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The Accountant (2016)

The Accountant
Theatrical Performance
Domestic Box Office $84,542,171Details
International Box Office $60,599,989Details
Worldwide Box Office $145,142,160
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Christian Wolff is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.

Metrics

Rotten Tomatoes
Critics RottenAudience Upright
Critics
51% - Rotten
Audience
86% - Upright

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$40,000,000
Domestic Releases: October 14th, 2016 (Wide) by Warner Bros.
International Releases: October 11th, 2016 (Wide), released as THE ACCOUNTANT (South Korea)
October 14th, 2016 (Wide) (Hong Kong)
October 14th, 2016 (Wide) (Taiwan)
October 20th, 2016 (Wide), released as Счетоводителят (Bulgaria)
October 20th, 2016 (Wide) (Germany)
... Show all releases
MPAA Rating: R for strong violence and language throughout
(Rating bulletin 2390, 9/9/2015)
Running Time: 128 minutes
Comparisons: vs. Jack Reacher: Never Go Back
Create your own comparison chart…
Keywords: Accountants, Organized Crime, White Collar Crime, Child Prodigy, Mental Illness
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Warner Bros., Electric City Entertainment, Zero Gravity Management, RatPac Entertainment, Dune Entertainment
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 8th Weekend at the Domestic Box Office 998 $748,652 Dec 2, 2016 52
Biggest 7th Weekend at the Domestic Box Office 1,116 $1,042,519 Nov 25, 2016 45
Biggest 6th Weekend at the Domestic Box Office 932 $2,156,421 Nov 18, 2016 38
Biggest 5th Weekend at the Domestic Box Office 630 $4,412,248 Nov 11, 2016 31
Biggest 4th Weekend at the Domestic Box Office 715 $5,872,303 Nov 4, 2016 24
Biggest 3rd Weekend at the Domestic Box Office 719 $8,481,052 Oct 28, 2016 17
Fastest Movies to Earn $50 Million at the Domestic Box Office 632 $50,370,609 Oct 21, 2016 12
Biggest 2nd Weekend at the Domestic Box Office 659 $13,643,132 Oct 21, 2016 10
Biggest Sunday at the Domestic Box Office 1,055 $6,076,639 Oct 16, 2016 3
Biggest October Weekend at the Domestic Box Office 38 $24,710,273 Oct 14, 2016 3
Biggest Opening Weekend at the Domestic Box Office 616 $24,710,273 Oct 14, 2016 3
Biggest Weekends at the Domestic Box Office 946 $24,710,273 Oct 14, 2016 3
Widest Opening Weekend 450 3,332 Oct 14, 2016 3
Biggest October Day at the Domestic Box Office 81 $9,561,314 Oct 15, 2016 2
Biggest Saturday at the Domestic Box Office 936 $9,561,314 Oct 15, 2016 2
Biggest Friday at the Domestic Box Office 765 $9,072,320 Oct 14, 2016 1

Cast

   Christian Wolff
Anna Kendrick    Dana Cummings
J.K. Simmons    Ray King
Jon Bernthal    Brax
Jeffrey Tambor    Francis Silverberg
John Lithgow    Lamar Blackburn
Cynthia Addai-Robinson    Marybeth Medina
Jean Smart    Rita Blackburn
Andy Umberger    Ed Chilton
Alison Wright    Justine
Jason Davis    Neurologist
Robert Treveiler    Young Chris' Father
Mary Kraft    Young Chris' Mother
Seth Lee    Young Chris
Jake Presley    Little Brother
Izzy Fenech    Young Justine
Ron Prather    Frank Rice
Susan Williams    Dolores Rice
Gary Basaraba    Don
Fernando Chien    Sorkis
Alex Collins    Simon Dewey
Tait Fletcher    Thug #1
Curtis Lyons    Thug #2
Buster Reeves    Alpha Merc
Ron Yuan    Pencak Silat Master
Sheila Maddox    ZZZ Receptionist
Malachi Malik    Detention Center Guard
Greg Alan Williams    Treasury Secretary
Kelly Collins Lintz    Helen/Reporter #1
Jason McDonald    Reporter #2
Victor McCay    IRS Agent
Michael Beasley    FBI Agent in Charge
Viviana Chavez    FBI Agent #1
Greg Sproles    Sniper #1
Alex Huynh    Bobby/Sniper #2
Jade Halley Bartlett    Harbor Neuroscience Nurse
Joe Hardy Jr    Autistic Boy's Father
Carrie Walrond    Autistic Boy's Mother
Roman Spink    6 Year Old Boy
David Buglione    Little Tony Bazzano
Rick Moose    Dying Mobster
Nick Arapoglou    Tech #1 Homeland Security
Angela Davis    Reporter #3
Johnny Giacalone    FBI Agent #2
Richard Pearson    Gordon Amundson (FBI Language Services)
Eric Goins    UPS Delivery Man
David DeVries    Widower
Randall Taylor    Funeral Director
Scott Poythress    Deputy
Nicholas Martin    French Teen Bully
Samantha Janco    Reporter #4
Joseph Levine    Mafia Enforcer #3
Christian Mendoza    Maintenance Worker
Zachary James Rukavina    Robotics Lab Patient
Robert T. McKight II    Robitics Lab Patient #2
Angel Giuffria    Robotics Lab Patient #3
Robert Kistenberg    Robotics Lab Tech
Robert Hatch    Funeral Home Attendee

Production and Technical Credits

Director   
Screenwriter    Bill Dubuque
Producer    Mark Williams
Producer    Lynette Howell
Executive Producer    Gavin O'Connor
Executive Producer    Jamie Patricof
Executive Producer    Marty P. Ewing
Executive Producer    Steven Mnuchin
Director of Photography    Seamus McGarvey
Production Designer    Keith Cunningham
Editor    Richard Pearson
Costume Designer    Nancy Steiner
Composer    Mark Isham
Music Supervisor    Gabe Hilfer
Casting Director    Jeanne McCarthy
Casting Director    Nicole Abellera
Unit Production Manager    Marty P. Ewing
First Assistant Director    Ivan Fonseca
Second Assistant Director    Amir R. Khan
Supervising Sound Editor    Mark Mangini
Re-recording Mixer    Mark Mangini
Re-recording Mixer    Gary Summers
Music Editor    Peter Oso Snell
Production Supervisor    David Jacobson
Art Director    John Collins
Set Decorator    Douglas Mowat
Sound Mixer    Whit Norris
Location Manager    Wesley Hagan
Script Supervisor    Lori Grabowski
Costume Supervisor    Linda Matthews
Make up    Sarah Mays
Make up    Tracey L. Miller-Smith
Special Make-up Effects    Bill Johnson
Special Make-up Effects    Matthew Silva
Hairstylist    Jennifer Santiago
Hairstylist    Vanessa Davis
Special Effects    Robert Trammell
Special Effects    Scott Einbinder
Post-Production Supervisor    Frank Salvino
First Assistant Editor    Sean Thompson
Second Assistant Editor    Jonathan Thornhill
Second Assistant Editor    Elizabeth Markley
Sound Designer    Ann Scibelli
Sound Designer    Charlie Campagna
Dialogue Editor    Kira Roessler
Foley Mixer    Don White
Foley Mixer    Kevin Schultz
Foley Mixer    Jack Heeren
Visual Effects Producer    Brian Shows
Second Unit Director    Sam Hargrave
Stunt Coordinator    Sam Hargrave
Stunt Coordinator    Fernando Chien

International Box Office: Strange More Incredible Than The Hulk with $118.7 million

November 9th, 2016

Doctor Strange

Doctor Strange added $118.7 million in 54 markets for totals of $240.4 million internationally and $325.5 million worldwide. It has already overtaken The Incredible Hulk in the MCU and is rapidly closing in on Captain America: The First Avenger. This weekend, the film debuted in first place in China with $44.12 million, including some previews, as well as in Brazil with $7.9 million. The film also expanded wide in Russia earning $8.49 million over the weekend for a total of $15.63 million. On the downside, the film has already opened in all major markets, except for Japan, where it doesn’t open until January. With what it has pulled in so far, anything less than $600 million will be seen as troubling, while anything more than $750 million will be seen as a success. More...

Weekend Wrap-Up: Madea puts out Inferno’s Fire earning $17.22 million

November 1st, 2016

Tyler Perry’s Boo! A Madea Halloween

Halloween helped boost Tyler Perry’s Boo! A Madea Halloween’s numbers over the weekend allowing it to earn first place with $17.22 million. This was much better than the $14.86 million Inferno opened with. While Halloween didn’t happen until Monday, the holiday still had a negative effect on the box office, as it fell 29% to just $88 million. That’s worse than anticipated. Compared to the same weekend last year, 2016 was better by 17%, but it’s hard to spin this as a real victory. Year-to-date, 2016’s lead over 2015 barely budged at $9.06 billion to $8.69 billion. That said, if 2016 can just maintain this lead till Rogue One debuts, then we should have at least some growth at the end of the year. More...

Weekend Predictions: Will Inferno Catch Fire over the Weekend?

October 27th, 2016

Inferno

There’s only one wide release this week, Inferno, and it should have no trouble earning first place. On the other hand, it won’t come close to matching the other two films in the Da Vinci Code franchise. Tyler Perry’s Boo! A Madea Halloween earned first place last week, but Madea movies tend to have short legs, so it could see a large drop-off this weekend. Or perhaps Halloween will help it thrive. This weekend last year, Halloween landed on a Saturday. It comes as no surprise that this was a disaster for the box office. The “best” new release, Burnt opened outside of the top five with just $5 million. The two and a half wide releases earned a combined $10 million last year. This year, there’s a small chance Inferno will earn $10 million during its opening day. There’s almost no chance 2016 won’t crush 2015 in the year-over-year comparison. More...

Weekend Wrap-up: Madea Treats Herself to $28.50 Million

October 25th, 2016

Tyler Perry’s Boo! A Madea Halloween

2016 finally has a real reason to celebrate this weekend. Not every film topped expectations, but the top did enough to overcome any weakness at the bottom. The biggest hit of the week was Tyler Perry’s Boo! A Madea Halloween, which beat expectations with $28.50 million. Jack Reacher: Never Go Back had to settle for second place with $22.87 million, which is still better than most were predicting. Ouija: Origin of Evil did well for a movie that cost just $9 million to make, but the less said about the other two new releases, the better. Overall, the box office rose 26% from last week, reaching $124 million. More importantly, the box office was 18% higher than the same weekend last year. Year-to-date, 2016 extended its lead over 2015 at $8.93 billion to $8.53 billion. Having a $400 million cushion this late in the year is good news, even with The Force Awakens looming in the future. More...

Weekend Estimates: Jack Reacher No Match for Madea

October 23rd, 2016

Tyler Perry’s Boo! A Madea Halloween

Hollywood has a habit of underestimating Tyler Perry. When Diary of a Mad Black Woman opened back in 2005, it was expected to struggle to make the top 10, and yet finished top of the chart with a $21.9 million weekend. More than eleven years later, he, or perhaps more accurately, Madea, continues to defy tracking models and rack up wins at the box office, with Boo! A Madea Halloween set to top this weekend’s chart with a projected $27.6 million. That’s nearly $5 million better than the debut of Jack Reacher: Never Go Back, which Paramount has coming in at $23 million. More...

Thursday Night Previews: Jack Reaches $1.33 million during Previews

October 21st, 2016

Jack Reacher: Never Go Back

Jack Reacher: Never Go Back pulled in $1.33 million during previews, which is approximately inline with expectations. It is just a hair below the $1.35 million The Accountant earned last week. However, The Accountant also earned significantly better reviews than Never Go Back is earning and that will likely hurt its legs. That said, we predicted $21 million and that seems safe at the moment. More...

Weekend Predictions: Will Reacher Reach the Top?

October 20th, 2016

Ouija: Origin of Evil

It is a busy week as far as wide releases are concerned, although not as busy as we thought it would be at the beginning of the month, as I’m Not Ashamed has dropped to “select cities”. It still has a shot at the top ten, but a slim shot. The biggest release of the week is Jack Reacher: Never Go Back, as it is opening in an estimated 3,800 theaters. However, the buzz is weak and its reviews won’t help either. It will likely struggle to top $20 million. This gives Tyler Perry’s Boo! A Madea Halloween a shot at first place. The best new release of the week is Ouija: Origin of Evil. One would hope a horror film earning 80% positive reviews ten days before Halloween would at least have a shot at first place. We’ll see. Finally there’s Keeping Up with the Joneses. It’s bad and that’s all I need to say about that. There is good news. This weekend last year was a disaster. The biggest wide release was The Last Witch Hunter and it earned less than $11 million. The biggest film was The Martian, which earned under $16 million. We could have two films top $20 million, so 2016 should end the slump it has been in. More...

Contest: Number Crunching: Winning Announcement

October 19th, 2016

The Accountant

The winners of our Number Crunching contest were determined and the entrants with the closest predictions for The Accountant opening weekend were... More...

Weekend Wrap-Up: Accountant Wins with $24.71 million, but 2016 Goes Further in Debt

October 18th, 2016

The Accountant

The weekend box office was not good. The Accountant did beat expectations with $24.71 million, but the other wide releases missed expectations. As a result, the box office fell 6% from last weekend to $97 million. The weekend box office should never be below $100 million, outside of a few dead zones during the year. We’ve been below that mark too frequently this year. Worse still, this is 18% lower than the same weekend last year. Year-to-date, 2016 still has a substantial lead over 2015 at $8.78 billion to $8.43 billion. However, we are nearing the $325 million mark where we have reason to panic. Remember, The Force Awakens earned $650 million during 2015 and Rogue One is only expected to earn half that much this year. We need to maintain a lead that large, or else 2016 will likely lose in the year-over-year comparison in the end. More...

Weekend Estimates: The Accountant Pencils in $24.71 Million Weekend

October 16th, 2016

The Accountant

As expected, The Accountant will be the comfortable winner at the box office this weekend, with Warner Bros. projecting a $24.71 million debut for the thriller. That’s almost identical to the opening enjoyed by The Girl on the Train last weekend, and about average for Ben Affleck. His previous Fall outings all opened in somewhat the same vicinity: Gone Girl hit $37.5 million on opening weekend in 2014; Argo posted $19.5 million in 2012, ahead of a very fruitful box office run and eventual Best Picture award; The Town started out with $23.8 million in 2010. More...

Thursday Night Previews: Accountant's $1.35 million Adds Up

October 14th, 2016

Kevin Hart: What Now?

The Accountant got off to a healthy start with $1.35 million during Thursday night previews. This is more than both The Girl on the Train and Gone Girl managed. On the other hand, the film’s demographics are more male-dominated than those two films, and men are more likely to rush out to see a movie as early as possible. Its reviews have climbed up to 50% positive, so that won’t hurt its legs. We predicted $19 million and I’m fairly confident in that number. In fact, that might be on the low end of expectations going forward. More...

Weekend Predictions: Can Accountant be Counted On?

October 13th, 2016

The Accountant

Three wide releases are coming out this week, which is one more than expected. The Accountant is clearly the biggest of the three, but its reviews are falling into the danger zone. Kevin Hart: What Now? is hoping to be the biggest stand-up comedy movie since Eddie Murphy’s Raw. Finally there’s Max Steel, which I didn’t think was going to open truly wide. Then again, its theater count is 2,034, so it is opening barely wide. This weekend last year, Goosebumps led the way with $23.62 million. I really thought The Accountant would top that, but I no longer think that will be likely. Worse still, there were five films that earned more than $10 million last year, but there will only be three of them this week. 2016’s slump will continue. More...

Contest: Demon Night: Winning Announcement

October 12th, 2016

The Girl on the Train

The winners of our Demon Night contest were determined and the entrants with the closest predictions for The Girl on the Train opening weekend were... More...

Contest: Number Crunching

October 6th, 2016

The Accountant

While Kevin Hart: What Now? is opening truly wide next week, which is a bit of a surprise, there’s little doubt that The Accountant will come out on top at the box office. As such, it is the choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Accountant.

This is the second week with The Neon Demon on Blu-ray as a prize. Don’t worry about entering both contests, because if someone does end up winning two of the same prize, they will be offered a replacement horror movie.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win either one of two “Treat” prizes, a copy of The Neon Demon on Blu-ray, or the “Trick” prize, a really bad movie that I’ve previously reviewed. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win win either one of two “Treat” prizes, a copy of The Neon Demon on Blu-ray, or the “Trick” prize, a really bad movie that I’ve previously reviewed. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win either one of two “Treat” prizes, a copy of The Neon Demon on Blu-ray, or the “Trick” prize, a really bad movie that I’ve previously reviewed.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: October

October 1st, 2016

The Girl on the Train

September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result. More...

The Accountant Trailer

July 20th, 2016

Thriller starring Ben Affleck and Anna Kendrick, directed by David Fincher, opens October 14 ... Full Movie Details.

Christian Wolff is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise. More...

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/10/14 1 $24,710,273   3,332 $7,416   $24,710,273 3
2016/10/21 4 $13,643,132 -45% 3,332 $4,095   $47,538,513 10
2016/10/28 4 $8,481,052 -38% 3,402 $2,493   $61,263,224 17
2016/11/04 6 $5,872,303 -31% 2,688 $2,185   $70,780,497 24
2016/11/11 6 $4,412,248 -25% 2,342 $1,884   $77,568,003 31
2016/11/18 9 $2,156,421 -51% 1,423 $1,515   $81,293,439 38
2016/11/25 15 $1,042,519 -52% 556 $1,875   $83,208,893 45
2016/12/02 15 $748,652 -28% 608 $1,231   $84,244,122 52

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/10/14 1 $9,072,320   3,332 $2,723   $9,072,320 1
2016/10/15 1 $9,561,314 +5% 3,332 $2,870   $18,633,634 2
2016/10/16 1 $6,076,639 -36% 3,332 $1,824   $24,710,273 3
2016/10/17 1 $2,234,024 -63% 3,332 $670   $26,944,297 4
2016/10/18 1 $3,106,507 +39% 3,332 $932   $30,050,804 5
2016/10/19 1 $1,841,007 -41% 3,332 $553   $31,891,811 6
2016/10/20 1 $2,003,570 +9% 3,332 $601   $33,895,381 7
2016/10/21 4 $4,393,552 +119% 3,332 $1,319   $38,288,933 8
2016/10/22 3 $5,896,146 +34% 3,332 $1,770   $44,185,079 9
2016/10/23 3 $3,353,434 -43% 3,332 $1,006   $47,538,513 10
2016/10/24 3 $1,207,202 -64% 3,332 $362   $48,745,715 11
2016/10/25 3 $1,624,894 +35% 3,332 $488   $50,370,609 12
2016/10/26 3 $1,170,278 -28% 3,332 $351   $51,540,887 13
2016/10/27 3 $1,241,285 +6% 3,332 $373   $52,782,172 14
2016/10/28 4 $2,525,229 +103% 3,402 $742   $55,307,401 15
2016/10/29 4 $3,705,177 +47% 3,402 $1,089   $59,012,578 16
2016/10/30 4 $2,250,646 -39% 3,402 $662   $61,263,224 17
2016/10/31 5 $1,001,126 -56% 3,402 $294   $62,264,350 18
2016/11/01 4 $1,086,132 +8% 3,402 $319   $63,350,482 19
2016/11/02 3 $750,280 -31% 3,402 $221   $64,100,762 20
2016/11/03 2 $807,432 +8% 3,402 $237   $64,908,194 21
2016/11/04 6 $1,757,543 +118% 2,688 $654   $66,665,737 22
2016/11/05 6 $2,623,193 +49% 2,688 $976   $69,288,930 23
2016/11/06 6 $1,491,567 -43% 2,688 $555   $70,780,497 24
2016/11/07 4 $511,247 -66% 2,688 $190   $71,291,744 25
2016/11/08 7 $670,105 +31% 2,688 $249   $71,961,849 26
2016/11/09 4 $573,753 -14% 2,688 $213   $72,535,602 27
2016/11/10 4 $620,153 +8% 2,688 $231   $73,155,755 28
2016/11/11 6 $1,524,624 +146% 2,342 $651   $74,680,379 29
2016/11/12 6 $1,907,489 +25% 2,342 $814   $76,587,868 30
2016/11/13 6 $980,135 -49% 2,342 $419   $77,568,003 31
2016/11/14 6 $363,032 -63% 2,342 $155   $77,931,035 32
2016/11/15 6 $524,567 +44% 2,342 $224   $78,455,602 33
2016/11/16 6 $402,212 -23% 2,342 $172   $78,857,814 34
2016/11/17 6 $279,204 -31% 2,342 $119   $79,137,018 35
2016/11/18 9 $605,572 +117% 1,423 $426   $79,742,590 36
2016/11/19 8 $970,565 +60% 1,423 $682   $80,713,155 37
2016/11/20 9 $580,284 -40% 1,423 $408   $81,293,439 38
2016/11/21 8 $260,417 -55% 1,423 $183   $81,553,856 39
2016/11/22 9 $229,288 -12% 1,423 $161   $81,783,144 40
2016/11/23 - $181,348 -21% 556 $326   $81,964,492 41
2016/11/24 14 $201,882 +11% 556 $363   $82,166,374 42
2016/11/25 15 $415,832 +106% 556 $748   $82,582,206 43
2016/11/26 15 $428,589 +3% 556 $771   $83,010,795 44
2016/11/27 - $198,098 -54% 556 $356   $83,208,893 45
2016/11/28 - $70,481 -64% 556 $127   $83,279,374 46
2016/11/29 - $90,627 +29% 556 $163   $83,370,001 47
2016/11/30 - $65,249 -28% 556 $117   $83,435,250 48
2016/12/01 - $60,220 -8% 556 $108   $83,495,470 49
2016/12/02 15 $216,177 +259% 608 $356   $83,711,647 50
2016/12/03 15 $346,311 +60% 608 $570   $84,057,958 51
2016/12/04 - $186,164 -46% 608 $306   $84,244,122 52
2016/12/05 - $68,231 -63% 608 $112   $84,312,353 53
2016/12/06 - $100,293 +47% 608 $165   $84,412,646 54
2016/12/07 - $70,014 -30% 608 $115   $84,482,660 55
2016/12/08 - $59,511 -15% 608 $98   $84,542,171 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/10/14 1 $33,895,381   3,332 $10,173   $33,895,381 7
2016/10/21 3 $18,886,791 -44% 3,332 $5,668   $52,782,172 14
2016/10/28 4 $12,126,022 -36% 3,402 $3,564   $64,908,194 21
2016/11/04 6 $8,247,561 -32% 2,688 $3,068   $73,155,755 28
2016/11/11 6 $5,981,263 -27% 2,342 $2,554   $79,137,018 35
2016/11/18 11 $3,029,356 -49% 556 $5,448   $82,166,374 42
2016/11/25 15 $1,329,096 -56% 556 $2,390   $83,495,470 49
2016/12/02 15 $1,046,701 -21% 608 $1,722   $84,542,171 56

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/4/2016 $1,208,226 287 287 1160 $4,114,260 12/8/2016
Brazil 10/21/2016 $957,000 0 0 0 $2,300,000 11/7/2016
Bulgaria 10/20/2016 $12,859 0 0 0 $254,283 12/8/2016
Czech Republic 11/4/2016 $50,040 57 57 105 $109,868 11/30/2016
Germany 10/20/2016 $1,100,000 351 351 351 $1,100,000 10/24/2016
Hong Kong 10/14/2016 $322,000 44 44 44 $322,000 10/17/2016
Italy 10/28/2016 $600,259 0 0 0 $1,741,545 11/16/2016
Lithuania 10/28/2016 $21,139 70 70 134 $69,042 11/23/2016
Mexico 11/4/2016 $1,466,204 0 0 0 $4,425,559 11/30/2016
Netherlands 11/3/2016 $436,074 78 79 391 $1,605,112 12/7/2016
New Zealand 11/4/2016 $174,595 86 86 371 $721,337 12/5/2016
Portugal 11/4/2016 $178,056 69 70 249 $467,917 12/8/2016
Russia (CIS) 10/28/2016 $1,205,839 791 808 2328 $2,856,906 11/23/2016
Slovakia 10/28/2016 $69,826 63 63 143 $221,215 12/8/2016
Slovenia 10/21/2016 $8,903 12 12 35 $31,650 12/6/2016
South Korea 10/11/2016 $284,391 375 375 472 $479,228 11/2/2016
Spain 10/21/2016 $703,488 299 299 1147 $2,728,588 12/9/2016
Taiwan 10/14/2016 $755,000 109 109 109 $1,900,000 10/24/2016
Turkey 10/28/2016 $108,892 99 99 216 $249,393 11/23/2016
United Arab Emirates 10/28/2016 $713,000 66 66 66 $713,000 11/7/2016
United Kingdom 11/3/2016 $2,037,217 496 516 1682 $6,315,396 11/30/2016
 
Rest of World $27,873,690
 
International Total$60,599,989 12/9/2016

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.