Follow us on

Slovakia Box Office for Winchester: Sídlo démonov (2018)

← Go to main Winchester page

Theatrical Performance (US$)
Slovakia Box Office $145,925Details
Worldwide Box Office $38,604,688Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer


On an isolated stretch of land 50 miles outside of San Francisco sits the most haunted house in the world. Built by Sarah Winchester, heiress to the Winchester fortune, it is a house that knows no end. Constructed in an incessant twenty-four hour a day, seven day a week mania for decades, it stands seven stories tall and contains hundreds of rooms. To the outsider it looks like a monstrous monument to a disturbed woman’s madness. But Sarah is not building for herself, for her niece or for the brilliant Doctor Eric Price whom she has summoned to the house. She is building a prison, an asylum for hundreds of vengeful ghosts, and the most terrifying among them have a score to settle with the Winchesters…


Movie Details

Production Budget:$3,500,000
Slovakia Releases: March 2nd, 2018 (Wide), released as Winchester: Sídlo démonov
Video Release: April 17th, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for violence, disturbing images, drug content, some sexual material and thematic elements.
(Rating bulletin 2507 (Cert #51318), 12/20/2017)
Running Time: 99 minutes
Keywords: Supernatural, Family Affair, 1800s, Haunted House, Widow/Widower, California, San Francisco, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Inspired by a True Story
Source:Based on Real Life Events
Production Method:Live Action
Creative Type:Dramatization
Production Companies: CBS Films, Eclipse Films, Screen Australia, Screen Queensland, Film Victoria, Blacklab, Imagination Design Works
Production Countries: United States


Helen Mirren    Sarah Winchester
Jason Clarke    Dr. Eric Price
Sarah Snook    Marion Marriott
Finn Scicluna-O’Prey    Henry Marriott
Emm Wiseman    Nancy
Alana Fagan    Partially Dressed Lady #1
Rebecca Makar    Partially Dressed Lady #2
Tyler Coppin    Arthur Gates
Michael Carman    Frank
Angus Sampson    John Hansen
Alice Chaston    Clara
Eamon Farren    Ben Block
Laura Brent    Ruby Price
Adam Bowes    Farmer Amputee
Bruce Spence    Augustine
Phoenix Suhrou-DiMarco    Native American Child
Jayden Irving    Carpenter #1
Rosco Campbell    Carpenter #2
Puven Pather    Carpenter #3
Tom Heath    Wiry Carpenter
Curtis Bock    Harry Block
Andy de Lore    James Block
Graham Jahne    Innocent Man #1
Hayden Stewart    Innocent Man #2
Chris Anderson    Innocent Man #3
Laura Sutton    Innocent Woman
Robert Shook    Police Officer #1
Richard Anastasios    Police Officer #2
Will Jones    Police Officer #3
Luke David Maizey    Police Officer #4
James Baldwin    Police Officer #5
Neil Solomano    Police Officer #6
Amos Ciza    Slave Ghost
Red Horse Rivera    Chief Little Fawn
Timothy Brown    Ghost #1
Kym Lannin    Ghost #2 - Union Soldier
Christian Rhodes-Wolfe    Ghost #3-Union Soldier
Albert Trajstman    Ghost #4-Sheriff
Xavier Gerard Ludovic Gouault    Ghost #5-Police Officer
Gawi Deng    Ghost #6-Confederate Soldier
Ryuhei Tsukamoto    Ghost #7-Rail Worker
Shane Holloway    Ghost #8-Cowboy
Michael Boyd    Ghost #9-Sheriff
Elisa Abascal    Ghost #10-Mexican Woman
Akosua Sabet    Ghost #11-Cotton Picker
Stephanie Beall    Ghost #12-1895 Wealthy Lady
Clancy Fraser    Ghost #13-Prostitute
Chris Homa    Ghost #14-Farmer’s Wife
Rose Juan    Ghost #15-Maid

Production and Technical Credits

Director    Michael Spierig
Director    Peter Spierig
Screenwriter    Michael Spierig
Screenwriter    Peter Spierig
Screenwriter    Tom Vaughan
Producer    Tim McGahan
Producer    Brett Tomberlin
Executive Producer    Benedict Carver
Executive Producer    Daniel Diamond
Executive Producer    Tobin Armbrust
Executive Producer    Andrew Trapani
Executive Producer    Brian Gilbert
Executive Producer    Michael Burton
Executive Producer    Bryce Menzies
Executive Producer    Marc Schipper
Executive Producer    Simon Oakes
Executive Producer    Antonio Lianos
Director of Photography    Ben Nott
Production Designer    Matthew Putland
Editor    Matt Villa
Costume Designer    Wendy Cork
Special Make-up Effects    Steve Boyle
Composer    Peter Spierig
Casting Director    Maura Fay
Casting Director    Leigh Pickford
Stunt Coordinator    Chris Anderson
Line Producer    Yvonne Collins
Production Manager    Angelique Badenoch
First Assistant Director    Jamie Leslie
Art Director    Janie Parker
Additional Editor    Jeff Betancourt
Second Assistant Director    Angella McPherson
Script Supervisor    Carmel Torcasio
Location Manager    Stephen Brett
Set Designer    Michael Bell
Set Designer    Douglas Pierce
Set Decorator    Vanessa Cerne
Special Effects Supervisor    Peter Stubbs
Costume Supervisor    Rachel Nott
Costume Supervisor    Michael Davies
Make-up and Hair Designer    Lynn Wheeler
Post-Production Supervisor    Henry Karjalainen
First Assistant Editor/VFX Editor    Courtney Lee Bowden
First Assistant Editor    Daniel Newfield
Assistant Editor    Shannon Longville
Sound Supervisor    Paul Pirola
Re-recording Mixer    Pete Smith
Re-recording Mixer    Paul Pirola
Sound Designer    Hayden Collow
Sound Effects Editor    Andrew Neil
Sound Effects Editor    Frank Lipson
Sound Effects Editor    Tom Heuzenroeder
Sound Effects Editor    Joe Dzuban
Sound Effects Editor    Andrew Moore
Sound Effects Editor    Peter Miller
Visual Effects Supervisor    Rangi Sutton
Visual Effects Producer    Kasia Rymar
Visual Effects Producer    Flavia Riley
Visual Effects Producer    Kristie Godden
Music Editor    Chris Scallan
Music Supervisor    Laura Katz
Executive Music Producer    Tim Hegarty
Executive Music Producer    Tara Finegan

Weekend Wrap-Up: Freed Falls to $38.56 million

February 13th, 2018

Fifty Shades Freed

Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased. More...

Weekend Wrap-Up: Jumanji Rumbles Back to the Top with $10.93 million

February 6th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle earned first place for the fourth time over the weekend with $10.93 million, while Maze Runner: The Death Cure was a close second with $10.47 million. This left Winchester in third place with $9.31 million, but it could have been much worse. Overall, the weekend fell 33% from last weekend with $95 million. More importantly, is 3.6% lower than the same weekend last year. 2018 lost its small lead over 2017 before the weekend and it is now 0.8% or $8 million below last year’s pace at $1.04 billion to $1.05 billion. It’s going to get a lot worse next weekend, due to the misalignment in holidays, but I think 2018 will quickly recover after that. More...

Weekend Estimates: Jumanji and Greatest Showman in Record Territory

February 4th, 2018


In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance. More...

Friday Estimates: Winchester Earns First on Friday with $3.61 million, but Jumanji is Gunning For It

February 3rd, 2018


Winchester started out in first place on Friday with $3.61 million. That’s the good news. The bad news is, well, everything else. Its reviews have fallen to just 8% positive, while it earned a B minus from CinemaScore. To be fair, a lot of horror movies actually do worse than that with CinemaScore, as horror fans are notoriously hard to please. Since it is a new release and its word-of-mouth is likely going to be quite bad, it will have shorter legs than the rest of the films on this list and will very likely drop to third place by the end of the weekend with roughly $9 million. This is close enough to our prediction that I’m going to call it a victory. More...

Thursday Night Previews: Winchester Misfires with $615,000

February 2nd, 2018


Winchester is the only wide release of the week, but it looks like having the weekend to itself won’t be enough to overcome the Super Bowl. It only managed $615,000 during previews, which is well below the $800,000 Rings managed this time last year. Worse still, the film has gone from no reviews to just 10% positive reviews, so its legs likely won’t be long either. We predicted between $8 million and $9 million during its opening weekend and I’m still relatively confident with that result. It may even get between $9 million and $10 million instead. We will have a better picture tomorrow when Friday's estimates are in. More...

Weekend Predictions: Winchester Takes Aim at the Competition

February 1st, 2018


It’s Super Bowl weekend and the only film attempting to compete with the sporting event is Winchester. Unfortunately, its nearly noon on Thursday and there are still no reviews on Rotten Tomatoes. This means Maze Runner: The Death Cure and Jumanji: Welcome to the Jungle will be in a race for first place over the weekend, while Winchester will have to settle for third place. This weekend last year, Rings was the biggest new release of the week. It wasn’t a hit, but it was bigger than any film this week will be, preventing 2018 from winning the year-over-year competition. More...

2018 Preview: February

February 1st, 2018

Black Panther

2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons. More...

Winchester Trailer

January 5th, 2018

Supernatural thriller starring Helen Mirren opens February 2 ... Full Movie Details. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/03/02 3 $58,538   58 $1,009   $58,538 1
2018/03/09 6 $37,524 -36% 43 $873   $114,383 2
2018/03/16 8 $24,506 -35% 25 $980   $145,925 3

Box Office Summary Per Territory

Territory Release
Box Office
Australia 2/23/2018 $309,541 206 206 517 $658,646 3/19/2018
Czech Republic 3/2/2018 $100,139 86 86 167 $263,735 3/19/2018
Italy 2/24/2018 $839,048 0 0 0 $1,664,140 3/14/2018
Mexico 3/9/2018 $1,421,878 0 0 0 $2,778,430 3/19/2018
Netherlands 2/9/2018 $141,899 61 63 225 $497,676 3/5/2018
New Zealand 3/2/2018 $44,035 50 52 124 $95,823 3/19/2018
North America 2/2/2018 $9,307,626 2480 2480 8219 $25,000,041
Slovakia 3/2/2018 $58,538 58 58 126 $145,925 3/20/2018
Spain 3/9/2018 $725,499 250 250 499 $1,343,424 3/22/2018
United Kingdom 2/2/2018 $527,688 336 336 336 $527,688 2/7/2018
Rest of World $5,629,160
Worldwide Total$38,604,688 3/22/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at