Australia Box Office for Escape Room (2019)

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Escape Room
Theatrical Performance (US$)
Australia Box Office $2,829,227Details
Worldwide Box Office $155,615,727Details
Home Market Performance
North America DVD Sales $1,223,754 Details
North America Blu-ray Sales $1,565,197 Details
Total North America Video Sales $2,788,951
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Six strangers find themselves in circumstances beyond their control and must use their wits to find the clues or die.

Metrics

Movie Details

Production Budget:$9,000,000
Australia Releases: February 8th, 2019 (Wide)
Video Release: April 9th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for terror/perilous action, violence, some suggestive material and language.
(Rating bulletin 2555 (Cert #51440), 11/28/2018)
Running Time: 109 minutes
Franchise: Escape Room
Keywords: Ensemble, Escape, Trapped, Corporate Malfeasance, Surprise Twist, Non-Chronological, Dream Sequence, Nightmare, Psychological Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Original Film, Columbia Pictures
Production Countries: United States
Languages: English

Home Market Releases for April 23rd, 2019

April 24th, 2019

A Face in the Crowd

It is another slow week on the home market, but that gave me a chance to complete a couple of late reviews. The best release on this week’s list is A Face in the Crowd and it is the Pick of the Week. However, both of the late reviews, On the Basis of Sex and Willie Dynamite, are worth picking up. More...

International Box Office: Captain Marvel Hits $750 million Worldwide in Two Weeks

March 20th, 2019

Captain Marvel

Captain Marvel continued to dominated the competition earning first place on the international chart with $119.7 million in 54 markets for totals of $494.0 million internationally and $758.9 million worldwide. This is already ahead of 10 previous installments in the MCU. The film opened in its last market, Japan, earning first place with $5.6 million. It also earned $23.83 million in China for a two-week total of $131.84 million. This is down by 72% from its opening weekend, which is a sharp decline, even for China, but not a disaster. The film held on better in the rest of the international markets; in fact, on average, it held on better than it did here. This puts $1 billion worldwide within reach, likely by next week, and it might even reach the top five for the MCU. More...

International Box Office: Dragons Regain Top Spot

March 7th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World returned to first place on the international chart in almost exactly a month. It earned $54.9 million in 60 markets for totals of $280.9 million internationally and $378.6 million worldwide. The film debuted in first place in China with $33.38 million in approximately 10,000 theaters. It has yet to open in Japan and could break even before it gets there. It depends on how long its legs are and how much its advertising budget was. More...

Weekend Wrap-Up: Upside Surprises Landing on Top Earning STX its First First Place

January 15th, 2019

The Upside

The first major surprise of the year happened over the weekend, as The Upside beat expectations earning first place with $20.36 million. The overall box office fell 14% from last weekend dropping to $119 million. This is 25% lower than the same weekend last year, but that was MLK Day long weekend, so this kind of difference was expected. More...

Weekend Estimates: Upside Surprises as Box Office Slows

January 13th, 2019

The Upside

It wasn’t exactly a great weekend at the box office, but The Upside was the rare exception. The film is estimated to open with $19.59 million. The audiences clearly liked the film better than critics did, as its reviews are mixed, while it got an A from CinemaScore. This makes sense, as the most common complaint from critics were the clichés. The average moviegoer only sees one movie in a theater every other month, whereas the average critic will see two or more movies a week. Clichés are a lot less tolerable when you see them ten times as often as part of your job. The film’s estimates are much better than its predictions and great for a film that cost $37.5 million to make. Furthermore, the news is even better for STX Entertainment, as they didn’t spend nearly that much on the domestic rights, so they will be in the black very soon. More...

Friday Estimates: Box Office is Turned Upside Down

January 12th, 2019

The Upside

The Upside surprised box office analysts with $6.95 million on Friday, knocking Aquaman out of first place on the daily chart. This is very likely enough to knock it out of first place on the weekend chart as well, becoming STX’s first number one hit. Most critics didn’t like the movie, but few hated it. Audiences, on the other hand, loved the movie, giving it an A from CinemaScore. If this translates into long legs, then it could earn first place with as much as $20 million, but $19 million is more likely at this point. More...

Weekend Predictions: Is Dog’s Home at the Top of the Box Office?

January 10th, 2019

A Dog’s Way Home

There are three or four new releases that should reach the top ten, depending on how you look at things. A Dog’s Way Home is by far the biggest of these and has a not unreasonable shot at opening in first place. I think Aquaman will defend its crown, but it should at least be close. The Upside is the only other new release with a better than 50/50 shot of earning a spot in the top five. Replicas, on the other hand, is widely expected to bomb. The last “new” release is On the Basis of Sex, which is expanding nearly truly wide and it has an outside chance of earning a spot in the top five. This weekend last year was MLK Day long weekend. If 2019 doesn’t lose the year-over-year comparison by more than 20%, then it will be a reason to celebrate. More...

Weekend Wrap-Up: Aquaman Leads the Way, While Most of Top Five Thrives

January 8th, 2019

Aquaman

It was a good weekend at the box office as four of the top five films beat expectations. This includes Aquaman, which led the way with $31.00 million. Overall, the weekend was down by 26% from last weekend, falling to $138 million, but this was a post-holiday weekend, so this was to be expected. Compared to the same weekend last year, 2019 got off to a 16% slower start. More...

Weekend Estimates: Aquaman Completes Threepeat, Escape Room Thrives

January 6th, 2019

Aquaman

Aquaman is holding on even better than expected with an estimated $30.7 million over the weekend for a total of $259.7 million after three weeks of release. The film will have no trouble topping $300 million domestically, and it might be able to climb a spot or two on the DCEU chart before it is done. Internationally, the film is doing even better with an estimated $56.2 million on 18,900 screens in 79 markets for an international total of $681 million. It is the biggest international hit for a D.C. film, topping The Dark Knight. It has $940.7 million worldwide and will crack $1 billion shortly. More...

Friday Estimates: Aquaman Can’t Escape Top Spot

January 5th, 2019

Aquaman

Aquaman won the race for first place on the Friday box office chart, although it wasn’t as easy as originally expected. The film earned $9.3 million on Friday, lifting its running tally to $238.3 million after 15 days of release. It is on pace for $30 million over the weekend and $300 million in total. More...

Thursday Night Previews: Room Escapes Limited Expectations

January 4th, 2019

Escape Room

Escape Room started its box office run with $2.3 million in previews. This is more than Insidious: The Last Key opened with last year and about double what I was anticipating. It is such a large leap from expectations that it is hard to judge where it goes from here. Its reviews suggest better than average legs for a low-budget horror movie, but we will have to wait till this time tomorrow to have a real idea of where it will go. More...

Weekend Predictions: Can Escape Find Room in the Top Five?

January 3rd, 2019

Escape Room

It is the first weekend of 2019 and there are not many new releases to talk about. In fact, there’s just one: Escape Room. It should do relatively well, given its low-budget nature, but it won’t knock Aquaman out of first place. In fact, it very likely won’t knock Mary Poppins Returns out of second place. This weekend last year, Insidious: The Last Key opened with nearly $30 million and it wasn’t even able to earn first place. This year, no film will match The Last Key, so 2019 will start on a losing note. More...

Preview: January

January 1st, 2019

Glass

December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases. More...

Escape Room Trailer

November 5th, 2018

Horror movie opens January 4 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/08 1 $936,432   204 $4,590   $936,432 1
2019/02/15 4 $541,618 -42% 200 $2,708   $1,729,952 2
2019/02/22 5 $374,273 -31% 202 $1,853   $2,225,069 3
2019/03/01 10 $221,619 -41% 185 $1,198   $2,516,097 4
2019/03/08 12 $96,783 -56% 130 $744   $2,649,168 5
2019/03/15 17 $48,551 -50% 68 $714   $2,745,912 6
2019/03/22 - $25,993 -46% 32 $812   $2,811,866 7
2019/03/29 - $7,143 -73% 12 $595   $2,826,115 8
2019/04/05 - $1,540 -78% 4 $385   $2,829,227 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/7/2019 $159,979 116 116 289 $476,400 4/27/2019
Aruba 1/3/2019 $2,191 1 1 2 $12,466 1/23/2019
Australia 2/8/2019 $936,432 204 204 1037 $2,829,227 4/10/2019
Austria 3/1/2019 $205,111 67 67 412 $871,247 6/25/2019
Bahrain 2/28/2019 $126,920 11 11 54 $487,900 6/4/2019
Belgium 2/6/2019 $295,135 44 51 449 $1,827,413 5/15/2019
Bolivia 2/7/2019 $20,196 20 20 44 $53,718 2/28/2019
Brazil 2/7/2019 $846,989 451 451 1328 $2,145,366 4/16/2019
Bulgaria 1/11/2019 $59,186 51 51 98 $248,915 4/16/2019
Cambodia 1/7/2019 $11,819 55 55 84 $42,166 1/29/2019
Central America 1/31/2019 $146,729 154 154 333 $342,731 3/26/2019
Chile 1/31/2019 $101,853 53 53 170 $410,687 3/19/2019
China 1/18/2019 $8,390,000 39755 39755 74573 $34,200,000 3/10/2019
Colombia 1/24/2019 $224,616 187 187 319 $482,866 2/20/2019
Croatia 2/7/2019 $68,507 49 49 154 $240,581 4/10/2019
Curacao 1/3/2019 $8,749 5 5 21 $27,444 2/12/2019
Czech Republic 1/31/2019 $151,184 92 92 238 $432,994 3/25/2019
Dominican Republic 2/7/2019 $0 0 1 3 $31,044 4/24/2019
Ecuador 2/1/2019 $81,810 45 45 147 $268,105 2/26/2019
Egypt 2/27/2019 $66,880 23 23 91 $267,360 5/29/2019
Estonia 1/4/2019 $26,090 13 13 43 $88,737 2/6/2019
France 2/28/2019 $1,884,421 229 306 1580 $6,664,738 5/2/2019
Germany 2/28/2019 $1,213,935 330 464 2815 $5,422,654 6/26/2019
Ghana 2/8/2019 $1,957 4 4 21 $4,876 3/19/2019
Greece 1/3/2019 $145,122 53 53 153 $535,846 2/26/2019
Hong Kong 3/14/2019 $473,620 128 128 341 $1,147,284 4/24/2019
Hungary 1/3/2019 $134,244 41 52 219 $576,078 3/5/2019
Iceland 1/11/2019 $18,755 7 7 17 $48,293 2/20/2019
India 2/1/2019 $222,593 432 432 462 $369,349 2/20/2019
Indonesia 1/11/2019 $716,980 433 433 1082 $2,115,162 2/20/2019
Iraq 2/28/2019 $23,272 8 8 38 $102,492 5/23/2019
Israel 1/31/2019 $146,543 22 25 164 $653,433 6/7/2019
Italy 3/14/2019 $847,054 331 331 346 $1,908,575 4/24/2019
Jamaica 1/2/2019 $11,444 4 4 7 $32,584 1/23/2019
Jordan 2/28/2019 $36,671 5 5 34 $164,572 5/23/2019
Kenya 2/1/2019 $10,881 22 22 68 $32,819 3/12/2019
Kuwait 2/28/2019 $213,183 18 18 49 $574,285 4/18/2019
Latvia 1/4/2019 $16,214 8 8 34 $80,050 2/26/2019
Lebanon 2/28/2019 $59,892 16 16 47 $163,562 6/7/2019
Lithuania 1/4/2019 $61,174 99 99 270 $193,866 2/26/2019
Malaysia 1/24/2019 $372,698 241 241 708 $1,227,214 3/12/2019
Mexico 2/8/2019 $909,685 0 271 309 $1,800,000 3/10/2019
Middle East Region 2/28/2019 $88,161 3 5 17 $335,142 4/24/2019
Mongolia 2/1/2019 $12,460 9 9 41 $78,813 3/5/2019
Netherlands 3/1/2019 $363,951 69 72 478 $1,565,505 6/4/2019
New Zealand 2/21/2019 $122,977 43 45 199 $418,467 3/26/2019
Nigeria 2/8/2019 $18,499 34 37 184 $84,716 3/26/2019
North America 1/4/2019 $18,238,172 2,717 2,717 15,143 $57,000,756 8/5/2021
Oman 2/28/2019 $56,725 16 16 36 $123,877 4/2/2019
Pakistan 1/11/2019 $18,407 35 35 76 $82,762 3/19/2019
Paraguay 2/7/2019 $11,530 17 17 27 $23,765 2/26/2019
Peru 2/7/2019 $176,167 102 102 149 $325,009 2/26/2019
Philippines 2/27/2019 $315,503 204 204 237 $420,233 3/26/2019
Portugal 1/10/2019 $125,253 31 36 142 $500,115 3/26/2019
Qatar 2/28/2019 $154,850 15 15 44 $333,461 4/10/2019
Romania 2/1/2019 $133,933 77 77 245 $414,211 4/24/2019
Russia (CIS) 2/7/2019 $1,668,814 921 921 2506 $3,763,060 4/16/2019
Serbia and Montenegro 1/31/2019 $26,990 26 26 101 $127,418 4/10/2019
Singapore 1/10/2019 $243,424 33 38 141 $719,635 3/5/2019
Slovakia 1/4/2019 $82,266 64 64 155 $205,245 2/12/2019
Slovenia 2/7/2019 $24,924 12 12 71 $106,963 5/2/2019
South Africa 3/22/2019 $47,732 35 35 59 $162,251 4/10/2019
South Korea 3/13/2019 $2,521,717 850 850 1399 $4,416,281 4/16/2019
Spain 3/15/2019 $991,803 315 321 1535 $3,604,963 6/18/2019
Suriname 1/4/2019 $1,189 1 1 3 $4,313 2/1/2019
Sweden 2/1/2019 $207,263 104 104 503 $1,047,310 5/2/2019
Switzerland 3/1/2019 $216,102 56 56 348 $934,938 6/26/2019
Syria 2/28/2019 $10,733 1 2 5 $21,878 3/19/2019
Taiwan 2/27/2019 $279,303 77 77 254 $709,366 4/2/2019
Thailand 1/31/2019 $215,595 130 130 237 $678,432 3/5/2019
Trinidad 1/2/2019 $45,451 15 15 57 $138,442 2/26/2019
Turkey 1/31/2019 $98,776 153 153 410 $326,929 3/9/2019
Ukraine 1/31/2019 $373,717 254 259 756 $955,341 3/19/2019
United Arab Emirates 2/28/2019 $598,183 89 89 213 $1,329,232 4/24/2019
United Kingdom 2/1/2019 $1,074,005 373 373 1547 $3,337,901 4/10/2019
Uruguay 2/7/2019 $19,108 13 13 48 $94,976 5/2/2019
Venezuela 1/25/2019 $152,466 43 43 119 $362,934 3/26/2019
Vietnam 1/4/2019 $184,074 172 172 451 $592,661 2/5/2019
 
Rest of World $663,327
 
Worldwide Total$155,615,727 8/5/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Taylor Russell    Zoey Davis
Logan Miller    Ben Miller
Deborah Ann Woll    Amanda Harper
Jay Ellis    Jason Walker
Tyler Labine    Mike Nolan

Supporting Cast

Nik Dodani    Danny Khan
Yorick van Wageningen    Games Master WooTan Yu
Adam Robitel    Gabe
Kenneth Fok    Detective Li
Jessica Sutton    Allison

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Adam Robitel    Director
Neal H. Moritz    Producer
Ori Marmur    Producer
Maria Melnik    Producer
Bragi Schut    Screenwriter
Maria Melnik    Screenwriter
Bragi Schut    Story by
Rebecca Rivo    Executive Producer
Marc Spicer    Director of Photography
Edward Thomas    Production Designer
Steve Mirkovich    Editor
Brian Tyler    Composer
John Carey    Composer