Suburbicon (2017)
| Theatrical Performance | ||
| Domestic Box Office | $5,775,178 | Details |
| International Box Office | $9,746,441 | Details |
| Worldwide Box Office | $15,521,619 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $477,539 | |
| Blu-ray Sales (estimated) | $562,231 | |
| Total | $1,039,770 | |
| OpusData ID: 148760100 More info... | ||
| Further financial details... | ||
Synopsis
Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns …the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon.
Metrics
| Opening Weekend: | $2,840,246 (49.2% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 37.2% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 2,046 opening theaters/2,046 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,700,243 |
Movie Details
| Domestic Releases: | October 27th, 2017 (Wide) by Paramount Pictures |
| International Releases: | October 27th, 2017 (Wide) (Australia)
November 10th, 2017 (Wide), released as Suburbicon: Temné předměstí (Czech Republic) November 10th, 2017 (Wide) (Slovakia) November 10th, 2017 (Wide) (Poland) November 17th, 2017 (Wide) (Netherlands) ... Show all releases |
| Video Release: | January 23rd, 2018 by Paramount Home Video |
| MPA Rating: | R for violence, language and some sexuality. (Rating bulletin 2476 (Cert #51059), 5/17/2017) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Plot point: | African Americans, Bigotry, Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, Familial Murder, Infidelity, Insurance Fraud, Loan Shark, Money Troubles, Relationships Gone Wrong, Twins, Young Child Dealing with the Death of a Parent |
| Social setting: | Crime Caper, Life in a Small Town, Organized Crime, Suburbs |
| Subgenre: | Crime Comedy |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Silver Pictures, Smoke House Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 9 | $2,840,246 | 2,046 | $1,388 | $2,840,246 | 1 | |
| Nov 3, 2017 | 13 | $1,185,036 | -58% | 2,046 | $579 | $5,081,606 | 2 |
| Nov 10, 2017 | 40 | $70,079 | -94% | 281 | $249 | $5,733,506 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 7 | $1,091,676 | 2,046 | $534 | $1,091,676 | 1 | ||
| Oct 28, 2017 | 10 | $1,058,172 | -3% | 2,046 | $517 | $2,149,848 | 2 | |
| Oct 29, 2017 | 9 | $690,398 | -35% | 2,046 | $337 | $2,840,246 | 3 | |
| Oct 30, 2017 | 9 | $267,211 | -61% | 2,046 | $131 | $3,107,457 | 4 | |
| Oct 31, 2017 | 10 | $358,204 | +34% | 2,046 | $175 | $3,465,661 | 5 | |
| Nov 1, 2017 | 10 | $219,288 | -39% | 2,046 | $107 | $3,684,949 | 6 | |
| Nov 2, 2017 | 10 | $211,621 | -3% | 2,046 | $103 | $3,896,570 | 7 | |
| Nov 3, 2017 | 12 | $359,398 | +70% | -67% | 2,046 | $176 | $4,255,968 | 8 |
| Nov 4, 2017 | 13 | $515,960 | +44% | -51% | 2,046 | $252 | $4,771,928 | 9 |
| Nov 5, 2017 | 14 | $309,678 | -40% | -55% | 2,046 | $151 | $5,081,606 | 10 |
| Nov 6, 2017 | 13 | $131,440 | -58% | -51% | 2,046 | $64 | $5,213,046 | 11 |
| Nov 7, 2017 | 12 | $211,277 | +61% | -41% | 2,046 | $103 | $5,424,323 | 12 |
| Nov 8, 2017 | 13 | $140,677 | -33% | -36% | 2,046 | $69 | $5,565,000 | 13 |
| Nov 9, 2017 | 13 | $98,427 | -30% | -53% | 2,046 | $48 | $5,663,427 | 14 |
| Nov 10, 2017 | - | $19,863 | -80% | -94% | 281 | $71 | $5,683,290 | 15 |
| Nov 11, 2017 | - | $30,719 | +55% | -94% | 281 | $109 | $5,714,009 | 16 |
| Nov 12, 2017 | - | $19,497 | -37% | -94% | 281 | $69 | $5,733,506 | 17 |
| Nov 13, 2017 | - | $11,105 | -43% | -92% | 281 | $40 | $5,744,611 | 18 |
| Nov 14, 2017 | - | $13,372 | +20% | -94% | 281 | $48 | $5,757,983 | 19 |
| Nov 15, 2017 | - | $10,423 | -22% | -93% | 281 | $37 | $5,768,406 | 20 |
| Nov 16, 2017 | - | $6,772 | -35% | -93% | 281 | $24 | $5,775,178 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 10 | $3,896,570 | 2,046 | $1,904 | $3,896,570 | 1 | |
| Nov 3, 2017 | 13 | $1,766,857 | -55% | 2,046 | $864 | $5,663,427 | 2 |
| Nov 10, 2017 | 37 | $111,751 | -94% | 281 | $398 | $5,775,178 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/24/2017 | $47,242 | 0 | 0 | 0 | $65,692 | 1/1/2019 | |||
| Australia | 10/27/2017 | $285,290 | 223 | 223 | 552 | $615,298 | 11/23/2017 | |||
| Brazil | 12/22/2017 | $62,565 | 0 | 0 | 0 | $62,565 | 6/26/2018 | |||
| Bulgaria | 11/17/2017 | $0 | 0 | 0 | 0 | $19,289 | 2/26/2019 | |||
| China | 1/12/2018 | $680,000 | 9,082 | 9,082 | 9,082 | $880,805 | 8/7/2018 | |||
| Czech Republic | 11/10/2017 | $16,052 | 88 | 88 | 88 | $16,052 | 1/1/2019 | |||
| France | 12/8/2017 | $660,721 | 0 | 0 | 0 | $1,104,017 | 6/28/2018 | |||
| Italy | 12/6/2017 | $574,367 | 0 | 0 | 0 | $1,056,779 | 1/8/2018 | |||
| Lithuania | 12/1/2017 | $7,932 | 52 | 52 | 74 | $15,887 | 12/29/2017 | |||
| Mexico | 11/24/2017 | $184,665 | 0 | 0 | 0 | $184,665 | 11/28/2017 | |||
| Netherlands | 11/17/2017 | $63,042 | 56 | 56 | 201 | $251,840 | 9/12/2018 | |||
| Poland | 11/10/2017 | $87,456 | 0 | 0 | 0 | $96,108 | 1/1/2019 | |||
| Portugal | 12/29/2017 | $68,678 | 39 | 39 | 104 | $176,584 | 1/31/2018 | |||
| Russia (CIS) | 11/17/2017 | $254,201 | 433 | 433 | 677 | $488,676 | 1/1/2019 | |||
| Slovakia | 11/10/2017 | $5,980 | 42 | 42 | 42 | $5,980 | 11/15/2017 | |||
| South Korea | 7/4/2018 | $0 | 0 | 101 | 143 | $94,157 | 4/4/2026 | |||
| Spain | 12/8/2017 | $350,292 | 174 | 174 | 452 | $756,701 | 1/4/2018 | |||
| Turkey | 12/8/2017 | $22,589 | 49 | 49 | 71 | $46,643 | 2/26/2019 | |||
| United Kingdom | 11/24/2017 | $308,590 | 364 | 364 | 364 | $308,590 | 11/29/2017 | |||
| Rest of World | $3,500,113 | |||||||||
| International Total | $9,746,441 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matt Damon | Gardner Lodge | |
| Julianne Moore | Margaret Lodge | |
| Oscar Isaac | Roger |
Supporting
| Noah Jupe | Nicky | |
| Glenn Fleshler | Hitman | |
| Megan Ferguson | June | |
| Jack Conley | Hightower | |
| Gary Basaraba | Uncle Mitch | |
| Michael D. Cohen | Stretch | |
| Alex Hassell | Louis | |
| Tony Espinosa | Andy | |
| Karimah Westbrook | Mrs. Meyer | |
| Marah Fairclough | Shopping Woman | |
| Diane Dehn | Virginia | |
| Tim Neff | Protestor #4 | |
| Emily Goss | Clinic Mom |
Production and Technical Credits
| George Clooney | Director | |
| Joel Coen | Screenwriter | |
| Ethan Coen | Screenwriter | |
| George Clooney | Screenwriter | |
| Grant Heslov | Screenwriter | |
| Joel Silver | Producer | |
| George Clooney | Producer | |
| Grant Heslov | Producer | |
| Joel Silver | Executive Producer | |
| Hal Sadoff | Executive Producer | |
| Ethan Erwin | Executive Producer | |
| Barbara A. Hall | Executive Producer | |
| Dan Steinman | Executive Producer | |
| Robert Elswit | Director of Photography | |
| James D. Bissell | Production Designer | |
| Stephen Mirrione | Editor | |
| Jenny Eagan | Costume Designer | |
| Alexandre Desplat | Composer | |
| Ellen Chenoweth | Casting Director | |
| Michael Gowen | Assistant Art Director | |
| Mitchell Kenney | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns …the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon.
Metrics
| Opening Weekend: | $2,840,246 (49.2% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 37.2% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 2,046 opening theaters/2,046 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,700,243 |
Movie Details
| Domestic Releases: | October 27th, 2017 (Wide) by Paramount Pictures |
| International Releases: | October 27th, 2017 (Wide) (Australia)
November 10th, 2017 (Wide), released as Suburbicon: Temné předměstí (Czech Republic) November 10th, 2017 (Wide) (Slovakia) November 10th, 2017 (Wide) (Poland) November 17th, 2017 (Wide) (Netherlands) ... Show all releases |
| Video Release: | January 23rd, 2018 by Paramount Home Video |
| MPA Rating: | R for violence, language and some sexuality. (Rating bulletin 2476 (Cert #51059), 5/17/2017) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Plot point: | African Americans, Bigotry, Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, Familial Murder, Infidelity, Insurance Fraud, Loan Shark, Money Troubles, Relationships Gone Wrong, Twins, Young Child Dealing with the Death of a Parent |
| Social setting: | Crime Caper, Life in a Small Town, Organized Crime, Suburbs |
| Subgenre: | Crime Comedy |
| Time period setting: | 1950s |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Silver Pictures, Smoke House Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 9 | $2,840,246 | 2,046 | $1,388 | $2,840,246 | 1 | |
| Nov 3, 2017 | 13 | $1,185,036 | -58% | 2,046 | $579 | $5,081,606 | 2 |
| Nov 10, 2017 | 40 | $70,079 | -94% | 281 | $249 | $5,733,506 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 7 | $1,091,676 | 2,046 | $534 | $1,091,676 | 1 | ||
| Oct 28, 2017 | 10 | $1,058,172 | -3% | 2,046 | $517 | $2,149,848 | 2 | |
| Oct 29, 2017 | 9 | $690,398 | -35% | 2,046 | $337 | $2,840,246 | 3 | |
| Oct 30, 2017 | 9 | $267,211 | -61% | 2,046 | $131 | $3,107,457 | 4 | |
| Oct 31, 2017 | 10 | $358,204 | +34% | 2,046 | $175 | $3,465,661 | 5 | |
| Nov 1, 2017 | 10 | $219,288 | -39% | 2,046 | $107 | $3,684,949 | 6 | |
| Nov 2, 2017 | 10 | $211,621 | -3% | 2,046 | $103 | $3,896,570 | 7 | |
| Nov 3, 2017 | 12 | $359,398 | +70% | -67% | 2,046 | $176 | $4,255,968 | 8 |
| Nov 4, 2017 | 13 | $515,960 | +44% | -51% | 2,046 | $252 | $4,771,928 | 9 |
| Nov 5, 2017 | 14 | $309,678 | -40% | -55% | 2,046 | $151 | $5,081,606 | 10 |
| Nov 6, 2017 | 13 | $131,440 | -58% | -51% | 2,046 | $64 | $5,213,046 | 11 |
| Nov 7, 2017 | 12 | $211,277 | +61% | -41% | 2,046 | $103 | $5,424,323 | 12 |
| Nov 8, 2017 | 13 | $140,677 | -33% | -36% | 2,046 | $69 | $5,565,000 | 13 |
| Nov 9, 2017 | 13 | $98,427 | -30% | -53% | 2,046 | $48 | $5,663,427 | 14 |
| Nov 10, 2017 | - | $19,863 | -80% | -94% | 281 | $71 | $5,683,290 | 15 |
| Nov 11, 2017 | - | $30,719 | +55% | -94% | 281 | $109 | $5,714,009 | 16 |
| Nov 12, 2017 | - | $19,497 | -37% | -94% | 281 | $69 | $5,733,506 | 17 |
| Nov 13, 2017 | - | $11,105 | -43% | -92% | 281 | $40 | $5,744,611 | 18 |
| Nov 14, 2017 | - | $13,372 | +20% | -94% | 281 | $48 | $5,757,983 | 19 |
| Nov 15, 2017 | - | $10,423 | -22% | -93% | 281 | $37 | $5,768,406 | 20 |
| Nov 16, 2017 | - | $6,772 | -35% | -93% | 281 | $24 | $5,775,178 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 10 | $3,896,570 | 2,046 | $1,904 | $3,896,570 | 1 | |
| Nov 3, 2017 | 13 | $1,766,857 | -55% | 2,046 | $864 | $5,663,427 | 2 |
| Nov 10, 2017 | 37 | $111,751 | -94% | 281 | $398 | $5,775,178 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/24/2017 | $47,242 | 0 | 0 | 0 | $65,692 | 1/1/2019 | |||
| Australia | 10/27/2017 | $285,290 | 223 | 223 | 552 | $615,298 | 11/23/2017 | |||
| Brazil | 12/22/2017 | $62,565 | 0 | 0 | 0 | $62,565 | 6/26/2018 | |||
| Bulgaria | 11/17/2017 | $0 | 0 | 0 | 0 | $19,289 | 2/26/2019 | |||
| China | 1/12/2018 | $680,000 | 9,082 | 9,082 | 9,082 | $880,805 | 8/7/2018 | |||
| Czech Republic | 11/10/2017 | $16,052 | 88 | 88 | 88 | $16,052 | 1/1/2019 | |||
| France | 12/8/2017 | $660,721 | 0 | 0 | 0 | $1,104,017 | 6/28/2018 | |||
| Italy | 12/6/2017 | $574,367 | 0 | 0 | 0 | $1,056,779 | 1/8/2018 | |||
| Lithuania | 12/1/2017 | $7,932 | 52 | 52 | 74 | $15,887 | 12/29/2017 | |||
| Mexico | 11/24/2017 | $184,665 | 0 | 0 | 0 | $184,665 | 11/28/2017 | |||
| Netherlands | 11/17/2017 | $63,042 | 56 | 56 | 201 | $251,840 | 9/12/2018 | |||
| Poland | 11/10/2017 | $87,456 | 0 | 0 | 0 | $96,108 | 1/1/2019 | |||
| Portugal | 12/29/2017 | $68,678 | 39 | 39 | 104 | $176,584 | 1/31/2018 | |||
| Russia (CIS) | 11/17/2017 | $254,201 | 433 | 433 | 677 | $488,676 | 1/1/2019 | |||
| Slovakia | 11/10/2017 | $5,980 | 42 | 42 | 42 | $5,980 | 11/15/2017 | |||
| South Korea | 7/4/2018 | $0 | 0 | 101 | 143 | $94,157 | 4/4/2026 | |||
| Spain | 12/8/2017 | $350,292 | 174 | 174 | 452 | $756,701 | 1/4/2018 | |||
| Turkey | 12/8/2017 | $22,589 | 49 | 49 | 71 | $46,643 | 2/26/2019 | |||
| United Kingdom | 11/24/2017 | $308,590 | 364 | 364 | 364 | $308,590 | 11/29/2017 | |||
| Rest of World | $3,500,113 | |||||||||
| International Total | $9,746,441 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matt Damon | Gardner Lodge | |
| Julianne Moore | Margaret Lodge | |
| Oscar Isaac | Roger |
Supporting
| Noah Jupe | Nicky | |
| Glenn Fleshler | Hitman | |
| Megan Ferguson | June | |
| Jack Conley | Hightower | |
| Gary Basaraba | Uncle Mitch | |
| Michael D. Cohen | Stretch | |
| Alex Hassell | Louis | |
| Tony Espinosa | Andy | |
| Karimah Westbrook | Mrs. Meyer | |
| Marah Fairclough | Shopping Woman | |
| Diane Dehn | Virginia | |
| Tim Neff | Protestor #4 | |
| Emily Goss | Clinic Mom |
Production and Technical Credits
| George Clooney | Director | |
| Joel Coen | Screenwriter | |
| Ethan Coen | Screenwriter | |
| George Clooney | Screenwriter | |
| Grant Heslov | Screenwriter | |
| Joel Silver | Producer | |
| George Clooney | Producer | |
| Grant Heslov | Producer | |
| Joel Silver | Executive Producer | |
| Hal Sadoff | Executive Producer | |
| Ethan Erwin | Executive Producer | |
| Barbara A. Hall | Executive Producer | |
| Dan Steinman | Executive Producer | |
| Robert Elswit | Director of Photography | |
| James D. Bissell | Production Designer | |
| Stephen Mirrione | Editor | |
| Jenny Eagan | Costume Designer | |
| Alexandre Desplat | Composer | |
| Ellen Chenoweth | Casting Director | |
| Michael Gowen | Assistant Art Director | |
| Mitchell Kenney | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.