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Molly’s Game (2017)

Molly’s Game
Theatrical Performance
Domestic Box Office $28,780,744Details
International Box Office $24,577,196Details
Worldwide Box Office $53,357,940
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The true story of Molly Bloom, an Olympic-class skier who ran the world’s most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: December 25th, 2017 (Limited) by STX Entertainment
January 5th, 2018 (Expands Wide) by STX Entertainment
International Releases: December 22nd, 2017 (Wide) (Netherlands)
January 5th, 2018 (Wide), released as Velká hra (Czech Republic)
January 5th, 2018 (Wide) (France)
January 5th, 2018 (Wide), released as Pokerio Princesė (Lithuania)
January 5th, 2018 (Wide), released as Jogo da Alta-Roda (Portugal)
... Show all releases
Video Release: March 27th, 2018 by Universal Home Entertainment
MPAA Rating: R for language, drug content and some violence.
(Rating bulletin 2502 (Cert #51191), 11/15/2017)
Running Time: 140 minutes
Comparisons: vs. The Post
Create your own comparison chart…
Keywords: Skiing, Olympics, FBI, Russian Mafia, Gambling, Courtroom Drama, Voiceover/Narration, Intertitle, Sports Injury, Non-Chronological, Dysfunctional Family, Infidelity, Biography, Autobiographical
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Entertainment One, Pascal Pictures, The Mark Gordon Company
Production Countries: United States

Leading Cast

   Molly Bloom
   Charlie Jaffey

Supporting Cast

Kevin Costner    Larry Bloom
Michael Cera    Player X
Jeremy Strong    Dean Keith
Chris O'Dowd    Douglas Downey
Bill Camp    Harlan Eustice
Brian d'Arcy James    Brad
Michael Kostroff    Louis Butterman
Jon Bass    Shelly Habib
J.C. MacKenzie    Harrison Wellstone
Samantha Isler    Teen Molly
Graham Greene    Judge Foxman
Matthew D Matteo    Bobby
Joe Keery    Cole
Natalie Krill    Winston
Claire Rankin    Charlene Bloom
Madison McKinley    Shelby
Khalid Klein    Neal
Victor Serfaty    Diego

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Aaron Sorkin    Screenwriter
Molly Bloom    Based on the book and memior by
Matt Jackson    Producer
Amy Pascal    Producer
Mark Gordon    Producer
Leopoldo Gout    Executive Producer
Stuart Besser    Executive Producer
Charlotte Bruus Christensen    Director of Photography
David Wasco    Production Designer
Alan Baumgarten    Editor
Josh Schaeffer    Editor
Elliot Graham    Editor
Susan Lyall    Costume Designer
Daniel Pemberton    Composer
Josh Clay Phillips    Co-Producer
Lyn Lucibello-Brancatella    Co-Producer
Lauren Lohman    Co-Producer
Francine Maisler    Casting Director
John Stoneham, Jr.    Stunt Coordinator
John Stoneham, Jr.    Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 10th, 2018

April 10th, 2018

Phantom Thread

The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition. More...

Featured Blu-ray and DVD Review: Molly’s Game

April 9th, 2018

Molly’s Game

Jessica Chastain started her acting career in Jolene, a movie that is not good. She was the best part of the movie and it was clear she had movie star potential. The next year she got an Oscar nomination for The Help and the year after that she got her second Oscar nod for Zero Dark Thirty. Nearly every year since, she’s made at least one film that has earned some Award season buzz, but hasn’t been able to climb back to Oscar contender. Molly’s Game was the latest to get some Awards Season buzz for the actress and she even got a Golden Globe Nomination, but no Oscar recognition. Is the movie good, but not Awards Season good? Or did it deserve better? More...

Home Market Releases for March 27th, 2018

March 27th, 2018

Star Wars: The Last Jedi

It’s a short week for one reason: Star Wars: The Last Jedi is coming out on DVD / Blu-ray / 4K Ultra HD and no one really wants to deal with that competition. That’s not to say there are no other releases worth picking up. Last Men in Aleppo is an Oscar nominated documentary and worth picking up. In the end, The Last Jedi was the clear Pick of the Week winner. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 27th, 2018

Call Me By Your Name

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Adapted Screenplay. We haven’t had a single competitive category so far, but that changes today. ... with the Best Original Screenplay. Best Adapted Screenplay is a one-horse race. More...

Theater Averages: Padmaavat Spices Up the Theater Average Chart

January 31st, 2018

Padmaavat

Padmaavat was the only film to hit the $10,000 club earning an average of $13,179 in 324 theaters. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

Theater Averages: Phantom Hangs on by a Thread with $18,513

January 17th, 2018

Phantom Thread

Phantom Thread was the only film in the $10,000 club this past weekend, earning an average of $18,513 in 62 theaters. More...

2017 Awards Season: DGA Nominations

January 11th, 2018

Get Out

Directors Guild of America is one of those awards groups that spread out their nominations, but the last of them were announced today. There are some pleasant surprises and what is possibly the biggest shock of Awards Season so far. The only film to earn two nominations was Get Out. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Weekend Wrap-Up: Jumanji is Welcomed to the Top of the Chart with $37.23 million

January 9th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle held on strongly during the first weekend of 2018 earning $37.23 million. Insidious: The Last Key opened with $29.58 million, earning a solid second place. Overall, the box office pulled in $165 million, which is 15% lower than last weekend; however, last weekend was a holiday weekend, so this is a better than expected hold. More importantly, this is 21% better than the same weekend last year. 2018 has a small lead over 2017 at 7.1% to $306 million to $285 million. It has been a while since we’ve seen a lead in the year-over-year comparison, but obviously it is far too early for this lead to be meaningful. More...

Weekend Estimates: Jumanji, Insidious Beat Star Wars

January 7th, 2018

Jumanji: Welcome to the Jungle

The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time. More...

Friday Estimates: Last Key Starts First with $12.74 million

January 6th, 2018

Insidious: The Last Key

There will be a fifth installment in the Insidious franchise. That much is practically guaranteed after Friday’s debut. Insidious: The Last Key opened in first place with $12.74 million during its opening day. On the downside, its critical / popular reception has been mixed. Its reviews are only 25% positive and that won’t help it draw in new viewers. The film did earn a B minus from CinemaScore, which is better than a lot of horror films manage, so that could help. It will very likely slip to second place on Saturday, but the film will still top our prediction with between $25 million and $30 million. More...

2017 Awards Season: PGA Nominations

January 5th, 2018

Wonder Woman

The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) It is a strange year for the PGAs, as there was a tie resulting in 11 films being nominated for the top prize. More...

2017 Awards Season: WGA Nominations

January 4th, 2018

The Big Sick

The Writers Guild of America is the latest group to announce award nominees. There are a lot of categories that WGA hand out awards for, but only three of them are for theatrical releases. The list of nominees include several major Awards Season players, and not a lot of surprises. The Big Sick, Lady Bird, The Disaster Artist, Get Out, The Shape of Water… We've seen almost all of these films appear on lists of nominations before. More...

Weekend Predictions: Battle of Lasts, Key vs. Jedi, on First Weekend of 2018

January 4th, 2018

Insidious: The Last Key

It is the first weekend of 2018 and Insidious: The Last Key is the only true wide release, although Molly’s Game is expanding semi-wide. The Last Key isn’t expected to compete with Jumanji: Welcome to the Jungle or Star Wars: The Last Jedi for first place, but if it can open with more than $15 million, it should at least help the year get off to a good start. This weekend last year, Underworld: Blood Wars opened in fourth place, while Hidden Figures expanded into first place. Both Jumanji: Welcome to the Jungle and Star Wars: The Last Jedi should top Hidden Figures and while 2018 won’t have the same depth, it should still earn a victory in the year-over-year comparison. More...

Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club

January 3rd, 2018

The Post

The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters. More...

2018 Preview: January

January 1st, 2018

Paddington 2

2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. More...

Theater Averages: The Post Posts Top Marks with average of $58,446 / $84,673

December 27th, 2017

The Post

The Post dominated the Christmas weekend, earning an average of $58,446 in nine theaters, $84,673 if you include Christmas Day. The second best result of the four-day weekend was Phantom Thread, which earned an average of $31,818 in four theaters on Christmas Day alone. Last week’s winner, The Last Jedi, earned an average of $16,911 during its second weekend of release. The final two films in the $10,000 club were I, Tonya and Along With The Gods: The Two Worlds with averages of $11,169 and $10,914 respectively. More...

Limited and VOD Releases: Mr. Postman, Deliver Me a Hit

December 22nd, 2017

The Post

It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Molly’s Game Trailer

September 11th, 2017

Real-life drama starring Jessica Chastain and Idris Elba opens November 22 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/12/29 13 $2,349,967   271 $8,671   $5,377,480 1
2018/01/05 7 $6,856,578 +192% 1,608 $4,264   $14,073,138 2
2018/01/12 11 $3,872,307 -44% 1,708 $2,267   $20,701,404 3
2018/01/19 20 $1,622,177 -58% 1,091 $1,487   $24,280,686 4
2018/01/26 25 $900,977 -44% 556 $1,620   $25,902,410 5
2018/02/02 24 $789,247 -12% 843 $936   $27,055,182 6
2018/02/09 29 $453,901 -42% 537 $845   $27,906,604 7
2018/02/16 33 $201,913 -56% 170 $1,188   $28,356,065 8
2018/02/23 38 $125,445 -38% 104 $1,206   $28,595,534 9
2018/03/02 40 $75,449 -40% 91 $829   $28,740,252 10

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/12/25 12 $1,172,036   271 $4,325   $1,172,036 1
2017/12/26 13 $668,250 -43% 271 $2,466   $1,840,286 2
2017/12/27 13 $597,563 -11% 271 $2,205   $2,437,849 3
2017/12/28 13 $589,664 -1% 271 $2,176   $3,027,513 4
2017/12/29 13 $738,330 +25% 271 $2,724   $3,765,843 5
2017/12/30 13 $881,639 +19% 271 $3,253   $4,647,482 6
2017/12/31 13 $729,998 -17% 271 $2,694   $5,377,480 7
2018/01/01 13 $760,102 +4% 271 $2,805   $6,137,582 8
2018/01/02 13 $418,713 -45% 271 $1,545   $6,556,295 9
2018/01/03 13 $357,125 -15% 234 $1,526   $6,913,420 10
2018/01/04 13 $303,140 -15% 234 $1,295   $7,216,560 11
2018/01/05 6 $2,274,649 +650% 1,608 $1,415   $9,491,209 12
2018/01/06 7 $2,876,158 +26% 1,608 $1,789   $12,367,367 13
2018/01/07 7 $1,705,771 -41% 1,608 $1,061   $14,073,138 14
2018/01/08 7 $552,632 -68% 1,608 $344   $14,625,770 15
2018/01/09 7 $928,161 +68% 1,608 $577   $15,553,931 16
2018/01/10 6 $693,401 -25% 1,608 $431   $16,247,332 17
2018/01/11 7 $581,765 -16% 1,608 $362   $16,829,097 18
2018/01/12 11 $1,068,279 +84% 1,708 $625   $17,897,376 19
2018/01/13 12 $1,573,272 +47% 1,708 $921   $19,470,648 20
2018/01/14 13 $1,230,756 -22% 1,708 $721   $20,701,404 21
2018/01/15 13 $746,172 -39% 1,708 $437   $21,447,576 22
2018/01/16 11 $484,311 -35% 1,708 $284   $21,931,887 23
2018/01/17 10 $388,994 -20% 1,708 $228   $22,320,881 24
2018/01/18 10 $337,628 -13% 1,708 $198   $22,658,509 25
2018/01/19 - $492,786 +46% 1,091 $452   $23,151,295 26
2018/01/20 - $768,328 +56% 1,091 $704   $23,919,623 27
2018/01/21 - $361,063 -53% 1,091 $331   $24,280,686 28
2018/01/22 - $161,156 -55% 1,091 $148   $24,441,842 29
2018/01/23 - $226,216 +40% 1,091 $207   $24,668,058 30
2018/01/24 - $180,327 -20% 1,091 $165   $24,848,385 31
2018/01/25 - $153,048 -15% 1,091 $140   $25,001,433 32
2018/01/26 - $241,008 +57% 556 $433   $25,242,441 33
2018/01/27 - $411,079 +71% 556 $739   $25,653,520 34
2018/01/28 - $248,890 -39% 556 $448   $25,902,410 35
2018/01/29 - $79,797 -68% 556 $144   $25,982,207 36
2018/01/30 - $107,778 +35% 556 $194   $26,089,985 37
2018/01/31 - $88,912 -18% 556 $160   $26,178,897 38
2018/02/01 - $87,038 -2% 556 $157   $26,265,935 39
2018/02/02 - $245,930 +183% 843 $292   $26,511,865 40
2018/02/03 - $419,526 +71% 843 $498   $26,931,391 41
2018/02/04 - $123,791 -70% 843 $147   $27,055,182 42
2018/02/05 - $88,354 -29% 843 $105   $27,143,536 43
2018/02/06 - $124,122 +40% 843 $147   $27,267,658 44
2018/02/07 - $101,856 -18% 843 $121   $27,369,514 45
2018/02/08 - $83,189 -18% 843 $99   $27,452,703 46
2018/02/09 - $109,175 +31% 537 $203   $27,561,878 47
2018/02/10 - $199,770 +83% 537 $372   $27,761,648 48
2018/02/11 - $144,956 -27% 537 $270   $27,906,604 49
2018/02/12 - $57,622 -60% 537 $107   $27,964,226 50
2018/02/13 - $63,966 +11% 537 $119   $28,028,192 51
2018/02/14 - $83,869 +31% 537 $156   $28,112,061 52
2018/02/15 - $42,091 -50% 537 $78   $28,154,152 53
2018/02/16 - $50,531 +20% 170 $297   $28,204,683 54
2018/02/17 - $81,659 +62% 170 $480   $28,286,342 55
2018/02/18 - $69,723 -15% 170 $410   $28,356,065 56
2018/02/19 - $43,188 -38% 170 $254   $28,399,253 57
2018/02/20 - $26,273 -39% 170 $155   $28,425,526 58
2018/02/21 - $23,628 -10% 170 $139   $28,449,154 59
2018/02/22 - $20,935 -11% 170 $123   $28,470,089 60
2018/02/23 - $32,517 +55% 104 $313   $28,502,606 61
2018/02/24 - $56,028 +72% 104 $539   $28,558,634 62
2018/02/25 - $36,900 -34% 104 $355   $28,595,534 63
2018/02/26 - $14,059 -62% 104 $135   $28,609,593 64
2018/02/27 - $20,409 +45% 104 $196   $28,630,002 65
2018/02/28 - $17,384 -15% 104 $167   $28,647,386 66
2018/03/01 - $17,417 n/c 104 $167   $28,664,803 67
2018/03/02 - $22,519 +29% 91 $247   $28,687,322 68
2018/03/03 - $35,897 +59% 91 $394   $28,723,219 69
2018/03/04 - $17,033 -53% 91 $187   $28,740,252 70
2018/03/05 - $7,726 -55% 91 $85   $28,747,978 71
2018/03/06 - $11,278 +46% 91 $124   $28,759,256 72
2018/03/07 - $11,354 +1% 91 $125   $28,770,610 73
2018/03/08 - $10,134 -11% 91 $111   $28,780,744 74

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/12/22 14 $3,027,513   271 $11,172   $3,027,513 1
2017/12/29 13 $4,189,047 +38% 234 $17,902   $7,216,560 2
2018/01/05 6 $9,612,537 +129% 1,608 $5,978   $16,829,097 3
2018/01/12 11 $5,829,412 -39% 1,708 $3,413   $22,658,509 4
2018/01/19 19 $2,342,924 -60% 1,091 $2,148   $25,001,433 5
2018/01/26 24 $1,264,502 -46% 556 $2,274   $26,265,935 6
2018/02/02 23 $1,186,768 -6% 843 $1,408   $27,452,703 7
2018/02/09 29 $701,449 -41% 537 $1,306   $28,154,152 8
2018/02/16 34 $315,937 -55% 170 $1,858   $28,470,089 9
2018/02/23 36 $194,714 -38% 104 $1,872   $28,664,803 10
2018/03/02 40 $115,941 -40% 91 $1,274   $28,780,744 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/2/2018 $824,142 314 314 1028 $2,174,080 4/3/2018
Bulgaria 2/16/2018 $5,881 0 0 0 $111,452 4/16/2018
Czech Republic 1/5/2018 $84,089 79 79 173 $200,044 2/7/2018
France 1/5/2018 $0 0 0 0 $4,100,000 1/29/2018
Italy 4/19/2018 $0000$0
Lithuania 1/5/2018 $22,997 43 43 106 $74,504 2/13/2018
Mexico 1/26/2018 $378,215 0 0 0 $752,163 2/5/2018
Netherlands 12/22/2017 $0 0 86 293 $1,395,876 2/5/2018
New Zealand 2/2/2018 $104,975 64 66 232 $308,687 3/5/2018
Portugal 1/5/2018 $138,388 61 63 206 $415,576 2/28/2018
Russia (CIS) 1/12/2018 $558,815 405 405 917 $1,400,329 2/6/2018
Slovakia 1/5/2018 $36,300 44 46 110 $95,989 1/31/2018
Spain 1/5/2018 $586,752 242 265 820 $1,584,007 2/2/2018
United Kingdom 1/5/2018 $3,096,583 489 489 1158 $5,200,000 1/22/2018
 
Rest of World $6,764,489
 
International Total$24,577,196 4/16/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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