|Jun 22, 2001||The Fast and the Furious||$38,000,000||$40,089,015||$144,512,310||$206,512,310|
|Jun 6, 2003||2 Fast 2 Furious||$76,000,000||$50,472,480||$127,120,058||$236,410,607|
|Jun 16, 2006||The Fast and the Furious: Tokyo Drift||$85,000,000||$23,973,840||$62,615,510||$157,794,205|
|Apr 3, 2009||Fast & Furious||$85,000,000||$70,950,500||$155,064,265||$363,064,265|
|Apr 29, 2011||Fast Five||$125,000,000||$86,198,765||$209,837,675||$629,969,804||Play|
|May 24, 2013||Fast and Furious 6||$160,000,000||$97,375,245||$238,679,850||$789,300,444||Play|
|Apr 3, 2015||Furious 7||$190,000,000||$147,163,560||$351,032,910||$1,516,748,684||Play|
|Apr 14, 2017||The Fate of the Furious||$250,000,000||$98,786,705||$225,764,765||$1,237,444,462||Play|
|Apr 19, 2019||Fast and Furious 9||$0||$0|
|Apr 2, 2021||Fast and Furious 10||$0||$0|
Box Office History for Fast and the Furious Movies
|Sep 26, 2006||The Fast and the Furious: Tokyo Drift||$41,275,614||$1,175,096||$42,450,710|
|Jul 28, 2009||Fast & Furious||$66,592,294||$18,262,661||$84,854,955|
|Oct 4, 2011||Fast Five||$40,658,011||$30,148,017||$70,806,028|
|Dec 10, 2013||Fast and Furious 6||$56,207,046||$75,267,240||$131,474,286|
|Aug 25, 2015||Furious 7||$32,463,649||$39,226,383||$71,690,032|
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
July 13th, 2017
War for the Planet of the Apes is going to be the biggest of the three wide releases coming out this week. This much is a near certainty. However, there is some doubt if it will open in first place, or if Spider-Man: Homecoming will remain the top draw over the weekend. The only other wide release of the week is Wish Upon, a low-budget horror film, if it can just reach the top five, then the studio will be very happy. Finally, The Big Sick is expanding wide. Given its limited release run so far, it should become a sleeper hit over the summer. This weekend last year, The Secret Life of Pets and Ghostbusters had a one-two punch of nearly $100 million. I think War for the Planet of the Apes and Spider-Man: Homecoming will top that figure, while the overall depth should help 2017 win in the year-over-year competition, but it will likely be close.
July 11th, 2017
This week, the home market is led by The Fate of the Furious, which is the number one film both in terms of worldwide box office and alphabetically. It earned well over $1 billion worldwide, but it is losing the charm the franchise thrived on during the past few installments. As for the Pick of the Week, I’m going with Underground, Season Two, or the Two-Season box set.
May 28th, 2017
Pirates of the Caribbean: Dead Men Tell No Tales is dominating proceedings at the box office this weekend, with Disney projecting an opening of $62.2 million for three days, and $76.6 million over the complete Memorial Day holiday weekend. As I’ve said a few times this year, any other studio would kill for numbers like those, but this marks the third straight decline in the franchise’s fortunes. Dead Man’s Chest had the best opening for any Pirates film, with $135.6 million in 2006; At World’s End did $114.7 million over Memorial Day weekend in 2007; and then On Stranger Tides delivered a $90.2-million debut, also over Memorial Day weekend in 2011. With this kind of start, Dead Men will struggle to deliver $200 million domestically, although its international performance will help make up the numbers.
April 26th, 2017
The Fate of the Furious is living fast, but plummeting just as fast down 64% to $158.1 million on 19,757 screens in 65 territories for totals of $745.03 million internationally and $908.34 million worldwide. The film is now the biggest hit of 2017 on the international chart and is behind only Beauty and the Beast on the 2017 worldwide chart. The film’s biggest opening of the past weekend came in Poland where it earned $2.7 million on 187 screens, which is the best opening for the Fast and the Furious franchise in that market. Its biggest market overall continues to be China, where it added $55.28 million over the weekend for a two-week total of $321.65 million. The is the second biggest box office for a Hollywood release in China, behind only Furious 7, which earned $390.87 million there.
April 25th, 2017
As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion.
April 20th, 2017
Late April is one of the traditional dumping grounds and this week is truly living down to that reputation. There are five new releases that have at least a shot at the top ten, but none of them have a shot at becoming midlevel hits. Unforgettable is the widest new release of the week and will likely be the biggest hit, but it very likely won’t be the best. Free Fire and Born in China are in a close battle for the best reviews for the week. Meanwhile, The Promise and Phoenix Forgotten are just hoping to avoid opening below the Mendoza Line. I think earning a theater average above $2,000 is overly optimistic for either film. There’s a lot of competition, but nearly all of it is terrible, so The Fate of the Furious will have no trouble repeating in first place. Furthermore, both The Boss Baby and Beauty and the Beast will likely remain in the top five, meaning there’s not a lot of room for the other films. This weekend last year, The Jungle Book earned just over $60 million over the weekend, while The Huntsman: Winter’s War opened with close to $20 million. There’s no way 2017 will be able to match this one-two punch.
April 19th, 2017
The Fate of the Furious dominated in the international chart with $433.2 million in 63 markets. This is the biggest international weekend of all time, beating the previous record holder, Jurassic World, by over $100 million. Interestingly, both of these films were released by Universal. Furthermore, the film has already topped the international totals of all but the two more recent installments in the Fast and the Furious franchise. On the downside, the international opening weekend record isn’t the most prestigious record, because it depends a lot of how wide a release a film has. For instance, The Fate of the Furious opened in all but four markets this past weekend and of the remaining markets, only Japan is a significant market. The film has the number one overall international weekend, but only broke weekend records in 20 of the 63 individual markets and only one of those markets could be considered a major market. That one market was China.
April 18th, 2017
As expected, The Fate of the Furious dominated the box office this weekend, earning nearly a 60% share of the total box office. It did miss predictions, however, with “just” $98.79 million. This is the curse of great expectations. Overall, the box office rose 40% from last weekend, reaching $167 million. However, this was 5.1% lower than the same weekend last year. Had The Fate of the Furious matched expectations, then 2017 would have had a 5% lead over last year. Year-to-date, 2017 has pulled in $3.37 billion and has a 7.2% lead over 2016. That will shrink as last year’s The Jungle Book’s legs will undoubtedly be better than The Fate of the Furious’s legs, but I don’t think 2017 will fall behind 2016 any time soon.
April 15th, 2017
As expected, The Fate of the Furious dominated at the domestic box office on Friday, earning $45.6 million. This is not the best opening-day record for the franchise—Furious 7 owns that with $67.41 million—and it is almost a third lower than the previous installment, but if it manages the same legs, it will earn just under $100 million over the weekend. Universal is estimating an opening weekend of $103.8 million. Granted, this film’s reviews are 15 points lower than Furious 7’s, and that should hurt its legs. On the other hand, both films earned a solid A from CinemaScore. In fact, every film in the franchise since Fast Five has earned an A from CinemaScore. Consistency. A drop like this is troubling, but it is more than made up for by the film’s international performance…
April 13th, 2017
The headline isn’t 100% accurate, because let’s face it, there is no competition this week. The Fate of the Furious is the only wide release of the week (Spark was dropped to select cities.) and it will beat the nearest competition likely by over $100 million. It will likely earn more than the rest of the box office combined will earn. There could be a close race for second place between The Boss Baby and Beauty and the Beast, but for the most part, there will be no mystery at the box office this weekend. As for this weekend last year, it was also really one-sided. The Jungle Book opened with $103.26 million, while Barbershop: The Next Cut was a distant second with $20.24 million. The Fate of the Furious will need to match this one-two punch, or at least come close, for 2017 to continue building on its lead over 2016. I’m cautiously optimistic.
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
March 29th, 2017
It’s a good week for Pick of the Week contenders, as there are seven such releases on this week’s list. Unfortunately, none of them really scream out as The Pick of the Week. Rogue One: A Star Wars Story is by far the biggest, but it is only out on Video on Demand right now, while Hidden Figures is the best, but again, it is only on VOD this week. There are also a couple of busted Oscar-bait films, Archer: Season Seven is only getting a DVD release, while the previous seasons came out on Blu-ray. In the end, I went with Mystery Science Theater 3000: Volume XXXVIII, partially to celebrate the return of the show.
October 31st, 2016
Long time readers don’t need me to explain how much I love Star Trek in all of its incarnations. ... Okay, most of its incarnations. I haven’t been a fan of the first two installments in the reboot franchise. The third film, Star Trek Beyond, was the weakest of them at the box office. Is it also the weakest of the three in quality? Or was the third the charmed?
November 27th, 2015
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets. I'm going to try to keep it to a dozen or so releases, as these columns are notorious for getting out of hand. Also, while there were a record number of $1 billion box office hits, there were not as many first run releases that earned stellar reviews this year.
October 22nd, 2015
The box office prediction contests for the past few weeks have had a horror / "horror" theme. That is to say, two people won horror movies and the third won movies that were so bad it is scary they exist. There are four new releases this weekend and they all epitomize the latter. Paranormal Activity: The Ghost Dimension has a review embargo, which is never a good sign, while the other three wide releases are all earning less than 20% positive reviews. Does that mean there's nothing worth seeing this week? Nope. Fortunately, Steve Jobs is expanding wide and should earn first place at the box office. It is the only film on this week's list with a shot at $20 million. This weekend last year, Ouija nearly reached $20 million and five other films earned $10 million. I don't think we will match that this year. It could be close and any gain or loss in the year-over-year comparison should be in single digits, so there's no reason to be overly concerned.
October 10th, 2015
Six new releases from the week of September 15th reached the top 30 on the combined DVD and Blu-ray chart for September 20th. This includes four in the top five and a new number one. Furious 7 earned first place with 1.87 million units / $31.89 million on the single release for an opening week Blu-ray share of 64%. Impressive. Meanwhile the second Fast and Furious Franchise Box Set released this year earned fifth place with 62,000 units / $3.46 million. While the film very nearly earned twice that of its nearest competitor, it was still almost exactly 40% lower than Fast and Furious 6 opened with. This decline is huge, but all packaged media is down. Some of the slack is going to VOD, but a lot of home market revenue now goes to subscription streaming services like Netflix or Crunchyroll. Personally, I like packaged media, I still buy CDs, so this is bad news for me.
October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
September 16th, 2015
This week's home market releases are insane, so I'm going to have to be a lot more judicious in pruning the list. If I were to include all releases that are big enough to include, if they were released during a slow week, there would be more than 100 releases on this week's list (including secondary Blu-rays, but not VOD releases). I have to pare that back to a more reasonable number. Why are there so many releases? Firstly, it is the beginning of the Christmas Shopping season and we have two monster hits on this week's list. Secondly, it is the last week before the fall season begins in earnest, so it is the last week for a lot of shows to come out on DVD before they are running into competition from the new season. It should come as no surprise that the best releases on this week's list are in the TV on DVD categories, including Marvel's Agent Carter: Season 1 and Marvel's Agents of S.H.I.E.L.D.: Season 2. Both of which are co-winners of the Pick of the Week.
September 13th, 2015
Furious 7 is the latest in the Fast and the Furious franchise. The films started out okay, but critical reception fell quickly. It wasn't until Fast Five when the filmmakers realized they were making, in essence, live-action cartoons that they truly found their voices. This focus helped the box office, so much so that Furious 7 became just the third film to earn more than $1 billion internationally and just the fourth film to earn $1.5 billion worldwide. Is the quality up to the same level as its box office? The odds of that are nearly zero. However, is it at least as entertaining as its box office numbers would indicate?
July 30th, 2015
Mission: Impossible - Rogue Nation shouldn't have any trouble earning first place over the weekend. In fact, it should make more than the rest of the top five combined. On the downside, its real competition isn't the other films in theaters, but Guardians of the Galaxy, which set the August weekend box office record when it opened this weekend last year. Rogue Nation could have a record-opening for the franchise and still not come close to Guardians of the Galaxy. The only other new wide release of the week is Vacation, which started on Wednesday. Its reviews are terrible and its box office chances are not much better. Since nothing will top Guardians of the Galaxy's record-breaking opening, it seems 2015 will end the month on a losing note. Hopefully this is just a momentary hiccup and not an omen for how the rest of the summer will go.
May 28th, 2015
The weekend after a holiday is usually a bad weekend at the box office. This time around, San Andreas is the clear front-runner while Aloha might struggle, even as counter-programming. San Andreas will earn more than $30 million over the weekend, no other film is on track to hitting $20 million. On the other hand, there could be six other films that earn $10 million or more over the weekend. By comparison, this weekend last year, Maleficent opened with nearly $70 million, while X-Men: Days of Future Past earned more than $30 million. There's no way the top of the chart will match that. Even with better depth, it is very unlikely 2015 will win in the year-over-year comparison.
May 8th, 2015
The Avengers: Age of Ultron remained in top spot on the international chart with $168.8 million in 88 markets over the weekend for totals of $439.8 million internationally and $631.1 million worldwide. The film opened in first place in Mexico with $18.89 million over the weekend for a total opening of $25.5 million. The first film opened with $17.44 million, but it opened on a Friday, so it is a little harder to directly compare the two debuts. Age of Ultron did break the five-day opening record, so the studio has to be happy. It also broke the all-time opening record in Ecuador with $2.08 million on 122 screens over the weekend for a total opening of $2.73 million. It was strong, but not record-breaking, in Thailand, where it earned $3.98 million on 468 screens over the weekend for a total opening of $4.43 million. The same could be said of its openings in Spain ($4.84 million on 905 screens) and Peru ($3.16 million on 407). On the other hand, it opened in second place in Slovenia with $44,000 on 21 screens over the weekend for a total opening of $60,000. It was beat by The SpongBob Movie: Sponge Out of Water's sophomore stint there. I don't know what this means about the market and their opinion of Marvel vs. Sponges, but it is certainly an interesting bit of information.
April 30th, 2015
The Avengers: Age of Ultron got its international run underway a week before its domestic debut and it was an explosive start, with the film earning $200.2 million in 44 markets. These 44 markets represent about 55% of the total international marketplace, while the $200.2 million represents a 44% increase over the first film's debut in those markets. The biggest weekend result came in the U.K. where it pulled in $27.84 million on 583 screens. In South Korea, the film's total opening was $27.97 million on 1,876 screens with $23.05 million of that coming over the weekend. Its U.K. opening was a record for the month of April and the biggest opening of the year so far, but it was less than 10% more than its predecessor's debut there. On the other hand, it more than doubled the original's debut in South Korea.
April 27th, 2015
There were no new releases to chart this week. However, there was a new film in top spot, or to be more accurate, a returning film in top spot. The Hobbit: The Battle of the Five Armies reclaimed first place with 109,000 units / $1.63 million for the week, giving it totals of 1.06 million units / $15.82 million after three weeks of release.
April 16th, 2015
Furious 7 remained just as dominant at the international box office this weekend as it did in its opening weekend earning $198.7 million in 66 markets for totals of $550.47 million internationally and $802.0 million worldwide. It became the first film in the franchise and just the 46th film overall to crack the $800 million market worldwide. This past weekend, the film earned first place in China with $63.24 million in just one day. The film opened on Sunday there, with a record opening day for that market, which was close to its opening day domestic box office. The film opened in first place in Russia with $15.86 million on 1,184 screens. At this pace, the film will top $1 billion over the weekend and I can't imagine the studio won't try to make an eighth installment.
April 14th, 2015
It didn't take long for for Furious 7 to become the biggest hit of the year; in fact, it took just five days to top Cinderella. Over the weekend, it became the first film released in 2015 to reach the $200 million milestone and thanks to a better than expected hold, reached $250 million as well. Home finished well back in second place, while The Longest Ride managed third place. Overall, the box office fell 42% from last weekend down to $131 million, which is 6.3% lower than the same weekend last year. Furious 7 topped Captain America: The Winter Soldier, but Rio 2 and the other films of 2014 had better depth giving 2014 the win. 2015 is still ahead in the year-to-date comparison, up 4.1% at $2.85 billion to $2.74 billion.
April 13th, 2015
There were five or six new releases to reach the top twenty on the Blu-ray sales chart. Leading the way was The Hobbit: The Battle of the Five Armies with 832,000 units / $23.28 million, giving it an opening week Blu-ray share of 55%. This is a strong result, but not an unexpected one, as the film hits the right marks for strong sales on Blu-ray. It is a visually impressive film, it is a fantasy adventure film, and it is based on a popular franchise. The Battle of the Five Armies was also part of a franchise box set, which is the tenth best selling release of the week with 37,000 units / $1.87 million for a 53% opening week Blu-ray share. Technically these are two separate releases, but obviously they are connected enough to mention together.
April 9th, 2015
There's only one wide release this week, The Longest Ride, but it has an approximately zero percent chance of earning first place. Unless Furious 7 falls about 80% and The Longest Ride beats expectations, it will be no where near top spot. In fact, The Longest Ride likely won't be able to score second place, finishing behind Home. As for this weekend last year, there were three wide releases, led by Rio 2, which earned second place with $39.33 million. The Longest Ride might not make that much in total. On the other hand, the sophomore stint for Furious 7 will top the sophomore stint for Captain America: The Winter Soldier. 2015 will be stronger on top, but that might not be enough to win in the year-over-year comparison.
April 7th, 2015
As expected, Furious 7 easily won the race for top spot on the weekend box office chart. However, it did so in an unexpectedly robust way, destroying a number of records along the way. This helped the overall box office grow 49% from last weekend to $224 million. More importantly, the overall box office was 34% more than the same weekend last year. Year-to-date, 2015 is now 3.1% above 2014's pace at $2.64 billion to $2.56 billion. Assuming Furious 7 has any legs at all, this lead will continue to grow next weekend.
April 5th, 2015
After a massive $67.3 million on Friday, all eyes were on a $150 million weekend for Furious 7. It doesn’t look as though that is to be, with Universal projecting a weekend mark of $143,623,480 on Sunday morning. That’s the biggest April weekend of all time, and the biggest weekend outside the Summer or Thanksgiving holidays. It’s also the ninth-biggest weekend of all time, and, needless to say, franchise record. (Click here for a full list of records.) The studio will be delighted at its biggest weekend ever, and the industry as a whole will be looking forward to a lucrative Summer season with some optimism.
April 5th, 2015
Here’s a round-up of the records broken by Furious 7 this weekend:
- Biggest weekend in April ever
- Biggest, 2nd-biggest and 8th-biggest days in April
- Biggest weekend of 2015 to date and biggest opening weekend since The Hunger Games: Catching Fire in November, 2013.
- 9th-biggest weekend of all time
- 9th-biggest opening weekend of all time
- 9th-best Friday at the box office
- 9th-fastest film to $100 million in total box office (to be confirmed)
- 11th-biggest single day of all time
- Equal 55th-widest opening
April 4th, 2015
Riding a wave of solid reviews and audience approval, Universal will report an estimated $67.3 million at the box office on Friday for Furious 7, based on early tallies. That includes $15.8 million from early shows on Thursday evening, making Friday itself a $50 million day for the film. If the $67.3 million figure holds, it will be the 11th-biggest day reported by a studio, and land just marginally ahead of The Hunger Games’ $67.26 million as the biggest day outside of the Summer and Thanksgiving holidays.
April 3rd, 2015
There's only one wide release this week, but it is expected to be a record-breaking debut. Furious 7 is widely expected to become the first film of 2015 to crack $100 million during its opening weekend. This would also give it the record for biggest April opening, topping the current record-owner, Captain America: The Winter Soldier. Additionally, Home should do well in a counter-programming role and that will also help the box office. This weekend last year was the weekend The Winter Soldier set the April record. Since nearly everyone thinks that record will fall and this year is expected to have better depth, 2015 should win in the year-over-year comparison with relative ease.
April 1st, 2015
March ended on a good note and helped 2015 maintain its lead over 2014 thanks to a trio of $100 million movies: Cinderella, Insurgent, and Home. April isn't as strong as far as depth goes, as only Furious 7 is expected to come close to $100 million at the box office. On the positive side, it could earn $100 million during its opening weekend, becoming the fastest starting film of the year, so far. On the negative side, it is expected to earn more than double the rest of the films' combined box office totals. Even worse, last April, there were two $100 million hits, including Captain America: The Winter Soldier, as well as two others that came close. There's no way April 2015 is going to live up to April 2014. I just hope the collapse isn't so bad that 2015 loses its lead over 2014 completely.
March 24th, 2015
There are three $100 million theatrical hits arriving on the home market this week, which is amazing. However, that's really all that's coming out this week. The Hobbit: The Battle of the Five Armies is the biggest of these three hits, but it wasn't the best. The best is Into the Woods and given the lack of competition, the DVD or Blu-ray is the Pick of the Week.
December 10th, 2013
It's a good week / bad week when it comes to new releases. On the positive side, there are a couple big first run releases, a couple big TV on DVD releases, and even a classic film hitting Blu-ray for the first time. On the other hand, the depth is really bad. If you look at Amazon.com's list of best selling new releases, you will find filler on the second page. That's not to say there are no contenders for Pick of the Week. Despicable Me 2 is the best selling release and the Blu-ray Combo Pack or 3D Combo Pack are also among the best, as is Mary Poppins: 50th Anniversary Edition Blu-ray. There are also a few more contenders where I'm waiting for a screener (Berberian Sound Studio, The Hunt, etc.). and it is a busy week for top notch releases. In the end, I went with Despicable Me 2 for that honor, but it was a real coin toss.
December 10th, 2013
As a franchise, Fast and the Furious appeared burnt out in 2009. Tokyo Drift bombed failing to match its production budget domestically and likely losing a ton worldwide. Fast and Furious saw the return of the original cast, which helped it return to previous heights in terms of box office dollars, but critics eviscerated it. Then, defying logic, Fast Five became the biggest hit in the franchise and earned the most critical praise. Can Fast and Furious 6 maintain this momentum? Or was Fast Five just a fluke?
August 8th, 2013
Pacific Rim earned first place over the weekend with $53.0 million in 58 markets for a total of $200.4 million internationally and $293.3 million worldwide. It has made more internationally than it cost to make, but it will still need a lot of help to break even. The film's biggest market over the weekend was China, where it debuted in first place with $45 million. Unfortunately for the film, while studios take about 60% of the box office numbers in the United States (it varies per film) they only get about 20% of the box office in China. Or to be more accurate, they will only get about 20% of the box office, once the sales tax dispute is settled. Right now, they are getting nothing.
June 23rd, 2013
New releases were really weak with only one reaching the top ten on the DVD sales chart. That film was Dark Skies, which opened in first place with 136,000 units / $2.04 million. This is actually a little better than expected, given its box office numbers.
June 17th, 2013
It was a very good week at the box office with Man of Steel breaking the record for biggest June weekend topping Toy Story 3 by more than $6 million. Nearly every film in the top five matched or beat expectations, which helped the overall box office reach $204 million. This was 37% higher than last weekend and 57% higher than the same weekend last year. Year-to-date, 2013 is still behind 2012, but is has closed the gap to $150 million, or 3.1%, at $4.56 billion to $4.71 billion.
June 9th, 2013
Snitch opened in late February, which is not a great time of year to release a major hit. It is not a complete dumping ground like January or September, but most films released during this month will be lucky just to become a midlevel hit. Snitch topped admittedly low expectations becoming a middling hit. A final box office of $43 million isn't bad for that time of year. Does this also describe its quality. Is it not bad, for a February release? Or is it better than its box office numbers would indicate?
June 4th, 2013
As per usual, the post-holiday weekend suffers a slump, but it was worse than expected with nearly every film failing to live up to predictions. Fast and Furious 6 fell very far, but it still came out on top. Meanwhile, Now You See Me topped expectations and topped After Earth over the weekend. Now You See Me was the one lone bright spot on an otherwise soft weekend, and the overall box office fell 35% to $164 million. On the other hand, this was still 15% higher than the same weekend last year. 2013 was able to pull out the win thanks to a much deeper box office. Six films earned more than $10 million this weekend compared to just three earning more than $10 million last year.
May 29th, 2013
Memorial Day long weekend has come and gone and it was a boon to the box office numbers. Not only did Fast and Furious 6 reach the high end of predictions, as did Epic. On the other hand, The Hangover III struggled. The positives overrode the negatives by a large margin and the overall box office rose to $254.37 million, which is a new record for a three-day Memorial Day weekend. Adding in Monday, and the box office made $313.18 million. The three-day portion of the weekend rose 65% compared to last weekend and 67% compared to last year. This weekend earned more than $100 million more than the same weekend in 2012. That is something that usually only happens when there's a misalignment in holiday weekends. If you add in Monday, 2013's Memorial Day long weekend earned 63% more than the Memorial Day long weekend from 2012. Granted, 2013 is still far behind 2012, but this is great news. Hopefully it will keep up for a while.
May 24th, 2013
It's the Memorial Day long weekend and there are three new films looking to take advantage of the holiday, plus a number of holdovers that will likely still bring in a lot of money. Fast and Furious 6 is leading the way in terms of box office potential and many think it will crack $100 million over four days; some think it will crack $100 million over three days. The Hangover III debuted on Thursday, which will give it a jump on the competition, but soften its weekend numbers. Finally, there's Epic, a family film that seems like a sure hit, except there is a lot of competition this weekend. Star Trek into Darkness, Iron Man 3, and The Great Gatsby are all still doing well and should provide some competition for the three new releases. All combined, those six films should make as much as the entire box office did last year and 2013 will start to close the gap with 2012.
May 1st, 2013
As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison.
Note: This list contains actors which appear in at least 2 movies of the franchise.
|Vin Diesel||9||Dominic Toretto||$4,900,834,174||$8,481,052,342||57.8%|
|Paul Walker||6||Brian O'Conner||$3,742,006,114||$4,393,129,254||85.2%|
|Chris 'Ludacris' Bridges||5||Tej||$4,409,874,001||$5,215,820,505||84.5%|
|Lucas Black||3||Sean Boswell||$2,911,987,351||$3,701,748,358||78.7%|
|Don Omar||3||Don Omar||$2,230,478,531||$2,230,478,531||100.0%|
|Jason Statham||2||Deckard Shaw||$2,754,193,146||$5,726,943,445||48.1%|
|Kurt Russell||2||Mr. Nobody||$2,754,193,146||$6,224,179,290||44.2%|
|Thom Barry||2||Agent Bilkins||$442,922,917||$1,033,150,755||42.9%|
|Eden Estrella||2||Samantha Hobbs||$2,754,193,146||$2,754,193,146||100.0%|
|Ben Blankenship||2||Lead DEA Agent||$2,146,718,488||$2,204,626,222||97.4%|
Note: This list contains people who contributed to at least 2 movies of the franchise.
|Gary Scott Thompson||6||
Character Creator (4)
Story Creator (2)
|Neal H. Moritz||5||Producer (5)||$3,953,739,525||$8,043,022,065||49.2%|
Executive Producer (2)
|Vin Diesel||5||Producer (5)||$4,536,527,659||$5,418,638,487||83.7%|
|Amanda Lewis||5||Executive Producer (5)||$4,536,527,659||$4,536,527,659||100.0%|
|Brian Tyler||5||Composer (5)||$3,905,021,420||$11,088,206,988||35.2%|
|Christian Wagner||5||Editor (5)||$4,536,527,659||$6,952,046,169||65.3%|
|Sanja Milkovic Hays||5||Costume Designer (5)||$3,505,595,507||$5,006,495,581||70.0%|
Executive Producer (1)
|Samantha Vincent||4||Executive Producer (4)||$3,906,557,855||$4,477,670,952||87.2%|
|Stephen F. Windon||4||Director of Photography (4)||$4,173,463,394||$5,050,650,639||82.6%|
Unit Production Manager (4)
|Michael J. Wassel||4||Visual Effects Supervisor (4)||$3,590,675,260||$3,669,751,938||97.8%|
|Kelvin McIlwain||4||Visual Effects Supervisor (4)||$4,173,463,394||$4,507,181,659||92.6%|
|Frank A. Montano||4||Re-recording Mixer (4)||$3,747,227,215||$10,322,523,118||36.3%|
Sound Effects Editor (2)
Sound Designer (1)
Dialogue Editor (1)
|Vincent Lascoumes||3||First Assistant Director (3)||$1,782,334,513||$3,112,619,351||57.3%|
Associate Editor (1)
Second Unit Director/Stunt Coordinator (3)
Stunt Coordinator (2)
|Hector Gika||3||Sound Effects Editor (3)||$1,836,919,334||$8,090,144,658||22.7%|
Sound Designer (3)
Supervising Sound Editor (2)
|James Mackinnon||3||Make up (3)||$3,384,162,950||$3,601,359,761||94.0%|
|Igor Meglic||3||Second Unit Camera (3)||$2,936,018,932||$9,669,594,024||30.4%|
|Jon Taylor||3||Re-recording Mixer (3)||$3,384,162,950||$6,737,692,303||50.2%|
|Linda Flowers||3||Hair Department Head (3)||$3,117,257,411||$5,303,401,583||58.8%|
|Anna Mackenzie||3||Supervising Dialogue Editor (3)||$2,509,782,753||$2,601,434,631||96.5%|
|Troy Robinson||3||Stunt Coordinator/Dom Stunt Double (3)||$2,936,018,932||$3,689,025,775||79.6%|
|Joe Lisanti||3||Music Editor (3)||$2,509,782,753||$4,437,074,682||56.6%|
|Bill Brzeski||2||Production Designer (2)||$2,754,193,146||$6,418,574,174||42.9%|
|Fred Raskin||2||Editor (2)||$993,034,069||$3,262,251,898||30.4%|
|Kelly Matsumoto||2||Editor (2)||$1,419,270,248||$2,490,859,501||57.0%|
|Ricardo Del Rio Galnares||2||
Line Producer (1)
Supervising Art Director (1)
Art Director (1)
|Bruce Stambler||2||Sound Designer (2)||$569,576,575||$2,429,780,733||23.4%|
|Jay Pelissier||2||Art Director (2)||$2,754,193,146||$5,138,867,493||53.6%|
|Danielle Berman||2||Set Decorator (2)||$2,754,193,146||$5,536,588,749||49.7%|
Additional Editor (1)
|Tim Earls||2||Set Designer (2)||$2,754,193,146||$2,877,130,238||95.7%|
|Mayumi Konishi-Valentine||2||Set Designer (2)||$2,754,193,146||$3,828,062,298||71.9%|
|Whit Norris||2||Sound Mixer (2)||$1,867,414,266||$2,827,639,378||66.0%|
|Tim Walston||2||Sound Effects Editor (2)||$993,034,069||$2,965,011,154||33.5%|
|Stephen Robinson||2||Sound Designer (2)||$993,034,069||$1,550,473,722||64.0%|
|Autumn Butler||2||Make up (2)||$2,754,193,146||$2,794,923,009||98.5%|
|Jennifer Santiago||2||Hairstylist (2)||$2,754,193,146||$3,130,227,236||88.0%|
|Sheri Ozeki||2||Music Editor (2)||$993,034,069||$993,034,069||100.0%|
Sound Designer (1)
Sound Effects Editor (1)
|Harry Cohen||2||Sound Designer (2)||$1,600,508,727||$4,648,787,926||34.4%|
|David Kern||2||Additional Editor (2)||$2,754,193,146||$3,752,626,936||73.4%|
|Stephen P. Robinson||2||
Sound Effects Editor (1)
Sound Designer (1)
|Paul Rabjohns||2||Supervising Music Editor (2)||$2,754,193,146||$3,137,406,599||87.8%|
|Matthew Llewellyn||2||Music Editor (2)||$2,754,193,146||$2,754,193,146||100.0%|
|Robb Boyd||2||Music Editor (2)||$2,754,193,146||$3,097,356,006||88.9%|