|As an Actor||Leading||24||$1,768,294,065||$1,744,938,288||$3,513,232,353|
|Lead Ensemble Member||5||$235,318,202||$173,010,598||$408,328,800|
|In Technical Roles||Producer||11||$492,869,237||$217,330,593||$710,199,830|
|Best known as a Leading Actor based on credits in that role in 24 films, with $3,513,232,353 worldwide aggregate box office (rank #53)|
|Best-Known Acting Roles: Cade Yeager (Transformers: Age of Extinction), John Bennett (Ted), Dusty (Daddy’s Home), Cade Yeager (Transformers: The Last Knight), Marcus Luttrell (Lone Survivor)|
|Best-Known Technical Roles: Lone Survivor (Producer), The Fighter (Producer), Deepwater Horizon (Producer), Contraband (Producer), Prisoners (Executive Producer)|
|Most productive collaborators: Seth MacFarlane, Will Ferrell, Mila Kunis, Michael Bay, Alec Sulkin|
|Born: June 5th, 1971 (46 years old)|
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
January 1st, 2017
December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison.
September 29th, 2016
Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison.
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
March 21st, 2016
This week, there are not many releases to talk about and one of them, The Hunger Games: Mockingjay - Part 2, is dominating the list so much that I could ignore the rest of the list and very little of substance would be lost. I'm not going to do that, but I could. The Box Set is a contender for Pick of the Week, but I'm still waiting for the screener. City Lights is another contender for Pick of the Week, but in the end, I went with the Canadian movie, Mountain Men on DVD, which is Puck of the Week.
December 27th, 2015
The Star Wars juggernaut continues to roll through box office records all around the world this weekend. It will pass $1 billion globally today, Sunday, in just its 12th day in release—one day faster than Jurassic World. That blockbuster figure is largely thanks to an incredible $544 million after just ten days domestically, far ahead of Jurassic World’s $402 million at the same point in its run. The Force Awakens has now broken records for every milestone from $50 million to $500 million, with more to fall. The current record for fastest to $550 million is also Jurassic World, which reached the mark in 24 days. Star Wars will do it in eleven. After that, we will start looking at some serious all-time records.
December 23rd, 2015
There are five wide releases / wide expansions this week, none of which will even come close to Star Wars: The Force Awakens' second weekend of release. The rest of the box office combined won't come close to The Force Awakens' sophomore stint. It looks like Daddy's Home has the advantage for second place, while Joy should be close behind. The Big Short expands wide on Wednesday and its five-day total should be close to the previous two films' three-day totals. On the downside, it looks like both Concussion and Point Break will open on the outside of the top five. The Force Awakens will make more than the entire top ten made this weekend last year, so 2015 will end the year on a very positive note in the year-over-year comparison.
December 1st, 2015
November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
June 1st, 2015
May turned out to be softer than anticipated with The Avengers: Age of Ultron missing expectations by about $100 million. Additionally, only Pitch Perfect 2 really topped expectations. May 2015 kept pace with May of 2014, more or less. June doesn't have any films as strong as Age of Ultron, but there are two films that should have no trouble getting to $200 million. Those two films are Jurassic World and Inside Out and I'm not sure which one will turn out to be the biggest hit of the month. Last June, the biggest hit was Transformers: Age of Extinction, but both Jurassic World and Inside Out should top that film, albeit by small margins. On the other hand, last June had four other films that reached $100 million, while this time around only Spy! and Ted 2 have a real shot at that milestone. 2015 is stronger at the top, but has weaker depth. It will be interesting to see if 2015 will keep pace with 2014 over the course of the full month.
September 29th, 2014
If you look at our list of franchises, none have made more money in as few installments as Transformers has earned. On the other hand, if you look at the top ten franchises, none of them have earned as much critical scorn as the Transformers films have earned. Only the first one managed to come close to overall positive reviews. Depending on who you talk to, the most recent installment, Transformers: Age of Extinction, has been called the best of the sequels or the worst of the sequels. Which camp do I fall under?
June 1st, 2014
Lone Survivor came out for an Oscar-qualifying run late in December of 2013, which seemed odd, because it didn't look like the typical Oscar-bait movie. However, it actually picked up a couple of Oscar nominations (for technical categories) and more impressively earned a WGA nomination for Best Adapted Screenplay, as well as SAG Award for Best Stunts. This lifts the expectations, but is this for the best? Does the film truly rise above the action genre?
January 1st, 2014
It's the first month of the new year, but the biggest hit might be a film released in December. Last month ended on a slow note with all five Christmas day releases failing to become hits, some more than others. (It's a little too soon to tell if The Wolf of Wall Street or The Secret Life of Walter Mitty will do well enough to break even any time soon, but neither is a serious hit.) There are still some December releases that will likely remain on the charts through the opening weekends of January, while there are some films that opened in limited release last month with a scheduled wide release this month. Of the purely January releases, I would guess Jack Ryan: Shadow Recruit will be the biggest hit. Even then, it won't live up to the previous films in the franchise, even if you don't take inflation into account. Most of the rest of the new releases will be happy if they can become midlevel hits. Last January was led by Mama, which earned more than $70 million. I think Shadow Recruit will top that figure at the box office, while there are a similar number of likely box office bombs opening this year as there were last year. 2014 could start out ahead of 2013's pace, but it likely won't be a huge difference either way.
December 21st, 2013
PANIC! If you haven't finished your Christmas shopping yet, it is officially time to panic. Personally, I got the last of my shopping done on Wednesday, although I don't think the gift will arrive in time for Christmas. For those still looking for a last minute gift, Part IV of our Holiday Gift Guide focuses on books, CDs, and of course anything else I missed the first time around, beginning with...
August 2nd, 2013
August begins with two films, 2 Guns and The Smurfs 2, one action film and one kids movie. Neither film is likely going to break records, but I think 2 Guns should at least do well enough to be a financial success, eventually. The Smurfs 2 probably won't be a hit here, but its international numbers are looking a lot better. Like this year, this weekend last year there were two wide releases, Total Recall and Diary of a Wimpy Kid: Dog Days, one action film and one kids movie. This year's new releases should easily trump last year's new releases; however, last year the box office was led by The Dark Knight Rises, which will keep the year-over-year comparison a little closer.
August 1st, 2013
July was hit and miss at the box office, mostly miss. In fact, only two films really topped expectations, Despicable Me 2 and The Conjuring. That said, 2013 has nearly closed the gap with 2012 and it won't take much to pull ahead. Looking forward to August, we find that it is a very busy month with 16 or so films opening wide over five weeks. Of course, the closer you get to September, the more likely these films will struggle to find an audience, and more often than not, there are simply too many films opening wide to suspect they will all find an audience. On the high end, 2 Guns could be the biggest hit of the month with just over $100 million. The Smurfs 2 and Elysium could pull in $100 million. All three of those films are opening in the first two weeks of the month. After that, most of the new releases will be lucky if they reach $50 million during their theatrical runs. By comparison, last August was not as busy with 14 wide releases. Of those, only one film, The Bourne Legacy, topped $100 million, although a couple came reasonably close. Hopefully we will have more $100 million hits this time around and 2013 will be able to complete the comeback.
April 25th, 2013
It is the final weekend before the Summer blockbuster season, which means the new releases this weekend are not prime releases. Pain and Gain at least has a shot at first place. Most think The Big Wedding won't crack $10 million during the weekend. The only good news is that last year was also a bad week at the box office. The biggest new release was The Pirates! Band of Misfits, which had to settle for second place with just $11.14 million, while Think Like a Man remained in first place with $17.60 million. I think 2013's one-two-punch will top 2012's one-two punch. However, last year had better depth and 2013 will again lose in the year-over-year comparison.
April 1st, 2013
March is over and while it is a little too soon to tell where a few films will end their box office runs, it is clear Oz The Great and Powerful won the month. Some films beat expectations to become midlevel hits, like The Call, but it wasn't a great month at the box office, especially compared to last year. This month, there are only seven wide releases spread over four weeks. Only one of those films, Oblivion, has a shot at being anything more than a midlevel hit. None of the other six releases look like they will come close to $100 million, but none of them look like obvious bombs either. (Although I do have my worries when it comes to Scary Movie 5.) Last April was even weaker with no film earning $100 million, although Think Like a Man did come relatively close. We might actually see growth on the year-over-year comparison. We'd better, because 2013 is behind 2012's pace by a huge margin at the moment and things will get worse when May arrives.
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
|12/22/2017||The Six Billion Dollar Man||Steve Austin||$0||$0||$0|
|11/10/2017||Daddy’s Home 2||Dusty Mayron||$0||$0||$0|
|6/21/2017||Transformers: The Last Knight||Cade Yeager||$130,120,862||$471,000,000||$601,120,862|
|12/21/2016||Patriots Day||Sgt. Tommy Saunders||$31,886,361||$12,496,669||$44,383,030|
|9/30/2016||Deepwater Horizon||Mike Williams||$61,433,527||$52,178,139||$113,611,666|
|6/26/2015||Ted 2||John Bennett||$81,284,830||$135,737,758||$217,022,588|
|12/10/2014||The Gambler||Jim Bennett||$33,680,992||$5,037,039||$38,718,031|
|6/27/2014||Transformers: Age of Extinction||Cade Yeager||$245,439,076||$858,600,000||$1,104,039,076|
|1/10/2014||Lone Survivor||Marcus Luttrell||$125,095,601||$24,709,031||$149,804,632|
|8/2/2013||2 Guns||Marcus "Stig" Stigman||$75,612,460||$56,880,555||$132,493,015|
|4/26/2013||Pain & Gain||Danny Lugo||$49,875,291||$31,400,000||$81,275,291|
|1/18/2013||Broken City||Billy Taggart||$19,701,164||$14,778,881||$34,480,045|
|12/31/2011||The Brazilian Job||Charlie Croker||$0||$0||$0|
|12/10/2010||The Fighter||Mickey Ward||$93,617,009||$35,645,379||$129,262,388|
|8/6/2010||The Other Guys||Terry Hoitz||$119,219,978||$51,716,492||$170,936,470|
|4/9/2010||Date Night||Fichtner Holbrooke||$98,711,404||$53,557,629||$152,269,033|
|12/11/2009||The Lovely Bones||Jack Salmon||$44,114,232||$50,780,216||$94,894,448|
|10/17/2008||Max Payne||Max Payne||$40,687,294||$45,074,495||$85,761,789|
|6/13/2008||The Happening||Elliot Moore||$64,506,874||$98,271,510||$162,778,384|
|10/12/2007||We Own the Night||Joseph Grusinsky||$28,563,179||$26,744,678||$55,307,857|
|3/23/2007||Shooter||Bob Lee Swagger||$47,003,582||$48,534,978||$95,538,560|
|8/12/2005||Four Brothers||Bobby Mercer||$74,494,381||$18,000,000||$92,494,381|
|10/1/2004||I Heart Huckabees||Tommy Corn||$12,784,713||$7,250,000||$20,034,713|
|5/30/2003||The Italian Job||Charlie Croker||$106,126,012||$70,136,827||$176,262,839|
|10/25/2002||The Truth About Charlie||Joshua Peters||$5,303,000||$700,000||$6,003,000|
|9/7/2001||Rock Star||Chris Cole||$16,991,902||$2,325,863||$19,317,765|
|7/27/2001||Planet of the Apes||Leo Davidson||$180,011,740||$182,200,000||$362,211,740|
|10/20/2000||The Yards||Leo Handler||$882,710||$1,400,000||$2,282,710|
|6/30/2000||The Perfect Storm||Bobby Shatford||$182,618,434||$146,093,000||$328,711,434|
|10/1/1999||Three Kings||Troy Barlow||$60,652,036||$47,100,000||$107,752,036|
|3/12/1999||The Corruptor||Danny Wallace||$15,164,492||$0||$15,164,492|
|4/24/1998||The Big Hit||Melvin Surley||$27,066,941||$0||$27,066,941|
|10/10/1997||Boogie Nights||Eddie Adams/Dirk Diggler||$26,410,771||$16,700,954||$43,111,725|
|4/21/1995||The Basketball Diaries||Mickey||$2,381,087||$0||$2,381,087|
|6/3/1994||Renaissance Man||Private Tommy Lee Haywood||$24,172,899||$0||$24,172,899|
|12/22/2017||The Six Billion Dollar Man||Producer||$0||$0||$0|
|4/5/2016||Stealing Cars||Executive Producer||$0||$0||$0|
|10/12/2007||We Own the Night||Producer||$28,563,179||$26,744,678||$55,307,857|
|4/24/1998||The Big Hit||Song Writer||$27,066,941||$0||$27,066,941|