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Despicable Me 3 (2017)

Despicable Me 3
Theatrical Performance
Domestic Box Office $248,865,925Details
International Box Office $671,769,143Details
Worldwide Box Office $920,635,068
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Balthazar Bratt, a former child star who’s grown up to become obsessed with the character he played in the ‘80s, proves to be Gru’s most formidable nemesis to date.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$75,000,000
Domestic Releases: June 30th, 2017 (Wide) by Universal
International Releases: June 14th, 2017 (Wide) (Philippines)
June 15th, 2017 (Wide) (Malaysia)
June 15th, 2017 (Wide) (Singapore)
June 15th, 2017 (Wide) (Thailand)
June 16th, 2017 (Wide) (Australia)
... Show all releases
MPAA Rating: PG for action and rude humor.
(Rating bulletin 2472 (Cert #51018), 4/19/2017)
Running Time: 90 minutes
Franchise: Despicable Me
Comparisons: vs. Despicable Me 2
Create your own comparison chart…
Keywords: Child Actor, Heist, Secret Agent, Twins, Separated at Birth, Dysfunctional Family, Sibling Rivalry, 3-D, 3-D - Shot in 3-D, Directing Yourself, Fired, Adopted Family, Same Actor, Multiple Roles
Source:Original Screenplay
Genre:Comedy
Production Method:Digital Animation
Creative Type:Kids Fiction
Production Companies: Universal Pictures, Illumination Entertainment
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Fastest to $200m 83 $200,608,225 Jul 14, 2017 21
Fastest to $150m 84 $153,141,630 Jul 7, 2017 11
Biggest Domestic July Weekend 87 $33,580,425 Jul 7, 2017 10
Fastest to $100m 82 $107,010,595 Jun 30, 2017 6
Biggest Domestic Tuesday 37 $12,728,355 Jul 4, 2017 5
Biggest Domestic Monday 47 $13,857,900 Jul 3, 2017 4
Biggest Domestic June Weekend 13 $72,434,025 Jun 30, 2017 3
Biggest Domestic Opening Weekend 91 $72,434,025 Jun 30, 2017 3
Top Comedy Weekend Domestic 5 $72,434,025 Jun 30, 2017 3
Top Digital Animation Weekend Domestic 13 $72,434,025 Jun 30, 2017 3
Top Kids Fiction Weekend Domestic 12 $72,434,025 Jun 30, 2017 3
Top Original Screenplay Weekend Domestic 22 $72,434,025 Jun 30, 2017 3
Top PG Weekend Domestic 20 $72,434,025 Jun 30, 2017 3
Top Universal Weekend Domestic 11 $72,434,025 Jun 30, 2017 3
Widest Opening Weekend 1 4,529 Jun 30, 2017 3
Biggest Domestic July Day 56 $24,330,080 Jul 1, 2017 2
Fastest to $50m 88 $53,335,420 Jun 30, 2017 2
Top Comedy Day Domestic 8 $29,005,340 Jun 30, 2017 1
Top Digital Animation Day Domestic 28 $29,005,340 Jun 30, 2017 1
Top Kids Fiction Day Domestic 27 $29,005,340 Jun 30, 2017 1
Top Original Screenplay Day Domestic 50 $29,005,340 Jun 30, 2017 1
Top PG Day Domestic 44 $29,005,340 Jun 30, 2017 1
Top Universal Day Domestic 28 $29,005,340 Jun 30, 2017 1
Biggest Domestic Friday 87 $29,005,340 Jun 30, 2017 1
Biggest Domestic June Day 34 $29,005,340 Jun 30, 2017 1

Cast

   Gru / Dru
   Lucy Wilde
   Balthazar Bratt
Miranda Cosgrove    Margo
Dana Gaier    Edith
Nev Scharrel    Agnes
Steve Coogan    Fritz
Jenny Slate    Valerie Da Vinci
Julie Andrews    Gru’s Mom
Pierre Coffin    Minions/Museum Director/Additional Voice
Michael Beattie    TV Show Host/Scar-Faced Man
Andy Nyman    Clive the Robot
Adrian Ciscato    Niko
Brian T. Delaney    Commercial Announcer/Military Officer/Additional Voice
Katia Saponenko    Niko’s Mother
Ken Daurio    Celebrity
Jude Alpers    Commercial Kid
Cory Walls    Vincenzo
Sophie M. Siadatpour    Little Girl
Lori Alan    Additional Voice
Stephanie De Meautis    Additional Voice
Carlos Alazraqui    Additional Voice
Bruno Dequier    Additional Voice
Kyle Balda    Additional Voice
Teresa Ganzel    Additional Voice
Bob Bergen    Additional Voice
Jess Harnell    Additional Voice
Gregg Berger    Additional Voice
John Kassir    Additional Voice
Mona Marshall    Additional Voice
John Cygan    Additional Voice
Laraine Newman    Additional Voice
Jan Rabson    Additional Voice
Bill Farmer    Additional Voice
Mindy Sterling    Additional Voice
Danny Mann    Additional Voice
Tara Strong    Additional Voice
Jim Ward    Additional Voice

Production and Technical Credits

Director   
Director   
Co-Director    Eric Guillon
Screenwriter    Cinco Paul
Screenwriter    Ken Daurio
Producer    Christopher Meledandri
Producer    Janet Healy
Executive Producer    Chris Renaud
Based on Characters by    Sergio Pablos
Composer    Heitor Pereira
Editor    Claire Dodgson
Original Songs and Themes by    Pharrell Williams
Associate Producer    Robert Taylor
Associate Producer    Brett Hoffman
Production Supervisor    Nathalie Vaincauwenberghe
Art Director    Olivier Adam
Character Designer    Eric Guillon
Character Designer    Carter Goodrich
Animation Director    Bruno Dequier
Animation Director    Julien Soret
Supervising Animator    Hichem Arfaoui
Supervising Animator    Pierre Avon
Supervising Animator    Cecile Brossette
Supervising Animator    Christophe Delisle
Supervising Animator    Pierre-Francois Duhamel
Supervising Animator    Basile Heiderscheid
Supervising Animator    Ludovic Roz
Supervising Animator    Ludovic Savonniere
Supervising Animator    Jack Vandenbroele
Associate Editor    Rachel Brennan
Associate Editor    Zurine Ainz
Associate Editor    Gilad Carmel
First Assistant Editor    Romana Cicova
First Assistant Director    Scott A. Jacobs
First Assistant Editor    Lisa Phillips
Second Assistant Editor    Orion Fernando
Story Artist    Marco Allard
Story Artist    Eric Delbecq
Story Artist    Cinzia Angelini
Story Artist    Antoine Ettori
Story Artist    Nima Azarba
Story Artist    Serguei Kouchnerov
Story Artist    Guy Bar’ely
Story Artist    Habib Louati
Story Artist    Justine Bonnard
Story Artist    Nolwenn Roberts
Story Artist    Jerod Chirico
Story Artist    Darren Webb
Script and Recording Supervisor    Kelly Lake
Set Designer    Charlotte Hutchinson
Set Designer    Thomas Reteuna
Set Designer    Ken Le Bras
Set Designer    Edwin Rhemrev
Set Designer    Vincent Massy De La Chesneraye
Set Designer    Alexandre Saint-Martin
Set Designer    Matthieu Gosselin
Set Designer    Aymeric Seydoux
Set Designer    Martin Trystram
Senior Animation Supervisor    Thomas Laffin
Animation Supervisor    Marie Parodi
Animation Supervisor    Louise Dziadkowiak
Post-Production Supervisor    Jeannine Berger
Sound Designer    Tim Nielsen
Supervising Sound Editor    Tim Nielsen
Re-recording Mixer    Randy Thom
Re-recording Mixer    Brandon Proctor
Additional Sound Re-recording Mixer    Tim Nielsen
Supervising Sound Editor    Dennis Leonard
Sound Effects Editor    Mac Smith
Sound Effects Editor    Andre Zweers
Foley Mixer    Scott Curtis
Music Editor    Slamm Andrews
Score Recordist    Greg Hayes
Score Mixer    Greg Hayes
Score Mixer    Noah Snyder

International Box Office: Wolves Feasts on the Competition with $164 million

August 10th, 2017

Wolf Warriors 2

Wolf Warriors 2 remained in top spot on the international chart with $164 million at the weekend. This is dominated by a sophomore stint of $163.38 million in its native China for a two-week total of $471.94 million. It is already the biggest hit in China, crushing The Mermaid, at least in terms of local currency. It still has a ways to go to become the number one film in terms of the US dollar, but it should get there shortly. More...

Friday Estimates: Dark Tower’s Chances Dim with $7.73 million Opening Day

August 5th, 2017

The Dark Tower

On the positive side, The Dark Tower topped the chart on Friday. On the negative side, it missed both our original prediction, as well as our lowered expectations with just $7.725 million. The film’s reviews are terrible at 19% positive, while its CinemaScore is a mere B, so that’s bad news for the film’s legs, putting it on pace for between $18 million and $19 million. It’s good news for Dunkirk, which has a real shot at first place on the weekend chart for the third weekend in a row. More...

Weekend Predictions: Has Summer Ended?

August 3rd, 2017

The Dark Tower

August has begun, but I’m starting to think Summer has already ended. The Dark Tower was expected to be the big hit of the weekend, but its reviews are a lot weaker than anticipated. Kidnap is also opening wide and its early reviews were good, but that has changed as the day has gone on. Furthermore, it’s buzz is really quiet, so its box office chances are not good. Finally Detroit is expanding wide this weekend. Its reviews are among the best we’ve seen all summer, but it is tough to go from a limited release to a wide release, so I’m not overly optimistic. This weekend last year, Suicide Squad opened with $133.68 million. It is very likely the entire box office will be less than $133.68 million this weekend. 2017 is going to get destroyed in the year-over-year comparison. More...

International Box Office: Wolf Warriors 2 goes for the Throat with $148.10 million

August 3rd, 2017

Wolf Warriors 2

Wolf Warriors 2 dominated the international box office with $132.88 million over the weekend in its native China, for a four-day opening of $148.10 million. This is more than the rest of the top five earned combined. More...

Thursday Night Previews: Atomic Nukes the Competition with $1.52 million

July 28th, 2017

Atomic Blonde

Atomic Blonde easily topped The Emoji Movie during previews, earning $1.52 million. However, had the action flick not topped the family film, it would have been a disaster. Compared to other recent action films, Atomic Blonde underperformed Valerian and the City of a Thousand Planets ($1.7 million) and Baby Driver ($2.1 million), but at least it topped King Arthur: Legend of the Sword ($1.15 million). This summer, the average action film has opened with just over 10 times what it made during its previews, which is bad news for Atomic Blonde, as it puts the film’s opening weekend at $15 million to $16 million. Its reviews are good, but not great enough to really change this trend. Even $20 million would be a boon after this start. More...

Weekend Predictions: Atomic Blonde and The Emoji Movie Take On Dunkirk

July 27th, 2017

Atomic Blonde

The final weekend of July has two wide releases, Atomic Blonde and The Emoji Movie. Neither are expected to be monster hits, but both could be profitable at the box office. Atomic Blonde’s reviews are excellent and its connections to the John Wick movies could get people into theaters. The Emoji Movie still has no reviews and its buzz is incredibly negative. I haven’t seen buzz this negative since Diary of a Wimpy Kid: The Long Haul. This does give Dunkirk a real shot at repeating on top of the chart. This weekend last year, Jason Bourne opened with nearly $60 million, which will likely be more than both new releases this year earn. Even if Dunkirk has better legs than expected, there’s little hope 2017 will win in the year-over-year comparison. More...

International Box Office: Despicable Me Steals Crown from Spider-Man with $72.7 million

July 27th, 2017

Dunkirk

Dunkirk debuted in first place on the international chart with $55.4 million in 46 markets for a worldwide debut of $105.9 million. Its biggest opening was in the U.K., no surprise there, where it earned $13.00 million in 638 theaters. Strangely, South Korea wasn’t far behind with $8.75 million on 1,245 screens over the weekend for a total opening of $10.40 million. On the other hand, the film struggled somewhat in France with $4.9 million. This isn’t a bad opening, but I was expecting more. Overall, it is doing about as well as Christopher Nolan’s previous film, Interstellar. If Dunkirk can merely match that movie's worldwide figure, then it will break even before it reaches the home market. Even if it doesn’t quite manage that total, anything above $500 million worldwide will produce a healthy profit for the studio. More...

International Box Office: Despicable Me Steals Crown from Spider-Man with $72.7 million

July 19th, 2017

Spider-Man: Homecoming

I thought last week was close, but this week was even closer. In fact, according to Sunday’s estimates, Spider-Man: Homecoming was the top film on the international chart, but Monday’s final numbers had Despicable Me 3 in first place. That film earned $72.7 million in 61 markets for totals of $434.00 million internationally and $622.39 million worldwide. Its biggest opening came in Indonesia, where it earned $3.5 million on 230 screens. Meanwhile, the film is now the second biggest animated film at the Chinese box office. This past weekend, Despicable Me 3 earned $22.09 million on 8,057 screens for a two-week total of $115.16 million. The film opens in Japan and South Korea before the end of the month, as well as Italy and a few other smaller markets by the end of August. More...

Weekend Wrap-Up: War Goes Well for Apes Earning $56.26 million

July 18th, 2017

War for the Planet of the Apes

The weekend box office chart didn’t hold a lot of surprises. War for the Planet of the Apes earned first place with a slightly better than predicted result of $56.26 million, while most of the rest of our predictions were also close enough to be considered victories. Overall, the box office plummeted 21% from last weekend reaching $163 million. This was also a little lower than the same weekend last year. The emphasis is on “little”, as it only dropped by 0.062% or about $100,000. On its own, this would be nothing to worry about. However, 2017’s lead over 2016 has completely evaporated and the year is now 0.19% or $12 million behind last year’s pace at $6.21 billion to $6.22 billion. We’ve lost about $200 million this summer compared to last year and I don’t see that turning around any time soon. More...

Friday Estimates: Apes Win War with $22.1 million on Friday

July 15th, 2017

War for the Planet of the Apes

As expected, War for the Planet of the Apes earned first place on Friday. To match predictions, the film needed to make between $18 million and $19 million, but instead it earned $22.1 million during its first day of release. Furthermore, this is better than its previews were, so this suggests good word-of-mouth and longer than average legs. Its reviews are 94% positive and it earned a solid A from CinemaScore, so long legs wouldn’t be a shock. Perhaps it can reach $60 million over the weekend. Anything less than $55 million will be a little disappointing. Splitting the difference gets us a weekend target of $57 million. More...

Weekend Predictions: Will Apes vs. Spider be a One-Sided Fight?

July 13th, 2017

War for the Planet of the Apes

War for the Planet of the Apes is going to be the biggest of the three wide releases coming out this week. This much is a near certainty. However, there is some doubt if it will open in first place, or if Spider-Man: Homecoming will remain the top draw over the weekend. The only other wide release of the week is Wish Upon, a low-budget horror film, if it can just reach the top five, then the studio will be very happy. Finally, The Big Sick is expanding wide. Given its limited release run so far, it should become a sleeper hit over the summer. This weekend last year, The Secret Life of Pets and Ghostbusters had a one-two punch of nearly $100 million. I think War for the Planet of the Apes and Spider-Man: Homecoming will top that figure, while the overall depth should help 2017 win in the year-over-year competition, but it will likely be close. More...

International Box Office: Spider-Man Snags First Place in Tight Race with $140.03 million

July 13th, 2017

Spider-Man: Homecoming

Spider-Man: Homecoming earned first place in one of the closest races I’ve seen. It pulled in $140.03 million on 24,287 screens in 71 markets for a worldwide opening of $257.06 million. Its biggest market was South Korea, where it earned $19.37 million on 1,965 screens over the weekend for a total opening of $25.94 million. It also cracked $10 million in both the U.K. ($12.11 million in 616 theaters) and Mexico ($11.72 million on 3,506 screens), while it came close to that mark in Brazil with $9.09 million on 1,302 screens. The film did amazing business in Asia, including earning $6.84 million on 1,092 screens in Indonesia and $6.46 million on 1,900 screens in India. The film has yet to open in a number of major markets, including France, Germany, China, and Japan and should top $800 million worldwide with ease before it is done, which is enough to break even before it reaches the home market. The real challenge is surpassing Wonder Woman and Guardians of the Galaxy Vol 2 for top spot on the worldwide chart for the summer. It is too soon to tell if it will get there for sure, but this is a great start. More...

Weekend Wrap-Up: Spider-Man has Wondrous $117.03 million Opening

July 11th, 2017

Spider-Man: Homecoming

The weekend box office chart held few surprises. Every film in the top five was close to our predictions, while the top two films were a little stronger. This includes Spider-Man: Homecoming, which pulled in $117.03 million during its opening weekend, making it the second fastest debut of the summer. (Only Guardians of the Galaxy Vol 2 is ahead of it in that regard.) Despicable Me 3 held on better than most films this summer and will become a monster hit thanks to its international numbers. Overall, the box office rose by 22% from last weekend hitting $206 million. Unfortunately, this is still 5.1% lower than the same weekend last year. Before the summer began, 2017 had a $200 million lead over 2006. That lead is now down to just $13 million at $5.95 billion to $5.94 billion. This lead could be completely gone by the weekend. More...

Weekend Estimates: Spider-Man Comes Home to $117 Million Weekend

July 9th, 2017

Spider-Man: Homecoming

A $117 million opening weekend is pretty much all Sony could ask for from Spider-Man: Homecoming. It’s the second-best debut for the Spider-Man franchise, if you ignore the effects of inflation, and makes it almost certain that the franchise will break its unfortunate streak of earning less at the domestic box office with every new outing. With, reportedly, a more constrained budget—this is the least expensive Spider-Man film, adjusted for inflation—profitability looks assured, and Sony’s partnership with Disney looks as though it’s paying off. More...

Friday Estimates: Spider-Man has $50.5 million Reasons to Celebrate its Homecoming

July 8th, 2017

Spider-Man: Homecoming

Spider-Man: Homecoming dominated the box office on Friday and in a pleasant surprise, it beat predictions with $50.5 million during its opening day. Its opening day vs. its previews is almost identical to Guardians of the Galaxy Vol 2, which would put the film on pace for $130 million over the weekend. Spider-Man: Homecoming did earn better reviews, while both movies earned a solid A from CinemaScore, and many more kids have no school on Monday compared to when Guardians debuted. All of this should help its legs. On the other hand, Homecoming could have a bigger Fanboy Effect, as Spider-Man is a much more established character. Because of that, I’m going to be a little more cautious and predict a $125 million opening weekend. This is still simply fantastic and the only downside is Sony and Disney have to work together to make this work in the long term. This is Sony’s second best domestic opening of all time. (Spider-Man 3 is the only one that beats it.) It could open with more than last year’s number one domestic hit for the studio, Ghostbusters, earned in total. Sony has a lot of reasons to work with Disney to keep Spider-Man in the MCU. More...

Weekend Predictions: Spider-Man’s Coming Home to the MCU

July 6th, 2017

Spider-Man: Homecoming

Spider-Man: Homecoming is the only film opened wide this weekend and that should help it dominate the box office. In fact, it should have the biggest opening since Guardians of the Galaxy Vol 2. The competition will put a dent in Despicable Me 3’s box office during the weekend, but even so, it will likely break even sometime over the weekend. This weekend last year had The Secret Life of Pets at the top with just over $100 million, while there were four other films earning $10 million or more. Spider-Man: Homecoming should top The Secret Life of Pets, but the depth this year won’t be as good. If 2017 does lose the year-over-year competition, then its lead over 2016 could evaporate completely. More...

International Box Office: Despicable Me Wrestles Top Spot from Optimus Prime with $98.8 million

July 6th, 2017

Despicable Me 3

Despicable Me 3 dominated the international box office almost as much as it dominated the domestic box office earning $98.8 million on 8,525 screens in 52 markets for totals of $121.1 million international and $171.2 worldwide. Its biggest opening came from the U.K., where it earned $14.50 million in 608 theaters, while Mexico wasn’t far behind with $12.34 million. However, arguably its most impressive opening came in Brazil where it earned $7.5 million, which is the best opening for an animated film in that market. The film has already made enough to pay for its $75 million production budget, so it is a monster hit. However, its decline from Minions means Universal is more likely to make a second and third Minions movie rather than a fourth Despicable Me. As someone who prefers the Despicable Me movies, this is disappointing. On the other hand, I recognize I’m not in the target demographic for these films, so I really shouldn’t have a say in these things. More...

Contest: Me Me Me: Winning Announcement

July 6th, 2017

Despicable Me 3

The winners of our Me Me Me contest were determined and the entrants with the closest predictions for Despicable Me 3’s opening weekend were... More...

Theater Averages: Little Hours has Large $30,780 Opening

July 6th, 2017

The Little Hours

The Little Hours led the way on the theater average chart with an average of $30,780 in two theaters. This is Gunpowder and Sky’s first release, which makes its first place finish even more impressive. Last week’s winner, The Big Sick, held on well in second place with an average of $23,267 in 71 theaters. The only other film in the $10,000 club was the overall first place film, Despicable Me 3, which earned an average of $15,993. More...

Weekend Wrap-Up: Is Despicable Becoming Disposable after $72.43 million Opening?

July 5th, 2017

Despicable Me 3

The weekend box office chart was as predicted, at least in terms of the order. Most of the new releases / top five had weaker openings / sharper declines. Despicable Me 3 still led the way, but with a more subdued $72.43 million. Baby Driver is hoping to earn that much in total after a $20.55 million / $29.58 million opening. This is almost as much as it cost to make. The House, on the other hand, was DOA with just $8.72 million. On the positive side, Monday and Tuesday were much stronger than usual, so rather than looking at the weekend box office and saying it is weaker than anticipated, we could instead say the weekend box office was stretched out over five days. Overall, the box office grew 20% from last week to $169 million. This is down 11% from the same weekend last year, but again, one could argue this is due to a misalignment in the Independence Day holiday. Year-to-date, 2017 is still ahead of 2016, but the lead shrank to under $30 million at $5.64 billion to $5.61 billion. More...

Revised Weekend Estimates: Despicable Shrinks to $72.41 million

July 3rd, 2017

Despicable Me 3

The combination of Canada Day and Independence Day has resulted in some studios not releasing the weekend final numbers today. Some are releasing final numbers, some have updated Sunday’s estimates, while others are just waiting until Wednesday for final results. Despicable Me 3 is in the middle category, as Universal revised its estimate downwards to $72.41 million. This is still a great opening, but it is also a troubling trajectory, as it has fallen a lot from Friday’s Estimates, when it looked like it was going to hit $83 million. Granted, this is still the sixth-biggest opening of the year, so Universal has reason to celebrate, but its internal multiplier suggests short legs for a family film. I think this is a case of franchise fatigue, as its reviews were good, even if they were not as good as the previous Despicable Me films. More...

Weekend Estimates: Despicable Me’s Solid $75 Million Starts July 4 Holiday Week

July 2nd, 2017

Despicable Me 3

With July 4 falling on a Tuesday this year, this is less a holiday weekend, and more the beginning of a holiday week, and it’s bookended by new releases from two of the industry’s most reliable franchises. Despicable Me 3 starts off festivities this weekend with a solid-but-unspectacular $75.4 million from a record-setting 4,529 theaters. Breaking The Twilight Saga: Eclipse’s record for widest opening weekend of all time is no small feat for Universal, but it’s an ominous sign for the franchise that the only film to open in close to this number of theaters and pull in similar numbers at the box office was Shrek Forever After, which opened with $70.8 million in 4,359 theaters back in 2010. That was the last Shrek movie, and this might be a good time for Gru to call it a day. More...

Friday Estimates: Despicable Me 3’s $29.2 million Debut is Top Animated Day of the Year

July 1st, 2017

Despicable Me 3

As expected, Despicable Me 3 earned first place at the box office on Friday with $29.2 million. This is the best single day for an animated film this year. To emphasize, this isn’t just the best opening day, but the best single day, and it should top that on Saturday. The previous record was $23.00 million, earned by The Lego Batman Movie. This film’s reviews are not as good as The Lego Batman Movie’s reviews are (they both earned A minuses from CinemaScore) so it won’t have the same legs. That said, an $83 million opening is still a great start and roughly on par with Despicable Me 2. More...

Thursday Night Previews: Despicable Me 3 Finds $4.1 million During Previews

June 30th, 2017

Despicable Me 3

Despicable Me 3 earned $4.1 million during previews last night, which is both good and bad. It is the best previews for an animated film this year, topping the $2.8 million Cars 3 earned earlier this month. However, it is weaker than the $4.7 million Despicable Me 2 earned and that film was a Wednesday release, so that would have depressed its previews even more, which makes this comparison even worse for Despicable Me 3. The Secret Life of Pets opened on a Friday and earned $5.3 million during its previews. If we use that film as a gauge, then Despicable Me 3 will earn $81 million over the weekend. Despicable Me 3 has earned weaker reviews than those The Secret Life of Pets earned, while it is also a sequel, which tends to hurt legs. We predicted $82 million, but that might be a little optimistic now. It should come close, on the other hand. More...

Weekend Predictions: Can Despicable have a Picable Opening?

June 29th, 2017

Despicable Me 3

Despicable Me 3 should dominate the box office this weekend, which is good news, because the last few weeks have been underwhelming. In fact, we haven’t had a monster hit since Wonder Woman started the month off with a bang. The House is an R-rated comedy, but since the last such film to come out bombed, I’m a little worried about its chances. Baby Driver opened on Wednesday and its early numbers are promising. It won’t be a $100 million hit, but it should earn a solid profit for Sony. This weekend last year, there were no monster hits at the box office, but there was solid depth. This weekend, we should be much stronger on top, while the depth won’t be that much weaker, leading to 2017 ending its mini-losing streak. More...

International Box Office: Last Knight Shines Bright with $196.2 million

June 29th, 2017

Transformers: The Last Knight

Transformers: The Last Knight dominated the international box office chart earning $196.2 million in 40 markets, picking up first place in each of those markets. There’s good news and bad news. Good news, this is slightly ahead of Age of Extinction’s combined opening in these markets. Bad news, most of it came from China, where studios only get 25% of the box office, instead of an average 40% in other international markets. The Chinese debut was impressive, $127.24 million on 7,800 screens, including previews. It also did well in South Korea with $9.53 million on 1,727 screens over the weekend for a total opening of $12.87 million. It was nearly as potent in Russia with $8.45 million on 1,456 screens. On the other hand, its openings in the U.K. ($5.90 million in 577 theaters) and in Australia ($3.39 million on 539 screens) were actually worse than its opening here, given the relative size of the markets involved. The film has yet to open in several major markets, including France, where it opens this weekend, so it should remain active on the international chart for a while. More...

Contest: Go Go Power Prizes: Winning Announcement

June 28th, 2017

Power Rangers

The winners of our Go Go Power Prizes contest were determined and the entrants with the closest predictions for Transformers: The Last Knight’s opening weekend were... More...

Contest: Me Me Me

June 23rd, 2017

Despicable Me 3

Despicable Me 3 is going to win next weekend’s box office race. There’s no doubt about that. In fact, it will make more than Baby Driver and The House will make combined. Because of this, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Despicable Me 3.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

International Box Office: The Mummy Tumbles, Still Tops Chart with $53.0 million

June 22nd, 2017

The Mummy

The Mummy remained on top of the international box office chart, but it fell more than 60% to $53.0 million in 68 markets for totals of $239.1 million internationally and $296.2 million worldwide. The film opened in first place in France, but with just $3.0 million on 615 screens. Its biggest market overall was China, where it was down 77% to $11.63 million over the weekend for a two-week total of $81.62 million. Its best market is arguably South Korea, where it added $3.73 million on 933 screens over the weekend for a two-week total of $23.64 million. The only major market left for the film is Japan, where it opens at the end of the month. It is on pace for about $400 million worldwide, which is not enough to pay for its $195 million production budget. Even if it is a bigger than expected hit on the home market, it will have trouble covering its combined production and advertising budget, which is at least $300 million. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

Despicable Me 3 Trailer

March 14th, 2017

Animated adventure with the voice of Steve Carell opens June 30 ... Full Movie Details. More...

Despicable Me 3 Trailer

December 14th, 2016

Animated adventure threequel opens June 30 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/30 1 $72,434,025   4,529 $15,993   $72,434,025 3
2017/07/07 2 $33,580,425 -54% 4,535 $7,405   $148,771,085 10
2017/07/14 3 $19,357,565 -42% 4,155 $4,659   $188,399,715 17
2017/07/21 6 $13,012,050 -33% 3,525 $3,691   $213,620,275 24
2017/07/28 7 $7,592,560 -42% 3,030 $2,506   $230,292,465 31
2017/08/04 10 $5,429,735 -28% 2,445 $2,221   $240,920,645 38
2017/08/11 12 $3,129,420 -42% 2,013 $1,555   $247,735,865 45

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/30 1 $29,005,340   4,529 $6,404   $29,005,340 1
2017/07/01 1 $24,330,080 -16% 4,529 $5,372   $53,335,420 2
2017/07/02 1 $19,098,605 -22% 4,529 $4,217   $72,434,025 3
2017/07/03 1 $13,857,900 -27% 4,529 $3,060   $86,291,925 4
2017/07/04 1 $12,728,355 -8% 4,529 $2,810   $99,020,280 5
2017/07/05 1 $7,990,315 -37% 4,529 $1,764   $107,010,595 6
2017/07/06 1 $8,180,065 +2% 4,529 $1,806   $115,190,660 7
2017/07/07 2 $11,374,145 +39% 4,535 $2,508   $126,564,805 8
2017/07/08 2 $12,945,530 +14% 4,535 $2,855   $139,510,335 9
2017/07/09 2 $9,260,750 -28% 4,535 $2,042   $148,771,085 10
2017/07/10 2 $4,370,545 -53% 4,535 $964   $153,141,630 11
2017/07/11 2 $6,717,600 +54% 4,535 $1,481   $159,859,230 12
2017/07/12 2 $4,661,250 -31% 4,535 $1,028   $164,520,480 13
2017/07/13 2 $4,521,670 -3% 4,535 $997   $169,042,150 14
2017/07/14 3 $6,276,050 +39% 4,155 $1,510   $175,318,200 15
2017/07/15 3 $7,561,045 +20% 4,155 $1,820   $182,879,245 16
2017/07/16 3 $5,520,470 -27% 4,155 $1,329   $188,399,715 17
2017/07/17 3 $2,646,135 -52% 4,155 $637   $191,045,850 18
2017/07/18 3 $3,995,335 +51% 4,155 $962   $195,041,185 19
2017/07/19 3 $2,788,330 -30% 4,155 $671   $197,829,515 20
2017/07/20 3 $2,778,710 n/c 4,155 $669   $200,608,225 21
2017/07/21 6 $3,827,220 +38% 3,525 $1,086   $204,435,445 22
2017/07/22 6 $5,222,685 +36% 3,525 $1,482   $209,658,130 23
2017/07/23 6 $3,962,145 -24% 3,525 $1,124   $213,620,275 24
2017/07/24 5 $2,326,850 -41% 3,525 $660   $215,947,125 25
2017/07/25 5 $2,853,225 +23% 3,525 $809   $218,800,350 26
2017/07/26 5 $1,943,435 -32% 3,525 $551   $220,743,785 27
2017/07/27 5 $1,956,120 +1% 3,525 $555   $222,699,905 28
2017/07/28 7 $2,358,750 +21% 3,030 $778   $225,058,655 29
2017/07/29 7 $3,148,140 +33% 3,030 $1,039   $228,206,795 30
2017/07/30 7 $2,085,670 -34% 3,030 $688   $230,292,465 31
2017/07/31 7 $1,058,875 -49% 3,030 $349   $231,351,340 32
2017/08/01 7 $1,607,280 +52% 3,030 $530   $232,958,620 33
2017/08/02 7 $1,262,250 -21% 3,030 $417   $234,220,870 34
2017/08/03 6 $1,270,040 +1% 3,030 $419   $235,490,910 35
2017/08/04 10 $1,676,175 +32% 2,445 $686   $237,167,085 36
2017/08/05 10 $2,214,040 +32% 2,445 $906   $239,381,125 37
2017/08/06 10 $1,539,520 -30% 2,445 $630   $240,920,645 38
2017/08/07 7 $1,108,790 -28% 2,445 $453   $242,029,435 39
2017/08/08 8 $1,153,415 +4% 2,445 $472   $243,182,850 40
2017/08/09 8 $784,500 -32% 2,445 $321   $243,967,350 41
2017/08/10 8 $639,095 -19% 2,445 $261   $244,606,445 42
2017/08/11 12 $882,970 +38% 2,013 $439   $245,489,415 43
2017/08/12 12 $1,343,320 +52% 2,013 $667   $246,832,735 44
2017/08/13 12 $903,130 -33% 2,013 $449   $247,735,865 45
2017/08/14 11 $446,620 -51% 2,013 $222   $248,182,485 46
2017/08/15 11 $683,440 +53% 2,013 $340   $248,865,925 47

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/30 1 $115,190,660   4,529 $25,434   $115,190,660 7
2017/07/07 2 $53,851,490 -53% 4,535 $11,875   $169,042,150 14
2017/07/14 3 $31,566,075 -41% 4,155 $7,597   $200,608,225 21
2017/07/21 6 $22,091,680 -30% 3,525 $6,267   $222,699,905 28
2017/07/28 7 $12,791,005 -42% 3,030 $4,221   $235,490,910 35
2017/08/04 10 $9,115,535 -29% 2,445 $3,728   $244,606,445 42

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/30/2017 $4,400,000 0 200 910 $23,600,000 8/16/2017
Australia 6/16/2017 $4,491,546 470 478 3198 $25,501,998 8/14/2017
Austria 7/7/2017 $1,040,860 89 91 449 $4,040,527 8/10/2017
Belgium 7/7/2017 $1,388,691 175 175 724 $5,251,041 8/10/2017
Brazil 6/30/2017 $7,500,000 0 659 3136 $38,300,000 8/16/2017
Bulgaria 6/30/2017 $144,991 0 0 0 $841,945 8/16/2017
Chile 6/29/2017 $0 0 64 318 $7,089,037 8/10/2017
China 7/1/2017 $64,810,000 118733 118733 238686 $154,040,000 8/16/2017
Colombia 6/29/2017 $0 0 192 834 $6,959,709 8/10/2017
Croatia 6/29/2017 $0 0 28 98 $570,672 8/10/2017
Czech Republic 7/7/2017 $64,939 48 162 715 $2,973,683 8/15/2017
Denmark 6/29/2017 $0 0 103 453 $4,336,916 8/10/2017
Estonia 6/30/2017 $304,000 0 0 0 $304,000 7/11/2017
Finland 6/30/2017 $0 0 227 773 $3,383,129 8/10/2017
France 7/7/2017 $11,419,453 632 840 3243 $36,100,000 8/16/2017
Germany 7/7/2017 $8,726,214 761 784 3846 $38,100,000 8/16/2017
Hong Kong 6/29/2017 $0 0 44 201 $6,790,254 8/10/2017
Hungary 6/29/2017 $0 0 75 320 $2,571,399 8/10/2017
Iceland 7/7/2017 $129,000 18 18 18 $129,000 7/11/2017
Indonesia 7/14/2017 $3,500,000 0 0 0 $3,500,000 7/24/2017
Israel 6/29/2017 $0 0 38 180 $4,654,789 8/10/2017
Japan 7/21/2017 $6,759,820 375 376 751 $38,700,000 8/16/2017
Latvia 6/30/2017 $240,000 0 0 0 $240,000 7/11/2017
Lithuania 6/30/2017 $237,125 375 375 1298 $928,912 8/15/2017
Malaysia 6/15/2017 $0 0 134 457 $3,903,986 8/10/2017
Mexico 6/30/2017 $12,337,353 0 779 779 $34,700,000 8/16/2017
Middle East Region 6/30/2017 $0 0 0 0 $8,600,000 8/1/2017
Netherlands 6/28/2017 $1,891,271 415 424 2561 $10,400,000 8/16/2017
New Zealand 6/23/2017 $322,667 75 131 832 $3,807,110 8/14/2017
Norway 6/30/2017 $0 0 126 400 $3,452,691 8/10/2017
Panama 6/29/2017 $0 0 144 605 $6,456,268 8/10/2017
Peru 6/29/2017 $0 0 96 429 $5,834,430 8/10/2017
Philippines 6/14/2017 $0 0 122 130 $3,411,022 7/20/2017
Poland 6/30/2017 $0 0 245 1019 $8,697,404 8/10/2017
Portugal 6/30/2017 $607,316 114 118 580 $2,993,129 8/10/2017
Russia (CIS) 6/30/2017 $9,329,618 1518 1525 8139 $25,400,000 8/16/2017
Singapore 6/15/2017 $0 0 70 167 $3,753,935 8/10/2017
Slovakia 7/7/2017 $24,054 21 78 345 $1,435,393 8/15/2017
Slovenia 8/3/2017 $154,668 19 19 19 $216,831 8/10/2017
South Africa 6/30/2017 $0 0 117 537 $3,320,575 8/10/2017
South Korea 7/20/2017 $0 0 1057 2503 $20,048,786 8/16/2017
Spain 6/30/2017 $5,539,331 713 791 3519 $21,800,000 8/16/2017
Sweden 6/30/2017 $0 0 144 568 $5,687,383 8/10/2017
Switzerland 7/7/2017 $1,425,502 112 112 488 $5,449,874 8/10/2017
Taiwan 6/30/2017 $0 0 164 595 $5,909,147 8/10/2017
Thailand 6/15/2017 $0 0 102 168 $1,699,415 8/10/2017
Trinidad 7/7/2017 $116,000 17 17 17 $116,000 7/11/2017
United Kingdom 6/30/2017 $14,496,301 608 645 4316 $54,072,470 8/16/2017
Venezuela 6/30/2017 $0 0 73 365 $1,515,342 8/10/2017
 
Rest of World $20,180,941
 
International Total$671,769,143 8/16/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.