Slovakia Box Office for Storks (2016)

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Storks
Theatrical Performance (US$)
Slovakia Box Office $420,083Details
Worldwide Box Office $183,353,431Details
Home Market Performance
North America DVD Sales $14,371,269 Details
North America Blu-ray Sales $13,692,309 Details
Total North America Video Sales $28,063,578
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Storks deliver babies… or at least they used to. Now they deliver packages for global internet giant Cornerstore. Junior, the company’s top delivery stork, is about to be promoted when he accidentally activates the Baby Making Machine, producing an adorable and wholly unauthorized baby girl. Desperate to deliver this bundle of trouble before the boss gets wise, Junior and his friend Tulip, the only human on Stork Mountain, race to make their first-ever baby drop—in a wild and revealing journey that could make more than one family whole and restore the storks’ true mission in the world.

Metrics

Movie Details

Production Budget:$70,000,000
Slovakia Releases: September 23rd, 2016 (Wide)
Video Release: December 6th, 2016 by Warner Home Video
February 6th, 2017 by Warner Home Video
MPAA Rating: PG for mild action and some thematic elements.
(Rating bulletin 2431 (Cert #50351), 6/29/2016)
Running Time: 100 minutes
Keywords: Animal Lead, Talking Animals, Unexpected Families, 3-D, 3-D - Shot in 3-D, IMAX: DMR, Family Adventure, Fired, Adopted Family
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: RatPac Entertainment, Dune Entertainment, Warner Animation Group
Production Countries: United States
Languages: English

Home Market Releases for January 17th, 2017

January 17th, 2017

Long Way North

The are not many major releases on this week’s home market release list. The Girl on the Train is the biggest, but it is not the best. It is not even close to being the best. The race for best was mostly a two-way race between Long Way North and Ouija: Origin of Evil, with Ixcanul and Train to Busan being close behind. In the end, I went with Long Way North on Blu-ray Combo Pack as the Pick of the Week, but all four are worth owning. More...

Home Market Releases for December 20th, 2016

December 19th, 2016

Sully

It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss. More...

Home Market Releases for December 6th, 2016

December 5th, 2016

Don’t Think Twice

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Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost

November 6th, 2016

Doctor Strange

After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe). More...

Thursday Night Previews: Strange Trolls the Competition with $9.4 million

November 4th, 2016

Doctor Strange

Doctor Strange earned $9.4 million during its previews, which is the best preview performance since Suicide Squad pulled in $20.5 million in August. However, August is a very different month, so it would be better to compare this result to other November releases. $9.4 million is better than the $5.25 million Spectre earned, but well below the $16.0 million The Hunger Games: Mockingjay—Part 2 managed. That leaves us with a lot of mixed signals. The film’s 90% positive reviews are better than all three of those films, so it should have better legs. On the low end, it could earn $65 million, while on the high end, it could still match our prediction of $85 million. More...

Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million

October 11th, 2016

The Girl on the Train

Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button. More...

Weekend Predictions: Will Girl be the Rebirth of the Box Office?

October 6th, 2016

The Girl on the Train

October begins with a trio of wide releases, led by The Girl on the Train. The film’s reviews are mixed, which is not ideal, but also not fatal. The Birth of a Nation was looking to become an Awards Season player, but its reviews are not quite at that level. Finally there’s Middle School: The Worst Years of My Life. There are still no reviews and the buzz is as quiet as you can get for a wide release. This weekend last year, the only wide release was Pan and it bombed hard. However, The Martian remained on top with $37.01 million over the weekend. There’s almost no way The Girl on the Train will match that and last year had better depth as well. 2016’s slump will continue. More...

Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million

October 4th, 2016

Miss Peregrine’s Home for Peculiar Children

The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former. More...

Weekend Predictions: Will September end on a Disastrous Note?

September 29th, 2016

Deepwater Horizon

Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison. More...

International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million

September 29th, 2016

Bridget Jones’s Baby

Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record. More...

Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues

September 27th, 2016

The Magnificent Seven

Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion. More...

Weekend Estimates: Magnificent Seven Rides to $35 Million Opening

September 25th, 2016

Sully

The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition. More...

Friday Estimates: Magnificent was Merely Okay with $12.7 million

September 24th, 2016

Storks

The Friday box office was not particularly good, as The Magnificent Seven led the way with just $12.7 million. This isn’t terrible. In fact, it is nearly the record for biggest opening day in September for a non-sequel. (Sweet Home Alabama still holds that record.) However, this is far below the nearly $20 million a lot were expecting. There are some positive signs going forward. The film’s reviews are good and it did earn an A- from CinemaScore, so that should help its legs. Likewise, Denzel Washington’s films do tend to have long legs. A $35 million opening weekend is likely on the cards and that could be enough to get to the century mark domestically. I’m not saying $100 million is likely, but I also wouldn’t bet against it. More...

Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start

September 23rd, 2016

The Magnificent Seven

The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million. More...

Weekend Predictions: Will the New Releases be Magnificent?

September 22nd, 2016

The Magnificent Seven

It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it. More...

Contest: Magnificent Prizes

September 16th, 2016

Twin Peaks

There are a pair of wide releases coming out next week, The Magnificent Seven and Storks. Both films have a shot at $100 million domestically, but because Storks is a family film, The Magnificent Seven should get off to a faster start. Therefore, The Magnificent Seven is the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Magnificent Seven.


Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Twin Peaks: The Original Series, Fire Walk With Me & The Missing Pieces on Blu-ray. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a previously reviewed TV on DVD release. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a previously reviewed TV on DVD release.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/23 2 $83,319   63 $1,323   $83,319 1
2016/09/30 3 $52,371 -37% 54 $970   $148,611 2
2016/10/07 5 $45,090 -14% 26 $1,734   $202,347 3
2016/10/14 4 $37,048 -18% 25 $1,482   $241,768 4
2016/10/21 5 $37,988 +3% 38 $1,000   $280,792 5
2016/10/28 4 $37,198 -2% 34 $1,094   $323,282 6
2016/11/04 8 $15,351 -59% 19 $808   $362,071 7
2016/11/11 8 $14,997 -2% 18 $833   $369,306 8
2016/11/18 7 $21,318 +42% 22 $969   $382,109 9
2016/11/25 11 $9,325 -56% 25 $373   $393,241 10
2016/12/02 8 $7,438 -20% 18 $413   $403,771 11
2016/12/09 15 $1,384 -81% 6 $231   $403,286 12
2016/12/16 20 $588 -58% 3 $196   $400,887 13
2016/12/30 14 $1,789   7 $256   $407,709 15
2017/01/06 14 $4,152 +132% 12 $346   $414,026 16
2017/02/17 16 $2,929   13 $225   $420,083 22

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/23/2016 $172,138 257 288 1416 $3,238,388 11/30/2018
Australia 9/23/2016 $1,012,197 251 270 1730 $6,182,727 9/14/2021
Brazil 9/22/2016 $1,500,000 810 810 2441 $5,448,039 11/16/2018
Bulgaria 9/23/2016 $71,221 0 0 0 $295,799 2/26/2019
China 9/23/2016 $5,220,000 37672 37672 49111 $11,461,078 8/27/2018
Czech Republic 9/23/2016 $88,136 115 115 428 $357,282 12/31/2018
France 10/14/2016 $1,100,000 487 487 487 $7,164,637 8/17/2018
Germany 10/28/2016 $513,000 470 470 470 $513,000 11/7/2016
Italy 10/21/2016 $699,537 0 0 0 $1,411,429 11/9/2016
Lithuania 9/23/2016 $63,030 214 214 780 $240,254 12/14/2016
Mexico 9/23/2016 $2,429,101 0 0 0 $7,965,868 11/2/2016
Netherlands 9/28/2016 $267,333 125 125 1038 $1,505,107 11/29/2016
New Zealand 9/23/2016 $96,205 100 100 667 $1,018,530 11/28/2016
North America 9/23/2016 $21,311,407 3,922 3,922 21,929 $72,679,278 11/6/2018
Poland 10/14/2016 $605,646 0 0 0 $2,277,744 12/31/2018
Portugal 9/30/2016 $144,200 67 81 454 $740,524 12/22/2016
Russia (CIS) 9/23/2016 $1,697,174 1141 1141 4408 $4,900,684 12/31/2018
Slovakia 9/23/2016 $83,319 63 63 383 $420,083 2/24/2017
Slovenia 9/30/2016 $22,151 20 20 117 $106,771 12/7/2016
South Korea 11/24/2016 $0 0 538 1159 $2,125,078 2/17/2017
Spain 9/30/2016 $1,431,321 405 405 2768 $6,724,572 1/14/2017
Turkey 9/23/2016 $233,101 263 268 1179 $780,004 2/26/2019
United Kingdom 10/13/2016 $2,738,954 528 555 3955 $8,607,605 1/11/2017
 
Rest of World $37,188,950
 
Worldwide Total$183,353,431 9/14/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Andy Samberg    Junior
Kelsey Grammer    Hunter
Katie Crown    Tulip
Keegan-Michael Key    Alpha Wolf
Jordan Peele    Beta Wolf
Jennifer Aniston    Sarah Gardner
Ty Burrell    Henry Gardner
Danny Trejo    Jasper
Anton Starkman    Nate Gardner
Stephen Kramer Glickman    Pigeon Toady/Additional Voice

Supporting Cast

Chris Smith    Dougland
Awkwafina*    Quail
Ike Barinholtz    Miscellaneous Stork
Jorma Taccone    Miscellaneous Stork
Amanda Lund    Miscellaneous Stork
Doug Sweetland    Additional Voice
John Venzon    Additional Voice
Craig Berry    Additional Voice
Rossana Bee    Additional Voice
Charlie Flynn    Additional Voice
Matt Flynn    Additional Voice
Jess Fulton    Additional Voice
Brad Lewis    Additional Voice
Douglas Schwartz    Additional Voice
Justin Shelton    Additional Voice
Frederica Stoller    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nicholas Stoller    Director
Doug Sweetland    Director
Nicholas Stoller    Screenwriter
Nicholas Stoller    Producer
Brad Lewis    Producer
Glen Ficcara    Executive Producer
Phil Lord    Executive Producer
Chris Miller    Executive Producer
John Requa    Executive Producer
Jared Stern    Executive Producer
Steven Mnuchin    Executive Producer
Jeff Danna    Composer
Mychael Danna    Composer
John Venzon    Editor
Craig Berry    Head of Story
Matt Flynn    Head of Story
Paul Lasaine    Production Designer
Simon Dunsdon    Photography Director
David Alexander Smith    Visual Effects Supervisor
Joshua Beveridge    Animation Supervisor
John Kreidman    Associate Producer
Ruth Lambert    Casting Director
Michael Babcock    Supervising Sound Editor
Michael Babcock    Sound Designer
Jurgen Gross    Story Artist
Delia Gosman    Story Artist
Yoriaki Mochizuki    Story Artist
Steven Liu    Associate Editor
Chris Cartagena    Associate Editor
Noelleen Westcombe    First Assistant Editor
Jess Fulton    First Assistant Editor
Stephen Meek    First Assistant Editor
Julie M Groll    3-D and Digital Image Producer
Alan Camilo    Supervising Animator
Martin Esnaola Scotto    Supervising Animator
Robin George    Supervising Animator
Valerie Morrison    Supervising Animator
Jeff Panko    Supervising Animator
Philip Rudolph    Supervising Animator
William Moten    Crowds Animation Lead
Randall James Bol    Post-Production Supervisor
Michael Babcock    Re-recording Mixer
Tim LeBlanc    Re-recording Mixer
Jeremy Peirson    Sound Designer
Vanessa Lapato    Dialogue Editor
Jeff Sawyer    Sound Effects Editor
Jamey Scott    Sound Effects Editor
Chris Diebold    Sound Effects Editor
John Fee    Additional Music
Nicholas Skalba    Additional Music
Erich Stratmann    Supervising Music Editor
Brett Snacky Pierce*    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.