|As an Actor||Leading||13||$314,319,290||$345,144,888||$659,464,178|
|Lead Ensemble Member||2||$37,397,291||$16,996,346||$54,393,637|
|In Technical Roles||Executive Producer||1||$13,511,485||$952,013||$14,463,498|
|Best known as a Leading Actress based on credits in that role in 13 films, with $659,464,178 worldwide aggregate box office (rank #304)|
|Best-Known Acting Roles: Melissa Lewis (The Martian), Murph (Interstellar), Gia (Madagascar 3: Europe's Most Wanted), Celia Foote (The Help), Maya (Zero Dark Thirty)|
|Best-Known Technical Roles: The Zookeeper’s Wife (Executive Producer), The Disappearance of Eleanor Rigby (Producer)|
|Most productive collaborators: Matt Damon, Ridley Scott, Drew Goddard, Matthew McConaughey, Christopher Nolan|
|Born: March 24th, 1977 (40 years old)|
March 31st, 2017
It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances.
March 21st, 2017
It is an interesting week on the home market with Rogue One: A Star Wars Story dominating the competition. However, it is only coming out on Video on Demand and doesn’t come out till Friday. As for Tuesday releases, there are a few contenders, but no film that immediately jumps out as the Pick of the Week. If you go with quality, extras, and overall audience appeal, then Sing on Blu-ray Combo Pack comes out on top. I would also definitely checkout Insecure: Season One and Lifeboat, if you don’t already own the latter.
March 1st, 2017
February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
December 1st, 2016
November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand.
November 25th, 2016
While Thanksgiving weekend is a boon for wide releases, the number of potential monster hits in theaters scares away a lot of the limited releases. There are some great releases, like Always Shine and Baden Baden, as well as some bigger releases, like Lion and Miss Sloane. Hopefully they will find audiences in limited release.
April 1st, 2016
March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
January 19th, 2016
The Martian opened in early October and became a huge box office and critical success. The film became the biggest hit in Ridley Scott's career and recently picked up seven Oscar nominations. Will I love it as much as the average critic did? Or will I be in the minority here?
October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
May 5th, 2015
Miss Julie is the fourth adaptation of the play of the same name by August Strindberg, the most recent adaptation coming in 1999. It is also the second film starring Jessica Chastain that I've reviewed in the past few weeks. A Most Violent Year didn't live up to expectations. This film's reviews were only mixed, so my expectations are lower. I expect Jessica Chastain's performance to be great, but will the rest of the movie be the same?
April 19th, 2015
A Most Violent Year came out last Awards Season and earned some serious pre-release buzz. After all, it stars Jessica Chastain. She's only been acting four roughly five years since she made Jolene, but since then, five of her previous films have earned some measure of Awards Season Buzz. Unfortunately, nothing really came from that buzz and the film wasn't able to expand truly wide. Did it deserve better? Or is the term "Busted Oscar-bait" applicable?
March 30th, 2015
Interstellar is the latest film from Christopher Nolan, a director who has performed amazingly well at the box office. He's also never directed a film that earned bad reviews. Is this film as good as his past record? Or are there flaws starting to show in his directing style?
January 2nd, 2015
Wednesday was the last day a film could open to qualify for this year's Oscars and A Most Violent Year just got in under the wire. It isn't the only film opening in limited release this week, but it has by far the most box office potential.
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
December 6th, 2014
The Independent Spirit Awards nominations were announced last week and I'm getting to them a little late, because I needed to organize the whole Awards Season stories. Firstly, I've decided to use the year the movies were released not the year the awards are handed out, unlike what we did last year. This means both will have 2014 as the year. Not ideal, but it is better to fix the mistake now than carry on making it. Secondly, the headlines are just going to be the name of the Awards and either nominations or winners. This will make it easier for readers to find later on. As for the Independent Spirit Awards nominations, Birdman led the way with 6 nods, while Boyhood, Nightcrawler, and Selma were right behind with 5 each.
September 12th, 2014
There's a large number of limited releases, including a few that are earning good reviews and strong buzz. One of these is The Drop, but it is opening in too many theaters and I think that will hurt it at the box office. If I were to guess, The Skeleton Twins will be the biggest hit on this week's list.
May 5th, 2013
January is generally a terrible time of the year to release a movie. Not only are people still dealing with Christmas shopping bills, but there will be several Oscar contenders and holiday blockbusters that are still going strong. Because of this, January tends to be filled with bad films that struggle just to become midlevel hits. Mama opened in the middle of the month and earned enough during its opening weekend to cover its production budget. Worldwide, it managed $130 million on just a $15 million budget. Unless it cost an unreasonable amount to market, it has already broken even. Will it be an ever bigger hit on the home market?
February 25th, 2013
Argo was the big winner at the Oscars last night, although arguably, there were no big winners, but a lot of films that shared in the glory. There were also some pretty interesting twists and a few events that stand out. Due to ongoing computer difficulties, I was unable to live-blog the Oscars this year. I will still be giving my reactions on a category by category basis, but not in the order they were handed out.
February 21st, 2013
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we will look at the four acting categories, finishing with Best Lead Actress. This race is easily the most competitive of the four acting categories this year. The person seen as the favorite has switched, more than once, and at the moment, I'm not sure who is going to win.
January 28th, 2013
January 20th, 2013
For all the Oscar hype, moviegoers are voting with their feet this MLK weekend for a more straightforward entertainment bang for their buck. Mama is set to win the weekend by a large margin, with Universal estimating a $28.1 million three-day weekend and about $33 million over four days. With the film playing in a relatively modest 2,647 theaters, that translates into a per theater average of $10,625, comfortably ahead of any other wide release. Jessica Chastain has dual reasons to celebrate, with Zero Dark Thirty set to finish second for the weekend with $17.6 million. Fellow Oscar-hopeful Silver Linings Playbook will be third with about $11.35 million over three days in its first weekend in wide release.
January 17th, 2013
There are a trio of new releases opening on Martin Luther King, Jr. weekend, but it looks like Zero Dark Thirty has a good chance to remain in first place. Mama is earning pretty good buzz, even if its reviews are only mixed. The Last Stand is the widest release of the week and the reviews are positive, but the buzz is mixed, to be kind. Finally, there's Broken City, which has the quietest buzz and the weakest reviews. Last year, Underworld: Awakening opened with just over $25 million and there's almost no chance that will happen again this year. Then again, we might have better depth.
January 14th, 2013
Hollywood Foreign Press Association handed out their awards last night, and the trend of surprises continues. Les Miserables led the way with three awards, only one of which I was truly expecting. Meanwhile, Argo won more awards than Lincoln. I don't think anyone was predicting that.
January 10th, 2013
The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions.
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
December 13th, 2012
The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
December 12th, 2012
SAG nominations were announced and there were only a few surprises to deal with. Leading the way for total nominations was The Silver Linings Playbook, Lincoln, and Les Miserables, all of which earned nominations in four of the six categories.
October 18th, 2012
The movie business deals with such huge numbers that it is no surprise executives are rather conservative when it comes to making movies. When $100 million is low-budget for a tentpole release, you can't afford to experiment. This is why there are so many franchises out there. Madagascar was extended to a trilogy this summer. But has the original idea been stretched too far? Or is there a lot of life left in these characters?
|12/31/2017||The Death and Life of John F. Donovan||$0||$0||$0|
|3/31/2017||The Zookeeper’s Wife||Antonina Żabińska||$13,511,485||$952,013||$14,463,498|
|11/25/2016||Miss Sloane||Madeline Elizabeth Sloane||$3,500,605||$630,906||$4,131,511|
|4/22/2016||The Huntsman: Winter’s War||Sara||$48,003,015||$117,146,287||$165,149,302|
|10/16/2015||Crimson Peak||Lucille Sharpe||$31,090,320||$44,376,275||$75,466,595|
|10/2/2015||The Martian||Melissa Lewis||$228,433,663||$435,418,242||$663,851,905|
|5/5/2015||Miss Julie||Miss Julie||$0||$863,895||$863,895|
|12/31/2014||A Most Violent Year||Anna Morales||$5,749,134||$322,299||$6,071,433|
|12/12/2014||The Color of Time||Mrs. Williams||$0||$0||$0|
|2/3/2014||The Disappearance of Eleanor Rigby||Eleanor Rigby||$587,152||$9,920||$597,072|
|12/19/2012||Zero Dark Thirty||Maya||$95,720,716||$38,891,719||$134,612,435|
|6/8/2012||Madagascar 3: Europe's Most Wanted||Gia||$216,391,482||$530,529,789||$746,921,271|
|10/14/2011||Texas Killing Fields||$45,470||$1,641,521||$1,686,991|
|9/30/2011||Take Shelter||Samantha LaForce||$1,728,953||$3,243,063||$4,972,016|
|8/31/2011||The Debt||Young Rachel||$31,177,548||$15,426,506||$46,604,054|
|8/10/2011||The Help||Celia Foote||$169,705,587||$43,414,417||$213,120,004|
|5/27/2011||The Tree of Life||Mrs. O'Brien||$13,305,665||$48,416,161||$61,721,826|
|3/31/2017||The Zookeeper’s Wife||Executive Producer||$13,511,485||$952,013||$14,463,498|
|2/3/2014||The Disappearance of Eleanor Rigby||Producer||$587,152||$9,920||$597,072|