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Australia Box Office for Gifted (2017)

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Gifted
Theatrical Performance (US$)
Australia Box Office $519,431Details
Worldwide Box Office $31,681,993Details
Home Market Performance
North America DVD Sales $1,115,691 Details
North America Blu-ray Sales $866,919 Details
Total North America Video Sales $1,982,610
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Frank Adler is a single man raising a child prodigy—his spirited young niece Mary—in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when the seven-year-old’s mathematical abilities come to the attention of Frank’s formidable mother Evelyn, whose plans for her granddaughter threaten to separate Frank and Mary.

Metrics

Movie Details

Australia Releases: September 1st, 2017 (Wide)
Video Release: July 25th, 2017 by Fox Home Entertainment
MPAA Rating: PG-13 for thematic elements, language and some suggestive material.
(Rating bulletin 2426 (Cert #50285), 5/25/2016)
Running Time: 101 minutes
Keywords: Single Parent, Child Prodigy, Dysfunctional Family, Lawyers, Mathematics, Suicide, Young Child Dealing with the Death of a Parent, Courtroom Drama, Trailer Park
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Fox Searchlight Pictures, FilmNation Entertainment, Grade A Entertainment, DayDay Films, Ingenious Media
Production Countries: United States

Cast

Chris Evans    Frank Adler
Mckenna Grace    Mary
Lindsay Duncan    Evelyn
Jenny Slate    Bonnie
Octavia Spencer    Roberta
Michael Kendall Kaplan    Justin Gilmore
John M. Jackson    Judge Edward Nichols
Glenn Plummer    Greg Cullen
John Finn    Aubry Highsmith
Elizabeth Marvel    Gloria Davis
Candace Harris    Carla Rosen
Jon Sklaroff    Seymore Shankland
Jona Xiao    Lijuan
Julie Ann Emery    Pat Golding
Keir O'Donnell    Bradley Pollard
Crystal Freyermuth    Wanda Hardaway
Maia Moss-Fife    Amanda Dibbons
Brody Rose    Ricky Harmon
Joe Chrest    Kevin Larsen
Kelly Collins Lintz    Claire Larsen
Ashley L. Thomas    Animal Shelter Worker
Danielle Deadwyler    Animal Shelter Worker
Jack Landry    Veterinarian
Karleigh Chase    Waitress
Will Buie    Boy
Desmond Phillips    New Father
Teresa L. Graves    Grandmother
Gordon Danniels    Grandfather
Walt Elder    Great Uncle
Jordan Ellenberg    Professor
Miley Nguyen    Bonnie’s Student
Aidan M. Bateman    Bonnie’s Student
David Cordell Ashley    New Dad

Production and Technical Credits

Director    Marc Webb
Screenwriter    Tom Flynn
Producer    Karen Lunder
Producer    Andy Cohen
Executive Producer    Glen Basner
Executive Producer    Ben Browning
Executive Producer    Molly Allen
Director of Photography    Stuart Dryburgh
Production Designer    Laura Fox
Editor    Bill Pankow
Composer    Rob Simonsen
Music Supervisor    Randall Poster
Music Supervisor    Meghan Currier
Casting Director    David Rubin
Costume Designer    Abby O'Sullivan
Unit Production Manager    Molly Allen
First Assistant Director    Jon Mallard
Second Assistant Director    Mark C. Stevens
Stunt Coordinator    Keith Adams
Associate Producer    Chuck Ryant
Associate Producer    John O'Grady
Associate Producer    T.K. Knowles
Set Decorator    Vera Mills
Production Supervisor    Peggy Robinson
Still Photographer    Wilson Webb
Script Supervisor    Michael Leone
Sound Mixer    Jonathan Gaynor
Post-Production Supervisor    Paul A. Levin
First Assistant Editor    Misako Shimizu
Supervising Sound Editor    Ron Bochar
Re-recording Mixer    Ron Bochar
Costume Supervisor    Suzy Freeman
Make up    Michal Bigger
Make up    Susan Ransom
Hairstylist    Rita Parillo
Make-up and Hair Designer    Andrea Bowman
Location Manager    Bass Hampton
Location Manager    Miguel Tapia
Special Effects Coordinator    Trey Gordon
Special Effects    Thompson Conrade
Special Effects    Raymond Talley
Casting Associate    Melissa Pryor
Music Editor    Todd Kasow
Sound Effects Editor    Paul Hsu
Dialogue Editor    Philip Stockton
Foley Mixer    George Lara
Visual Effects Supervisor    Eran Dinur
Visual Effects Producer    Glenn Allen
Additional Music    Duncan Blickenstaff
Score Recordist    Jake Jackson
Score Mixer    Nick Wollage

Home Market Releases for July 25th, 2017

July 26th, 2017

Lost in America

The Boss Baby is the biggest release of the week, while Ghost in the Shell is a distant second place. Neither of those films are terrible, but neither are remotely good enough to be a Pick of the Week contender. Gifted was in contention, but in the end, I went with the Criterion Collection release for Lost in America. More...

Featured VOD Review: Gifted

July 24th, 2017

Gifted

At the time of writing this review, Gifted is the biggest limited release hit of the year. (By the time you read the review, it will likely have fallen to second place behind The Big Sick.) On the other hand, its Tomatometer Score was merely good and not great. Did it just get lucky? Or does it deserve its box office success.

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Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart

May 10th, 2017

Guardians of the Galaxy Vol 2

Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters. More...

Theater Averages: Baahubali Won’t Conclude after a $24,712 opening

May 2nd, 2017

Baahubali 2: The Conclusion

Baahubali 2: The Conclusion opened on top of the theater average chart with $24,712 in just over 400 theaters. It goes without saying that there will be another installment in this franchise; although I hear it won’t follow the same characters. The only other film in the $10,000 club was How to Be a Latin Lover, which earned an average of $10,959 in 1,118 theaters. Obit was relatively close to the $10,000 mark with an average of $8,093 in two theaters over the weekend; however, it was a Wednesday release earning an average of $17,604 over the five days. More...

Theater Averages: Jane Towers Above the Competition with $15,726

April 26th, 2017

Citizen Jane: Battle for the City

There were only two films in the $10,000 club on this week's theater average chart and both of them were biographical documentaries. Interesting coincidence. Citizen Jane: Battle for the City led the way with an average of $15,726 in two theaters. Meanwhile, Jeremiah Tower: The Last Magnificent just managed to hit the $10,000 mark with an average of $10,134, also in two theaters. More...

Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion. More...

Theater Averages: Going From A to Zed with $27,544

April 19th, 2017

The Lost City of Z

The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater. More...

Weekend Wrap-Up: Fate Falls to Great Expectations, Still Earns $98.79 million

April 18th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the box office this weekend, earning nearly a 60% share of the total box office. It did miss predictions, however, with “just” $98.79 million. This is the curse of great expectations. Overall, the box office rose 40% from last weekend, reaching $167 million. However, this was 5.1% lower than the same weekend last year. Had The Fate of the Furious matched expectations, then 2017 would have had a 5% lead over last year. Year-to-date, 2017 has pulled in $3.37 billion and has a 7.2% lead over 2016. That will shrink as last year’s The Jungle Book’s legs will undoubtedly be better than The Fate of the Furious’s legs, but I don’t think 2017 will fall behind 2016 any time soon. More...

Weekend Estimates: Fate’s $100 Million Stateside Dwarfed by Huge International Haul

April 16th, 2017

The Fate of the Furious

The Fate of the Furious is, as expected, posting great opening numbers domestically, with Universal projecting a $100.2 million opening weekend, but the real news this weekend is the record breaking in international markets. Helped by a gigantic $190 million in China—the biggest-ever three-day weekend in that territory—Fate is headed for an overseas debut of $432.2 million, according to the studio. That’s easily the biggest international weekend of all time, beating Jurassic World’s $316.7 million. It’s also ahead of the inflation-adjusted international opening for Harry Potter and the Deathly Hallows, Part II, which earned $314 million on its first weekend internationally, roughly equivalent to $375 million today. More...

Theater Averages: Colossal Lives up to its Name with $30,057

April 12th, 2017

Colossal

Colossal led the way on the theater average chart with an average of $30,057 in four theaters. Meanwhile, Their Finest was the only other film in the $10,000 club with an average of $19,049 also in four theaters. More...

Limited and VOD Releases: Sign Your Name. Here

April 7th, 2017

Your Name.

It is a busy week for limited releases with more than a dozen titles on this week’s list. This includes a quartet of releases with good reviews and loud buzz. Gifted’s reviews are good, but likely not good enough for limited release. That said, it has a shot at becoming a sleeper hit. Their Finest is a stellar British World War II dramedy, but the cast is more famous in the U.K. than here. Your Name is arguably the best film on this week’s list and it is a monster hit worldwide. However, it is playing in over 300 theaters and that might turn out to be too many. This leaves Colossal as the film with the best shot at mainstream success. Its reviews are not the best, but the combination of reviews, cast, buzz, and commercial viability is. More...

Gifted Trailer

March 13th, 2017

Drama starring Chris Evans, Lindsay Duncan, McKenna Grace, Jenny Slate, and Octavia Spencer opens April 7 ... Full Movie Details. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/09/01 9 $160,301   91 $1,762   $160,301 1
2017/09/08 10 $109,861 -31% 100 $1,099   $339,261 2
2017/09/15 14 $37,298 -66% 74 $504   $429,604 3
2017/09/22 24 $12,787 -66% 19 $673   $462,280 4
2017/09/29 29 $12,827 n/c 23 $558   $479,976 5
2017/10/06 27 $12,306 -4% 29 $424   $497,656 6
2017/10/13 35 $9,348 -24% 26 $360   $519,431 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/1/2017 $160,301 91 100 362 $519,431 10/19/2017
Italy 11/1/2017 $321,791 0 0 0 $612,855 11/15/2017
Mexico 7/13/2017 $855,825 0 0 0 $3,286,314 8/8/2017
Netherlands 9/15/2017 $71,862 28 28 106 $233,480 10/9/2017
North America 4/7/2017 $446,380 56 2215 10691 $24,801,212
Russia (CIS) 6/2/2017 $158,836 162 162 366 $334,270 6/21/2017
South Korea 9/15/2017 $0 0 59 126 $244,871 11/9/2017
Spain 6/30/2017 $201,937 161 161 427 $638,473 7/28/2017
Turkey 5/26/2017 $40,126 73 73 163 $139,986 6/22/2017
United Kingdom 6/16/2017 $390,139 323 323 605 $871,101 6/28/2017
 
Worldwide Total$31,681,993 11/15/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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