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Sully (2016)

Sully
Theatrical Performance
Domestic Box Office $124,508,177Details
International Box Office $63,323,376Details
Worldwide Box Office $187,831,553
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career.

Metrics

Rotten Tomatoes
Critics Certified FreshAudience Upright
Critics
83% - Certified Fresh
Audience
88% - Upright

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$60,000,000
Domestic Releases: September 9th, 2016 (Wide) by Warner Bros.
September 9th, 2016 (IMAX) by Warner Bros.
International Releases: September 8th, 2016 (Wide) (United Arab Emirates)
September 9th, 2016 (Wide) (Australia)
September 9th, 2016 (Wide), released as Съли: Чудото на Хъдсън (Bulgaria)
September 9th, 2016 (Wide), released as Sully: Zázrak na řece Hudson (Czech Republic)
September 9th, 2016 (Wide), released as Stebuklas virš Hadsono (Lithuania)
... Show all releases
Video Release: December 6th, 2016 by Warner Home Video
MPAA Rating: PG-13 for some peril and brief strong language.
(Rating bulletin 2429 (Cert #50318), 6/15/2016)
Running Time: 96 minutes
Comparisons: vs. Deepwater Horizon
Create your own comparison chart…
Keywords: In a Plane, Disaster, Autobiographical, 2000s, New York City
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Village Roadshow Productions, Warner Bros., Malpaso Productions, Flashlight Films, The Kennedy/Marshall Company
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 12th Weekend at the Domestic Box Office 932 $212,210 Nov 25, 2016 80
Biggest 11th Weekend at the Domestic Box Office 1,342 $160,124 Nov 18, 2016 73
Biggest 10th Weekend at the Domestic Box Office 958 $338,477 Nov 11, 2016 66
Biggest 9th Weekend at the Domestic Box Office 924 $526,321 Nov 4, 2016 59
Biggest 8th Weekend at the Domestic Box Office 862 $932,251 Oct 28, 2016 52
Biggest 7th Weekend at the Domestic Box Office 853 $1,490,479 Oct 21, 2016 45
Biggest 6th Weekend at the Domestic Box Office 673 $2,881,657 Oct 14, 2016 38
Biggest 5th Weekend at the Domestic Box Office 506 $5,010,340 Oct 7, 2016 31
Biggest 4th Weekend at the Domestic Box Office 390 $8,272,713 Sep 30, 2016 24
Fastest Movies to Earn $100 Million at the Domestic Box Office 344 $103,284,979 Sep 30, 2016 23
Biggest 3rd Weekend at the Domestic Box Office 306 $13,537,270 Sep 23, 2016 17
Biggest 2nd Weekend at the Domestic Box Office 292 $21,653,017 Sep 16, 2016 10
Fastest Movies to Earn $50 Million at the Domestic Box Office 363 $55,074,383 Sep 16, 2016 8
Biggest Sunday at the Domestic Box Office 661 $8,207,498 Sep 11, 2016 3
Biggest Opening Weekend at the Domestic Box Office 362 $35,028,301 Sep 9, 2016 3
Biggest September Weekend at the Domestic Box Office 5 $35,028,301 Sep 9, 2016 3
Biggest Weekends at the Domestic Box Office 488 $35,028,301 Sep 9, 2016 3
Widest Opening Weekend 297 3,525 Sep 9, 2016 3
Biggest Saturday at the Domestic Box Office 409 $14,660,116 Sep 10, 2016 2
Biggest September Day at the Domestic Box Office 6 $14,660,116 Sep 10, 2016 2
Biggest Friday at the Domestic Box Office 464 $12,160,687 Sep 9, 2016 1

Cast

   Captain Chesley "Sully" Sullenberger
Aaron Eckhart    Jeff Skiles
Laura Linney    Lorraine Sullenberger
Valerie Mahaffey    Diane Higgins
Delphi Harrington    Lucille Palmer
Mike O'Malley    Charles Porter
Jamey Sheridan    Ben Edwards
Anna Gunn    Elizabeth Davis
Holt McCallany    Mike Cleary
Ahmed Lucan    Egyptian Driver
Laura Lundy Wheale    Reporter #1
Onira Tares    Reporter #2
Gary Weeks    Reporter #3
Katie Couric    Herself
Jeff Kober    LT Cook
Blake Jones    Sully (16 Years Old)
Molly Bernard    Alison
Chris Bauer    Larry Rooney
Jane Gabbert    Sheila Dail
Ann Cusack    Donna Dent
Molly Hagan    Doreen Welsh
Purva Bedi    Gursimran
Max Adler    Jimmy Stefanik
Sam Huntington    Jeff Kolodjay
Christopher Curry    Rob Kolodjay
Ashley Austin Morris    Emily (Gate Attendant)
Cooper Thornton    Jim Whitaker
Autumn Reeser    Passenger with Baby
Jeffrey Nordling    Barry Leonard
Patch Darragh    Patrick Harten
Robert Treveiler    ATC Supervisor
Billy Richards    Male Pilot
Aida Manassy    French Woman
Pascal Yen-Pfister    French Man
Marcia DeBonis    Shae Childers
Noel Fisher    GIB — Andrew Carrigan
Adam Boyer    Johnny — Drunk Customer
Wilbur Fitzgerald    Drunk Customer #2
Michael Rapaport    Bartender — Pete
Vincent Peter Lombardi    Himself
Jeremy Luke    Victor Gaggero
Bernardo Badillo    Robert Rodriguez
Jerry Ferrara    Michael Delaney
Victoria Kharchenko    Russian Woman
Randall Pinkston    Himself
Graham Sibley    Carlo Alfonso
Grant Roberts    Franco Santini
Wayne Bastrup    Brian Kelly
Bobby Cuza    Himself
Billy Smith    Dan Britt
Martin Barabas    Police Captain
E. Roger Mitchell    ATC #1
Robert Pralgo    St. Luke's Doctor
Clayton Landey    Arnie Gentile
Tracee Chimo    Evelyn May
Brett Rice    Carl Clarke
Kristine Johnson    Herself
Larry Guthrie    Pilot Flight #1
Lucy Young    Co-Pilot Flight #1
Lori Cline    Pilot — Flight #3
Jon Witten    Co-Pilot #3

Production and Technical Credits

Director   
Producer    Clint Eastwood
Producer    Allyn Stewart
Producer    Frank Marshall
Producer    Tim Moore
Screenwriter    Todd Komarnicki
Based on the book "Highest Duty" by    Chesley 'Sully' Sullenberger
Based on the book "Highest Duty" by    Jeffrey Zaslow
Executive Producer    Steven Mnuchin
Executive Producer    Kipp Nelson
Executive Producer    Bruce Berman
Co-Producer    Jessica Meier
Co-Producer    Kristina Rivera
Director of Photography    Tom Stern
Production Designer    James J. Murakami
Editor    Blu Murray
Costume Designer    Deborah Hopper
Composer    Christian Jacob
Composer    Tierney Sutton
Casting Director    Geoffrey Miclat
Visual Effects Supervisor    Michael Owens
Unit Production Manager    Tim Moore
First Assistant Director    David M. Bernstein
Second Assistant Director    Clark Credle
Art Director    Kevin Ishioka
Set Decorator    Gary Fettis
First Assistant Editor    Christine Kim
Second Assistant Editor    Kevin R.W. Murray
Script Supervisor    Susan Malerstein-Watkins
Supervising Sound Editor    Alan Robert Murray
Supervising Sound Editor    Bub Asman
Sound Mixer    Jose Antonio Garcia
Music Editor    Jay Duerr
Costume Supervisor    Mitchell Kenney
Make up    Luisa Abel
Make up    Kim Felix Burke
Hairstylist    Patricia Dehaney
Hairstylist    Jose Zamora
Production Supervisor    Holly Hagy
Location Manager    Patrick O. Mignano
Special Effects Supervisor    Steven Riley
Lead Set Designer    Julien Pougnier
Supervising ADR/Dialogue Editor    Katy Wood
Dialogue Editor    Hugo Weng
Sound Effects Editor    Jason King
Sound Effects Editor    Roland N. Thai
Sound Designer    Tom Ozanich
Re-recording Mixer    John Reitz
Re-recording Mixer    Tom Ozanich
Additional Sound Re-recording Mixer    Matthew Iadarola
Foley Mixer    James Ashwill
Foley Mixer    Richard Duarte
Foley Mixer    Jack Cucci
Foley Mixer    Blake Collins
Stunt Coordinator    Doug Coleman

Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million

October 4th, 2016

Miss Peregrine’s Home for Peculiar Children

The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former. More...

Thursday Night Previews: Peregrine Gets a Head Start on Maze Runner with $1.2 million - Update with Masterminds previews

September 30th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children earned $1.2 million during its Thursday previews, which is just ahead of the $1.1 million earned by The Maze Runner back in 2014. Unfortunately, there’s a question whether we should treat this as a young adult book adaptation, or whether we should treat it as a more gonzo Tim Burton offering. If we go that route, there are no really good comparisons. Dark Shadows earned $550,000, but that was just over four years ago when midnight screenings weren’t standard and far fewer people went overall. Regardless, this is a better start than expected and an opening weekend of $30 million is more likely than it was before. More...

Weekend Predictions: Will September end on a Disastrous Note?

September 29th, 2016

Deepwater Horizon

Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison. More...

International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million

September 29th, 2016

Bridget Jones’s Baby

Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record. More...

Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues

September 27th, 2016

The Magnificent Seven

Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion. More...

Weekend Estimates: Magnificent Seven Rides to $35 Million Opening

September 25th, 2016

Sully

The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition. More...

Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start

September 23rd, 2016

The Magnificent Seven

The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million. More...

Weekend Predictions: Will the New Releases be Magnificent?

September 22nd, 2016

The Magnificent Seven

It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it. More...

Weekend Estimates: Sully Beats Trio of New Releases

September 18th, 2016

Sully

As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place. More...

Weekend Predictions: Baby vs. Witch

September 15th, 2016

Bridget Jones’s Baby

There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison. More...

Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million

September 13th, 2016

Sully

Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion. More...

Weekend Estimates: Sully Executes Safe Landing with $35.5 Million

September 11th, 2016

Sully

More...

Thursday Night Previews: Sully Takes Off with $1.35 million

September 9th, 2016

Sully

Sully was the only one of the four wide releases to have previews and the lack of competition paid off, as it opened with $1.35 million. This is more than twice as much as Tom Hanks’ previous fall release, Bridge of Spies, earned last year ($600,000). That film did earn better reviews than Sully earned, but with a Tomatometer Score of 82% positive, Sully isn’t going to suffer from bad word-of-mouth. More...

Weekend Predictions: The Real Work Begins

September 8th, 2016

Morgan

The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition. More...

Contest: Doing Hard Labor: Winning Announcement

September 7th, 2016

Morgan

The winners of our Doing Hard Labor contest were determined and the entrants with the closest predictions for Morgan opening weekend were... More...

Contest: Don’t Sully Your Reputation

September 1st, 2016

Sully

There may be as many as four wide releases coming out next week; however, the weekend will be a two-horse race between Sully and When the Bough Breaks. Sully should have no trouble being the biggest hit overall, but When the Bough Breaks is a thriller and those films tend to open a lot faster, but collapse quickly. Because of that, it has a chance at earning first place during its opening weekend. In these cases, I flip a coin to decide which film should be the target film and Sully is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Sully.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Sully Trailer

July 18th, 2016

Real-life drama starring Tom Hanks, directed by Clint Eastwood, opens September 9 ... Full Movie Details.

On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career. More...

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/09 1 $35,028,301   3,525 $9,937   $35,028,301 3
2016/09/16 1 $21,653,017 -38% 3,525 $6,143   $70,194,368 10
2016/09/23 3 $13,537,270 -37% 3,955 $3,423   $92,100,717 17
2016/09/30 5 $8,272,713 -39% 3,717 $2,226   $105,260,176 24
2016/10/07 8 $5,010,340 -39% 3,058 $1,638   $113,225,772 31
2016/10/14 9 $2,881,657 -42% 2,211 $1,303   $118,293,294 38
2016/10/21 13 $1,490,479 -48% 1,172 $1,272   $120,854,369 45
2016/10/28 15 $932,251 -37% 855 $1,090   $122,350,216 52
2016/11/04 17 $526,321 -44% 454 $1,159   $123,286,540 59
2016/11/11 20 $338,477 -36% 303 $1,117   $123,823,536 66
2016/11/18 29 $160,124 -53% 203 $789   $124,107,361 73
2016/11/25 26 $212,210 +33% 253 $839   $124,425,027 80

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/09 1 $12,160,687   3,525 $3,450   $12,160,687 1
2016/09/10 1 $14,660,116 +21% 3,525 $4,159   $26,820,803 2
2016/09/11 1 $8,207,498 -44% 3,525 $2,328   $35,028,301 3
2016/09/12 1 $3,006,120 -63% 3,525 $853   $38,034,421 4
2016/09/13 1 $4,585,158 +53% 3,525 $1,301   $42,619,579 5
2016/09/14 1 $3,141,400 -31% 3,525 $891   $45,760,979 6
2016/09/15 1 $2,780,372 -11% 3,525 $789   $48,541,351 7
2016/09/16 1 $6,533,032 +135% 3,525 $1,853   $55,074,383 8
2016/09/17 1 $9,556,921 +46% 3,525 $2,711   $64,631,304 9
2016/09/18 1 $5,563,064 -42% 3,525 $1,578   $70,194,368 10
2016/09/19 1 $2,026,008 -64% 3,525 $575   $72,220,376 11
2016/09/20 1 $2,702,144 +33% 3,525 $767   $74,922,520 12
2016/09/21 1 $1,926,388 -29% 3,525 $546   $76,848,908 13
2016/09/22 1 $1,714,539 -11% 3,525 $486   $78,563,447 14
2016/09/23 3 $4,205,684 +145% 3,955 $1,063   $82,769,131 15
2016/09/24 3 $6,079,049 +45% 3,955 $1,537   $88,848,180 16
2016/09/25 3 $3,252,537 -46% 3,955 $822   $92,100,717 17
2016/09/26 2 $947,285 -71% 3,955 $240   $93,048,002 18
2016/09/27 2 $1,612,305 +70% 3,955 $408   $94,660,307 19
2016/09/28 2 $1,202,484 -25% 3,955 $304   $95,862,791 20
2016/09/29 2 $1,124,672 -6% 3,955 $284   $96,987,463 21
2016/09/30 5 $2,486,884 +121% 3,717 $669   $99,474,347 22
2016/10/01 5 $3,810,632 +53% 3,717 $1,025   $103,284,979 23
2016/10/02 5 $1,975,197 -48% 3,717 $531   $105,260,176 24
2016/10/03 5 $742,497 -62% 3,717 $200   $106,002,673 25
2016/10/04 5 $887,503 +20% 3,717 $239   $106,890,176 26
2016/10/05 4 $670,154 -24% 3,717 $180   $107,560,330 27
2016/10/06 4 $655,102 -2% 3,717 $176   $108,215,432 28
2016/10/07 8 $1,439,518 +120% 3,058 $471   $109,654,950 29
2016/10/08 8 $2,301,241 +60% 3,058 $753   $111,956,191 30
2016/10/09 8 $1,269,581 -45% 3,058 $415   $113,225,772 31
2016/10/10 8 $712,433 -44% 3,058 $233   $113,938,205 32
2016/10/11 7 $555,624 -22% 3,058 $182   $114,493,829 33
2016/10/12 8 $492,111 -11% 3,058 $161   $114,985,940 34
2016/10/13 6 $425,697 -13% 3,058 $139   $115,411,637 35
2016/10/14 9 $880,434 +107% 2,211 $398   $116,292,071 36
2016/10/15 9 $1,296,189 +47% 2,211 $586   $117,588,260 37
2016/10/16 10 $705,034 -46% 2,211 $319   $118,293,294 38
2016/10/17 9 $260,397 -63% 2,211 $118   $118,553,691 39
2016/10/18 8 $322,153 +24% 2,211 $146   $118,875,844 40
2016/10/19 8 $228,013 -29% 2,211 $103   $119,103,857 41
2016/10/20 8 $260,033 +14% 2,211 $118   $119,363,890 42
2016/10/21 13 $473,586 +82% 1,172 $404   $119,837,476 43
2016/10/22 13 $693,140 +46% 1,172 $591   $120,530,616 44
2016/10/23 13 $323,753 -53% 1,172 $276   $120,854,369 45
2016/10/24 12 $129,147 -60% 1,172 $110   $120,983,516 46
2016/10/25 12 $162,985 +26% 1,172 $139   $121,146,501 47
2016/10/26 13 $128,364 -21% 1,172 $110   $121,274,865 48
2016/10/27 12 $143,100 +11% 1,172 $122   $121,417,965 49
2016/10/28 - $276,982 +94% 855 $324   $121,694,947 50
2016/10/29 15 $423,300 +53% 855 $495   $122,118,247 51
2016/10/30 - $231,969 -45% 855 $271   $122,350,216 52
2016/10/31 14 $143,327 -38% 855 $168   $122,493,543 53
2016/11/01 14 $103,197 -28% 855 $121   $122,596,740 54
2016/11/02 15 $81,333 -21% 855 $95   $122,678,073 55
2016/11/03 15 $82,146 +1% 855 $96   $122,760,219 56
2016/11/04 - $156,856 +91% 454 $345   $122,917,075 57
2016/11/05 - $248,823 +59% 454 $548   $123,165,898 58
2016/11/06 - $120,642 -52% 454 $266   $123,286,540 59
2016/11/07 - $44,837 -63% 454 $99   $123,331,377 60
2016/11/08 - $55,850 +25% 454 $123   $123,387,227 61
2016/11/09 14 $50,096 -10% 454 $110   $123,437,323 62
2016/11/10 15 $47,736 -5% 454 $105   $123,485,059 63
2016/11/11 - $124,089 +160% 303 $410   $123,609,148 64
2016/11/12 - $146,556 +18% 303 $484   $123,755,704 65
2016/11/13 - $67,832 -54% 303 $224   $123,823,536 66
2016/11/14 - $29,167 -57% 303 $96   $123,852,703 67
2016/11/15 - $35,203 +21% 303 $116   $123,887,906 68
2016/11/16 - $31,452 -11% 303 $104   $123,919,358 69
2016/11/17 - $27,879 -11% 303 $92   $123,947,237 70
2016/11/18 - $46,933 +68% 203 $231   $123,994,170 71
2016/11/19 - $74,522 +59% 203 $367   $124,068,692 72
2016/11/20 - $38,669 -48% 203 $190   $124,107,361 73
2016/11/21 - $19,845 -49% 203 $98   $124,127,206 74
2016/11/22 - $23,234 +17% 203 $114   $124,150,440 75
2016/11/23 - $35,085 +51% 253 $139   $124,185,525 76
2016/11/24 - $27,292 -22% 253 $108   $124,212,817 77
2016/11/25 - $80,631 +195% 253 $319   $124,293,448 78
2016/11/26 - $83,318 +3% 253 $329   $124,376,766 79
2016/11/27 - $48,261 -42% 253 $191   $124,425,027 80
2016/11/28 - $19,201 -60% 253 $76   $124,444,228 81
2016/11/29 - $24,037 +25% 253 $95   $124,468,265 82
2016/11/30 - $19,554 -19% 253 $77   $124,487,819 83
2016/12/01 - $20,358 +4% 253 $80   $124,508,177 84

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/09 1 $48,541,351   3,525 $13,771   $48,541,351 7
2016/09/16 1 $30,022,096 -38% 3,525 $8,517   $78,563,447 14
2016/09/23 3 $18,424,016 -39% 3,955 $4,658   $96,987,463 21
2016/09/30 5 $11,227,969 -39% 3,717 $3,021   $108,215,432 28
2016/10/07 8 $7,196,205 -36% 3,058 $2,353   $115,411,637 35
2016/10/14 9 $3,952,253 -45% 2,211 $1,788   $119,363,890 42
2016/10/21 13 $2,054,075 -48% 1,172 $1,753   $121,417,965 49
2016/10/28 15 $1,342,254 -35% 855 $1,570   $122,760,219 56
2016/11/04 17 $724,840 -46% 454 $1,597   $123,485,059 63
2016/11/11 20 $462,178 -36% 303 $1,525   $123,947,237 70
2016/11/18 34 $265,580 -43% 253 $1,050   $124,212,817 77
2016/11/25 21 $295,360 +11% 253 $1,167   $124,508,177 84

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/9/2016 $1,990,427 362 362 1872 $9,668,286 11/10/2016
Bulgaria 9/9/2016 $24,317 0 0 0 $86,620 10/18/2016
Czech Republic 9/9/2016 $69,302 91 91 271 $370,094 10/27/2016
Japan 9/23/2016 $0 0 0 0 $9,600,000 10/17/2016
Lithuania 9/9/2016 $15,273 94 94 208 $69,305 10/13/2016
Netherlands 9/9/2016 $320,136 90 90 488 $1,191,534 10/26/2016
New Zealand 9/9/2016 $233,514 93 99 561 $1,261,735 10/25/2016
Portugal 9/9/2016 $291,089 68 71 357 $1,008,063 11/17/2016
Russia (CIS) 9/9/2016 $974,888 750 750 1816 $2,365,952 10/12/2016
Slovakia 9/9/2016 $32,218 47 47 130 $149,202 10/27/2016
Slovenia 9/9/2016 $8,567 14 14 45 $41,416 11/7/2016
South Korea 9/12/2016 $0 0 573 1676 $4,455,431 12/3/2016
Spain 11/4/2016 $1,465,235 309 315 1185 $3,830,575 12/2/2016
Turkey 9/9/2016 $109,020 96 96 413 $799,696 10/25/2016
United Arab Emirates 9/8/2016 $0 0 0 0 $3,400,000 10/17/2016
 
Rest of World $25,025,467
 
International Total$63,323,376 12/3/2016

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.