Australia Box Office for Judy (2019)

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Judy
Theatrical Performance (US$)
Australia Box Office $2,115,901Details
Worldwide Box Office $45,495,000Details
Home Market Performance
North America DVD Sales $2,127,719 Details
North America Blu-ray Sales $1,943,285 Details
Total North America Video Sales $4,071,004
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform a 6-week sold-out run at The Talk of the Town. It is 30 years since she shot to global stardom in The Wizard of Oz, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of love seem undimmed as she embarks on a whirlwind romance with Mickey Deans, her soon-to-be fifth husband. Featuring some of her best-known songs, the film celebrates the voice, the capacity for love, and the sheer pizzazz of “the world’s greatest entertainer.”

Metrics

Movie Details

Australia Releases: October 18th, 2019 (Wide)
Video Release: December 10th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for substance abuse, thematic content, some strong language, and smoking.
(Rating bulletin 2576 (Cert #51854), 5/1/2019)
Running Time: 118 minutes
Keywords: Biography, Performing Arts, Biographical Drama, Addiction, Comeback, Dysfunctional Family, Single Parent, Prologue, 1950s, Movie Business, 1960s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: LD Entertainment, Roadside Attractions, Pathe, BBC Films, Ingenious Media, Calamity Films
Production Countries: United Kingdom
Languages: English

2020 Awards Season: Oscars Winners and Reactions

February 10th, 2020

Parasite

The Oscars were handed out last night and unlike most years, I wasn’t able to live-blog the awards. This is a real shame, because it was one of the best Oscar nights I can remember and there were very few awards that made me legitimately angry, unlike many years in the past. There was even a surprise winner for the full night, as Parasite earned the most wins with four Oscars. It is incredibly rare for a foreign-language film to pull off that feat. More...

2020 Awards Season: Oscar Highlight: Best Leading Actress

February 5th, 2020

Judy

Our annual Oscar Prediction contest is underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Leading Actress. In this category, there is an absolute favorite and I will be so pissed if she doesn’t finally win. More...

2020 Awards Season: Oscar Nominations

January 13th, 2020

1917

The Oscar nominations were announced on Monday, and the results were... well, there were some puzzling results. Joker led the way with eleven nominations. ... A film with 69% positive reviews earned the most nominations. It’s not the worst-reviewed movie to earn a Best Picture Nomination—after all, Bohemian Rhapsody was nominated just last year. However, this film is arguably the worst-reviewed movie to ever earn the most nominations in a single year. More...

2020 - Awards Season: Golden Globes Winners

January 6th, 2020

1917

The Golden Globes winners were announced on Sunday and we have some interesting developments for the rest of Awards Season. 1917 wasn’t considered a front-runner with five films earning more nominations. However, after this result, it might be the front-runner to become the big winner on Oscar night. More...

Home Market Releases for December 24th, 2019

December 26th, 2019

Judy

This year, Christmas Eve landed on a Tuesday. Christmas Eve is the busiest shopping day of the year, but that’s most people buying last minute groceries and the rest of the retail sector suffers as a result. This is true this year and there are so few releases to talk about that there will only be two sections in this week’s report: the main section and VOD releases. Judy is the only release on this week’s list that a majority will have heard of. It is also the best new release of the week. More...

Featured Blu-ray and DVD Review: Judy

December 23rd, 2019

Judy

Judy started out well during a nationwide release and while it was never able to expand truly wide, it still finished with more than $20 million during its theatrical run. Likewise, the film hasn’t become a major player during Awards Season, but Renée Zellweger has already earned a trio of major nominations. Is the film better than its box office numbers? Or is Renée Zellweger’s performance its sole saving grace? More...

2019 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports

December 16th, 2019

The Last Black Man in San Francisco

The first two installments of our Holiday Gift Guide had plenty of first-run releases and several TV on DVD releases. This installment includes limited releases and foreign imports. The list of classics isn’t up to the usual standards for the same reasons the TV on DVD list was rather short. Streaming is taking over that part of the market. Did you know The Criterion Collection has their own streaming service? So does Magnolia Pictures. On the one hand, that’s a lot of amazing movies for one price. On the other hand, as a fan of physical media, I’m not happy streaming is becoming so popular. There are still some great smaller titles worthy of the season. More...

2020 - Awards Season: SAG - Nominations

December 12th, 2019

Bombshell

The Screen Actors Guild announced their nominations this week and we are starting to see some patterns with similar names appearing over and over again. This time Bombshell led the way, earning four nominations, but four other films earned two or more nominations. More...

Home Market Releases for December 10th, 2019

December 11th, 2019

Hustlers

As Christmas rapidly approaches, the number of home market releases shrinks. That said, we do have three $100 million hits on this week’s list, Hustlers, It: Chapter Two, and Once Upon a Time…in Hollywood. All three are worth picking up, but Hustlers and Linda Ronstadt: The Sound of My Voice are Pick of the Week contenders, with the former winning out. More...

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

2020 - Awards Season: Independent Spirit Awards - Nominations

November 21st, 2019

Uncut Gems

The Independent Spirit Awards nominations were announced and thus the 2020 Awards Season begins. There are two changes to this year’s coverage of Awards Season. Firstly, we’re going back to using the year the awards are handed out and not the year the movie came out, even though the latter makes so much more sense. We are doing this, because every one else does this and being accurate takes a back seat to being easily understood. Secondly, since the Independent Spirit Awards are not particularly good indicators of Oscar success, we are just going to do summaries and not a full list of nominees. More...

Theater Averages: Most New Releases Struggle, but Holdovers Thrive

October 31st, 2019

No Safe Spaces

There was only one new release in the $10,000 club, No Safe Spaces, which earned $45,548 in its lone theater. While this is a great start, its reviews suggest it won’t stick around long, as the film is preaching to the choir. Jojo Rabbit expanded from five to 55 theaters, but still managed an impressive average of $18,983. Parasite was next with an average $14,158 in 129 theaters during its third weekend of release. Jay and Silent Bob Reboot expanded to 17 theaters, and earned an average of $12,774. It will likely continue to expand, as a lot of shows on its road tour were sold out weeks in advance. More...

Theater Averages: Jay and Silent Bob Give Limited Releases a Kick in the Pants

October 24th, 2019

Jay and Silent Bob Reboot

It was an amazing week on the theater average chart with five films in the $10,000 club, incluing three new releases that earned averages of more than $50,000. Jay and Silent Bob Reboot opened with two days of special engagements where the film earned just over $1 million, before having a roadshow performance in one theater over the weekend earning $93,520. However, this wasn’t a usual run and tickets range from about $50 to over $200 for the VIP packages at some shows. That said, even with normal ticket prices, it would still have earned a spot in the $10,000 club. Second place went to Jojo Rabbit with an impressive opening of average $69,911 in five theaters. This is more than enough to expand significantly, perhaps even enough to justify a wide expansion. The Lighthouse also opened well enough to justify significant expansions earning an average of $53,475 in eight theaters. Parasite was the only holdover in the $10,000 club earning an average of $37,616 in 33 theaters. The film topped $1 million over the weekend and it has plenty of room to grow. The final film in the $10,000 club was The Cave, which earned an average of $10,593 in two theaters. More...

Theater Averages: Parasite Sinks Its Teeth into the Competition

October 18th, 2019

Parasite

Parasite was the only new release in the $10,000 club, but it not only led the way over the weekend, its average of $128,072 in three theaters is the best average this year. In fact, this is not only the best average of the year, its the best average since La La Land’s debut in 2016. While Parasite was the only new release in the $10,000 club, it wasn’t the only member. Joker was in a distant second place, a very, very distant second place with an average of $12,771. Meanwhile, Célébration was very close behind with $12,678 in its lone theater. Pain and Glory remained in the $10,0000 club with an average of $11,819 and it managed this feat despite expanding its theater count to 23 theaters. More...

Theater Averages: All Gain for Pain

October 10th, 2019

Pain and Glory

Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market. More...

Weekend Wrap-Up: Joker Destroys Box Office, Nearly Reaches Century Mark

October 8th, 2019

Joker

Joker easily dominated the weekend box office crushing Venom’s October record in the process. The film’s $96.20 million opening was more than 60% of the $150 million total box office earned this weekend. Furthermore, the weekend total was 64% more than last weekend, which is great news for 2019, as it has been struggling. Unfortunately, this is still 15% lower than the same weekend last year when Venom had A Star is Born opening strong as counter-programing. Year-to-date, 2019 has pulled in $8.46 billion, which is a lot, but it is 5.2% or $470 million behind 2018’s record-setting pace of $8.93 billion. More...

Theater Averages: In Love with the Theater Average Chart

October 3rd, 2019

First Love

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Weekend Wrap-Up: Abominable Leads Small Box Office

October 1st, 2019

Abominable

Abominable led the way at the box office this weekend, but there wasn’t a lot to celebrate. That film merely did okay for this time of year, while there were no other new releases to boost the box office. This led to a 25% drop-off from last weekend, down to a mere $92 million. Worse still, this is 13% lower than the same weekend last year when Night School and Smallfoot were a strong one-two box office punch. We’ve had a couple of winning weeks in a row, so this loss doesn’t hurt 2019’s chances too much and the deficit is practically the same as it was last week at 5.6% or $490 million at $8.28 billion to $8.77 billion. More...

Weekend Estimates: Abominable Earning Average-Sized Opening

September 29th, 2019

Abominable

It is a mixed bag at the box office this weekend. None of the films are bombing, there are also no wild success stories either. Abominable is leading the way with an estimated $20.85 million opening. This is a little below expectations, but still a fine opening for this time of year. Additionally, its prospects have improved over the weekend, so it is clear its reviews and its A rating from CinemaScore have helped its word-of-mouth and that should help its legs going forward. The film also earned an estimated $8.8 million internationally in 30 markets for an early international total of $10.2 million It is still too early to judge how the film will do overseas. More...

Friday Estimates: Abominable Grows on its Opening Day

September 28th, 2019

Abominable

Abominable bounced back a bit during Friday to earn $5.69 million. This is still behind Smallfoot’s opening Friday, but it is better than its previews. This is strong evidence that the film’s reviews and its A rating from CinemaScore is already having a positive effect. $20 million is now much more likely than it was yesterday at this time, while with a little luck, it will match our $22 million prediction. More...

Limited and VOD Releases: A Lot to Love on This Week’s List

September 27th, 2019

First Love

There are a lot of excellent films on this week’s list. Not only that, but there are a wide selections of films as well. Do you want to watch a documentary? Anthropocene: The Human Epoch is your best bet. Want to watch a potential Oscar-winning performance? Then Judy is for you. Want a Neo-Noir love story? First Love has what you need. Want to stay home and watch something on VOD? There are several choices there, both big and small. More...

Judy Trailer

August 19th, 2019

Biopic starring Renée Zellweger opens September 27 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/10/18 7 $343,550   60 $5,726   $343,550 1
2019/10/25 8 $249,247 -27% 60 $4,154   $750,813 2
2019/11/01 7 $256,782 +3% 98 $2,620   $1,126,477 3
2019/11/08 8 $226,193 -12% 157 $1,441   $1,458,883 4
2019/11/15 8 $149,958 -34% 187 $802   $1,718,823 5
2019/11/22 12 $69,581 -54% 172 $405   $1,857,611 6
2019/11/29 15 $36,868 -47% 102 $361   $1,934,219 7
2019/12/06 23 $17,546 -52% 59 $297   $1,992,709 8
2019/12/13 - $5,772 -67% 36 $160   $2,014,922 9
2019/12/20 - $3,418 -41% 11 $311   $2,032,968 10
2019/12/27 33 $6,074 +78% 8 $759   $2,062,841 11
2020/01/03 - $5,246 -14% 9 $583   $2,065,946 12
2020/01/10 - $3,170 -40% 10 $317   $2,053,713 13
2020/01/17 21 $46,562 +1,369% 11 $4,233   $2,094,685 14
2020/01/24 - $1,603 -97% 8 $200   $2,094,537 15
2020/01/31 - $1,030 -36% 7 $147   $2,058,175 16
2020/02/14 - $1,127   4 $282   $2,070,046 18
2020/02/21 - $714 -37% 3 $238   $2,045,133 19
2020/06/12 - $1,879   2 $940   $2,115,901 35

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/7/2020 $51,382 43 43 82 $107,712 3/19/2020
Australia 10/18/2019 $343,550 60 187 1004 $2,115,901 6/16/2020
Brazil 1/31/2020 $121,156 215 215 215 $162,176 2/7/2020
Bulgaria 12/13/2019 $5,099 0 0 0 $17,408 1/15/2020
Czech Republic 2/14/2020 $37,415 97 97 176 $73,337 10/19/2022
France 2/28/2020 $532,213 234 351 585 $918,514 3/14/2020
Germany 11/29/2019 $0 0 122 236 $1,501,916 12/18/2020
Italy 1/30/2020 $345,612 0 3 3 $969,748 10/19/2022
Japan 3/6/2020 $270,104 0 0 0 $943,477 3/20/2020
Mexico 1/17/2020 $192,226 0 0 0 $192,226 10/19/2022
Netherlands 11/15/2019 $70,613 41 45 170 $274,504 10/19/2022
New Zealand 10/17/2019 $86,371 48 55 326 $340,178 10/19/2022
North America 9/27/2019 $2,916,548 461 1,627 7,575 $24,319,961 6/29/2020
Poland 1/3/2020 $0 0 93 93 $293,297 10/19/2022
Portugal 10/11/2019 $29,284 37 38 110 $91,579 10/19/2022
Russia (CIS) 10/17/2019 $27,637 284 284 390 $57,521 10/19/2022
Slovakia 2/14/2020 $12,897 42 42 64 $29,546 10/19/2022
Slovenia 11/22/2019 $8,928 24 24 54 $27,437 1/7/2020
South Korea 3/25/2020 $178,281 479 479 1326 $618,775 5/19/2020
Spain 1/31/2020 $258,165 253 253 634 $671,020 2/20/2020
Turkey 1/3/2020 $24,267 52 52 171 $76,490 10/19/2022
United Kingdom 10/4/2019 $2,568,893 633 658 2898 $11,692,277 6/16/2021
 
Worldwide Total$45,495,000 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Renée Zellweger    Judy Garland

Supporting Cast

Jessie Buckley    Rosalyn Wilder
Finn Wittrock    Mickey Deans
Rufus Sewell    Sid Luft
Michael Gambon    Bernard Delfont
Richard Cordery    Louis B. Mayer
Royce Pierreson    Burt Rhodes
Darci Shaw    Young Judy
Andy Nyman    Dan
Daniel Cerqueira    Stan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rupert Goold    Director
Tom Edge    Screenwriter
Peter Quilter    Story based on the stage play “End of the Rainbow” by
David Livingstone    Producer
Cameron McCracken    Executive Producer
Rose Garnett    Executive Producer
Andrea Scarso    Executive Producer
Mickey Liddell    Executive Producer
Pete Shilaimon    Executive Producer
Lauren Myers    Executive Producer
Lee Dean    Executive Producer
Aaron Levene    Executive Producer
Charles Diamond    Executive Producer
Ellis Goodman    Executive Producer
Jim Spencer    Co-Producer
Ole Bratt Birkeland    Director of Photography
Kave Quinn    Production Designer
Melanie Ann Oliver    Editor
Jany Temime    Costume Designer
Fiona Weir    Casting Director
Alice Searby    Casting Director
Gabriel Yared    Composer
Matt Dunkley    Music Director
Becky Bentham    Music Supervisor
Karen Elliott    Music Supervisor