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Darkest Hour (2017)

Darkest Hour
Theatrical Performance
Domestic Box Office $56,443,120Details
International Box Office $92,577,688Details
Worldwide Box Office $149,020,808
Home Market Performance
Est. Domestic DVD Sales $2,075,556 Details
Est. Domestic Blu-ray Sales $3,862,033 Details
Total Est. Domestic Video Sales $5,937,589
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

On the eve of World War II and within days of becoming Prime Minister of Great Britain, Winston Churchill must face one of his most turbulent and defining trials: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation. As the unstoppable Nazi forces roll across Western Europe and the threat of invasion is imminent, and with an unprepared public, a skeptical King, and his own party plotting against him, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of world history.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,401-1,500) 1,434 $56,443,120
All Time International Box Office (Rank 901-1,000) 920 $92,577,688
All Time Worldwide Box Office (Rank 1,001-1,100) 1,057 $149,020,808
All Time Domestic Highest Grossing Limited Release Movies 25 $56,443,120

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 22nd, 2017 (Limited) by Focus Features
International Releases: December 1st, 2017 (Wide) (China)
January 3rd, 2018 (Wide) (Switzerland)
January 4th, 2018 (Wide) (Hong Kong)
January 4th, 2018 (Wide) (Israel)
January 4th, 2018 (Wide) (Singapore)
... Show all releases
Video Release: February 27th, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for some thematic material.
(Rating bulletin 2493 (Cert #51167), 9/13/2017)
Running Time: 125 minutes
Comparisons: vs. The Imitation Game
Create your own comparison chart…
Keywords: World War II, 1940s, Politicians, Nazis, Biography, Political, Royalty, London, England, Archive Footage
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Focus Features, Perfect World Pictures, Working Title Films
Production Countries: United Kingdom

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 16th Weekend Limited Release 77 $265,545 Mar 9, 2018 110
Biggest 15th Weekend Limited Release 46 $696,160 Mar 2, 2018 103
Biggest 14th Weekend Limited Release 52 $745,625 Feb 23, 2018 96
Biggest 13th Weekend Limited Release 50 $927,190 Feb 16, 2018 89
Biggest 12th Weekend Limited Release 26 $1,604,995 Feb 9, 2018 82
Fastest to $50m 1,482 $50,268,242 Feb 9, 2018 80
Biggest 11th Weekend Limited Release 14 $2,362,975 Feb 2, 2018 75
Biggest 10th Weekend Limited Release 14 $2,886,835 Jan 26, 2018 68
Biggest 9th Weekend Limited Release 16 $2,729,810 Jan 19, 2018 61
Biggest 8th Weekend Limited Release 12 $4,462,740 Jan 12, 2018 54
Martin Luther King (All Movies, 4-Day, Fri-Mon) 206 $5,415,720 Jan 12, 2018 54
Martin Luther King (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 235 $5,303,385 Jan 12, 2018 54
Biggest 7th Weekend Limited Release 10 $6,050,225 Jan 5, 2018 47
Biggest 6th Weekend Limited Release 11 $5,485,570 Dec 29, 2017 40
New Year's Day (All Movies, 3-Day) 243 $5,485,570 Dec 29, 2017 40
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 380 $5,566,240 Dec 29, 2017 40
Biggest 5th Weekend Limited Release 31 $3,891,945 Dec 22, 2017 33
Top 2017 Theater Average 16 $43,752 Nov 24, 2017 5
Widest Expansion Limited Release 17 1,729 Nov 22, 2017 0

Leading Cast

   Winston Churchill

Supporting Cast

Kristin Scott Thomas    Clementine Churchill
Lily James    Elizabeth Nel
Stephen Dillane    Viscount Halifax
Ben Mendelsohn    King George VI
Ronald Pickup    Neville Chamberlain
Nicholas Jones    Sir John Simon
Richard Lumsden    General Hastings Ismay
Jeremy Child    Lord Stanhope

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Tim Bevan    Producer
Eric Fellner    Producer
Lisa Bruce    Producer
Anthony McCarten    Producer
Douglas Urbanski    Producer
Anthony McCarten    Screenwriter
James Biddle    Executive Producer
Lucas Webb    Executive Producer
Liza Chasin    Executive Producer
Bruno Delbonnel    Director of Photography
Sarah Greenwood    Production Designer
Valerio Bonelli    Editor
Jacqueline Durran    Costume Designer
Dario Marianelli    Composer
Jina Jay    Casting Director
Katie Spencer    Set Decorator
Kazuhiro Tsuji    Prosthetic makeup and hair designer: Gary Oldman
David Malinowski    Personal makeup artist: Gary Oldman
Lucy Sibbick    Prosthetic makeup and hair artist: Gary Oldman

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Oscar Highlight: Best Picture

March 1st, 2018

Three Billboards Outside Ebbing, Missouri

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We end with the biggest award of the night: Best Picture. It is actually competitive this year with two films in a tight race, while there is a long shot with a shot. More...

Home Market Releases for February 27th, 2018

February 27th, 2018

Thor: Ragnarok

It is a great week on the home market with several Oscar contenders making their home market debuts. I put in review requests for several of them, but so far none have arrived. Coco is still a contender for Pick of the Week, but I’ve heard some backlash against the other two, so I want to wait to see for myself. In the end, I went with Thor: Ragnarok and Pick of the Week, even though the DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack don’t come out till next week. The screener arrived early and it is certainly the best Blu-ray on this week’s list. More...

2017 Awards Season: Oscar Highlight: Best Leading Actor

February 22nd, 2018

Darkest Hour

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. This week we look at the four acting categories, continuing with Best Lead Actor. As with every other acting category, there is an overwhelming favorite. More...

2017 Awards Season: BAFTA Winners

February 18th, 2018

Three Billboards Outside Ebbing, Missouri

The BAFTAs were handed out on Sunday night, with Three Billboards Outside Ebbing, Missouri winning the most awards at five. This is not too surprising, as it was technically a British film, despite its setting, and that gave it a leg up on the competition. More...

Theater Averages: Exits is Golden with $11,719, Fifty Shades Freed Settles for Silver

February 13th, 2018

Golden Exits

Golden Exits earned first place with $11,719 in its lone theater. The only other film in the $10,000 club was Fifty Shades Freed with an average of $10,234. More...

Theater Averages: Padmaavat Spices Up the Theater Average Chart

January 31st, 2018

Padmaavat

Padmaavat was the only film to hit the $10,000 club earning an average of $13,179 in 324 theaters. More...

Weekend Estimates: Maze Runner Trilogy Ends with $23.5 Million Opening

January 28th, 2018

Maze Runner: The Death Cure

The delayed final film in the Maze Runner trilogy, The Death Cure, will open with $23.5 million, per Fox’s Sunday morning estimate. With another $82 million overseas so far, the film will have earned a little over $100 million by the end of the weekend, and its early international pace looks a little better than The Scorch Trials, which amassed $78 million over its first two weekends back in 2015. (Scorch Trials had a more staggered release, making a direct comparison difficult.) More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

Theater Averages Chart is Hostile Territory

January 23rd, 2018

Hostiles

No film reached the $10,000 club. In fact, Hostiles was the best film with an average of $6,666 in 49 theaters. Mary And The Witch’s Flower looks like it had a better weekend; however, its numbers are complicated. The film earned $1.17 million during its Thursday special showings in 573 theaters for an average of $2,037. Then it earned $330,000 in 161 theaters over the weekend in regular screenings for an average of $2,050. This shows that Anime fans are not numerous, but they are very eager for special screenings. More...

2017 Awards Season: SAG Winners

January 21st, 2018

Three Billboards Outside Ebbing, Missouri

The Screen Actors Guild announced their winners on Sunday night and Three Billboards Outside Ebbing, Missouri won every category it was nominated in. More...

Theater Averages: Phantom Hangs on by a Thread with $18,513

January 17th, 2018

Phantom Thread

Phantom Thread was the only film in the $10,000 club this past weekend, earning an average of $18,513 in 62 theaters. More...

Weekend Estimates: Jumanji Rules MLK Weekend

January 14th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle will come out an easy winner at the box office this MLK weekend. Over three days, the family adventure is headed for an estimated $27 million, for $283 million to date. With another $8 million or so on Monday, the film will finish the holiday on the threshold of $300 million domestically. Partly helped by the long weekend, it will record the 10th-best fourth weekend of all time—remarkable strength for a movie that ran the risk of being over-shadowed by The Last Jedi when it came out at Christmas. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

2017 Awards Season: Golden Globes Winners

January 7th, 2018

Three Billboards Outside Ebbing, Missouri

The Golden Globes winners were announced on Sunday and there were a few surprises worth talking about, starting at the top. I was not expecting Three Billboards Outside Ebbing, Missouri to be the big winner of the night, but it was with four wins. Only two other movies, The Shape of Water and Lady Bird, won more than one award during the night. More...

Weekend Estimates: Jumanji, Insidious Beat Star Wars

January 7th, 2018

Jumanji: Welcome to the Jungle

The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time. More...

Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club

January 3rd, 2018

The Post

The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters. More...

Theater Averages: The Post Posts Top Marks with average of $58,446 / $84,673

December 27th, 2017

The Post

The Post dominated the Christmas weekend, earning an average of $58,446 in nine theaters, $84,673 if you include Christmas Day. The second best result of the four-day weekend was Phantom Thread, which earned an average of $31,818 in four theaters on Christmas Day alone. Last week’s winner, The Last Jedi, earned an average of $16,911 during its second weekend of release. The final two films in the $10,000 club were I, Tonya and Along With The Gods: The Two Worlds with averages of $11,169 and $10,914 respectively. More...

Theater Averages: Last Jedi Dethrones Beauty and the Beast $51,987 to $41,508

December 19th, 2017

The Last Jedi

The Last Jedi became the biggest wide release of the year on the theater average chart with $51,987, overtaking the previous leader, Beauty and the Beast, which had an opening weekend average of $41,508. Last week’s number one film, I, Tonya was pushed into second place with an average of $34,256 in five theaters. The film clearly has more room to grow. Call Me by Your Name was well behind with an average of $16,398 in 30 theaters. There were two more holdovers in the $10,000 club: The Shape of Water at $10,828 in 158 threatres and Darkest Hour at $10,090 in 84. More...

Weekend Estimates: Last Jedi Set for $220 Million Domestic Debut

December 17th, 2017

Star Wars: The Last Jedi

Star Wars: The Last Jedi will earn $220 million at the domestic box office this weekend, according to Disney’s Sunday morning estimate. After starting out with the second-biggest day of all time on Friday (a monstrous $104.787 million, including $45 million in Thursday previews), the film looks to be holding on well through the weekend. Saturday’s estimate is $64 million, off 39% from Friday, compared to The Force Awakens’ decline of 43% on its second day. Disney is projecting a decline of 20% on Sunday, while Awakens dropped 11%, which suggests caution on their part, and the possibility of a final opening weekend a little higher than their current projection. More...

2017 Awards Season: SAG Nominations

December 13th, 2017

Three Billboards Outside Ebbing, Missouri

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. Three Billboards Outside Ebbing, Missouri picked up four nominations, which is extra impressive, as there are only six theatrical categories. More...

Theater Averages: Tonya Skates its Way to $66,039

December 12th, 2017

I, Tonya

There was another Oscar contender on top of the theater average chart this weekend, as I, Tonya earned an average of $66,039 in four theaters. Call Me by Your Name was the next best film with an average of $31,761 in nine theaters. The film isn’t expanding as fast as one would expect, given its theater average, but this could be because the studio doesn’t think it has mainstream appeal. The Shape of Water was close behind with an average of $27,843 in 41 theaters and it has already earned some measure of mainstream success. The final film in the $10,000 club was Darkest Hour with an average of $13,989 in 53 theaters. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Weekend Estimates: Disaster Artist Hits, Just Getting Started Misses

December 10th, 2017

Coco

Coco remains the number one movie at the box office this weekend by a considerable margin, mainly due to a lack of serious competition from new releases. Disney’s animated adventure will gross about $18.3 million this weekend, for a domestic total of $135.5 million. The film will also pile up another $55.3 million internationally, taking its worldwide cume to $389.5 million. It still has some big openings to come, including Brazil, Korea, the UK, and Japan in January, so it has some way to go, although its progress will be eclipsed by The Last Jedi for the next few weeks. More...

Theater Averages: Awards Season is Shaping Up

December 6th, 2017

The Shape of Water

It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release. More...

Weekend Estimates: Coco Wins, Limited Releases on Fire

December 3rd, 2017

Coco

The weekend after Thanksgiving is usually when the studios take a breather before the big Christmas season, and this year is no different, with no new wide releases, and relatively minor shuffles on screen use at the theaters. It’s therefore little surprise that Coco holds on at the top of the chart, and its strong reviews and season-friendly nature help it to extend its lead over Justice League. Coco is headed towards $26.114 million this weekend, according to Disney, for $109 million or so to date. That’s down 49% from last weekend. Justice League, meanwhile, drops a more troubling 60% to $16.58 million, for $197 million after three weekends.

More exciting action lies among the limited and expanding releases, however… More...

Theater Averages: Name Finds its Calling with $103,233

November 28th, 2017

Call Me by Your Name

Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143. More...

Weekend Estimates: Coco Gives Disney Another Thanksgiving Win

November 26th, 2017

Coco Coco will easily top the box office chart this Thanksgiving weekend, with Disney projecting a $71 million 5-day opening, including $49 million from Friday to Sunday. That’s the fourth-best Thanksgiving opening of all time, behind Frozen ($94 million), Moana ($82 million), and Toy Story 2 ($80 million). In all, Disney lays claim to 10 of the top 11 opening weekend’s over this holiday period, although, to be fair, the Hunger Games and Harry Potter franchises both claim several spots in the higher reaches of the Thanksgiving weekend record chart, but were just playing in their second weekend, rather than opening.

Nit-picking aside, it’s a great weekend for Coco. More...

Limited and VOD Releases: Call Me Anytime

November 24th, 2017

Call Me by Your Name

It is Thanksgiving weekend, but while that’s a great week for wide releases, it’s a terrible one for limited releases. Normally, we only mention films that have ten or more reviews on Rotten Tomatoes. However, this week there are only seven films in total, so we might as well talk about them all. To be fair, just because it is a slow week, doesn’t mean there’s nothing worth checking out. In fact, there are several films worth checking out. The Man Who Invented Christmas is the widest release, opening in over 600 theaters. Call Me by Your Name is clearly the best and it is already making waves during Awards Seasons. Finally, Bombshell: The Hedy Lamarr Story is the one I’m most interested in seeing. More...

Darkest Hour Trailer

November 3rd, 2017

Drama starring Gary Oldman and Kristin Scott Thomas, directed by Joe Wright, opens November 22 ... Full Movie Details. More...

2017 Preview: November

November 1st, 2017

Thor: Ragnarok

October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/24 21 $175,006   4 $43,752   $246,761 1
2017/12/01 27 $108,372 -38% 4 $27,093   $411,853 2
2017/12/08 15 $741,417 +584% 53 $13,989   $1,196,325 3
2017/12/15 16 $847,525 +14% 84 $10,090   $2,338,373 4
2017/12/22 8 $3,891,945 +359% 806 $4,829   $6,745,022 5
2017/12/29 8 $5,485,570 +41% 943 $5,817   $18,132,857 6
2018/01/05 8 $6,050,225 +10% 1,733 $3,491   $28,086,332 7
2018/01/12 10 $4,462,740 -26% 1,693 $2,636   $35,678,292 8
2018/01/19 15 $2,729,810 -39% 1,340 $2,037   $40,792,987 9
2018/01/26 18 $2,886,835 +6% 1,333 $2,166   $45,199,242 10
2018/02/02 14 $2,362,975 -18% 1,486 $1,590   $48,786,132 11
2018/02/09 15 $1,604,995 -32% 1,045 $1,536   $51,485,087 12
2018/02/16 16 $927,190 -42% 602 $1,540   $53,168,882 13
2018/02/23 19 $745,625 -20% 795 $938   $54,465,467 14
2018/03/02 16 $696,160 -7% 913 $762   $55,550,377 15
2018/03/09 20 $265,545 -62% 245 $1,084   $56,088,295 16
2018/03/16 32 $102,595 -61% 133 $771   $56,309,040 17
2018/03/23 46 $41,480 -60% 62 $669   $56,402,780 18
2018/03/30 59 $14,935 -64% 34 $439   $56,443,120 19

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/11/22 - $38,467   4 $9,617   $38,467 1
2017/11/23 - $33,288 -13% 4 $8,322   $71,755 2
2017/11/24 - $61,229 +84% 4 $15,307   $132,984 3
2017/11/25 - $65,596 +7% 4 $16,399   $198,580 4
2017/11/26 - $48,181 -27% 4 $12,045   $246,761 5
2017/11/27 - $14,236 -70% 4 $3,559   $260,997 6
2017/11/28 - $13,503 -5% 4 $3,376   $274,500 7
2017/11/29 - $14,691 +9% 4 $3,673   $289,191 8
2017/11/30 - $14,290 -3% 4 $3,573   $303,481 9
2017/12/01 - $24,336 +70% 4 $6,084   $327,817 10
2017/12/02 - $48,150 +98% 4 $12,038   $375,967 11
2017/12/03 - $35,886 -25% 4 $8,972   $411,853 12
2017/12/04 - $10,966 -69% 4 $2,742   $422,819 13
2017/12/05 - $9,974 -9% 4 $2,494   $432,793 14
2017/12/06 - $10,476 +5% 4 $2,619   $443,269 15
2017/12/07 - $11,639 +11% 4 $2,910   $454,908 16
2017/12/08 - $209,643 +1,701% 53 $3,956   $664,551 17
2017/12/09 15 $315,300 +50% 53 $5,949   $979,851 18
2017/12/10 15 $216,474 -31% 53 $4,084   $1,196,325 19
2017/12/11 - $69,500 -68% 53 $1,311   $1,265,825 20
2017/12/12 - $79,235 +14% 53 $1,495   $1,345,060 21
2017/12/13 - $76,366 -4% 53 $1,441   $1,421,426 22
2017/12/14 15 $69,422 -9% 53 $1,310   $1,490,848 23
2017/12/15 - $211,889 +205% 84 $2,522   $1,702,737 24
2017/12/16 - $368,094 +74% 84 $4,382   $2,070,831 25
2017/12/17 - $267,542 -27% 84 $3,185   $2,338,373 26
2017/12/18 - $116,303 -57% 84 $1,385   $2,454,676 27
2017/12/19 - $135,996 +17% 84 $1,619   $2,590,672 28
2017/12/20 - $132,410 -3% 84 $1,576   $2,723,082 29
2017/12/21 - $129,995 -2% 84 $1,548   $2,853,077 30
2017/12/22 8 $1,424,005 +995% 806 $1,767   $4,277,082 31
2017/12/23 8 $1,530,290 +7% 806 $1,899   $5,807,372 32
2017/12/24 8 $937,650 -39% 806 $1,163   $6,745,022 33
2017/12/25 10 $1,622,510 +73% 806 $2,013   $8,367,532 34
2017/12/26 9 $1,518,300 -6% 806 $1,884   $9,885,832 35
2017/12/27 9 $1,381,400 -9% 806 $1,714   $11,267,232 36
2017/12/28 9 $1,380,055 n/c 806 $1,712   $12,647,287 37
2017/12/29 8 $1,747,800 +27% 943 $1,853   $14,395,087 38
2017/12/30 8 $1,965,850 +12% 943 $2,085   $16,360,937 39
2017/12/31 7 $1,771,920 -10% 943 $1,879   $18,132,857 40
2018/01/01 9 $1,525,195 -14% 943 $1,617   $19,658,052 41
2018/01/02 8 $936,070 -39% 943 $993   $20,594,122 42
2018/01/03 7 $778,545 -17% 943 $826   $21,372,667 43
2018/01/04 7 $663,440 -15% 943 $704   $22,036,107 44
2018/01/05 8 $1,826,740 +175% 1,733 $1,054   $23,862,847 45
2018/01/06 8 $2,605,260 +43% 1,733 $1,503   $26,468,107 46
2018/01/07 9 $1,618,225 -38% 1,733 $934   $28,086,332 47
2018/01/08 6 $611,940 -62% 1,733 $353   $28,698,272 48
2018/01/09 6 $974,805 +59% 1,733 $562   $29,673,077 49
2018/01/10 5 $797,270 -18% 1,733 $460   $30,470,347 50
2018/01/11 5 $745,205 -7% 1,733 $430   $31,215,552 51
2018/01/12 10 $1,245,030 +67% 1,693 $735   $32,460,582 52
2018/01/13 10 $1,821,915 +46% 1,693 $1,076   $34,282,497 53
2018/01/14 10 $1,395,795 -23% 1,693 $824   $35,678,292 54
2018/01/15 12 $952,980 -32% 1,693 $563   $36,631,272 55
2018/01/16 9 $526,445 -45% 1,693 $311   $37,157,717 56
2018/01/17 8 $438,450 -17% 1,693 $259   $37,596,167 57
2018/01/18 8 $467,010 +7% 1,693 $276   $38,063,177 58
2018/01/19 - $802,925 +72% 1,340 $599   $38,866,102 59
2018/01/20 14 $1,328,905 +66% 1,340 $992   $40,195,007 60
2018/01/21 - $597,980 -55% 1,340 $446   $40,792,987 61
2018/01/22 11 $292,970 -51% 1,340 $219   $41,085,957 62
2018/01/23 12 $447,495 +53% 1,340 $334   $41,533,452 63
2018/01/24 10 $385,905 -14% 1,340 $288   $41,919,357 64
2018/01/25 11 $393,050 +2% 1,340 $293   $42,312,407 65
2018/01/26 - $756,075 +92% 1,333 $567   $43,068,482 66
2018/01/27 - $1,253,240 +66% 1,333 $940   $44,321,722 67
2018/01/28 - $877,520 -30% 1,333 $658   $45,199,242 68
2018/01/29 14 $284,540 -68% 1,333 $213   $45,483,782 69
2018/01/30 15 $352,370 +24% 1,333 $264   $45,836,152 70
2018/01/31 13 $290,445 -18% 1,333 $218   $46,126,597 71
2018/02/01 12 $296,560 +2% 1,333 $222   $46,423,157 72
2018/02/02 13 $711,515 +140% 1,486 $479   $47,134,672 73
2018/02/03 14 $1,229,640 +73% 1,486 $827   $48,364,312 74
2018/02/04 - $421,820 -66% 1,486 $284   $48,786,132 75
2018/02/05 12 $242,960 -42% 1,486 $163   $49,029,092 76
2018/02/06 12 $328,420 +35% 1,486 $221   $49,357,512 77
2018/02/07 12 $263,780 -20% 1,486 $178   $49,621,292 78
2018/02/08 11 $258,800 -2% 1,486 $174   $49,880,092 79
2018/02/09 15 $388,150 +50% 1,045 $371   $50,268,242 80
2018/02/10 15 $732,145 +89% 1,045 $701   $51,000,387 81
2018/02/11 - $484,700 -34% 1,045 $464   $51,485,087 82
2018/02/12 15 $166,515 -66% 1,045 $159   $51,651,602 83
2018/02/13 14 $203,535 +22% 1,045 $195   $51,855,137 84
2018/02/14 - $241,005 +18% 1,045 $231   $52,096,142 85
2018/02/15 14 $145,550 -40% 1,045 $139   $52,241,692 86
2018/02/16 - $219,295 +51% 602 $364   $52,460,987 87
2018/02/17 15 $390,520 +78% 602 $649   $52,851,507 88
2018/02/18 - $317,375 -19% 602 $527   $53,168,882 89
2018/02/19 14 $225,970 -29% 602 $375   $53,394,852 90
2018/02/20 15 $121,665 -46% 602 $202   $53,516,517 91
2018/02/21 14 $108,210 -11% 602 $180   $53,624,727 92
2018/02/22 14 $95,115 -12% 602 $158   $53,719,842 93
2018/02/23 - $161,365 +70% 795 $203   $53,881,207 94
2018/02/24 - $374,405 +132% 795 $471   $54,255,612 95
2018/02/25 - $209,855 -44% 795 $264   $54,465,467 96
2018/02/26 - $85,040 -59% 795 $107   $54,550,507 97
2018/02/27 - $90,605 +7% 795 $114   $54,641,112 98
2018/02/28 14 $110,450 +22% 795 $139   $54,751,562 99
2018/03/01 14 $102,655 -7% 795 $129   $54,854,217 100
2018/03/02 - $135,115 +32% 913 $148   $54,989,332 101
2018/03/03 15 $417,710 +209% 913 $458   $55,407,042 102
2018/03/04 - $143,335 -66% 913 $157   $55,550,377 103
2018/03/05 - $61,880 -57% 913 $68   $55,612,257 104
2018/03/06 - $75,140 +21% 913 $82   $55,687,397 105
2018/03/07 - $74,873 n/c 913 $82   $55,762,270 106
2018/03/08 - $60,480 -19% 913 $66   $55,822,750 107
2018/03/09 - $67,855 +12% 245 $277   $55,890,605 108
2018/03/10 - $125,960 +86% 245 $514   $56,016,565 109
2018/03/11 - $71,730 -43% 245 $293   $56,088,295 110
2018/03/12 - $29,485 -59% 245 $120   $56,117,780 111
2018/03/13 - $35,420 +20% 245 $145   $56,153,200 112
2018/03/14 - $27,460 -22% 245 $112   $56,180,660 113
2018/03/15 - $25,785 -6% 245 $105   $56,206,445 114
2018/03/16 - $27,495 +7% 133 $207   $56,233,940 115
2018/03/17 - $46,115 +68% 133 $347   $56,280,055 116
2018/03/18 - $28,985 -37% 133 $218   $56,309,040 117
2018/03/19 - $13,315 -54% 133 $100   $56,322,355 118
2018/03/20 - $14,550 +9% 133 $109   $56,336,905 119
2018/03/21 - $11,475 -21% 133 $86   $56,348,380 120
2018/03/22 - $12,920 +13% 133 $97   $56,361,300 121

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/17 42 $71,755   4 $17,939   $71,755 1
2017/11/24 19 $231,726 +223% 4 $57,932   $303,481 2
2017/12/01 27 $151,427 -35% 4 $37,857   $454,908 3
2017/12/08 16 $1,035,940 +584% 53 $19,546   $1,490,848 4
2017/12/15 18 $1,362,229 +31% 84 $16,217   $2,853,077 5
2017/12/22 8 $9,794,210 +619% 806 $12,152   $12,647,287 6
2017/12/29 8 $9,388,820 -4% 943 $9,956   $22,036,107 7
2018/01/05 8 $9,179,445 -2% 1,733 $5,297   $31,215,552 8
2018/01/12 10 $6,847,625 -25% 1,693 $4,045   $38,063,177 9
2018/01/19 13 $4,249,230 -38% 1,340 $3,171   $42,312,407 10
2018/01/26 17 $4,110,750 -3% 1,333 $3,084   $46,423,157 11
2018/02/02 13 $3,456,935 -16% 1,486 $2,326   $49,880,092 12
2018/02/09 15 $2,361,600 -32% 1,045 $2,260   $52,241,692 13
2018/02/16 14 $1,478,150 -37% 602 $2,455   $53,719,842 14
2018/02/23 18 $1,134,375 -23% 795 $1,427   $54,854,217 15
2018/03/02 16 $968,533 -15% 913 $1,061   $55,822,750 16
2018/03/09 24 $383,695 -60% 245 $1,566   $56,206,445 17
2018/03/16 31 $154,855 -60% 133 $1,164   $56,361,300 18
2018/03/23 48 $66,885 -57% 62 $1,079   $56,428,185 19

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/15/2018 $207,638 75 75 254 $728,889 6/15/2018
Australia 1/12/2018 $932,173 151 216 1613 $5,594,557 5/10/2018
Austria 1/19/2018 $111,565 41 49 414 $618,299 4/18/2018
Belgium 1/17/2018 $171,073 28 34 309 $711,919 4/18/2018
Bolivia 1/18/2018 $11,875 12 12 18 $29,517 2/8/2018
Brazil 1/12/2018 $96,287 0 161 755 $2,593,576 6/14/2018
Bulgaria 2/2/2018 $23,681 15 15 17 $92,160 4/4/2018
Central America 2/15/2018 $72,435 56 56 140 $188,083 4/18/2018
Chile 1/18/2018 $47,027 13 13 77 $271,620 4/18/2018
China 12/1/2017 $2,120,000 12977 12977 14835 $5,614,580 2/1/2018
Colombia 1/18/2018 $77,676 60 60 184 $258,712 4/11/2018
Croatia 1/18/2018 $0 0 7 22 $10,996 5/31/2018
Cyprus 1/18/2018 $7,340 6 6 15 $18,180 2/8/2018
Czech Republic 1/12/2018 $105,421 104 104 352 $487,704 5/9/2018
Denmark 1/25/2018 $319,250 96 98 544 $1,989,151 5/2/2018
Ecuador 1/19/2018 $14,101 18 18 51 $43,975 2/8/2018
Egypt 1/10/2018 $10,139 12 12 25 $20,882 3/15/2018
Estonia 2/2/2018 $13,852 17 17 41 $53,675 3/29/2018
Finland 1/19/2018 $83,031 60 60 243 $349,047 6/21/2018
France 1/5/2018 $1,329,995 265 350 1811 $6,412,524 4/18/2018
Germany 1/18/2018 $660,023 141 226 2127 $4,441,833 6/21/2018
Greece 1/18/2018 $207,298 0 19 54 $930,270 4/18/2018
Hong Kong 1/4/2018 $273,659 24 29 153 $1,012,858 4/18/2018
Hungary 1/18/2018 $150,084 40 59 273 $659,761 4/11/2018
Iceland 2/2/2018 $11,313 6 6 15 $62,882 3/22/2018
India 1/19/2018 $103,512 125 125 213 $230,934 3/22/2018
Indonesia 1/19/2018 $17,046 150 150 312 $299,002 2/15/2018
Israel 1/4/2018 $122,246 22 30 196 $789,273 4/11/2018
Italy 1/18/2018 $1,461,733 320 320 391 $5,077,557 6/1/2018
Japan 3/30/2018 $376,048 0 1 1 $2,889,878 6/21/2018
Latvia 2/2/2018 $7,108 12 12 26 $25,953 3/22/2018
Lebanon 1/11/2018 $43,000 14 14 31 $120,555 3/22/2018
Lithuania 2/2/2018 $13,642 54 54 95 $36,275 3/5/2018
Malaysia 1/31/2018 $17,927 11 11 29 $57,521 3/15/2018
Mexico 1/19/2018 $109,687 95 95 599 $621,663 5/16/2018
Middle East Region 1/11/2018 $74,795 42 42 56 $139,966 3/15/2018
Netherlands 1/19/2018 $309,564 61 102 830 $2,260,002 6/21/2018
New Zealand 1/12/2018 $226,135 71 97 776 $1,512,747 5/2/2018
Norway 1/12/2018 $193,281 95 95 360 $1,445,889 5/31/2018
Pakistan 2/9/2018 $3,940 10 10 12 $8,034 2/22/2018
Paraguay 2/15/2018 $13,943 9 9 24 $59,759 3/29/2018
Peru 1/18/2018 $50,505 22 22 75 $179,797 3/22/2018
Philippines 2/14/2018 $5,966 2 2 2 $7,222 2/22/2018
Poland 1/26/2018 $141,193 53 53 250 $681,053 6/21/2018
Portugal 1/12/2018 $145,165 53 53 277 $696,660 4/18/2018
Romania 1/19/2018 $63,473 69 69 196 $246,383 4/4/2018
Russia (CIS) 1/12/2018 $49,490 169 352 1013 $673,711 3/15/2018
Serbia and Montenegro 1/11/2018 $11,265 30 30 85 $53,071 3/15/2018
Singapore 1/4/2018 $3,928 5 8 51 $203,479 4/11/2018
Slovakia 1/12/2018 $50,256 61 61 125 $146,406 2/28/2018
Slovenia 1/25/2018 $11,173 19 19 58 $46,138 4/11/2018
South Africa 2/2/2018 $32,954 24 24 108 $173,367 5/16/2018
South Korea 1/4/2018 $0 0 212 337 $266,438 4/3/2018
Spain 1/12/2018 $586,393 234 249 976 $1,831,774 4/18/2018
Sweden 2/2/2018 $192,427 102 102 428 $1,178,838 5/16/2018
Switzerland 1/3/2018 $10,916 19 66 399 $1,761,201 6/7/2018
Switzerland (German Speaking) 1/12/2018 $190,000 38 38 38 $190,000 1/15/2018
Switzerland (Italian Speaking) 1/18/2018 $8,821 4 4 19 $38,864 3/7/2018
Taiwan 1/5/2018 $82,033 41 41 148 $268,432 3/29/2018
Thailand 1/11/2018 $53,547 22 22 89 $141,759 3/15/2018
Trinidad 1/24/2018 $12,049 9 9 19 $24,081 2/22/2018
Turkey 2/2/2018 $47,829 53 53 166 $114,807 3/22/2018
Ukraine 1/18/2018 $68,588 99 120 394 $383,461 3/22/2018
United Arab Emirates 1/11/2018 $88,626 23 23 34 $160,531 3/15/2018
United Kingdom 1/12/2018 $5,555,587 605 641 4543 $32,492,757 5/23/2018
Uruguay 1/25/2018 $32,912 0 11 68 $169,530 5/2/2018
Venezuela 1/19/2018 $78,888 30 30 110 $508,502 4/4/2018
Vietnam 1/19/2018 $20,843 65 65 128 $40,572 2/1/2018
 
Rest of World $1,128,196
 
International Total$92,577,688 6/21/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
3/4/2018466,678 66,678$1,197,537$1,197,5371
3/11/20181516,134-76% 82,812$289,767$1,487,3042

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
3/4/20184124,268 124,268$2,480,382$2,480,3821
3/11/20181025,783-79% 150,050$514,619$2,995,0012
3/18/20181314,129-45% 164,179$282,007$3,277,0083
3/25/2018208,562-39% 172,741$170,903$3,447,9114

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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