France Box Office for Wonderstruck (2017)

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Wonderstruck
Theatrical Performance (US$)
France Box Office $919,154Details
Worldwide Box Office $2,948,862Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Ben and Rose are children from two different eras who secretly wish their lives were different. Ben longs for the father he has never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue in his home and Rose reads an enticing headline in the newspaper, both children set out on quests to find what they are missing that unfold with mesmerizing symmetry.

Metrics

Movie Details

France Releases: November 17th, 2017 (Wide)
Video Release: January 2nd, 2018 by Amazon Original Pictures
MPAA Rating: PG for thematic elements and smoking.
(Rating bulletin 2467 (Cert #50959), 3/15/2017)
Running Time: 115 minutes
Keywords: Deaf, Non-Chronological, Retro Black and White, Same Role, Multiple Actors, Coming of Age, Set in New York City, Set in Queens NY, 1920s, Orphan, Runaway, Novel or Other Work Adapted by Author, 1970s, Young Child Dealing with the Death of a Parent, Nightmare, Museum
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Killer Films, Amazon Studios
Production Countries: United States
Languages: English

Home Market Releases for January 2nd, 2018

January 2nd, 2018

Lucky

This is the first Tuesday of the year, so it should be no surprise that there are not a lot of top-tier releases on this week’s list. In fact, there were so few releases worth mentioning that I had to pad the list with some films that were not selling well enough to be worth mentioning during most weeks. As for the Pick of the Week contenders, there were only two: Lucky and Battle of the Sexes. It was a close race, but in the end, I gave that title to Lucky on DVD. More...

Theater Averages: Name Finds its Calling with $103,233

November 28th, 2017

Call Me by Your Name

Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143. More...

Weekend Estimates: How Much Trouble Does a $96 Million Opening Spell for the DCEU?

November 19th, 2017

Justice League

Justice League was meant to the be the big pay-off for the first phase of the DC Extended Universe, bringing together the characters introduced in Man of Steel, Batman v Superman: Dawn of Justice, and Wonder Woman, and setting the stage for next year’s Aquaman. The huge success of Wonder Woman this Summer seemed to be just the kick the franchise needed, and, given the history of the Marvel Cinematic Universe, which enjoyed steadily building success leading up to the gigantic opening of The Avengers, an opening north of $150 million, and maybe even approaching $200 million seemed a possibility a couple of months ago. In that context, the $96 million projected weekend announced by Warner Bros. this morning looks like a huge disappointment. What does it mean for the franchise? More...

Theater Averages: Sacred Deer makes a Killing with an Average of $28,780

October 25th, 2017

Wonderstruck

It was a good weekend with three films earning more than $10,000 on the theater chart, led by The Killing of a Sacred Deer, with an average of $28,780 in four theaters. Its Tomatometer Score is merely good, but its average is even better at 8 out of 10. An average score of 8 out of 10 is close to award-worthy. Meanwhile, Jane did even better with an average of $19,449 in three theaters, which is amazing for a documentary. Its reviews remain 100% positive and the average critic simply loves the movie and it could be an Oscar winner. Wonderstruck rounded out the $10,000 club with an average of $16,471 in four theaters. Its reviews are merely good, so its might have trouble growing. That said, it is more accessible and mainstream than most other limited releases, so that could help. More...

Weekend Estimates: Boo Too Much for the Competition

October 22nd, 2017

Tyler Perry’s Boo 2: A Madea Halloween

Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run. More...

Limited and VOD Releases: Tragic Fate for Those who Miss these Films

October 20th, 2017

Tragedy Girls

There isn’t a huge selection of limited releases this week, but there are several earning excellent reviews, such as 120 Beats Per Minute, Jane, Tragedy Girls, and others. Additionally, films like The Killing of a Sacred Deer and Wonderstruck are earning merely good reviews, but have enough buzz that they could still do well in theaters. More...

Wonderstruck Trailer

October 18th, 2017

Drama starring Oakes Fegley, Julianne Moore, Michelle Williams, and Millicent Simmonds opens on Friday ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 1/26/2018 $12,479 0 0 0 $20,460 6/14/2018
France 11/17/2017 $344,793 0 0 0 $919,154 6/29/2018
Indonesia 2/2/2018 $4,938 0 0 0 $4,938 1/1/2019
Italy 6/14/2018 $77,268 0 0 0 $183,420 9/12/2018
Japan 4/6/2018 $38,580 0 0 0 $251,883 7/13/2018
Mexico 1/19/2018 $0 0 0 0 $44,973 9/10/2018
Netherlands 12/8/2017 $29,902 38 38 124 $113,541 9/12/2018
North America 10/20/2017 $65,882 4 261 611 $1,033,632
Portugal 3/23/2018 $16,476 20 20 41 $35,593 4/11/2018
South Korea 5/3/2018 $76,590 111 111 200 $205,144 6/25/2018
Spain 1/5/2018 $46,216 50 50 50 $92,954 6/22/2018
United Kingdom 4/6/2018 $43,170 18 18 18 $43,170 5/21/2018
 
Worldwide Total$2,948,862 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Oakes Fegley    Ben
Julianne Moore    Lillian Mayhew
Michelle Williams    Elaine
Millicent Simmonds    Rose (age 12)

Supporting Cast

Jaden Michael    Jamie
Cory Michael Smith    Walter (age 20)
Tom Noonan    Walter (age 70)
Amy Hargreaves    Aunt Jenny
Morgan Turner    Janet
Sawyer Nunes    Robby
James Urbaniak    Rose’s Father

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Todd Haynes    Director
Brian Selznick    Screenwriter
Brian Selznick    Based on the book by
Christine Vachon    Producer
Pamela Koffler    Producer
John Sloss    Producer
Brian Bell    Executive Producer
Sandy Powell    Executive Producer
Sandy Powell    Costume Designer
Ed Lachman    Director of Photography
Affonso Goncalves    Editor
Mark Friedberg    Production Designer
Ryan Heck    Art Director
Laura Rosenthal    Casting Director