Italy Box Office for After: Aquí Empieza Todo (2019)

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After
Theatrical Performance (US$)
Italy Box Office $7,023,931Details
Worldwide Box Office $57,926,850Details
Home Market Performance
North America DVD Sales $610,564 Details
North America Blu-ray Sales $808,898 Details
Total North America Video Sales $1,419,462
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Tessa, a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart, enters her first semester in college. Armed with grand ambitions for her future, her guarded world opens up when she meets the dark and mysterious Hardin Scott, a magnetic, brooding rebel who makes her question all she thought she knew about herself and what she wants out of life.

Metrics

Movie Details

Production Budget:$14,000,000
Italy Releases: April 12th, 2019 (Wide), released as After: Aquí Empieza Todo
Video Release: June 25th, 2019 by Aviron Pictures
MPAA Rating: PG-13 for sexual content and some college partying.
(Rating bulletin 2571 (Cert #51871), 3/27/2019)
Running Time: 120 minutes
Franchise: After
Keywords: Romance, Relationships Gone Wrong, College, Love Triangle, Romantic Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Cinelou Films, Offspring Entertainment, Voltage Films, Wattpad, Diamond Film Productions
Production Countries: United States
Languages: English

Home Market Releases for July 9th, 2019

July 11th, 2019

Alphaville

It’s a very shallow week on the home market. There are two wide releases, but neither are worth picking up. There were several that are worth owning: Dead of Night, Mothra: SteelBook Edition, Silent Hill: Collectors Edition, and This Island Earth: Blu-ray. However, there was only one true contender for Pick of the Week, Alphaville: Special Edition. More...

Home Market Releases for June 25th, 2019

June 26th, 2019

Captain Marvel

It is an absolute nightmare on the home market. There’s no monster hit to talk about, but there are a mountain of new releases that are selling well enough that they could have been featured in the main list and about twice as many that could have been included in the Secondary Blu-ray release. I had to trim some of them to keep the list manageable. Unfortunately, the list of Pick of the Week contenders is rather short with just Megalobox: Season One and Frankie Drake Mysteries: Season Two, both of which are worth owning. However, the biggest and best release of the week is Captain Marvel. The screener arrived late, but I finally got the review of the Blu-ray online. That said, I’m going to award Frankie Drake Mysteries with Puck of the Week for best Canadian release. More...

Weekend Wrap-Up: Curse Tops Chart, but 2019 Suffers Another Loss

April 23rd, 2019

The Curse of La Llorona

Easter weekend gave box office watchers a few reasons to celebrate. The Curse of La Llorona topped expectations and earned first place with $26.35 million over the weekend. That’s a very strong debut for this time of year. Additionally, both Shazam and Captain Marvel held on amazingly well, which bodes well for their chances against Avengers: Endgame. Overall, the box office rose 1% from last weekend to $108 million. This was 14% lower than the same weekend last year, and it wasn’t Easter weekend last year. On a side note, I’ve seen some stories call this past weekend the worst Easter weekend in over a decade. However, this is misleading, as it was the first time Easter weekend was one weekend before the start of the Summer Blockbuster season. Avengers: Endgame opening on Friday had more to do with the weak box office than any other factor and if Endgame is as big as some box office analysts expect, then by this time next week, we will be talking about how quickly 2019 will turn things around rather than how bad 2019 has been. In the meantime, we’ve hopefully sunk to the low point in the year-over-year comparison, as 2019 is now behind 2018 by a $570 million or 17% margin at $2.84 billion to $3.41 billion. More...

International Box Office: Shazam Flies Higher than Dumbo

April 17th, 2019

Shazam

Shazam remained in first place on the international chart, despite not opening in any new markets, major or otherwise. This caused it to fall to $35.3 million on 24,633 screens in 79 markets lifting its totals to internationally and $258.4 million worldwide. The film fell 84% in China down to $4.79 million over the weekend for a two-week total of $40.30 million. It held on better in the U.K., down 47% to $2.83 million in 611 theaters for a two-week total of $11.65 million. The film’s last major market is Japan and it opens there this week. If it does well there, then it will have no trouble crossing $400 million worldwide, which is a great run for a film that cost $85 million to make. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Estimates: Shazam Stops New Releases Cold

April 14th, 2019

Shazam

Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large. More...

Friday Estimates: Friday Results are More Little Than Needed

April 13th, 2019

Hellboy

It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable. More...

Thursday Night Previews: Going Through Hell

April 12th, 2019

Hellboy

Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations. More...

Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?

April 12th, 2019

Hellboy

There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

After Trailer

March 15th, 2019

Thriller starring Josephine Langford and Hero Fiennes Tiffin opens April 12 ... Full Movie Details.

Tessa, a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart, enters her first semester in college. Armed with grand ambitions for her future, her guarded world opens up when she meets the dark and mysterious Hardin Scott, a magnetic, brooding rebel who makes her question all she thought she knew about herself and what she wants out of life. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/04/12 1 $3,687,789   0     $3,687,789 1
2019/04/19 2 $1,101,822 -70% 0     $5,876,274 2
2019/04/26 4 $414,242 -62% 0     $6,844,850 3
2019/05/03 11 $107,655 -74% 0     $7,023,931 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $182,747 161 161 320 $342,228 5/24/2019
Australia 7/5/2019 $596,544 172 179 611 $1,385,750 8/20/2019
Brazil 4/12/2019 $254,000 0 450 450 $917,058 4/27/2019
Bulgaria 4/19/2019 $87,513 0 0 0 $272,825 6/11/2019
Czech Republic 4/12/2019 $184,208 71 71 291 $551,116 5/28/2019
France 4/19/2019 $750,000 550 550 3072 $9,744,467 5/31/2019
Germany 4/12/2019 $2,900,000 0 114 114 $9,893,164 10/19/2022
Italy 4/12/2019 $3,687,789 0 0 0 $7,023,931 5/6/2019
Lithuania 4/12/2019 $65,760 0 0 0 $149,487 5/14/2019
Mexico 4/12/2019 $618,659 0 0 0 $1,396,924 4/22/2019
Netherlands 4/19/2019 $212,848 101 104 532 $1,501,081 6/3/2019
North America 4/12/2019 $6,002,349 2,138 2,138 5,319 $12,138,565
Poland 4/12/2019 $691,370 212 212 1060 $1,895,346 5/18/2019
Portugal 4/12/2019 $303,012 82 82 276 $909,106 5/28/2019
Romania 11/22/2019 $0 0 5 27 $427,993 9/1/2022
Russia (CIS) 4/18/2019 $1,806,718 971 992 2676 $3,257,288 6/14/2019
Slovakia 4/12/2019 $163,480 69 69 211 $392,965 5/29/2019
South Korea 8/22/2019 $201,210 235 235 297 $408,322 9/12/2019
Spain 4/12/2019 $1,171,439 297 306 1149 $3,234,340 5/23/2019
Turkey 4/12/2019 $97,345 249 249 560 $237,428 5/24/2019
 
Rest of World $1,847,466
 
Worldwide Total$57,926,850 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Josephine Langford    Tessa Young
Hero Fiennes Tiffin    Hardin Scott

Supporting Cast

Selma Blair    Carol Young
Peter Gallagher    Ken Scott
Jennifer Beals    Karen Gibson
Khadijha Red Thunder    Steph Jones
Samuel Larsen    Zed Evans
Shane Paul McGhie    Landon Gibson
Inanna Sarkis    Molly Samuels
Pia Mia    Tristan
Swen Temmel    Jace
Meadow Williams    Professor Soto
Dylan Arnold    Noah
José Alfredo Fernandez    Manolo
Donald K. Overstreet    Wedding Guest
Rebecca Lee Robertson    Candace
Sarah Jorge León    Professor Martínez
Chris Kontopidis    Waitress
Shannon Mayers    Secretary
Matthew Ezell    Professor Ezell
Rose Maria Wilde    Wedding Guest
Jose David Acevedo    Wedding Guest
Emelita T. Gonzalez    Wedding Guest
Kevin Schell    College Student
Andre Parr    House Party Boy Kissing Girl
Mark Axelowitz    Professor Alexander
Chandler Lane    Waiter
Byron Wigfall    Hipster Barista
Hannah Pendergrass    College Student
Gavrielle Anne Fontanilla    Astronomy Class Student
Michael Hull    T.A. Forrest
Yearim Leslie Yi    College Student

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jenny Gage    Director
Susan McMartin    Screenwriter
Anna Todd    Story Based on the Novel by
Courtney Solomon    Producer
Mark Canton    Producer
Jennifer Gibgot    Producer
Aron Levitz    Producer
Dennis Pelino    Producer
Anna Todd    Producer
Scott Karol    Executive Producer
Adam Shankman    Executive Producer
Swen Temmel    Executive Producer
Meadow Williams    Executive Producer
Jonathan Deckter    Executive Producer
Nicolas Chartier    Executive Producer
Michelle Harrison    Editor
Justin Burnett    Composer
Tom Betterton    Director of Photography