaters on Wednesday. More...

Weekend Wrap-Up: Hunger Still Filling

April 2nd, 2012

Despite falling a little bit further than expected, The Hunger Games easily won the race for top spot in the box office this weekend. Wrath of the Titans and Mirror Mirror couldn't compensate for the number one film's decline and the overall box office fell 31% to $149 million. However, and more importantly, the box office was up 19% when compared to last year. Year-to-date, 2012 has expanded its lead to 20% at $2.62 billion to $2.18 billion after three months. More...

Weekend Predictions: Will Hunger Remain the Fairest or Feel the Wrath of the Fanboy Effect?

March 30th, 2012

There are two saturation level releases coming out this week, Wrath of the Titans and Mirror Mirror. Even so, there's a 99% likelihood that The Hunger Games will repeat on the top of the chart. Wrath of the Titans would have to nearly double its average prediction and / or The Hunger Games would have to collapse by a near record amount for there to be a new number one this weekend. Additionally, unless there's some catastrophic event that keeps people away from theaters nationwide, the overall box office should see massive growth from last year. In fact, even without The Hunger Games, there could be some growth from last year, as most analysts expect the two new releases from this year to be stronger than the three new releases from last year. The only downside is the lack of depth. John Carter should place sixth with $2 million over the weekend, but that wouldn't even be enough for a top ten finish last year. More...

2012 Preview: March

March 1st, 2012

February continued 2012's winning streak, which has now reached eight weeks. Will that streak continue in March? I'm not sure it will. There are some very good signs. For instance, last March, only one film reached $100 million, Rango, while there were a couple others that cracked $75 million, Battle: Los Angeles and Limitless. Plus the final weekend of this month lines up with the first weekend of April last year, which also had a $100 million hit, Hop. This time around, things look a whole lot better at the top with a potential $200 million hit, The Hunger Games, and two more that should hit the century mark, Dr. Seuss' The Lorax, and Wrath of the Titans. Plus a couple others, 21 Jump Street and John Carter of Mars, that could top $75 million. However, there are a few weeks that look soft when compared with last year. I suspect The Hunger Games will be such a huge hit that overall March 2012 will perform better than March 2011, but I also think there will be a couple weeks of year-over-year declines. On the plus side, very few films feel like filler; in fact, there are very few films, period. Over the next five weekends, only nine films are opening wide, which is odd for this time of year. In fact, it would be slow for the heart of summer, when most weeks have a blockbuster and one counter-programming film. Will this help the overall box office, as no films will be squeezed out? Or will the lack of choices hurt the box office? We will soon find out, but I remain cautiously optimistic. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/05/04 8 $77,773   52 $1,496   $5,213,455 6
2012/05/11 12 $20,223 -74% 19 $1,064   $5,257,150 7
2012/05/18 14 $7,572 -63% 6 $1,262   $5,270,465 8
2012/05/25 15 $7,066 -7% 3 $2,355   $5,280,018 9
2012/06/08 12 $3,318   3 $1,106   $5,223,497 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/29/2012 $0 0 52 83 $5,223,497 12/29/2018
Austria 3/29/2012 $0 0 23 32 $1,331,487 12/6/2015
Belgium 3/28/2012 $0 0 26 26 $1,484,244 12/6/2015
Bolivia 3/29/2012 $0 0 8 12 $518,775 12/29/2018
Brazil 3/30/2012 $0 0 226 398 $15,869,618 12/10/2015
Bulgaria 3/30/2012 $0 0 11 42 $452,696 12/29/2018
Chile 3/29/2012 $0 0 9 29 $2,434,959 12/29/2018
Colombia 3/30/2012 $0 0 40 50 $5,205,874 12/29/2018
Croatia 3/29/2012 $0 0 7 11 $209,038 12/29/2018
Czech Republic 3/29/2012 $0 0 22 22 $758,363 12/29/2018
Ecuador 4/13/2012 $0 0 48 151 $1,439,874 12/29/2018
Egypt 3/28/2012 $0 0 8 27 $237,532 12/29/2018
Greece 3/29/2012 $0 0 38 38 $193,442 12/6/2015
Hungary 3/29/2012 $0 0 37 37 $645,207 12/29/2018
Iceland 3/30/2012 $0 0 2 3 $71,276 12/29/2018
Indonesia 3/30/2012 $0 0 8 14 $2,537,979 12/29/2018
Israel 3/29/2012 $0 0 6 6 $444,454 12/29/2018
Japan 4/21/2012 $0 0 540 540 $7,638,624 12/6/2015
Kenya 3/30/2012 $0 0 5 7 $103,189 12/29/2018
Latvia 3/30/2012 $0 0 2 2 $111,069 12/29/2018
Lithuania 3/30/2012 $0 0 3 3 $139,205 12/6/2015
Malaysia 3/29/2012 $0 0 27 42 $3,714,136 12/10/2015
Mexico 3/30/2012 $0 0 391 705 $17,811,320 12/10/2015
New Zealand 3/29/2012 $0 0 7 17 $883,855 12/6/2015
North America 3/30/2012 $33,457,188 3,545 3,545 16,391 $83,670,083
Norway 3/30/2012 $0 0 3 3 $602,908 12/6/2015
Peru 3/29/2012 $0 0 40 53 $3,015,519 12/29/2018
Philippines 3/29/2012 $0 0 11 21 $3,394,375 12/29/2018
Poland 3/30/2012 $0 0 39 39 $1,649,454 12/29/2018
Portugal 3/29/2012 $0 0 5 5 $702,649 12/6/2015
Romania 3/30/2012 $0 0 19 32 $856,102 12/29/2018
Serbia and Montenegro 3/29/2012 $0 0 11 110 $125,335 12/29/2018
Singapore 3/29/2012 $0 0 12 13 $2,887,442 12/6/2015
Spain 3/30/2012 $0 0 146 239 $7,925,464 12/10/2015
Taiwan 3/30/2012 $0 0 5 8 $2,432,168 12/6/2015
Thailand 3/29/2012 $0 0 27 34 $2,461,126 12/10/2015
Turkey 3/30/2012 $0 0 93 100 $2,444,304 12/29/2018
Ukraine 3/29/2012 $0 0 12 25 $1,669,264 12/29/2018
United Arab Emirates 3/29/2012 $0 0 3 6 $1,666,953 12/29/2018
United Kingdom 3/30/2012 $0 0 89 106 $12,657,947 12/6/2015
Uruguay 3/30/2012 $0 0 4 6 $206,110 12/29/2018
Venezuela 3/30/2012 $0 0 44 100 $6,820,191 12/10/2015
 
Rest of World $100,622,976
 
Worldwide Total$305,270,083 12/29/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Sam Worthington    Perseus
Liam Neeson    Zeus
Ralph Fiennes    Hades
Toby Kebbell    Agenor
Rosamund Pike    Andromeda

Supporting Cast

Edgar Ramirez    Ares
Bill Nighy    Hephaestus
Danny Huston    Poseidon
John Bell    Helius
Lily James    Korrina
Alejandro Naranjo    Mantius
Kathryn Carpenter    Athena
Matt Milne    Elite Guard No. 1
Kett Turton    Elite Guard No. 2
Sinead Cusack    Clea
Spencer Wilding    Minotaur
Juan Reyes    Prison Warden
Jorge Guimera    Theodulus
Asier Macazaga    Theron
Daniel Galindo Rojas    Eustachius
Lamburto Guerra    Timon
George Blagden    Soldier 1
Killian Burke    Soldier 2
Alastair Cording    Villager 1
Caoilfhionn Dunne    Woman 1
Martin Bayfield    Cyclops

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jonathan Liebesman    Director
Dan Mazeau    Screenwriter
David Leslie Johnson    Screenwriter
Greg Berlanti    Story Creator
David Leslie Johnson    Story Creator
Dan Mazeau    Story Creator
Basil Iwanyk    Producer
Polly Johnsen    Producer
Thomas Tull    Executive Producer
Jon Jashni    Executive Producer
Callum McDougall    Executive Producer
Kevin De La Noy    Executive Producer
Louis Leterrier    Executive Producer
Ben Davis    Director of Photography
Charles Wood    Production Designer
Martin Walsh    Editor
Javier Navarrete    Composer
Nick Davis    Visual Effects Supervisor
Jany Temime    Costume Designer
Jina Jay    Casting Director
Callum McDougall    Unit Production Manager
Jeremy Johns    Unit Production Manager
Terry Needham    First Assistant Director
Emma Horton    Second Unit Director
Paul Jennings    Stunt Coordinator
Neil Corbould    Special Effects Supervisor
Jed Loughran    Sound Effects Editor
Tom Whitehead    Assistant Art Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.