China Box Office for Venom (2018)

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Venom
Theatrical Performance (US$)
China Box Office $270,034,912Details
Worldwide Box Office $856,081,053Details
Home Market Performance
North America DVD Sales $25,811,172 Details
North America Blu-ray Sales $44,884,885 Details
Total North America Video Sales $70,696,057
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Eddie Brock becomes the host for the alien symbiote Venom. As a journalist, Eddie has been trying to take down the notorious founder of the Life Foundation, genius Carlton Drake—and that obsession ruined his career and his relationship with his girlfriend, Anne Weying. Upon investigating one of Drake’s experiments, the alien Venom merges with Eddie’s body, and he suddenly has incredible new superpowers, as well as the chance to do just about whatever he wants. Twisted, dark, unpredictable, and fueled by rage, Venom leaves Eddie wrestling to control dangerous abilities that he also finds empowering and intoxicating. As Eddie and Venom need each other to get what they’re looking for, they become more and more intertwined—where does Eddie end and Venom begin?

Metrics

Movie Details

Production Budget:$116,000,000
China Releases: November 8th, 2018 (Wide)
November 9th, 2018 (Wide)
Video Release: December 11th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for intense sequences of sci-fi violence and action, and for language.
(Rating bulletin 2545 (Cert #51435), 9/19/2018)
Running Time: 112 minutes
Franchise: Sony’s Marvel Universe, Venom
Keywords: Parasite, Investigative Journalist, Marvel Comics, Super Villains, Mad Scientist, Body Horror, Scene in End Credits, Set in San Francisco, Lawyers, Human Experimentation, Corporate Malfeasance, Voiceover/Narration, Development Hell, Fired, Relationships Gone Wrong, Intertitle, Motion Capture Performance, 3-D, 3-D - Post-production Conversion, IMAX: DMR
Source:Spin-Off
Genre:Action
Production Method:Animation/Live Action
Creative Type:Super Hero
Production/Financing Companies: Columbia Pictures, Marvel Studios, Arad Productions, Matt Tolmach Productions, Pascal Pictures, Tencent Pictures
Production Countries: United States
Languages: English

Home Market Releases for December 18th, 2018

December 18th, 2018

A Simple Favor

It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey. More...

Featured Blu-ray and DVD Review: Venom

December 16th, 2018

Venom

Venom is the biggest hit Sony released this year. However, it was absolutely savaged by critics. Were the critics right? Did the audiences see some quality critics didn’t? Or is the movie somewhere in the middle of those two extremes? More...

International Box Office: Grindelwald Falls, But Remains in First Place

November 28th, 2018

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald fell more than $100 million to $83.3 million on 27,922 screens in 80 markets for totals of $322.2 million internationally and $439.2 million worldwide. Its only new market was Japan, where it debuted with $13 million on 1,008 screens. By comparison, the first Fantastic Beasts earned $15.5 million during its debut in that market. The film’s best holdover was Germany, where it added $7.5 million on 1,460 screens lifting its running tally to $23.2 million after two weeks of release. On the other hand, it plummeted 82% during its second weekend in China down to just $6.44 million for a two-week total of $52.11 million. The film likely won’t reach $500 million internationally and its worldwide total might be as much as $200 million shy of its predecessor. This is still enough to be profitable, but there is reason to be concerned about the franchise going forward. More...

International Box Office: Grindelwald Has Quarter Billion Dollar Global Debut

November 20th, 2018

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald started its international run with $191.5 million on 50,865 screens in 79 markets for a worldwide debut of $253.7 million. Its largest opening was in China, but it had to settle for second place there with $36.68 million on 22,008 screens over the weekend for a total opening of $37.53 million. It had more impressive debuts in the U.K. ($16.3 million on 1,823 screens) and in Russia ($12.36 million on 1,623). The film had the best opening in the Harry Potter franchise in 21 markets, but overall, it was only 3% ahead of Fantastic Beasts and Where to Find Them in the same markets. Its much weaker reviews will likely lead to shorter legs, but even so, it should still have no problem getting to $600 million worldwide and becoming Warner Bros.’ biggest hit of the year. If the next installment in the franchise falls just as much, then the studio will have reason to be concerned. More...

International Box Office: Venom Sinks its Teeth into China

November 14th, 2018

Venom

Venom roared into first place with $117.30 million on 44,833 screens in 85 markets for totals of $467.71 million internationally and $674.01 million worldwide. Nearly all of the film’s weekend haul came from China, where it made $107.85 million in 40,000 theaters over the weekend for a total opening of $110.40 million. Whoever made the decision to recut the movie to a PG-13 rating feels like a genius after this result. More...

International Box Office: Rhapsody Gets the Whole World Singing

November 7th, 2018

Bohemian Rhapsody

Bohemian Rhapsody rose to first place with $72.5 million in 64 markets for an early international total of $91.7 million. This week it opened in first place in both Mexico ($5.33 million) and Australia ($4.87 million). On the other hand, it only earned second place during its debut in South Korea with $4.40 million on 936 screens over the weekend for a total opening of $5.65 million. The film only fell 40% during its second weekend in the U.K. earning $7.56 million in 681 theaters for a two-week total of $26.88 million. More...

International Box Office: Halloween Rises from the Dead and into First Place

October 31st, 2018

Halloween

Halloween rose from fifth to first with $26.0 million in 62 markets for a two-week total of $46.0 million. The film’s biggest new market was Germany, where it earned first place with $3.41 million on 513 screens. On the other hand, it only managed fifth place in France with $2.37 million on 316 screens. Its Australian debut was in-between those two results at second place and $1.99 million on 264 screens. It’s best holdover was in Mexico, where it earned first place with $2.34 million over the weekend for a two-week total of $9.39 million. Like I mentioned last week, this film isn’t doing as well internationally as it is domestically, but it has done so well domestically that it will break even before taking its international numbers into consideration. More...

Weekend Wrap-Up: Halloween Repeats on Top, New Releases are Barely Seen

October 30th, 2018

Hunter Killer

The month of October ends on a soft note with only one of the new releases we talked about in our prediction reached the top ten over the weekend. And even that film, Hunter Killer, didn’t quite reach our low expectations. Fortunately, Halloween came within a rounding error of predictions with $31.42 million and the overall box office wasn’t too bad at $104 million. Granted, this is 37% lower than last weekend, but this is to be expected for Halloween weekend. More importantly, the overall box office was 37% higher than the same weekend last year. Year-to-date, 2018 has pulled in $9.55 billion, putting it ahead of 2017’s running tally of $8.45 billion. At first glance, this looks like 2018 has a $1 billion lead, but it was actually $999 million, according to our numbers. It will certainly get there by the end of business on Monday. This is a fantastic result, but a short-lived one, as November and December won’t be able to maintain this lead. More...

Weekend Estimates: Halloween Holds on Strong, but Susparia Shines

October 28th, 2018

Halloween

Halloween’s weekend estimates are matching our predictions perfectly with $32.05 million. If this number holds, it will have $126.70 million after just ten days of release. Internationally, it is estimated to earn $25.6 million in 62 markets for a two-week total of $45.6 million. It won’t match its domestic run internationally, but it doesn’t have to do be a financial success. In fact, since the film only cost $10 million to make, if it had just $45.6 million worldwide at this point, it would still have a chance of breaking even, eventually. More...

Friday Estimates: Halloween Laps Competition with $10 million on Friday

October 27th, 2018

Halloween

As expected, Halloween earned first place on Friday. It was a little weaker than expected at $10.02 million and Universal’s estimate for the weekend is $30.05 million, compared to our prediction of $33 million. A $30 million sophomore stint is still fantastic for a film that cost just $10 million to make; in fact, it cracked $100 million domestically on Friday, which is more than enough to pay for its combined production / advertising budgets. More...

Weekend Prediction: Will Halloween Boost Horror Holdovers?

October 26th, 2018

Hunter Killer

There’s only one true wide release of the weekend, Hunter Killer, which isn’t expected to make much of an impact at the box office. (Indivisible and Johnny English Strikes Again are both opening in several hundred theaters and one of them could reach the top ten, but probably not both.) This means Halloween will have no trouble repeating on top, while Venom could hold on better than most, thanks to Halloween being less than a week away. This weekend last year, Jigsaw opened in first place with $16.64 million, while Tyler Perry’s Boo 2 was the only other film to earn more than $10 million. Halloween should earn more than those two did giving 2018 yet another win. More...

International Box Office: Venom Claws Closer to Half a Billion Dollars

October 25th, 2018

Venom

Venom earned its fourth first place finish on the international chart with $33.17 million on 14,966 screens in 83 markets for totals of $291.61 million internationally and $462.68 million worldwide. The film had no major market openings this past weekend, but it has yet to open in Japan and China, so it has a shot at $400 million internationally and $600 million worldwide, which would be more than enough to become Sony’s biggest hit released in 2018. More...

Weekend Wrap-Up: Halloween Fastest Horror Opening of 2018, Won’t have a Quiet Run

October 23rd, 2018

Halloween

Halloween opened on the high end of expectations earning $76.22 million during its opening weekend. This tops The Nun’s previous best opening for a horror film released this year of $53.81 million. Both The Hate U Give and The Old Man and the Gun expanded into the top ten, which also helped the overall box office a little but. Speaking of the overall box office, it rose 21% from last weekend, hitting $165 million. More impressively, this was 72% higher than the same weekend last year. Normally, a year-over-year change this dramatic only happens when there is a misalignment in holidays, but this has been happening a lot this year. Year-to-date, 2018’s lead over 2017 climbed to $960 million or 11.3% at $9.39 billion to $8.44 billion. There’s no way this lead will remain this high at the end of the year, but it would take a serious collapse for 2018 to not finish with a higher total box office than 2017. More...

Weekend Estimates: Halloween Scores Franchise-Best Start, Second-Best October Debut

October 21st, 2018

Halloween

According to Universal’s numbers, Halloween is going to debut with $77.75 million over the weekend. This is by far the biggest opening in the franchise; in fact, it is the biggest worldwide hit in the franchise after just three days at the domestic box office. Its reviews are 80% positive, while it earned a B plus from CinemaScore, and both of those suggest better-than-average legs, for a horror film. Plus, with actual Halloween just 10 days away, it could hold better next weekend than it otherwise would. I don’t expect it to get to $200 million domestically, but it will become Universal’s second-biggest hit of 2018, at least so far. Internationally, the film looks to pull in $14.3 million in 23 markets. It wasn’t able to match its opening here in any major market, which isn’t surprising given its start here. It will come the closest in Mexico, as it is estimated to make $4.99 million over the weekend. It only managed second place in the U.K. with a projected $3.61 million over the weekend, which is equivalent to a $20 million opening here. More...

Friday Estimates: Halloween Closing in on Venom’s October Record

October 20th, 2018

Halloween

Before the weekend began, people were asking if Halloween would top The Nun for biggest opening weekend for a horror film released this year. After Friday, no one is asking that question anymore, because the answer is obviously going to be yes. The film pulled in $33.34 million during its opening day, meaning it is within striking distance of Venom’s record for biggest October weekend. Venom earned $32.50 million during its opening day. Additionally, Halloween has 81% positive reviews and a B plus from CinemaScore, which is great for a horror film. On the other hand, horror films do tend to have shorter legs than comic book movies, so Halloween is essentially a coin-toss to break the record. Universal is going with $80.3 million, so we likely won’t know the answer until Monday when the final numbers show up. More...

Thursday Night Previews: Halloween tops The Nun, could Overtake Venom

October 19th, 2018

Halloween

In order to match predictions, Halloween needed to at least match The Nun’s previews, while I would have preferred it top that film’s number by 10%. That means it needed to earn $5.4 million to $6.0 million for me to be satisfied it would match our $63 million prediction. It earned $7.7 million last night. Combine this with its reviews and it could break the October weekend record, set earlier this month by Venom, with just over $80 million, but $75 million is more likely. More...

Weekend Prediction: Will Halloween Scare The Nun Out of First Place?

October 18th, 2018

Halloween

Right now, The Nun has the best opening for a horror film released this year with $53.81 million during its opening weekend. Most people think Halloween will top this, while some think it will crush this number. In fact, high end predictions have this film earning more than the top ten earned this weekend last year. It would need more than $75 million to get there, albeit not that much more to do so. That’s still asking a lot. The only other “new release” of the week is The Hate U Give, which is indeed expanding truly wide. However, it is unlikely to hit the top five. This weekend last year, Tyler Perry’s Boo 2 earned first place with $21.23 million, while Geostorm was the only other film to earn more than $10 million. Halloween should earn more than $21.23 million during its opening day and there could be as many as five films earning $10 million or more. Even if there is as few as three $10 million films, 2018 will still easily top last year’s box office number giving the year yet another win in the year-over-year comparison. More...

International Box Office: Venom Secures Win, Closes in on Summer Vacation

October 17th, 2018

Venom

Venom remained the top draw internationally earning $70.89 million on 20,248 screens in 83 markets for totals of $236.49 million internationally and $378.60 million worldwide. The film’s biggest new market was France, where it opened in first place with $6.65 million on 703 screens over the weekend for a total opening of $7.04 million. It also opened in first place in Thailand with $2.14 million on 365 screens and in Vietnam with $1.05 million on 501 screens over the weekend for a total opening of $2.22 million. Its biggest market overall is South Korea, where it has amassed $25.41 million, including $4.38 million on 1,011 screens this past weekend. At this pace, the film will soon overtake Hotel Transylvania 3: Summer Vacation, becoming Sony’s biggest hit released in 2018. More...

Weekend Wrap-Up: Venom Beats Up Expectations, and New Releases

October 16th, 2018

Venom

Last weekend, Venom and A Star is Born opened better than predicted by a large margin and they even held on better than expected this weekend. Unfortunately, none of the new releases matched predictions and that hurt the overall box office. The total box office was down 25% from last weekend at $136 million. More importantly, this is 36% higher than the same weekend last year. Year-to-date, 2018 is ahead of 2017 at $9.18 billion to $8.31 billion, which is a $880 million or 10.5% lead. A double-digit lead at this point of the year is stunning and while it very likely won’t last, it would take an complete collapse for the lead to evaporate by the end of the year. More...

Weekend Estimates: Venom Flexes it Muscles and Keeps the Competition Down

October 14th, 2018

Venom

Last weekend, the new releases topped expectations by a significant degree. It appears I got caught up in that enthusiasm, because the three wide releases this weekend all missed expectations. Fortunately, the holdovers helped compensate. Venom is projected to fall just 56% to $35.6 million over the weekend for a two-week total of $142.6 million. This is a stunningly strong hold, given its reviews, its B plus from CinemaScore, and historical averages for comic book films. Internationally, it pulled in $69.7 million and globally it already has $378.1 million. The film cost $100 million or $116 million, depending on how you look at things. It’s $116 million on the screen, but it cost Sony $100 million after tax breaks. Depending on how much the film cost to advertise and how much Sony’s share of the box office is, the film might have already broken even. It will certainly break even by this time next week. More...

Friday Estimates: New Releases Won’t Finish First, Man

October 13th, 2018

First Man

All of the new releases missed expectations on Friday. This combined with better than expected holds for the holdovers meant there won’t be any new challengers for first place. That said, there will be a relatively close race for first place between Venom and A Star is Born. Venom fell 70% compared to its opening Friday earning $9.79 million. This is enough to put it on pace for $32 million during its sophomore stint, which is on the very high end of expectations. More...

Weekend Predictions: Will First Man Live Up to Its Name?

October 11th, 2018

First Man

There are three wide releases coming out this week. First Man is the biggest release and has the best reviews with 90% positive reviews. Goosebumps 2: Haunted Halloween’s reviews are much, much worse, but it should still do relatively well at the box office. It is a horror movie for kids opening just before Halloween. The final wide release of the week is Bad Times at the El Royale, which is earning really good reviews, but the buzz is rather quiet. These films will have to compete with Venom and A Star is Born, both of which are expected to do big business during their second weekend of release. This weekend last year, Happy Death Day opened with $26.04 million; however, it was the only film that earned more than $20 million over the weekend. This year, we could have as many as four films earn more than $20 million. More...

Theater Averages: Venom is the Toast of the Town

October 10th, 2018

Venom

The overall box office leader, Venom, was also the top film on the theater average chart earning an average of $18,884. Studio 54 was yet another documentary success story opening with $14,909 in its lone theater. The only holdover in the $10,000 club was Free Solo with an average of $13,726 in 41 theaters and by the end of Sunday, it was nearly at $1 million. The Hate U Give was close behind with an average of $13,336 in 36 theaters. Finally, A Star is Born was the last film in the $10,000 club, earning an average of $12,373 in wide release. More...

International Box Office: Venom Spreads Worldwide

October 9th, 2018

Venom

Venom dominated the international chart with $127.15 million on 22,319 screens in 76 markets. Both Russia and South Korea could claim top spot for the film. In the former, it earned $14.39 million in 2,672 screens over the weekend. In the latter, it earned $10.63 million on 1,295 screens over the weekend for a total opening of $16.48 million. The film debuted in Mexico with $10.07 million on 3,465 screens. It also cracked the $10 million mark in the U.K., if you include previews, as it earned $7.42 million on 867 screens over the weekend for a total opening of $10.50 million. The film has yet to open in France, Japan, and China, although I’m not convinced it will get passed Chinese censors. More...

Weekend Wrap-Up: Venom Invades Record Books with $80.26 million

October 9th, 2018

Venom

Venom topped the high end of expectations over the weekend with $80.26 million, breaking several October records. A Star is Born also topped expectations with $44.26 million during its opening weekend and should have very long legs. Overall, the box office pulled in $177 million, which is 68% more than last weekend and this weekend last year. That’s a strange coincidence. Year-to-date, 2018 was able to stretch its lead over 2017, which now sits at 9.9% or $810 billion at $8.98 billion to $8.16 billion. I was worried we might be down to a $500 million lead at this point, but 2018 continues to impress. More...

Weekend Estimates: Venom Punches its Way to the Top with $80 million

October 7th, 2018

Venom

If studio estimates are correct, then Venom has crushed expectations over the weekend earning $80.03 million. This easily destroys the October weekend record, previously held by Gravity. The film is also projected to pull in $125.2 million on 20,800 screens in 58 markets. On the other hand, the film earned 32% positive reviews and a B plus from CinemaScore, so I don’t expect good legs going forward. That said, Sony’s share of the film’s global debut is likely very close to the film’s $100 million production budget, so unless the advertising budget was unreasonable, even really short legs won’t prevent the movie from earning a profit. More...

Friday Estimates: Venom Shines on Opening Day

October 6th, 2018

Venom

Despite earning terrible reviews, Venom was able to destroy the record for biggest October day with $32.75 million on Friday, topping the previous record holder Paranormal Activity 3 by a significant margin. Not only will the film blow past $70 million over the weekend, it could come close to $80 million. On the down side, as previously mentioned, its reviews are terrible, while it only managed a B plus from CinemaScore, so it won’t have good legs going forward. That said, the film reportedly cost $100 million to make ($116 million on the screen, $100 million after tax breaks) so even tragically short legs won’t stop the film from breaking even. More...

Thursday Night Previews: Venom Rolls Over the Competition

October 5th, 2018

Venom

Venom has already broken records earning $10 million during its previews. This tops the previous record of $8 million held by Paranormal Activity 3 back in 2011. If the film has the same legs, then Venmon will earn a little more than $65 million over the weekend. However, there are some reasons to suspect this film won’t have the same legs. Firstly, its reviews are substantially worse than Paranormal Activity 3’s reviews were. Secondly, 2011 was a long time ago and previews were not as established as they are now, so getting to $8 million then is a little more impressive than getting to $10 million now. Sony is still sticking with a $55 million weekend debut, which is very likely just them being cautious. Our $57 million prediction does seem a little low now, with $60 million to $65 million being more likely. More...

Weekend Predictions: Can Venom Take Down October’s Record?

October 4th, 2018

Venom

The first weekend of October could see records fall, as most have Venom opening with between $60 million and $70 million. The movie with the line “Turd in the wind” in its trailer is expected to open better than Gravity did. On the other hand, A Star is Born is expected to open in second place, but have much, much longer legs and I believe it will be the bigger hit in the end. Both Night School and Smallfoot will earn more than $10 million over the weekend, which will help the overall box office performance. This weekend last year, Blade Runner 2049 opened with $32.75 million, while only one other film earned more than $10 million. Even on the low end, Venom will earn more than those two films combined. On the high end, it could match last year’s top five by itself. More...

2018 Preview: October

October 1st, 2018

First Man

September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin. More...

Venom Trailer 2

April 26th, 2018

Super hero action movie starring Tom Hardy opens October 5 ... Full Movie Details. More...

Venom Trailer

February 8th, 2018

Super hero action movie starring Tom Hardy opens October 5 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/11/09 1 $108,110,000   193,353 $559   $110,680,000 1
2018/11/16 1 $51,320,000 -53% 129,566 $396   $205,290,000 2
2018/11/23 2 $19,520,000 -62% 75,915 $257   $241,070,000 3
2018/11/30 2 $12,420,000 -36% 65,539 $190   $263,950,000 4
2018/12/07 5 $1,470,000 -88% 13,565 $108   $268,980,000 5
2018/12/14 8 $450,000 -69% 5,150 $87   $270,960,000 6
2018/12/21 - $89,395 -80% 479 $187   $269,804,672 7
2018/12/28 - $43,910 -51% 430 $102   $269,949,024 8
2019/01/04 - $14,478 -67% 107 $135   $270,034,912 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/4/2018 $785,982 314 314 1293 $2,830,282 12/11/2018
Aruba 10/4/2018 $18,932 10 10 18 $40,191 1/1/2019
Australia 10/4/2018 $6,580,307 519 519 2367 $15,569,478 11/3/2020
Austria 10/5/2018 $561,749 115 115 572 $2,152,301 12/27/2018
Bahrain 10/4/2018 $278,650 12 12 60 $857,317 12/12/2018
Belgium 10/10/2018 $681,019 147 147 629 $2,539,503 12/27/2018
Bolivia 10/4/2018 $264,823 52 53 251 $1,163,780 12/11/2018
Brazil 10/4/2018 $4,911,683 1504 1504 5409 $19,031,136 12/23/2018
Bulgaria 10/5/2018 $228,930 73 73 328 $859,396 2/26/2019
Cambodia 10/4/2018 $43,644 56 56 171 $164,220 11/27/2018
Central America 10/4/2018 $1,659,401 479 479 1348 $4,110,474 11/28/2018
Chile 10/4/2018 $998,672 160 160 686 $3,401,811 12/11/2018
China 11/9/2018 $265,895 0 193353 484104 $270,034,912 1/15/2019
Colombia 10/4/2018 $1,410,060 375 375 1485 $5,529,183 12/6/2018
Croatia 10/4/2018 $257,222 81 174 452 $768,844 12/4/2018
Curacao 10/4/2018 $11,142 11 11 28 $42,960 1/1/2019
Czech Republic 10/4/2018 $917,601 134 134 466 $2,700,089 1/1/2019
Denmark 10/11/2018 $553,522 76 78 348 $2,064,534 12/27/2018
Dominican Republic 10/4/2018 $150,352 63 63 243 $574,415 12/4/2018
East Africa 10/5/2018 $6,715 2 2 11 $21,499 11/27/2018
Ecuador 10/5/2018 $735,443 130 130 520 $2,402,159 12/4/2018
Egypt 10/4/2018 $255,741 25 29 213 $969,443 1/29/2019
Estonia 10/5/2018 $131,353 24 24 110 $447,561 12/4/2018
Finland 10/5/2018 $423,795 135 135 473 $1,492,619 12/11/2018
France 10/10/2018 $6,646,527 703 703 3462 $18,420,064 12/6/2018
Germany 10/3/2018 $3,782,789 983 1077 5504 $16,029,204 1/16/2019
Ghana 10/5/2018 $14,206 4 4 24 $43,500 11/20/2018
Greece 10/4/2018 $558,100 137 137 386 $1,687,257 11/27/2018
Hong Kong 10/4/2018 $2,308,753 184 184 614 $4,984,532 12/27/2018
Hungary 10/4/2018 $588,115 64 71 331 $1,916,309 12/27/2018
Iceland 10/12/2018 $84,817 12 12 38 $249,163 12/27/2018
India 10/5/2018 $2,748,236 1209 1209 2485 $5,927,228 12/4/2018
Indonesia 10/3/2018 $6,026,349 1130 1130 2849 $10,704,633 1/1/2019
Iraq 10/4/2018 $92,394 14 14 81 $328,594 11/28/2018
Israel 10/4/2018 $677,256 50 50 258 $2,069,325 12/11/2018
Italy 10/4/2018 $4,334,191 0 18 26 $9,849,263 12/4/2018
Jamaica 10/3/2018 $41,969 6 6 18 $215,910 11/28/2018
Japan 11/2/2018 $3,878,987 454 746 3511 $19,121,916 1/23/2019
Jordan 10/4/2018 $96,215 12 12 59 $320,902 12/4/2018
Kenya 10/5/2018 $50,309 22 23 113 $198,074 11/27/2018
Kuwait 10/4/2018 $677,031 25 25 104 $1,772,338 11/27/2018
Latvia 10/5/2018 $72,767 14 14 90 $346,101 1/3/2019
Lebanon 10/4/2018 $172,557 28 28 94 $445,859 11/27/2018
Lithuania 10/5/2018 $127,336 144 144 358 $344,002 11/13/2018
Malaysia 10/4/2018 $2,956,269 600 600 1797 $7,003,518 12/4/2018
Mexico 10/5/2018 $10,120,289 0 356 518 $24,390,084 12/4/2018
Middle East Region 10/4/2018 $109,272 2 3 16 $448,745 12/4/2018
Mongolia 10/5/2018 $59,628 11 11 54 $183,507 1/1/2019
Netherlands 10/4/2018 $1,396,751 105 107 719 $5,638,650 12/11/2018
New Zealand 10/4/2018 $792,730 97 97 470 $2,244,363 12/27/2018
Nigeria 10/5/2018 $74,004 37 37 257 $344,688 12/4/2018
North America 10/5/2018 $80,255,756 4,250 4,250 24,722 $213,511,408
Norway 10/5/2018 $786,913 240 240 691 $2,164,082 12/11/2018
Oman 10/4/2018 $225,591 28 28 80 $517,318 11/20/2018
Pakistan 10/5/2018 $213,578 58 58 151 $531,132 12/6/2018
Paraguay 10/4/2018 $80,256 28 28 127 $231,050 11/27/2018
Peru 10/4/2018 $1,501,610 353 353 1028 $4,652,609 11/27/2018
Philippines 10/4/2018 $1,927,610 363 363 959 $4,458,893 11/27/2018
Poland 10/5/2018 $872,268 154 154 797 $2,891,937 12/11/2018
Portugal 10/4/2018 $626,957 82 86 403 $1,960,914 12/27/2018
Qatar 10/4/2018 $526,402 28 28 77 $1,083,373 11/27/2018
Romania 10/5/2018 $629,846 92 92 513 $2,470,869 12/27/2018
Russia (CIS) 10/4/2018 $14,324,062 1402 1604 6793 $32,319,858 1/1/2019
Serbia and Montenegro 10/4/2018 $96,730 48 48 170 $307,354 12/4/2018
Singapore 10/4/2018 $1,665,704 112 112 412 $4,312,529 12/11/2018
Slovakia 10/4/2018 $350,397 74 74 219 $869,652 12/11/2018
Slovenia 10/4/2018 $58,153 20 20 72 $165,769 11/20/2018
South Africa 10/5/2018 $433,435 121 121 717 $1,639,294 12/11/2018
South Korea 10/2/2018 $9,274,235 1293 1293 3625 $30,150,764 11/27/2018
Spain 10/5/2018 $3,605,682 369 369 2144 $10,852,976 1/3/2019
Suriname 10/5/2018 $5,144 2 2 8 $19,473 11/20/2018
Sweden 10/5/2018 $1,107,740 214 214 685 $3,389,670 1/10/2019
Switzerland 10/4/2018 $472,144 93 125 500 $2,124,528 12/27/2018
Syria 10/4/2018 $14,786 3 3 10 $41,496 1/1/2019
Taiwan 10/3/2018 $2,911,665 301 301 1051 $9,007,044 12/4/2018
Thailand 10/11/2018 $2,135,605 365 365 662 $5,441,379 11/20/2018
Trinidad 10/3/2018 $207,140 29 29 141 $684,376 11/28/2018
Turkey 10/5/2018 $784,146 620 620 1833 $2,554,355 2/26/2019
Ukraine 10/4/2018 $1,295,354 354 354 1219 $3,579,645 12/4/2018
United Arab Emirates 10/4/2018 $2,213,038 146 146 425 $5,086,480 12/27/2018
United Kingdom 10/3/2018 $10,521,868 556 556 2954 $26,338,052 12/11/2018
Uruguay 10/4/2018 $76,405 26 26 123 $283,785 1/3/2019
Venezuela 10/5/2018 $137,553 119 119 671 $1,103,244 1/3/2019
Vietnam 10/12/2018 $1,050,309 501 501 1044 $3,789,755 11/20/2018
 
Rest of World $2,550,154
 
Worldwide Total$856,081,053 11/3/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Hardy    Eddie Brock/Venom
Michelle Williams    Ann Weying
Riz Ahmed    Carlton Drake/Riot

Supporting Cast

Scott Haze    Security Chief Roland Treece
Reid Scott    Dr. Dan Lewis
Jenny Slate    Dr. Dora Skirth
Melora Walters    Homeless Woman Maria
Woody Harrelson    Cletus Kasady
Peggy Lu    Mrs. Chen
Malcolm C. Murray    Lewis Donate
Sope Aluko    Dr. Collins
Wayne Pére    Dr. Emerson
Michelle Lee    Malaysia EMT/Riot Host
Kurt Yue    Mission Control Translator
Chris O’ Hara    Astronaut JJ Jameson III
Emilio Rivera    Lobby Guard Richard
Amelia Young    Allie
Ariadne Joseph    Eddie’s TV Producer
Deen Brooksher    Drake Interview Guard
David Jones    Drake Interview Guard
Woon Young Park    Malaysia Village Tough
Patrick Chundah Chu    Malaysia Village Tough
Vickie Eng    Elderly Village Woman/Riot Host
Mac Brandt    Jack the Bartender
Nick Thune    Beardo at Bar
Michael Dennis Hill    Reporter on TV
Sam Medina    Shakedown Thug
Scott Deckert    Noisy Neighbor Ziggy
Lauren Richardson    Ziggy’s Girlfriend
Jared Bankens    Isaac/Blue Host
Lucas Fleischer    Guard at Gate
Diesel Madkins    Lab Security Guard
Otis Winston    Chasing Guard
Zeva Duvall    Little Girl/Riot Host
Selena Anduze    Bistro Manager
Brittany L. Smith    Bistro Hostess
Jordan Foster    Waiter
Jane McNeill    Diner
Victor McCay    Diner
Elizabeth Becka    Diner
Ron Prather    Diner
Marcia White    Diner
Javier Vazquez Jr    MRI Tech
Ellen Gerstein    Hospital Lady with Dog/Mrs. Manfredi
Martin Bradford    Jacob/Blue Host
Steven Teuchert    Stoner Dudes
Al-Jaleel Knox    Stoner Dude
Brandon Morales    Crowd Control Officer
Michael Burgess    Flight Technician
Matthew Cornwell    Ops Director
David Fleischer    Flight Trajectory Specialist
D. James Jones    L.F. Security Guard
Angela Davis    Evacuating Scientist
Wade Williams    Prison Guard

Cameos

Stan Lee    Dapper Dog Walker

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ruben Fleischer    Director
Avi Arad    Producer
Matt Tolmach    Producer
Amy Pascal    Producer
Scott Rosenberg    Screenwriter
Jeff Pinkner    Screenwriter
Kelly Marcel    Screenwriter
Jeff Pinkner    Screen Story by
Scott Rosenberg    Screen Story by
David Householter    Executive Producer
Stan Lee    Executive Producer
Kelly Marcel    Executive Producer
Tom Hardy    Executive Producer
Edward Cheng    Executive Producer
Howard Chen    Executive Producer
Matthew Libatique    Director of Photography
Oliver Scholl    Production Designer
Maryann Brandon    Editor
Alan Baumgarten    Editor
Ludwig Göransson    Composer
John Papsidera    Casting Director
Gabe Hilfer    Music Supervisor
Kelli Jones    Costume Designer
Paul Franklin    Visual Effects Supervisor
Sheena Duggal    Visual Effects Supervisor
Chris O’ Hara    Stunt Coordinator
Spiro Razatos    Second Unit Director
Dana Robin    Unit Production Manager
David Householter    Unit Production Manager
K.C. Hodenfield    First Assistant Director
Michael Saunders    Second Assistant Director
Todd McFarlane    Based on “Venom” by
David Michelinie    Based on “Venom” by
Mark Soper    Visual Effects Producer
Troy Sizemore    Art Director
Greg Hooper    Art Director
Drew Monahan    Art Director
Larry Dias    Set Decorator
Diane Durant    Script Supervisor
Bill Edwards    Costume Supervisor
Jay Wejebe    Make up
Aida Scuffle    Make up
Adruitha Lee    Hairstylist
J.D. Schwalm    Special Effects Supervisor
Eric Cook    Special Effects Coordinator
Maria Bierniak    Location Manager
Caleb Hinshaw    Location Manager
Andrew Reeder    Set Designer
Brian Baker    Set Designer
C. Scott Baker    Set Designer
Julie Vash    Set Designer
Omar Foster    Set Designer
Ben Cox    First Assistant Editor
Jane Tones    First Assistant Editor
Lindsay Tessier    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Will Files    Re-recording Mixer
Kami Asgar    Supervising Sound Editor
Will Files    Supervising Sound Editor
Will Files    Sound Designer
Robert Stambler    Sound Designer
Ken McGill    Sound Effects Editor
Chris Terhune    Sound Effects Editor
Robert Chen    Dialogue Editor
Scott Ferrara    Dialogue Editor
Nerses Gezalyan    Foley Mixer
Randy Singer    Foley Mixer
Amanda Goodpaster    Music Editor
Joe Lisanti    Music Editor
Scott Johnson    Music Editor
Chris Fogel    Score Mixer
Beth Howe    Visual Effects Production Supervisor
Brice Parker    Visual Effects Production Supervisor
Andy Gill    Second Unit Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.