This graph shows Jim Broadbent’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
It should be a fun-filled weekend for moviegoers as not only are there plenty of indie films hitting theaters but we also see three new wide releases arrive on North American soil, joining last week’s box office leaders Sonic the Hedgehog 2 and Fantastic Beasts: The Secrets of Dumbledore. After amassing over $200 million in its first two weeks, the former drops two spots on the theater count chart this week, showing in 3,809 theaters, while the latter adds cinemas, coming in at 4,245 locations and becoming this week’s widest release.
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It is not a particularly busy week for limited releases, but there are a few that are earning good reviews and louder buzz. My Scientology Movie, Personal Shopper, and Raw all fit that description, but Personal Shopper probably has the best shot at box office success.
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It is a terrible week on the home market. I could just leave that as my opening sentence on this column all summer long and the vast majority of the time it would fit perfectly. This week, the biggest new release is Raid 2, a foreign-language action film. The second biggest release is Jodorowsky's Dune, a documentary about a movie that was never made. Neither release will sell a ton of units. However, both earned greatreviews and both are contenders for Pick of the Week. The third and final contender is Le Week-End, which is earning reviews that are just as good, but the film appears to be selling far fewer units on the home market. While all three releases are worth picking up, Jodorowsky's Dune on Blu-ray Combo Pack is the best this week and it is the winner of the Pick of the Week.
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There could be as many as two-dozen limited releases opening this week, which is insane. That's so many that I'm going to have to limit the ones I talk about to those that I can easily find release dates and / or theater listings for on official sites. (I should really do this every week, because too many times I talk about a film opening in limited release, only to never hear about the movie again.) The competition is overwhelming, but there are a few that rise above the crowd. Veronica Mars is opening wider than any other film and its reviews are pretty good. On the other hand, it is also playing on Video on Demand, so its box office numbers might be really weak. Bad Words is only opening in six theaters tonight, but since it already has a wide expansion planned for the 28th, one could say it is the biggest release of the week. There are several other films on this week's list that could find an audience (Enemy, Exposed, On My Way, etc.) but the competition will likely prove to be too much.
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2012 continues its downward path. After a record-breaking spring, thanks to The Hunger Games, and a record-breaking start to the summer, thanks to The Avengers, the box office hasn't been able to maintain any real momentum. For most of the month, September was no better than August and now the year-over-year gains are just a little more than inflation. October will need to improve or 2012 will be in real trouble. Unfortunately, that might be tough. There's not a single film coming out in October that looks like it will be a guaranteed $100 million hit and there are only two films with a realistic chance, Taken 2 and Paranormal Activity 4. (There's also Cloud Atlas, which is a wild card. That movie could bomb or be the biggest hit of the month and I wouldn't be surprised either way.) There is a chance all three will get to the century mark, but there's a better chance none of them will. Last October, two films cracked $100 million: Paranormal Activity 3 and Puss in Boots, with the latter nearly reaching $150 million. I don't see any film coming close to matching that figure. On the other hand, last year there were six films that one could accurately describe as bombs. So while 2012 is weaker at the top, it could have better depth than 2011 did. Let's hope so, because we can't afford more bad news.
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