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The Fate of the Furious (2017)

The Fate of the Furious
Theatrical Performance
Domestic Box Office $163,304,635Details
International Box Office $744,951,425Details
Worldwide Box Office $908,256,060
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game—and the rest of the crew has been exonerated—the globetrotting team has found a semblance of a normal life. But when a mysterious woman seduces Dom into the world of crime he can’t seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before. From the shores of Cuba and the streets of New York City to the icy plains of the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the worlds stage…and to bring home the man who made them a family


Latest Ranking on Cumulative Box Office Lists

All Time Domestic Box Office 273 $163,304,635
All Time International Box Office 17 $744,951,425
All Time Worldwide Box Office 43 $908,256,060

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.

Movie Details

Production Budget:$250,000,000
Domestic Releases: April 14th, 2017 (Wide) by Universal
April 14th, 2017 (IMAX) by Universal
International Releases: April 7th, 2017 (Wide), released as The Fate Of The Furious (Australia)
April 11th, 2017 (Wide), released as Fast and Furious 8 (South Korea)
April 12th, 2017 (Wide) (Belgium)
April 12th, 2017 (Wide), released as Бързи и яростни 8 (Bulgaria)
April 12th, 2017 (Wide) (Switzerland)
... Show all releases
MPAA Rating: PG-13 for prolonged sequences of violence and destruction, suggestive content, and language.
(Rating bulletin 2464 (Cert #50924), 2/22/2017)
Running Time: 136 minutes
Franchise: Fast and the Furious
Comparisons: vs. Furious 7
Create your own comparison chart…
Keywords: Sequels Without Their Original Stars, Friends turned Enemies, Car Chase, Terrorism, Enemies Forced to Work Together, Betrayal, Prison, Prison Riot, Ensemble
Source:Original Screenplay
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Universal Pictures, Original Film, One Race Films
Production Countries: United States

Ranking on other Records and Milestones

Days In
Biggest Domestic 2nd Weekend 87 $38,408,415 Apr 21, 2017 10
Fastest to $150m 64 $152,822,545 Apr 21, 2017 9
Biggest Domestic Tuesday 111 $8,150,190 Apr 18, 2017 5
Biggest Domestic Monday 142 $8,524,260 Apr 17, 2017 4
Fastest to $100m 55 $107,310,965 Apr 14, 2017 4
Biggest Domestic Sunday 94 $21,548,065 Apr 16, 2017 3
Biggest Domestic April Weekend 3 $98,786,705 Apr 14, 2017 3
Biggest Domestic Opening Weekend 45 $98,786,705 Apr 14, 2017 3
Biggest Domestic Weekend 48 $98,786,705 Apr 14, 2017 3
Leggiest Opening Weekend 2,172 2.16 Apr 14, 2017 3
Front-Loaded Opening Weekend 48 46.3% Apr 14, 2017 3
Widest Opening Weekend 12 4,310 Apr 14, 2017 3
Biggest Domestic Saturday 71 $31,543,625 Apr 15, 2017 2
Fastest to $50m 39 $77,238,640 Apr 14, 2017 2
Biggest Domestic April Day 3 $45,695,015 Apr 14, 2017 1
Biggest Domestic Friday 29 $45,695,015 Apr 14, 2017 1
Biggest Domestic Day 55 $45,695,015 Apr 14, 2017 1


   Dominic Toretto
Jason Statham    Deckard Shaw
Michelle Rodriguez    Lettie “Ortiz” Toretto
Tyrese Gibson    Roman Pearce
Chris 'Ludacris' Bridges    Tej Parker
Kurt Russell    Frank Petty
Charlize Theron    Cipher
Nathalie Emmanuel    Ramsey
Elsa Pataky    Elena Neves
Tego Calderon    Tego Leo
Don Omar    Rico Santos
Kristofer Hivju    Rhodes
Scott Eastwood    Law Enforcement Agent
Lucas Black    Sean Boswell
Helen Mirren    Magdalene Shaw
Luke Evans    Owen
Janmarco Santiago    Fernando
Luke Hawx    Miller
Patrick St. Esprit    DS Allan
Corey Maher    Tac Team Leader
Olek Krupa    Russian Minister of Defense
Alexander Babara    Russian Aide
Andre Pushkin    Russian Lead Driver
Robert Jekabson    Russian MMV Driver
Nick Gracer    Russian MMV Soldier
Eden Estrella    Sam
Gary Weeks    Super Jet Pilot
Matthew Cornwell    Super Jet Tech
Jeremy Anderson    Lead Guard
Jason Ryhmer    Prison Guard
Peter Hansen    God’s Eye Tech
Friday Chamberlain    Zombie Car Tech
Sam Hadid    EMP Tech
Michael Walter Broomer    Big Mike
Jordan Baumer    Pink Butterfly Soccer Player
Scott Proctor    Control Tower Soldier
Todd Cole    Naval Commander
Carrie Lee Consolino    Haka Performer
Madalyn Defler    Haka Performer
Taylor Donaldson    Haka Performer
Isabel Downing    Haka Performer
Anna Duvall    Haka Performer
Jaci Grace Edwards    Haka Performer
Reese Edwards    Haka Performer
Caylin Ingram    Haka Performer
Caroline Kimmel    Haka Performer
Katherine Kimmel    Haka Performer
Jordan Price    Haka Performer
Anna Mackenzie Rogers    Haka Performer
Marina Lyn Serra    Haka Performer
Olivia Shaw    Haka Performer
Celestino Cornielle    Raldo
Alejandro Bosch    Plymouth Owner
Lisandra Delgado    Sexy Race Starter
Santiago Solis Chavez    Plymouth Owner’s Dad
Joyvan Guevara    DJ Tuneup Party
Brenda Nunez Lopez    Little Girl Finish Line—Cuba

Production and Technical Credits

Screenwriter    Chris Morgan
Producer    Neal H. Moritz
Producer    Vin Diesel
Producer    Michael Fottrell
Producer    Chris Morgan
Character Creator    Gary Scott Thompson
Executive Producer    Amanda Lewis
Executive Producer    Samantha Vincent
Director of Photography    Stephen F. Windon
Production Designer    Bill Brzeski
Editor    Christian Wagner
Editor    Paul Rubell
Visual Effects Supervisor    Michael J. Wassel
Costume Designer    Marlene Stewart
Composer    Brian Tyler
Casting Director    John Papsidera
Unit Production Manager    Michael Fottrell
Unit Production Manager    Carla Raij
First Assistant Director    Cliff Lanning
Second Assistant Director    Hilbert Hakim
Second Assistant Director    Rhys Summerhayes
Visual Effects Supervisor    Kelvin McIlwain
Visual Effects Supervisor    Jay Barton
Visual Effects Producer    Garv Thorp
Co-Producer    Cliff Lanning
Art Director    Desma Murphy
Art Director    Jay Pelissier
Art Director    Andrew Cahn
Art Director    Jon Carlos
Assistant Art Director    Michael Gowen
Set Decorator    Danielle Berman
Lead Set Designer    Tim Earls
Set Designer    Timothy Croshaw
Set Designer    Chris Arnold
Set Designer    Mayumi Konishi-Valentine
Set Designer    Alexander McCarroll
Set Designer    Andrea Onorato
Set Designer    Pam Singer
Sound Mixer    Whit Norris
Location Manager    Eric Hooge
Make up    James Mackinnon
Make up    Jacqueline Fernandez
Make up    Autumn Butler
Hairstylist    Linda Flowers
Hairstylist    Jennifer Santiago
Costume Supervisor    Richard Schoen
Script Supervisor    Kim Berner
Special Effects Supervisor    J.D. Schwalm
Special Effects Coordinator    Eric Cook
Casting Associate    Deanna Brigidi-Stewart
Extras Casting    Chris Gray
Still Photographer    Matt Kennedy
Re-recording Mixer    Jon Taylor
Re-recording Mixer    Frank A. Montano
Additional Editor    Dylan Highsmith
Additional Editor    David Kern
First Assistant Editor    Richard Conkling
First Assistant Editor    Leslie Webb
First Assistant Editor    James Andrykowski
Assistant Editor    Adoma Ananeh Firempong
Assistant Editor    Matt Willard
Assistant Editor    Steve Trapani
Sound Designer    Stephen P. Robinson
Sound Designer    Harry Cohen
Sound Effects Editor    Alan Rankin
Sound Effects Editor    Hector Gika
Sound Effects Editor    Scott Wolfs
Dialogue Editor    David V. Butler
Dialogue Editor    Glynna Grimala
Foley Mixer    Jim Ashwell
Foley Mixer    Roberto Alegria
Foley Mixer    Jack Cucci
Foley Mixer    Randy Singer
Supervising Music Editor    Paul Rabjohns
Music Editor    Robb Boyd
Music Editor    Matthew Llewellyn
Music Editor    Kyle Clausen

Weekend Estimates: Big Decline, Big Win for Fate of the Furious

April 23rd, 2017

The Fate of the Furious

A decline of 61% compared to its opening weekend still leaves The Fate of the Furious the big winner at the box office this weekend, with the five new wide releases combined making less than half the $38.7 million it will earn on its second weekend, according to Universal’s weekend estimate. The film’s domestic gross will end the weekend at about $163.6 million. As of last night, it has reached $636.3 million internationally, and it should end the weekend with $752.4 million overseas, for a global total of $916 million as of Sunday. $327.4 million of that will have come from China, where Fate is clocking up another $67 million this weekend. More...

Weekend Predictions: New Releases are Very Forgettable

April 20th, 2017

Free Fire

Late April is one of the traditional dumping grounds and this week is truly living down to that reputation. There are five new releases that have at least a shot at the top ten, but none of them have a shot at becoming midlevel hits. Unforgettable is the widest new release of the week and will likely be the biggest hit, but it very likely won’t be the best. Free Fire and Born in China are in a close battle for the best reviews for the week. Meanwhile, The Promise and Phoenix Forgotten are just hoping to avoid opening below the Mendoza Line. I think earning a theater average above $2,000 is overly optimistic for either film. There’s a lot of competition, but nearly all of it is terrible, so The Fate of the Furious will have no trouble repeating in first place. Furthermore, both The Boss Baby and Beauty and the Beast will likely remain in the top five, meaning there’s not a lot of room for the other films. This weekend last year, The Jungle Book earned just over $60 million over the weekend, while The Huntsman: Winter’s War opened with close to $20 million. There’s no way 2017 will be able to match this one-two punch. More...

International Box Office: Furious Goes from Zero to $500 million in one Weekend

April 19th, 2017

The Fate of the Furious

The Fate of the Furious dominated in the international chart with $433.2 million in 63 markets. This is the biggest international weekend of all time, beating the previous record holder, Jurassic World, by over $100 million. Interestingly, both of these films were released by Universal. Furthermore, the film has already topped the international totals of all but the two more recent installments in the Fast and the Furious franchise. On the downside, the international opening weekend record isn’t the most prestigious record, because it depends a lot of how wide a release a film has. For instance, The Fate of the Furious opened in all but four markets this past weekend and of the remaining markets, only Japan is a significant market. The film has the number one overall international weekend, but only broke weekend records in 20 of the 63 individual markets and only one of those markets could be considered a major market. That one market was China. More...

Contest: Leave it Up to Fate: Winning Announcement

April 19th, 2017


The winners of our Leave it Up to Fate contest were determined and the entrants with the closest predictions for The Fate of the Furious’s opening weekend were... More...

Theater Averages: Going From A to Zed with $27,544

April 19th, 2017

The Lost City of Z

The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater. More...

Weekend Wrap-Up: Fate Falls to Great Expectations, Still Earns $98.79 million

April 18th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the box office this weekend, earning nearly a 60% share of the total box office. It did miss predictions, however, with “just” $98.79 million. This is the curse of great expectations. Overall, the box office rose 40% from last weekend, reaching $167 million. However, this was 5.1% lower than the same weekend last year. Had The Fate of the Furious matched expectations, then 2017 would have had a 5% lead over last year. Year-to-date, 2017 has pulled in $3.37 billion and has a 7.2% lead over 2016. That will shrink as last year’s The Jungle Book’s legs will undoubtedly be better than The Fate of the Furious’s legs, but I don’t think 2017 will fall behind 2016 any time soon. More...

Weekend Estimates: Fate’s $100 Million Stateside Dwarfed by Huge International Haul

April 16th, 2017

The Fate of the Furious

The Fate of the Furious is, as expected, posting great opening numbers domestically, with Universal projecting a $100.2 million opening weekend, but the real news this weekend is the record breaking in international markets. Helped by a gigantic $190 million in China—the biggest-ever three-day weekend in that territory—Fate is headed for an overseas debut of $432.2 million, according to the studio. That’s easily the biggest international weekend of all time, beating Jurassic World’s $316.7 million. It’s also ahead of the inflation-adjusted international opening for Harry Potter and the Deathly Hallows, Part II, which earned $314 million on its first weekend internationally, roughly equivalent to $375 million today. More...

Thursday Night Previews: Fate Not Quite Furious with $10.4 million in Previews

April 14th, 2017

The Fate of the Furious

The Fate of the Furious got off to a fast start with $10.4 million during previews last night; however, this wasn’t as fast as I was expecting. No one really thought it would match Furious 7’s $15.4 million from 2015, but it needed to come closer with $12 million if it’s going to get to our prediction of $116 million for the weekend. It is better than the $9.5 million in previews that Logan earned earlier this year. Coincidentally, both of those films has nearly identical opening weekend / previews multipliers and if The Fate of the Furious matches them, it will pull in just under $97 million over the weekend. Other tracking numbers have it still topping The Jungle Book’s $103.26 million opening weekend from last year. Splitting the difference gets us an opening weekend of almost exactly $100 million. It’s hard to complain when a film nearly gets to $100 million during its opening weekend, but this is the problem with great expectations. More...

Weekend Predictions: Furious is Fated to Outrace the Competition

April 13th, 2017

The Fate of the Furious

The headline isn’t 100% accurate, because let’s face it, there is no competition this week. The Fate of the Furious is the only wide release of the week (Spark was dropped to select cities.) and it will beat the nearest competition likely by over $100 million. It will likely earn more than the rest of the box office combined will earn. There could be a close race for second place between The Boss Baby and Beauty and the Beast, but for the most part, there will be no mystery at the box office this weekend. As for this weekend last year, it was also really one-sided. The Jungle Book opened with $103.26 million, while Barbershop: The Next Cut was a distant second with $20.24 million. The Fate of the Furious will need to match this one-two punch, or at least come close, for 2017 to continue building on its lead over 2016. I’m cautiously optimistic. More...

Contest: Smurf to the Smurf: Winning Announcement

April 13th, 2017

Smurfs: The Lost Village

The winners of our Smurf to the Smurf contest were determined and the entrants with the closest predictions for Smurfs: The Lost Village’s opening weekend were... More...

Weekend Wrap-Up: Baby and Beast Dominate Box Office with $26.36 million and $23.65 million

April 11th, 2017

The Boss Baby

It was a good weekend at the box office, considering the time of year, but this was almost entirely due to holdovers. The Boss Baby earned $26.36 million, which was within a rounding of our prediction, while Beauty and the Beast was relatively close behind. This meant the best new release, Smurfs: The Lost Village, only managed third place. Furthermore, it wasn’t even close to second place. Overall, the box office fell 30% from last weekend. More importantly, it was 14% higher than the same weekend last year. Year-to-date, 2017 has pulled in $3.15 billion becoming the fastest year to reach $3 billion. It is also 6.4% or $190 million ahead of last year’s pace. It is still early, but 2017 is starting to build up a lead that will act as a cushion when it inevitably hits a soft patch. More...

Contest: Leave it up to Fate

April 6th, 2017


It is an easy week to pick the target film for the Box Office Prediction contest, as there is only one wide release next week: The Fate of the Furious. (Spark: A Space Tail was supposed to open wide, but it is now opening in only a few hundred theaters.) Because of this, The Fate of the Furious is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Fate of the Furious.

Our April Fools contests continue this week. Two of our winners will win Sleepless on Blu-ray Combo Pack, which comes out on April 18th, although it is available on VOD right now. Meanwhile one will be chosen at random to be the fool and receive an HD-DVD release.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a potential winner of Sleepless on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a potential winner, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final potential winner.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: April

April 1st, 2017

The Fate of the Furious

March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016. More...

The Fate of the Furious Trailer

December 12th, 2016

The latest edition of the world’s favorite vehicular action movie opens April 14 ... Full Movie Details. More...

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/04/14 1 $98,786,705   4,310 $22,920   $98,786,705 3
2017/04/21 1 $38,408,415 -61% 4,329 $8,872   $163,304,635 10

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/04/14 1 $45,695,015   4,310 $10,602   $45,695,015 1
2017/04/15 1 $31,543,625 -31% 4,310 $7,319   $77,238,640 2
2017/04/16 1 $21,548,065 -32% 4,310 $5,000   $98,786,705 3
2017/04/17 1 $8,524,260 -60% 4,310 $1,978   $107,310,965 4
2017/04/18 1 $8,150,190 -4% 4,310 $1,891   $115,461,155 5
2017/04/19 1 $4,891,515 -40% 4,310 $1,135   $120,352,670 6
2017/04/20 1 $4,543,550 -7% 4,310 $1,054   $124,896,220 7
2017/04/21 1 $10,984,225 +142% 4,329 $2,537   $135,880,445 8
2017/04/22 1 $16,942,100 +54% 4,329 $3,914   $152,822,545 9
2017/04/23 1 $10,482,090 -38% 4,329 $2,421   $163,304,635 10

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/04/14 1 $124,896,220   4,310 $28,978   $124,896,220 7

Box Office Summary Per Territory

Territory Release
Box Office
Argentina 4/14/2017 $8,831,404 205 205 205 $9,988,793 4/20/2017
Australia 4/7/2017 $0 0 697 1277 $16,801,587 4/24/2017
Austria 4/14/2017 $1,717,490 76 76 76 $2,332,201 4/20/2017
Belgium 4/12/2017 $2,339,476 108 108 108 $2,943,833 4/20/2017
Brazil 4/14/2017 $13,042,917 632 632 632 $15,929,238 4/20/2017
Bulgaria 4/12/2017 $460,452 0 0 0 $537,800 4/20/2017
Chile 4/13/2017 $2,585,082 63 63 63 $2,820,174 4/20/2017
China 4/13/2017 $190,090,000 178210 178210 299513 $319,770,000 4/24/2017
Colombia 4/14/2017 $1,110,770 196 196 196 $5,000,000 4/20/2017
Croatia 4/13/2017 $214,973 38 38 38 $338,897 4/20/2017
Czech Republic 4/13/2017 $687,125 131 131 131 $861,691 4/21/2017
Denmark 4/13/2017 $1,889,793 89 89 89 $2,336,819 4/20/2017
Finland 4/14/2017 $958,450 115 115 115 $1,191,576 4/20/2017
France 4/14/2017 $9,179,762 651 651 651 $13,137,531 4/20/2017
Germany 4/14/2017 $13,675,153 666 666 666 $18,086,548 4/20/2017
Greece 4/13/2017 $377,163 187 187 187 $1,035,521 4/20/2017
Hong Kong 4/13/2017 $3,104,426 52 52 52 $4,290,113 4/20/2017
Hungary 4/13/2017 $667,815 60 60 60 $930,467 4/20/2017
India 4/14/2017 $10,700,000 0 0 0 $10,700,000 4/17/2017
Indonesia 4/14/2017 $8,500,000 0 0 0 $8,500,000 4/17/2017
Israel 4/13/2017 $2,885,584 31 31 31 $3,616,587 4/20/2017
Italy 4/14/2017 $6,540,973 0 0 0 $6,540,973 4/20/2017
Lithuania 4/14/2017 $158,694 181 181 181 $194,257 4/19/2017
Malaysia 4/14/2017 $6,255,637 143 143 143 $7,804,342 4/20/2017
Mexico 4/14/2017 $12,202,296 0 0 0 $17,674,710 4/20/2017
Middle East Region 4/14/2017 $9,900,000 0 0 0 $9,900,000 4/17/2017
Netherlands 4/13/2017 $2,272,521 118 118 118 $3,440,864 4/21/2017
New Zealand 4/14/2017 $1,336,495 144 144 274 $2,727,252 4/24/2017
Norway 4/14/2017 $1,992,931 128 128 128 $2,480,059 4/20/2017
Panama 4/14/2017 $4,614,485 134 134 134 $5,244,923 4/20/2017
Peru 4/13/2017 $3,286,432 93 93 93 $3,901,888 4/20/2017
Philippines 4/15/2017 $2,215,822 175 175 175 $3,763,432 4/20/2017
Poland 4/21/2017 $2,700,000 187 187 187 $2,700,000 4/24/2017
Portugal 4/14/2017 $1,497,106 168 168 168 $1,497,106 4/20/2017
Romania 4/21/2017 $1,700,000 69 69 69 $1,700,000 4/24/2017
Russia (CIS) 4/14/2017 $14,142,317 1470 1470 1470 $14,142,317 4/20/2017
Serbia and Montenegro 4/21/2017 $265,000 40 40 40 $265,000 4/24/2017
Singapore 4/13/2017 $2,841,217 124 124 124 $3,382,677 4/20/2017
Slovakia 4/14/2017 $337,718 65 65 65 $361,883 4/21/2017
Slovenia 4/13/2017 $220,752 23 23 23 $291,585 4/20/2017
South Africa 4/14/2017 $1,688,058 134 134 134 $2,388,659 4/20/2017
South Korea 4/11/2017 $8,037,078 1468 1468 2750 $19,049,330 4/25/2017
Spain 4/14/2017 $4,323,492 640 640 640 $7,798,436 4/21/2017
Sweden 4/14/2017 $2,019,409 152 152 152 $2,478,369 4/20/2017
Switzerland 4/12/2017 $2,594,185 99 99 99 $3,383,488 4/20/2017
Taiwan 4/14/2017 $9,280,598 183 183 183 $11,684,751 4/20/2017
Thailand 4/14/2017 $4,905,585 175 175 175 $6,591,461 4/20/2017
Turkey 4/14/2017 $2,740,759 556 556 556 $4,014,108 4/20/2017
United Kingdom 4/14/2017 $17,576,818 572 572 572 $23,187,494 4/21/2017
Venezuela 4/14/2017 $1,121,296 73 73 73 $1,227,500 4/20/2017
Rest of World $133,985,185
International Total$744,951,425 4/25/2017

International Cumulative Box Office Records

Worldwide Cumulative Box Office Records

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at