Cafarnaúm (2018)

Cafarnaúm
Theatrical Performance
Domestic Box Office $1,660,708Details
International Box Office $63,573,085Details
Worldwide Box Office $65,233,793
Home Market Performance
Est. Domestic Blu-ray Sales $15,622 Details
Total Est. Domestic Video Sales $15,622
Further financial details...

Synopsis

The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom.

Metrics

Opening Weekend:$24,988 (1.5% of total gross)
Legs:8.75 (domestic box office/biggest weekend)
Domestic Share:2.5% (domestic box office/worldwide)
Production Budget:$4,000,000 (worldwide box office is 16.3 times production budget)
Theater counts:3 opening theaters/136 max. theaters, 5.0 weeks average run per theater
Infl. Adj. Dom. BO $1,955,524

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: December 14th, 2018 (Limited) by Sony Pictures Classics, released as Capernaum
International Releases: October 19th, 2018 (Wide) (France)
January 17th, 2019 (Wide), released as Capharnaüm (Brazil)
January 24th, 2019 (Wide) (South Korea)
January 25th, 2019 (Wide), released as Kefernahum (Turkey)
February 1st, 2019 (Wide) (Netherlands)
... Show all releases
Video Release: March 26th, 2019 by Sony Pictures Home Entertainment, released as Capernaum
MPAA Rating: R for language and some drug material.
(Rating bulletin 2552 (Cert #51889), 11/7/2018)
Running Time: 126 minutes
Comparisons: vs. Aloft
Create your own comparison chart…
Keywords: Set in Lebanon, Dysfunctional Family, Runaway, Homeless, Courtroom / Legal Drama, Non Professional Actor
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sony Pictures Classics, Khaled Mouzanar, Mooz Films
Production Countries: Lebanon, United States
Languages: Amharic, Arabic

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 41 $24,988   3 $8,329   $24,988 1
Dec 21, 2018 39 $23,881 -4% 7 $3,412   $62,438 2
Dec 28, 2018 40 $29,553 +24% 9 $3,284   $114,607 3
Jan 4, 2019 39 $32,578 +10% 10 $3,258   $172,390 4
Jan 11, 2019 38 $50,563 +55% 15 $3,371   $240,579 5
Jan 18, 2019 39 $37,753 -25% 17 $2,221   $301,696 6
Jan 25, 2019 37 $55,270 +46% 20 $2,764   $384,606 7
Feb 1, 2019 33 $118,114 +114% 47 $2,513   $524,218 8
Feb 8, 2019 32 $142,875 +21% 63 $2,268   $736,165 9
Feb 15, 2019 34 $189,816 +33% 136 $1,396   $989,865 10
Feb 22, 2019 39 $128,247 -32% 115 $1,115   $1,228,942 11
Mar 1, 2019 42 $73,873 -42% 58 $1,274   $1,371,848 12
Mar 8, 2019 45 $50,546 -32% 45 $1,123   $1,459,589 13
Mar 15, 2019 54 $31,763 -37% 32 $993   $1,518,348 14
Mar 22, 2019 52 $24,975 -21% 24 $1,041   $1,564,811 15
Mar 29, 2019 49 $17,947 -28% 15 $1,196   $1,593,534 16
Apr 5, 2019 51 $11,314 -37% 14 $808   $1,614,606 17
Apr 12, 2019 65 $7,183 -37% 14 $513   $1,628,639 18
Apr 19, 2019 67 $9,383 +31% 11 $853   $1,643,812 19
Apr 26, 2019 72 $3,373 -64% 9 $375   $1,651,099 20
May 3, 2019 82 $1,326 -61% 3 $442   $1,656,120 21
May 10, 2019 84 $882 -33% 3 $294   $1,657,721 22
May 17, 2019 94 $396 -55% 3 $132   $1,658,867 23
May 24, 2019 77 $1,841 +365% 3 $614   $1,660,708 24

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 46 $38,557   3 $12,852   $38,557 1
Dec 21, 2018 43 $46,497 +21% 7 $6,642   $85,054 2
Dec 28, 2018 41 $54,758 +18% 9 $6,084   $139,444 3
Jan 4, 2019 40 $50,204 -8% 10 $5,020   $189,648 4
Jan 11, 2019 40 $74,295 +48% 14 $5,307   $263,943 5
Jan 18, 2019 40 $65,393 -12% 17 $3,847   $329,336 6
Jan 25, 2019 37 $76,768 +17% 20 $3,838   $406,104 7
Feb 1, 2019 35 $187,186 +144% 47 $3,983   $593,290 8
Feb 8, 2019 37 $206,759 +10% 63 $3,282   $800,049 9
Feb 15, 2019 34 $300,046 +45% 136 $2,206   $1,100,695 10
Feb 22, 2019 38 $197,280 -34% 115 $1,715   $1,297,975 11
Mar 1, 2019 42 $111,068 -44% 58 $1,915   $1,409,043 12
Mar 8, 2019 46 $77,542 -30% 45 $1,723   $1,486,585 13
Mar 15, 2019 53 $53,251 -31% 32 $1,664   $1,539,836 14
Mar 22, 2019 53 $35,751 -33% 24 $1,490   $1,575,587 15
Mar 29, 2019 50 $27,705 -23% 15 $1,847   $1,603,292 16
Apr 5, 2019 54 $18,164 -34% 14 $1,297   $1,621,456 17
Apr 12, 2019 63 $12,973 -29% 14 $927   $1,634,429 18
Apr 19, 2019 68 $13,297 +2% 13 $1,023   $1,647,726 19
Apr 26, 2019 70 $7,068 -47% 9 $785   $1,654,794 20
May 3, 2019 84 $2,045 -71% 3 $682   $1,656,839 21
May 10, 2019 82 $1,632 -20% 3 $544   $1,658,471 22
May 17, 2019 93 $396 -76% 3 $132   $1,658,867 23

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/21/2019 $8,104 18 18 30 $15,524 4/24/2019
Australia 2/8/2019 $53,830 27 28 203 $356,877 8/6/2019
Brazil 1/17/2019 $23,517 7 19 138 $243,867 5/23/2019
Bulgaria 5/17/2019 $0 0 0 0 $7,309 9/19/2019
China 4/29/2019 $94,359 0 54,206 149,603 $53,980,000 8/13/2020
Colombia 2/14/2019 $25,240 30 30 88 $69,153 4/16/2019
Czech Republic 2/22/2019 $4,947 7 7 7 $4,947 2/26/2019
France 10/19/2018 $635,067 159 350 1,461 $2,881,734 12/6/2018
Germany 4/12/2019 $0 0 36 36 $1,103,683 5/24/2019
Italy 4/11/2019 $313,706 0 36 94 $1,182,455 10/11/2019
Lithuania 4/5/2019 $6,106 8 8 45 $25,289 8/7/2019
Mexico 2/8/2019 $57,364 57 57 217 $244,371 6/12/2019
Netherlands 2/1/2019 $64,907 35 39 252 $490,446 3/25/2019
New Zealand 2/7/2019 $0 0 1 1 $48,851 9/11/2019
Portugal 2/8/2019 $8,776 9 9 36 $34,466 5/7/2019
Russia (CIS) 2/14/2019 $40,821 116 116 306 $133,852 10/19/2022
Slovakia 2/22/2019 $1,461 6 6 6 $1,461 2/28/2019
South Africa 4/19/2019 $0 0 3 22 $35,380 9/4/2019
South Korea 1/24/2019 $118,500 108 108 501 $1,041,116 11/23/2022
Spain 2/15/2019 $103,348 48 69 225 $424,376 3/14/2019
Turkey 1/25/2019 $12,113 25 27 86 $63,154 2/21/2019
United Kingdom 2/22/2019 $183,941 48 48 48 $183,941 3/1/2019
 
Rest of World $1,000,833
 
International Total$63,573,085 11/23/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Zain Al Rafeea    Zain
Yordanos Shiferaw    Rahil

Supporting Cast

Boluwatife Treasure Bankole    Yonas
Kawthar Al Haddad    Souad
Fadi Kamel Yousef    Selim
Cedra Izam    Sahar
Alaa Chouchnieh    Aspro
Elias Khoury    The Judge
Nadine Labaki    Nadine
Nour El Husseini    Assaad
Joseph Jimbazian    Cockroach Man/Harout

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nadine Labaki    Director
Khaled Mouzanar    Producer
Nadine Labaki    Screenwriter
Jihad Hojeily    Screenwriter
Michelle Keserwany    Screenwriter
Georges Khabbaz    Screenplay in Collaboration with
Khaled Mouzanar    Screenplay in Participation with
Khaled Mouzanar    Composer
Christopher Aoun    Director of Photography
Konstantin Bock    Editor
Laure Gardette    Editor
Hussein Baydoun    Art Director
Zein Saab De Melero    Costume Designer
Jennifer Haddad    Casting Director
Toufic Khreich    First Assistant Director
Chadi Roukoz    Sound Designer
Emmanuel Croset    Sound Mixer
Matthieu Tertois    Sound Mixer
Pierre Sarraf    Line Producer
Marianne Katra    Line Producer
Michel Merkt    Producer
Akram Safa    Executive Producer
Pierre Sarraf    Co-Producer
Anne Dominique Toussaint    Executive Producer
Jason Kliot    Executive Producer
Joana Vicente    Executive Producer
Fouad Mikati    Executive Producer
Candice Abela    Executive Producer
Samer Rizk    Executive Producer
Ayla Rizk    Executive Producer
Georges Sarraf    Executive Producer
Sylvio Sharif Tabet    Executive Producer
Ray Barakat    Executive Producer
Chadi Eli Mattar    Executive Producer
Antoine Khalife    Executive Producer
Joslyn Barnes    Executive Producer
Danny Glover    Executive Producer
Susan Rockefeller    Executive Producer
Wissam Smayra    Executive Producer
Assaad Debs    Executive Producer

International Box Office: Pikachu Squeaks by Endgame

May 16th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu won what was perhaps the closest race on the international chart in my time on the job. The film won first place with $103.0 million on 36,633 screens in 62 markets for totals of $112.4 million internationally and $166.9 million worldwide. The film dominated the chart in China earning first place with $40.61 million on an estimated 20,000 screens. It also earned first place in the U.K. with $6.46 million in 579 theaters. On the other hand, it had to settle for second place in Germany ($5.0 million on 1,220 screens); France ($4.8 million in 467 theaters); Mexico ($4.36 million on 2,686 screens); and Australia ($3.5 million on 412 screens). The film only managed fourth place in South Korea with $1.71 million on 817 screens over the weekend for a total opening of $3.20 million. The film debuts in Russia this weekend and while this isn’t the last market, it is the last major market. More...

International Box Office: Endgame Laps the Competition

May 9th, 2019

Avengers: Endgame

Avengers: Endgame continued to dominate the international box office with $282.2 million in 55 markets for totals of $1.57 billion internationally and $2.19 billionh worldwide. Like last week, we’ve been tracking these numbers as they have been released on our page for the movie, so there’s no need to go into much more detail here. I would like to point out that the film earned more in several individual markets than the second place film earned in total. This includes China ($63.83 million over the weekend for a two-week total of $572.64 million); The U.K. ($18.83 million / $91.09 million); and South Korea ($17.93 million / $80.40 million). More...

Home Market Releases for March 26th, 2019

March 27th, 2019

If Beale Street Could Talk

It is an amazing week for home releases. Not only do we have the biggest hit of last winter on this week’s list, but Aquaman is actually worth owning. That’s only the second time I can say that about the D.C.E.U. Additionally, there are a huge number of contenders for Pick of the Week, ranging from Oscar contenders (If Beale Street Could Talk on Blu-ray Combo Pack); limited releases (The Miseducation of Cameron Post: Special Edition Blu-ray); animated imports (My Hero Academia: Two Heroes on Blu-ray); TV movie aimed at teens (Kim Possible on DVD); and classics (For A Few Dollars More: Special Edition Blu-ray). It was an exceptionally close call, but in the end, I went with If Beale Street Could Talk. More...

Theater Averages: Dragons Look Down on the Other New Releases

February 27th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World was the only film in the $10,000 Club earning an average of $13,506. The best limited release was Wrestle, which earned $6,027 in its lone theater. More...

2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

Theater Averages: Everyone is Talking about Beale Street

December 19th, 2018

If Beale Street Could Talk

There was only one new release in the $10,000 club this past weekend. If Beale Street Could Talk opened with an average of $56,119 in four theaters. The only other member of the $10,000 club was Mary Queen of Scots, with an average of $10,602 in 66 theaters during its second week of release. It will continue to expand, but it very likely won’t expand even semi-wide. More...

Limited and VOD Releases: Limited Releases are Not Very Talkative

December 14th, 2018

If Beale Street Could Talk

It’s a great time of year to release an Awards Season contender. Ironically, there is so much competition in that space that the number of Oscar-bait films already in release is too much competition, so there are not too many films coming out this week. That’s not to say there are no prime releases coming out. If Beale Street Could Talk is an Awards Season contender, but it is arguably the only film on this week’s list with a realistic chance of doing well at the box office. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Capernaum Trailer

November 8th, 2018

Drama directed by Nadine Labaki opens December 4 ... Full Movie Details.

The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom.

Metrics

Opening Weekend:$24,988 (1.5% of total gross)
Legs:8.75 (domestic box office/biggest weekend)
Domestic Share:2.5% (domestic box office/worldwide)
Production Budget:$4,000,000 (worldwide box office is 16.3 times production budget)
Theater counts:3 opening theaters/136 max. theaters, 5.0 weeks average run per theater
Infl. Adj. Dom. BO $1,955,524

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: December 14th, 2018 (Limited) by Sony Pictures Classics, released as Capernaum
International Releases: October 19th, 2018 (Wide) (France)
January 17th, 2019 (Wide), released as Capharnaüm (Brazil)
January 24th, 2019 (Wide) (South Korea)
January 25th, 2019 (Wide), released as Kefernahum (Turkey)
February 1st, 2019 (Wide) (Netherlands)
... Show all releases
Video Release: March 26th, 2019 by Sony Pictures Home Entertainment, released as Capernaum
MPAA Rating: R for language and some drug material.
(Rating bulletin 2552 (Cert #51889), 11/7/2018)
Running Time: 126 minutes
Comparisons: vs. Aloft
Create your own comparison chart…
Keywords: Set in Lebanon, Dysfunctional Family, Runaway, Homeless, Courtroom / Legal Drama, Non Professional Actor
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sony Pictures Classics, Khaled Mouzanar, Mooz Films
Production Countries: Lebanon, United States
Languages: Amharic, Arabic

Leading Cast

Zain Al Rafeea    Zain
Yordanos Shiferaw    Rahil

Supporting Cast

Boluwatife Treasure Bankole    Yonas
Kawthar Al Haddad    Souad
Fadi Kamel Yousef    Selim
Cedra Izam    Sahar
Alaa Chouchnieh    Aspro
Elias Khoury    The Judge
Nadine Labaki    Nadine
Nour El Husseini    Assaad
Joseph Jimbazian    Cockroach Man/Harout

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nadine Labaki    Director
Khaled Mouzanar    Producer
Nadine Labaki    Screenwriter
Jihad Hojeily    Screenwriter
Michelle Keserwany    Screenwriter
Georges Khabbaz    Screenplay in Collaboration with
Khaled Mouzanar    Screenplay in Participation with
Khaled Mouzanar    Composer
Christopher Aoun    Director of Photography
Konstantin Bock    Editor
Laure Gardette    Editor
Hussein Baydoun    Art Director
Zein Saab De Melero    Costume Designer
Jennifer Haddad    Casting Director
Toufic Khreich    First Assistant Director
Chadi Roukoz    Sound Designer
Emmanuel Croset    Sound Mixer
Matthieu Tertois    Sound Mixer
Pierre Sarraf    Line Producer
Marianne Katra    Line Producer
Michel Merkt    Producer
Akram Safa    Executive Producer
Pierre Sarraf    Co-Producer
Anne Dominique Toussaint    Executive Producer
Jason Kliot    Executive Producer
Joana Vicente    Executive Producer
Fouad Mikati    Executive Producer
Candice Abela    Executive Producer
Samer Rizk    Executive Producer
Ayla Rizk    Executive Producer
Georges Sarraf    Executive Producer
Sylvio Sharif Tabet    Executive Producer
Ray Barakat    Executive Producer
Chadi Eli Mattar    Executive Producer
Antoine Khalife    Executive Producer
Joslyn Barnes    Executive Producer
Danny Glover    Executive Producer
Susan Rockefeller    Executive Producer
Wissam Smayra    Executive Producer
Assaad Debs    Executive Producer

International Box Office: Pikachu Squeaks by Endgame

May 16th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu won what was perhaps the closest race on the international chart in my time on the job. The film won first place with $103.0 million on 36,633 screens in 62 markets for totals of $112.4 million internationally and $166.9 million worldwide. The film dominated the chart in China earning first place with $40.61 million on an estimated 20,000 screens. It also earned first place in the U.K. with $6.46 million in 579 theaters. On the other hand, it had to settle for second place in Germany ($5.0 million on 1,220 screens); France ($4.8 million in 467 theaters); Mexico ($4.36 million on 2,686 screens); and Australia ($3.5 million on 412 screens). The film only managed fourth place in South Korea with $1.71 million on 817 screens over the weekend for a total opening of $3.20 million. The film debuts in Russia this weekend and while this isn’t the last market, it is the last major market. More...

International Box Office: Endgame Laps the Competition

May 9th, 2019

Avengers: Endgame

Avengers: Endgame continued to dominate the international box office with $282.2 million in 55 markets for totals of $1.57 billion internationally and $2.19 billionh worldwide. Like last week, we’ve been tracking these numbers as they have been released on our page for the movie, so there’s no need to go into much more detail here. I would like to point out that the film earned more in several individual markets than the second place film earned in total. This includes China ($63.83 million over the weekend for a two-week total of $572.64 million); The U.K. ($18.83 million / $91.09 million); and South Korea ($17.93 million / $80.40 million). More...

Home Market Releases for March 26th, 2019

March 27th, 2019

If Beale Street Could Talk

It is an amazing week for home releases. Not only do we have the biggest hit of last winter on this week’s list, but Aquaman is actually worth owning. That’s only the second time I can say that about the D.C.E.U. Additionally, there are a huge number of contenders for Pick of the Week, ranging from Oscar contenders (If Beale Street Could Talk on Blu-ray Combo Pack); limited releases (The Miseducation of Cameron Post: Special Edition Blu-ray); animated imports (My Hero Academia: Two Heroes on Blu-ray); TV movie aimed at teens (Kim Possible on DVD); and classics (For A Few Dollars More: Special Edition Blu-ray). It was an exceptionally close call, but in the end, I went with If Beale Street Could Talk. More...

Theater Averages: Dragons Look Down on the Other New Releases

February 27th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World was the only film in the $10,000 Club earning an average of $13,506. The best limited release was Wrestle, which earned $6,027 in its lone theater. More...

2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

Theater Averages: Everyone is Talking about Beale Street

December 19th, 2018

If Beale Street Could Talk

There was only one new release in the $10,000 club this past weekend. If Beale Street Could Talk opened with an average of $56,119 in four theaters. The only other member of the $10,000 club was Mary Queen of Scots, with an average of $10,602 in 66 theaters during its second week of release. It will continue to expand, but it very likely won’t expand even semi-wide. More...

Limited and VOD Releases: Limited Releases are Not Very Talkative

December 14th, 2018

If Beale Street Could Talk

It’s a great time of year to release an Awards Season contender. Ironically, there is so much competition in that space that the number of Oscar-bait films already in release is too much competition, so there are not too many films coming out this week. That’s not to say there are no prime releases coming out. If Beale Street Could Talk is an Awards Season contender, but it is arguably the only film on this week’s list with a realistic chance of doing well at the box office. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Capernaum Trailer

November 8th, 2018

Drama directed by Nadine Labaki opens December 4 ... Full Movie Details.

The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 41 $24,988   3 $8,329   $24,988 1
Dec 21, 2018 39 $23,881 -4% 7 $3,412   $62,438 2
Dec 28, 2018 40 $29,553 +24% 9 $3,284   $114,607 3
Jan 4, 2019 39 $32,578 +10% 10 $3,258   $172,390 4
Jan 11, 2019 38 $50,563 +55% 15 $3,371   $240,579 5
Jan 18, 2019 39 $37,753 -25% 17 $2,221   $301,696 6
Jan 25, 2019 37 $55,270 +46% 20 $2,764   $384,606 7
Feb 1, 2019 33 $118,114 +114% 47 $2,513   $524,218 8
Feb 8, 2019 32 $142,875 +21% 63 $2,268   $736,165 9
Feb 15, 2019 34 $189,816 +33% 136 $1,396   $989,865 10
Feb 22, 2019 39 $128,247 -32% 115 $1,115   $1,228,942 11
Mar 1, 2019 42 $73,873 -42% 58 $1,274   $1,371,848 12
Mar 8, 2019 45 $50,546 -32% 45 $1,123   $1,459,589 13
Mar 15, 2019 54 $31,763 -37% 32 $993   $1,518,348 14
Mar 22, 2019 52 $24,975 -21% 24 $1,041   $1,564,811 15
Mar 29, 2019 49 $17,947 -28% 15 $1,196   $1,593,534 16
Apr 5, 2019 51 $11,314 -37% 14 $808   $1,614,606 17
Apr 12, 2019 65 $7,183 -37% 14 $513   $1,628,639 18
Apr 19, 2019 67 $9,383 +31% 11 $853   $1,643,812 19
Apr 26, 2019 72 $3,373 -64% 9 $375   $1,651,099 20
May 3, 2019 82 $1,326 -61% 3 $442   $1,656,120 21
May 10, 2019 84 $882 -33% 3 $294   $1,657,721 22
May 17, 2019 94 $396 -55% 3 $132   $1,658,867 23
May 24, 2019 77 $1,841 +365% 3 $614   $1,660,708 24

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 46 $38,557   3 $12,852   $38,557 1
Dec 21, 2018 43 $46,497 +21% 7 $6,642   $85,054 2
Dec 28, 2018 41 $54,758 +18% 9 $6,084   $139,444 3
Jan 4, 2019 40 $50,204 -8% 10 $5,020   $189,648 4
Jan 11, 2019 40 $74,295 +48% 14 $5,307   $263,943 5
Jan 18, 2019 40 $65,393 -12% 17 $3,847   $329,336 6
Jan 25, 2019 37 $76,768 +17% 20 $3,838   $406,104 7
Feb 1, 2019 35 $187,186 +144% 47 $3,983   $593,290 8
Feb 8, 2019 37 $206,759 +10% 63 $3,282   $800,049 9
Feb 15, 2019 34 $300,046 +45% 136 $2,206   $1,100,695 10
Feb 22, 2019 38 $197,280 -34% 115 $1,715   $1,297,975 11
Mar 1, 2019 42 $111,068 -44% 58 $1,915   $1,409,043 12
Mar 8, 2019 46 $77,542 -30% 45 $1,723   $1,486,585 13
Mar 15, 2019 53 $53,251 -31% 32 $1,664   $1,539,836 14
Mar 22, 2019 53 $35,751 -33% 24 $1,490   $1,575,587 15
Mar 29, 2019 50 $27,705 -23% 15 $1,847   $1,603,292 16
Apr 5, 2019 54 $18,164 -34% 14 $1,297   $1,621,456 17
Apr 12, 2019 63 $12,973 -29% 14 $927   $1,634,429 18
Apr 19, 2019 68 $13,297 +2% 13 $1,023   $1,647,726 19
Apr 26, 2019 70 $7,068 -47% 9 $785   $1,654,794 20
May 3, 2019 84 $2,045 -71% 3 $682   $1,656,839 21
May 10, 2019 82 $1,632 -20% 3 $544   $1,658,471 22
May 17, 2019 93 $396 -76% 3 $132   $1,658,867 23

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/21/2019 $8,104 18 18 30 $15,524 4/24/2019
Australia 2/8/2019 $53,830 27 28 203 $356,877 8/6/2019
Brazil 1/17/2019 $23,517 7 19 138 $243,867 5/23/2019
Bulgaria 5/17/2019 $0 0 0 0 $7,309 9/19/2019
China 4/29/2019 $94,359 0 54,206 149,603 $53,980,000 8/13/2020
Colombia 2/14/2019 $25,240 30 30 88 $69,153 4/16/2019
Czech Republic 2/22/2019 $4,947 7 7 7 $4,947 2/26/2019
France 10/19/2018 $635,067 159 350 1,461 $2,881,734 12/6/2018
Germany 4/12/2019 $0 0 36 36 $1,103,683 5/24/2019
Italy 4/11/2019 $313,706 0 36 94 $1,182,455 10/11/2019
Lithuania 4/5/2019 $6,106 8 8 45 $25,289 8/7/2019
Mexico 2/8/2019 $57,364 57 57 217 $244,371 6/12/2019
Netherlands 2/1/2019 $64,907 35 39 252 $490,446 3/25/2019
New Zealand 2/7/2019 $0 0 1 1 $48,851 9/11/2019
Portugal 2/8/2019 $8,776 9 9 36 $34,466 5/7/2019
Russia (CIS) 2/14/2019 $40,821 116 116 306 $133,852 10/19/2022
Slovakia 2/22/2019 $1,461 6 6 6 $1,461 2/28/2019
South Africa 4/19/2019 $0 0 3 22 $35,380 9/4/2019
South Korea 1/24/2019 $118,500 108 108 501 $1,041,116 11/23/2022
Spain 2/15/2019 $103,348 48 69 225 $424,376 3/14/2019
Turkey 1/25/2019 $12,113 25 27 86 $63,154 2/21/2019
United Kingdom 2/22/2019 $183,941 48 48 48 $183,941 3/1/2019
 
Rest of World $1,000,833
 
International Total$63,573,085 11/23/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.