Lithuania Box Office for Mažulė Džeksi (2019)

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JEXI
Theatrical Performance (US$)
Lithuania Box Office $31,531Details
Worldwide Box Office $10,601,127Details
Home Market Performance
North America DVD Sales $309,444 Details
North America Blu-ray Sales $2,126,815 Details
Total North America Video Sales $2,436,259
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Phil is a smart, funny, lovable guy with a major dependency issue. From the time he gets up in the morning until the minute his head hits the pillow at night, every waking moment is made possible by his mobile device. When he is forced to buy a new phone, the latest model comes with a digital assistant named Jexi. At first, his new artificially intelligent friend is helpful and solicitous, challenging Phil to change his life for the better, whether it be asking for a promotion at work or pursuing the girl of his dreams. But as Phil becomes more independent, Jexi turns from helpful to hostile… and suddenly Phil is confronted with a trash-talking tech nightmare who has very specific ideas about what constitutes a service contract.

Metrics

Movie Details

Production Budget:$5,000,000
Lithuania Releases: October 11th, 2019 (Wide), released as Mažulė Džeksi
Video Release: December 24th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong/crude sexual content and language throughout, some drug use and graphic nudity.
(Rating bulletin 2597 (Cert #52249), 9/25/2019)
Running Time: 84 minutes
Keywords: Romance, Artificial Intelligence, Relationships Gone Wrong, Love Triangle, Romantic Comedy, Fired, Revenge, Internet
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CBS Films, Entertainment One, Suzanne Todd
Production Countries: United States
Languages: English

Home Market Releases for January 14th, 2020

January 13th, 2020

Maleficent: Mistress of Evil

It’s a really bad week on the home market. Granted, there are three wide releases on this week’s list, which is better than most weeks. However, Maleficent: Mistress of Evil is the biggest and the best of these three releases. That’s not a good sign. There are not even a lot of smaller releases to make up for the weakness at the top. More...

Home Market Releases for December 24th, 2019

December 26th, 2019

Judy

This year, Christmas Eve landed on a Tuesday. Christmas Eve is the busiest shopping day of the year, but that’s most people buying last minute groceries and the rest of the retail sector suffers as a result. This is true this year and there are so few releases to talk about that there will only be two sections in this week’s report: the main section and VOD releases. Judy is the only release on this week’s list that a majority will have heard of. It is also the best new release of the week. More...

Weekend Wrap-Up: It Took a Trio of Hits for 2019 to Win

October 22nd, 2019

Maleficent: Mistress of Evil

The weekend went about as well as expected, overall. Maleficent: Mistress of Evil didn’t open as well as expected, but Zombieland: Double Tap helped make up the difference. The overall box office was still down 6.5% from last weekend at $140 million; however, this was 5.3% higher than the same weekend last year and that is a much more important number. 2019 is still behind 2018’s pace by 5.3% or $500 million at $8.86 billion to $9.35 billion, but that’s not as bad as it has been this year. More...

Weekend Wrap-Up: Joker’s Hold is No Laughing Matter

October 15th, 2019

Joker

Joker dominated the weekend box office, crushing expectations and setting records in the process. The Addams Family also beat expectations and this really helped 2019. Granted, the box office was still down 7.8% from last weekend to $138 million; however, this was 3.8% higher than the same weekend last year. More...

Weekend Estimates: Joker Setting October Sophomore Record with $55 million

October 13th, 2019

Joker

Joker is setting the record for the biggest sophomore weekend in October. It is estimated to earn $55.0 million over the weekend, which is nearly $12 million more than the current record held by Gravity. It is also nearly $20 million more than Venom earned during its second weekend of release. If this estimate holds, then Joker will have earned nearly $192.7 million after just ten days of release. Furthermore, its international numbers are just as potent with a weekend haul of $123.7 million on 24,000 screens in 79 markets giving it totals of $351.2 million internationally and $543.9 million worldwide. Given its legs so far, $1 billion worldwide seems like a safe bet. It would be nice to get a billion dollar hit from 2019 that isn’t from Disney / Marvel. The film had a pair of stunning debuts in France ($10.3 million on 630 screens) and Germany ($9.3 million on 912). However, its biggest weekend haul was in the U.K., where it was down just 22%, earning $12.0 million on 1,472 screens for a two-week total of $36.9 million. More...

Friday Estimates: The Joker Laughs at the Competition

October 12th, 2019

Joker

Joker remained in first place earning $17 million on Friday. This is 57% lower than the film’s opening Friday, which is a really good hold and puts it on pace for $58 million over the full weekend. This would lift its running tally to nearly $200 million after just 10 days of release and might even be enough to cover the film’s entire combined production and advertising budget. More...

Thursday Night Previews: Gemini Has No Equal, For Now

October 11th, 2019

Gemini Man

As expected, Gemini Man, got off to the fastest start of any of the three films opening this weekend. After all, it is an action film with a bankable star. Unfortunately, it didn’t open as fast as expected, earning $1.6 million. Because it is an action film with weak reviews that will likely turn into poor word-of-mouth, it will very likely have short legs. It needed about $2 million to match our $24 million prediction, so with this opening, I’m not convinced it will get to $20 million during its opening weekend. More...

Weekend Predictions: It Looks Like a Scary Weekend

October 11th, 2019

The Addams Family

There are three wide releases coming out, two of which have terrible reviews, The Addams Family and Gemini Man, while the third film, Jexi, as no reviews. It’s one of those weekends. Joker is widely expected to earn first place and it should hold better than Venom did during its second weekend of release, which is great news for 2019. Furthermore, this weekend last year, there were three wide releases with a total opening of $40 million. We should be able to top that this year by a significant margin, but A Star is Born is the one reason why 2018 could win in the year-over-year competition. More...

2019 Preview: October

October 1st, 2019

Joker

September ended on a bit of a weak note, but overall the month was excellent helping 2019 gain some ground on 2018. Can October continue this trend? There are certainly some potential box office hits coming out this month, starting with Joker, which opens the first weekend of the month and should be the biggest hit of the month. Maleficent: Mistress of Evil is aiming for $150 million and should be a hit, even if it doesn’t match the original at the box office. There are also a handful of films with an outside shot at getting to $100 million and I wouldn’t be shocked if one of them made it to that milestone. Meanwhile, last October, Venom broke records during its opening weekend, while A Star is Born had stellar legs helping both earn more than $200 million domestically. I don’t think the top two films will be able to match that this year, but we do have better depth, for the most part, so perhaps 2019 will continue its winning ways and close ground, at least by a little bit. More...

Jexi Trailer

September 5th, 2019

Comedy starring Adam DeVine and Alexandra Shipp opens October 11 ... Full Movie Details.

Phil is a smart, funny, lovable guy with a major dependency issue. From the time he gets up in the morning until the minute his head hits the pillow at night, every waking moment is made possible by his mobile device. When he is forced to buy a new phone, the latest model comes with a digital assistant named Jexi. At first, his new artificially intelligent friend is helpful and solicitous, challenging Phil to change his life for the better, whether it be asking for a promotion at work or pursuing the girl of his dreams. But as Phil becomes more independent, Jexi turns from helpful to hostile… and suddenly Phil is confronted with a trash-talking tech nightmare who has very specific ideas about what constitutes a service contract. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/10/11 - $17,661   13 $1,359   $18,785 1
2019/10/18 - $3,656 -79% 9 $406   $29,621 2
2019/10/25 - $502 -86% 1 $502   $31,531 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Lithuania 10/11/2019 $17,661 13 13 23 $31,531 10/30/2019
Mexico 12/25/2019 $201,924 0 0 0 $2,944,909 1/3/2020
North America 10/11/2019 $3,106,730 2,332 2,332 5,864 $6,546,159
Portugal 12/26/2019 $75,149 45 45 126 $188,895 10/19/2022
Romania 11/29/2019 $89,535 60 60 238 $316,627 2/5/2020
Russia (CIS) 10/17/2019 $172,221 423 423 676 $280,319 10/19/2022
Slovakia 11/29/2019 $28,377 38 38 102 $72,886 6/16/2020
South Korea 2/19/2020 $62,198 182 182 316 $189,572 3/11/2020
Turkey 2/28/2020 $16,358 95 95 103 $30,229 10/19/2022
 
Worldwide Total$10,601,127 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Adam DeVine    Phil
Alexandra Shipp    Cate

Supporting Cast

Michael Peña    Kai
Rose Byrne    Jexi
Ron Funches    Craig
Charlyne Yi    Elaine
Wanda Sykes    Denice
Justin Hartley    Brody
Gavin Root    Phil (10 Years)
Blake Grunder    Phil (5 Years)
Richard Harder    Kickball Umpire
Ray Reinhardt    Old Man
Diana Jackson    Phil’s Mother
Aaron Wilton    Phil’s Father
Kenny Lorenzetti    Fillmore Security Guard
A.J. Kirsch    Big SUV Driver
C.J. Stuart    Neon Rider

Cameos

Scott Mescudi    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jon Lucas    Director
Scott Moore    Director
Jon Lucas    Screenwriter
Scott Moore    Screenwriter
Suzanne Todd    Producer
Mark Kamine    Executive Producer
Ben Kutchins    Director of Photography
Marcia Hinds    Production Designer
James Thomas    Editor
Julia Caston    Costume Designer
Christopher Lennertz    Composer
Philip White    Composer
Maggie Phillips    Music Supervisor
Cathy Sandrich Gelfond*    Casting Director
Amanda Mackey    Casting Director
Mark Kamine    Unit Production Manager
Michele Ziegler    First Assistant Director
Xanthus Valan    Key Second Assistant Director
Andy Gill    Stunt Coordinator
Buddy Joe Hooker    Stunt Coordinator
Michael E. Goldman    Art Director
Bo Johnson    Set Designer
Alexandra Brandenburg    Set Decorator
Nancy Jarzynko    Costume Supervisor
Gretchen Davis    Make up
Lisa Patnoe    Make up
Yvette Rivas    Hairstylist
Robert A. Mrazik    Hairstylist
Carol DePasquale    Script Supervisor
Fred Runner    Sound Mixer
Sharlene F. Duale    Location Manager
Simon Lake    Location Manager
Shadi Enayati    Post-Production Supervisor
Delaney Del Vecchio    First Assistant Editor
Clarence Deng    Assistant Editor
Sean McCormack    Supervising Sound Editor
Erin Oakley    Supervising Sound Editor
Julian Slater    Re-recording Mixer
David Esparza    Re-recording Mixer
Paul Pirola    Sound Designer
Tom Scott-Toft    Sound Effects Editor
Harvey James    Sound Effects Editor
Robert Chen*    Dialogue Editor
Adam Shaw    Foley Editor
Jamie Famularo    Foley Editor
Scott Hemming    Foley Mixer
Craig Becket    Foley Mixer
Matt Heron    Special Effects Coordinator
Heidi Anna Erl    Production Supervisor
Ben Schor    Supervising Music Editor
Jay B. Richardson    Music Editor
Matt Bowen    Score Producer
Dara Taylor    Score Coordinator
Damon Tedesco    Score Mixer
Andy Gill    Second Unit Director
David Van Dyke    Visual Effects Supervisor
David Lebensfeld    Visual Effects Supervisor
Grant Miller    Visual Effects Supervisor
Bill Georgiou    Visual Effects Supervisor
Craig Weiss    Visual Effects Supervisor
Shane Strickman    Visual Effects Producer
Chad Hudson    Visual Effects Producer
Amol Parulekar    Visual Effects Producer
Mary Joy Macalintal    Visual Effects Producer
Chris Tezber    Visual Effects Producer
Sarah Paul    Visual Effects Producer
Senior Visual Effects Producer*    Visual Effects Producer
James Kinnings    Animation Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.