| || ||Movies||Domestic|
|As an Actor||Supporting||12||$548,894,309||$490,641,727||$1,039,536,036|
|Lead Ensemble Member||1||$54,117,416||$91,325,944||$145,443,360|
|In Technical Roles||Director||1||$252,567||$0||$252,567|
This graph shows Tim Roth’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
|Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 1,501-1,600)
|Top Stars at the Domestic Box Office (Rank 1,601-1,700)
|Top 100 Stars in Leading Roles at the International Box Office (Rank 1,101-1,200)
|Top Stars at the International Box Office (Rank 2,501-2,600)
|Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 1,201-1,300)
|Top Stars at the Worldwide Box Office (Rank 1,901-2,000)
|Top Grossing Director at the Domestic Box Office (Rank 2,601-2,700)
|Top Grossing Executive Producer at the Domestic Box Office (Rank 6,901-7,000)
|Top Grossing Executive Producer at the International Box Office (Rank 4,901-5,000)
|Top Grossing Director at the Worldwide Box Office (Rank 4,401-4,500)
|Top Grossing Executive Producer at the Worldwide Box Office (Rank 5,801-5,900)
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
November 23rd, 2016
The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
September 23rd, 2016
Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week.
January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.