|As an Actor||Supporting||12||$1,446,855,513||$2,132,132,905||$3,578,988,418|
|Lead Ensemble Member||1||$203,654||$4,347||$208,001|
|Best known as a Supporting Actor based on credits in that role in 12 films, with $3,578,988,418 worldwide aggregate box office (rank #180)|
|Best-Known Acting Roles: Poe Dameron (Star Wars Ep. VII: The Force Awakens), En Sabah Nur/Apocalypse (X-Men: Apocalypse), Outcome #3 (The Bourne Legacy), Prince John (Robin Hood), Blue Jones (Sucker Punch)|
|Most productive collaborators: Russell Crowe, Harrison Ford, J.J. Abrams, Ridley Scott, Mark Hamill|
|Born: March 9th, 1979 (38 years old)|
April 18th, 2017
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
March 20th, 2017
December 19th, 2016
I know what you are thinking. “Didn’t X-Men: Apocalypse come out on DVD and Blu-ray Combo Pack in early October?” Yes. However, the screener didn’t arrive till November and that’s too late to get a review done. That said, no screeners arrived this week, so I thought I might was well write a late review rather than do nothing.
May 1st, 2016
April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.)
April 4th, 2016
After ranking Star Wars: The Force Awakens for those who still haven't seen it, we can do a full featured review. The film smashed box office records here and earned 92% positive reviews. Is it as good as its box office / Tomatometer Score? Or did people just get caught up in the hype?
December 1st, 2015
November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
July 13th, 2015
Ex Machina is a high-concept Sci-fi movie that I thought had a chance to do well in limited release. ... It earned just over $25 million in theaters and is currently one of the biggest limited release hits of the year. The fact that it found an audience is excellent. Did it deserve this success? And does the DVD / Blu-ray live up to its theatrical success?
April 19th, 2015
A Most Violent Year came out last Awards Season and earned some serious pre-release buzz. After all, it stars Jessica Chastain. She's only been acting four roughly five years since she made Jolene, but since then, five of her previous films have earned some measure of Awards Season Buzz. Unfortunately, nothing really came from that buzz and the film wasn't able to expand truly wide. Did it deserve better? Or is the term "Busted Oscar-bait" applicable?
April 10th, 2015
It is an excellent week for limited releases with two films earning stunning reviews and loud buzz: Clouds of Sils Maria and Ex Machina. I think the former has a better chance to expand significantly, but hopefully both will find audiences in theaters. There are also a number of other limited releases earning amazing reviews: About Elly, Black Souls, The Sisterhood of Night, etc. In fact, there are too many to think all of them will thrive.
September 26th, 2014
The list of new releases is a little calmer this week than it was last week. There are still a few movies that could do well. The Two Faces of January has some of the best reviews and has an impressive cast, but it is also playing on Video on Demand, so its box office numbers might not shine. On the other hand, I think Pride will turn its excellent reviews into a long run on limited release. It might even find a significant measure of mainstream success.
May 18th, 2014
In Secret is a film based on the novel Thérèse Raquin, which was written nearly 150 years ago. The novel has been adopted into a few theatrical releases, a few TV movies, a few TV mini-series, etc. over the years, but it never really became something that entered the mainstream awareness like Pride and Prejudice did. For instance, this version opened well below the Mendoza Line before quickly disappearing from theaters. Is this film as bad as its box office numbers would indicate? Or would it have thrived had it opened in just a few theaters and expanded with its word-of-mouth?
December 14th, 2013
Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces.
November 28th, 2013
Independent Spirit Award started the Awards Season this week, handing out its nominations. 12 Years a Slave led the way with seven nominations, but it wasn't the only film to pick up multiple nominations.
September 27th, 2013
There are a lot of limited releases on this week's list, including a few earning stellar reviews. There are also a few with weak reviews or that are the wrong genre to thrive in limited release. One film fits into both ends of the spectrum, We Are What We Are, which is earning great reviews, but as a horror film, likely won't find an audience till the home market. Hopefully I am wrong. Inequality for All is earning even better reviews, but it is a documentary, so it have very little chance to expand. On the Job has the best reviews of the week, but it is a foreign-language action film, so it will likely not earn breakout success.
|12/31/2017||The Garbo Network||Juan Pujol Garcia||$0||$0||$0|
|12/15/2017||Star Wars Ep. VIII: The Last Jedi||Poe Dameron||$0||$0||$0|
|6/3/2016||Time to Choose||Narrator||$29,233||$0||$29,233|
|5/27/2016||X-Men: Apocalypse||En Sabah Nur/Apocalypse||$155,442,489||$387,300,000||$542,742,489|
|12/18/2015||Star Wars Ep. VII: The Force Awakens||Poe Dameron||$936,662,225||$1,122,000,000||$2,058,662,225|
|4/10/2015||Ex Machina||Nathan Bateman||$25,440,971||$13,535,826||$38,976,797|
|12/31/2014||A Most Violent Year||Abel Morales||$5,749,134||$322,299||$6,071,433|
|9/26/2014||The Two Faces of January||Rydal||$507,463||$8,553,137||$9,060,600|
|2/21/2014||In Secret||Laurent LeClaire||$444,179||$252,048||$696,227|
|12/6/2013||Inside Llewyn Davis||Llewyn Davis||$13,248,209||$19,695,038||$32,943,247|
|5/7/2013||Revenge for Jolly!||$0||$0||$0|
|9/28/2012||Won't Back Down||Michael Perry||$5,310,554||$404,359||$5,714,913|
|8/10/2012||The Bourne Legacy||Outcome #3||$113,203,870||$167,152,050||$280,355,920|
|6/1/2012||For Greater Glory||Victoriano 'El Catorce' Ramirez||$5,669,081||$4,357,174||$10,026,255|
|3/25/2011||Sucker Punch||Blue Jones||$36,392,502||$53,365,887||$89,758,389|
|5/14/2010||Robin Hood||Prince John||$105,269,730||$216,971,858||$322,241,588|
|10/10/2008||Body of Lies||Bassam||$39,394,666||$79,161,864||$118,556,530|
|12/1/2006||The Nativity Story||Joseph||$37,629,831||$8,679,813||$46,309,644|