Russia (CIS) Box Office for ПОТЕРЯННОЕ ЗВЕНО (2019)

← Go to main Missing Link page

Missing Link
Theatrical Performance (US$)
Russia (CIS) Box Office $569,129Details
Worldwide Box Office $25,393,236Details
Home Market Performance
North America DVD Sales $982,610 Details
North America Blu-ray Sales $2,700,124 Details
Total North America Video Sales $3,682,734
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Mr. Link is the slightly silly, surprisingly smart and soulful beast who is the last living remnant of Man’s primitive ancestry, the Missing Link. As species go, he couldn't be more endangered; he’s the last of his kind and he’s lonely. Proposing a daring quest to find his rumored distant relatives, he enlists the help of Sir Lionel Frost, the world’s foremost investigator of myths and monsters, and Adelina Fortnight, who possesses the only known map to the group’s secret destination, in an odyssey around the world to find the fabled valley of Shangri-La.

Metrics

Movie Details

Russia (CIS) Releases: April 4th, 2019 (Wide), released as ПОТЕРЯННОЕ ЗВЕНО
Video Release: July 23rd, 2019 by Fox Home Entertainment
MPAA Rating: PG for action/peril and some mild rude humor.
(Rating bulletin 2552 (Cert #51886), 11/7/2018)
Running Time: 94 minutes
Keywords: Road Trip, Explorer, Character's Journey Shown on Map, Cryptozoology, 3-D, 3-D - Shot in 3-D, 1880s, Bounty Hunter, Professional Rivalry, Family Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Stop-Motion Animation
Creative Type:Kids Fiction
Production/Financing Companies: Laika, Annapurna Pictures
Production Countries: Canada
Languages: English

2020 Awards Season: Oscar Highlight: Best Feature-Length Animated Film

February 3rd, 2020

Toy Story 4

Our annual Oscar Prediction contest is underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Due to a compressed Oscar schedule, and the monthly preview, I have to get all ten Oscar highlight stories done this week, continuing with best Feature-Length Animated Film. We do have a favorite in this category; spoiler warning, it’s the Pixar film. However, we could also have an upset and it wouldn’t be the most shocking twist of Oscar night. More...

2020 Awards Season: Oscar Nominations

January 13th, 2020

1917

The Oscar nominations were announced on Monday, and the results were... well, there were some puzzling results. Joker led the way with eleven nominations. ... A film with 69% positive reviews earned the most nominations. It’s not the worst-reviewed movie to earn a Best Picture Nomination—after all, Bohemian Rhapsody was nominated just last year. However, this film is arguably the worst-reviewed movie to ever earn the most nominations in a single year. More...

2020 - Awards Season: Golden Globes Winners

January 6th, 2020

1917

The Golden Globes winners were announced on Sunday and we have some interesting developments for the rest of Awards Season. 1917 wasn’t considered a front-runner with five films earning more nominations. However, after this result, it might be the front-runner to become the big winner on Oscar night. More...

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

Home Market Releases for July 23rd, 2019

July 24th, 2019

Nichijou: My Ordinary Life

We are still in the summer doldrums on the home market. The biggest first run release of the week is Alita: Battle Angel, which is much better than its box office numbers and one of the best releases on this week’s list. Other contenders for Pick of the Week include Do the Right Thing and Nichijou: My Ordinary Life: The Complete Series. In the end, I went with Nichijou: My Ordinary Life: The Complete Series. In part because it is an amazing series, but also in part in solidarity with the victims of the Kyoto Animation arson attack. More...

Weekend Wrap-Up: Curse Tops Chart, but 2019 Suffers Another Loss

April 23rd, 2019

The Curse of La Llorona

Easter weekend gave box office watchers a few reasons to celebrate. The Curse of La Llorona topped expectations and earned first place with $26.35 million over the weekend. That’s a very strong debut for this time of year. Additionally, both Shazam and Captain Marvel held on amazingly well, which bodes well for their chances against Avengers: Endgame. Overall, the box office rose 1% from last weekend to $108 million. This was 14% lower than the same weekend last year, and it wasn’t Easter weekend last year. On a side note, I’ve seen some stories call this past weekend the worst Easter weekend in over a decade. However, this is misleading, as it was the first time Easter weekend was one weekend before the start of the Summer Blockbuster season. Avengers: Endgame opening on Friday had more to do with the weak box office than any other factor and if Endgame is as big as some box office analysts expect, then by this time next week, we will be talking about how quickly 2019 will turn things around rather than how bad 2019 has been. In the meantime, we’ve hopefully sunk to the low point in the year-over-year comparison, as 2019 is now behind 2018 by a $570 million or 17% margin at $2.84 billion to $3.41 billion. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Estimates: Shazam Stops New Releases Cold

April 14th, 2019

Shazam

Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large. More...

Friday Estimates: Friday Results are More Little Than Needed

April 13th, 2019

Hellboy

It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable. More...

Thursday Night Previews: Going Through Hell

April 12th, 2019

Hellboy

Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations. More...

Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?

April 12th, 2019

Hellboy

There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

Missing Link Trailer

November 9th, 2018

Animated adventure with the voices of Zach Galifianakis, Hugh Jackman, and Zoe Saldana opens April 12 ... Full Movie Details.

Mr. Link is the slightly silly, surprisingly smart and soulful beast who is the last living remnant of Man’s primitive ancestry, the Missing Link. As species go, he couldn't be more endangered; he’s the last of his kind and he’s lonely. Proposing a daring quest to find his rumored distant relatives, he enlists the help of Sir Lionel Frost, the world’s foremost investigator of myths and monsters, and Adelina Fortnight, who possesses the only known map to the group’s secret destination, in an odyssey around the world to find the fabled valley of Shangri-La. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/04/05 6 $272,563   875 $312   $272,563 1
2019/04/12 7 $175,058 -36% 884 $198   $513,208 2
2019/04/19 16 $27,558 -84% 354 $78   $569,060 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/13/2019 $31,170 97 118 232 $63,636 10/20/2019
Australia 4/12/2019 $146,720 256 261 1060 $820,544 11/20/2020
Bulgaria 4/12/2019 $13,147 0 0 0 $21,306 5/3/2019
Czech Republic 4/12/2019 $8,650 18 109 312 $163,220 5/20/2019
France 4/19/2019 $216,895 460 460 1256 $654,038 5/10/2019
Italy 9/17/2020 $67,976 0 0 0 $316,054 10/19/2022
Netherlands 4/12/2019 $36,042 113 115 510 $237,781 5/31/2019
North America 4/12/2019 $5,944,950 3,413 3,437 9,756 $16,649,539
Poland 4/26/2019 $230,639 234 234 936 $1,112,888 5/24/2019
Portugal 4/19/2019 $63,867 73 73 224 $156,946 6/25/2019
Russia (CIS) 4/4/2019 $272,563 875 884 2208 $569,129 5/18/2019
Slovakia 4/12/2019 $6,901 18 63 194 $98,516 6/26/2019
South Korea 10/9/2019 $61,713 268 268 344 $139,651 2/5/2020
Spain 6/7/2019 $145,105 279 279 667 $327,539 6/27/2019
Turkey 10/23/2020 $6,001 178 178 400 $25,852 10/19/2022
United Kingdom 4/5/2019 $838,731 543 580 2374 $4,036,597 5/8/2019
 
Worldwide Total$25,393,236 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Hugh Jackman    Sir Lionel Frost
Zoe Saldana    Adelina Fortnight
Zach Galifianakis    Mr. Link/Susan

Supporting Cast

Emma Thompson    The Elder
Timothy Olyphant    Willard Stenk
David Walliams    Mr. Lint
Stephen Fry    Lord Piggot-Dunceby
Matt Lucas    Mr. Collick
Amrita Acharia    Ama Lhamu
Ching Valdes-Aran    Gamu
Humphrey Ker    Doorman/General Pugh
Adam Godley    Lord Bilge
Neil Dickson    Doctor Roylott
Ian Ruskin    Lord Scrivener
Matthew Wolf    Lord Ramsbottom
Darren Richardson    Alfie
Alan Shearman    Lord Entwhistle
Jack Blessing    McVitie/Conductor
Richard Miro    Ricardo
Jaswant Dev Shrestha    Elderly Villager
Leila Birch    Old Worlder
Jean Gilpin    Old Worlder
Peter Lavin    Old Worlder
Christopher Neame    Old Worlder
Moira Quirk    Old Worlder
Maebel Rayner    Old Worlder
Alexander Rodriguez    Old Worlder
Julian Stone    Old Worlder
Nick Toren    Old Worlder
Kirk Baily    New Worlder
William Calvert    New Worlder
David Cowgill    New Worlder
Kerry Gutierrez    New Worlder
Bridget Hoffman    New Worlder
Scott Menville    New Worlder
Erin Myles    New Worlder
Juan Pacheco    New Worlder
Paul Pape    New Worlder
Andre Sogliuzzo    New Worlder
Scott Whyte    New Worlder
Phal Tong Lama    Himalayan Villager
Yangchen Dolkar Gakyil    Himalayan Villager
Tharlam Dolma Wolfe    Himalayan Villager

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Chris Butler    Director
Chris Butler    Screenwriter
Arianne Sutner    Producer
Travis Knight    Producer
Hugh Jackman    Producer
Zoe Saldana    Producer
David Walliams    Producer
Stephen Fry    Producer
Matt Lucas    Producer
Timothy Olyphant    Producer
Amrita Acharia    Producer
Ching Valdes-Aran    Producer
Emma Thompson    Producer
Zach Galifianakis    Producer
Chris Peterson    Director of Photography
Nelson Lowry    Production Designer
Stephen Perkins    Editor
Carter Burwell    Composer
Walter Martin    Song Writer
Steve Emerson    Visual Effects Supervisor
Deborah Cook    Costume Designer
Chris Butler    Character Designer
Brad Schiff    Animation Supervisor
Malcolm Lamont    Lead Animator
Emanuela Cozzi    Story Artist
Julián Nariño    Story Artist
Brian Ormiston    Story Artist
Oliver Thomas    Story Artist
Allison Jones    Casting Director
Samuel Wilson    Production Manager
Jocelyn Pascall    Associate Producer
Finley Mulligan    First Assistant Director
Erica Matchett Benoit    Second Assistant Director
Evan Hailstone    Second Assistant Director
Brett Alexander Nichols    Second Assistant Director
David E. Hall    Post-Production Supervisor
Robert DeSue    Art Director
Alexandra Friedman    Set Designer
Emily Greene    Set Designer
Carl B. Hamilton    Set Designer
Jessica Ann Moretti    Set Designer
Jason Hooper    First Assistant Editor
Mandy Hutchings    Second Assistant Editor
Seth Ligatich    Second Assisant Editor
Ralph Foster    Additional Editor
Richard Thwaites    VFX Production Supervisor
Carter Burwell    Score Producer
Simon Rhodes    Score Recordist
Simon Rhodes    Score Mixer
Kevin Kaska    Additional Music
Adam Smalley    Music Editor
Dominick Certo    Music Editor
Michael T Ryan    Music Editor
Sara Matarazzo    Music Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.