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Murder on the Orient Express (2017)

Murder on the Orient Express
Theatrical Performance
Domestic Box Office $102,826,543Details
International Box Office $246,387,043Details
Worldwide Box Office $349,213,586
Home Market Performance
Est. Domestic DVD Sales $1,816,383 Details
Est. Domestic Blu-ray Sales $2,936,069 Details
Total Est. Domestic Video Sales $4,752,452
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

What starts out as a lavish train ride through Europe quickly unfolds into one of the most stylish, suspenseful and thrilling mysteries ever told. It is the tale of thirteen strangers stranded on a train, where everyone’s a suspect. One man must race against time to solve the puzzle before the murderer strikes again.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 601-700) 648 $102,826,543
All Time International Box Office (Rank 201-300) 270 $246,387,043
All Time Worldwide Box Office (Rank 301-400) 341 $349,213,586
All Time Domestic Box Office for Remake Movies 34 $102,826,543
All Time International Box Office for Remake Movies 13 $246,387,043
All Time Worldwide Box Office for Remake Movies 18 $349,213,586

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$55,000,000
Domestic Releases: November 10th, 2017 (Wide) by 20th Century Fox
International Releases: November 3rd, 2017 (Wide) (United Kingdom)
November 9th, 2017 (Wide), released as Mord im Orient Express (Germany)
November 10th, 2017 (Wide), released as Murder On The Orient Express (Australia)
November 10th, 2017 (Wide), released as Убийство в Ориент Експрес (Bulgaria)
November 10th, 2017 (Wide) (China)
... Show all releases
Video Release: February 20th, 2018 by Fox Home Entertainment
MPAA Rating: PG-13 for violence and thematic elements.
(Rating bulletin 2495 (Cert #51021), 9/27/2017)
Running Time: 114 minutes
Franchise: Kenneth Branagh's Hercule Poirot
Comparisons: vs. 12 Strong
Create your own comparison chart…
Keywords: Trains, Murder Mystery, Remake, Ensemble, Surprise Twist, 1930s, Directing Yourself, Prologue, Intertitle, Israel
Source:Remake
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production Companies: The Mark Gordon Company, Scott Free Films, Kinberg Genre, 20th Century Fox
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Fastest to $100m 548 $100,003,049 Dec 22, 2017 49
Thanksgiving (All Movies, 3-Day) 101 $13,170,932 Nov 24, 2017 17
Thanksgiving (All Movies, 3-Day, Inflation Adjusted) 161 $13,364,622 Nov 24, 2017 17
Thanksgiving (All Movies, 5-Day) 89 $18,732,675 Nov 24, 2017 17
Thanksgiving (All Movies, 5-Day, Inflation Adjusted) 79 $41,582,289 Nov 24, 2017 17
Fastest to $50m 598 $51,735,924 Nov 17, 2017 10
Top Drama Weekend Domestic 45 $28,681,472 Nov 10, 2017 3
Top Historical Fiction Weekend Domestic 43 $28,681,472 Nov 10, 2017 3
Top Remake Weekend Domestic 38 $28,681,472 Nov 10, 2017 3
Veterans Day (All Movies, 3-Day) 25 $28,681,472 Nov 10, 2017 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 39 $29,103,258 Nov 10, 2017 3
Veterans Day (Opening, 3-Day) 14 $28,681,472 Nov 10, 2017 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 20 $29,103,258 Nov 10, 2017 3

Lead Ensemble Members

   Hercule Poirot
   Pilar Estravados
   Gerhard Hardman
   Princess Natalia Dragomiroff
   Edward Ratchett
   Hector MacQueen
   Dr. Arbuthnot
   Mrs. Caroline Hubbard
   Mary Debenham

Supporting Cast

Derek Jacobi    Edward Henry Masterman
Lucy Boynton    Countess Elena Andrenyi
Sergei Polunin    Count Rudolph Andrenyi
Tom Bateman    M. Bouc
Olivia Colman    Hildegarde Schmidt
Manuel Garcia Rulfo    Biniamino Marquez
Marwan Kenzari    Pierre Michel
Miranda Raison    Sonia Armstrong

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Michael Green    Screenwriter
Agatha Christie    Based on the novel by
Mark Gordon    Producer
Simon Kinberg    Producer
Ridley Scott    Producer
Kenneth Branagh    Producer
Judy Hofflund    Producer
Michael Schaefer    Producer
Aditya Sood    Executive Producer
Matthew Jenkins    Executive Producer
James Pritchard    Executive Producer
Hilary Strong    Executive Producer
Haris Zambarloukos    Director of Photography
Jim Clay    Production Designer
Mick Audsley    Editor
Alexandra Byrne    Costume Designer
Patrick Doyle    Composer
Carol Hemming    Make-up and Hair Designer
Jed Loughran    Sound Effects Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for March 6th, 2018

March 6th, 2018

Lady Bird

Thor: Ragnarok is by far the biggest Blu-ray release of the week and one of the best blockbusters of 2017. However, it was already named Pick of the Week last week, so we will have to pick a different film this week. There are a few contenders: The Breadwinner, Faces Places, and Lady Bird. All three of them are Oscars nominated films, none of them won. It was a close call, but in the end, Lady Bird won. More...

Featured Blu-ray and DVD Review: Murder on the Orient Express

March 3rd, 2018

Murder on the Orient Express

Murder on the Orient Express was expected to be a hit; however, it beat expectations earning nearly $350 million worldwide. The studio’s share of the box office was about $150 million compared to $55 million for its production budget and likely under $100 million for its combined budget. A sequel was announced while the film was still in theaters. Is this a smart move? Is the movie good enough to warrant a sequel? Or will those who watched this movie going to want to stay away from any follow-up? More...

Home Market Releases for February 27th, 2018

February 27th, 2018

Thor: Ragnarok

It is a great week on the home market with several Oscar contenders making their home market debuts. I put in review requests for several of them, but so far none have arrived. Coco is still a contender for Pick of the Week, but I’ve heard some backlash against the other two, so I want to wait to see for myself. In the end, I went with Thor: Ragnarok and Pick of the Week, even though the DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack don’t come out till next week. The screener arrived early and it is certainly the best Blu-ray on this week’s list. More...

Home Market Releases for February 20th, 2018

February 19th, 2018

The Florida Project

It’s another slow week; however, I prefer to think of it as the calm before the storm, as there are several blockbusters and Oscar contenders coming out over the next few weeks. That’s not to say there are no big hits or Oscar contenders on this week’s list. The Florida Project and Loving Vincent are both up for an Oscar, while there are some massive hits coming out on VOD, like Thor: Ragnarok. As for the Pick of the Week, it was an easy choice: The Florida Project on Blu-ray. More...

International Box Office: The Last Jedi Dominates with $230.0 million, but Wasn’t the Only Release

December 20th, 2017

Star Wars: The Last Jedi

We’ve been tracking Star Wars: The Last Jedi’s international numbers since it debuted, so there’s not a lot to talk about here. The film dominated the international chart with $230.0 million in 54 markets during its first weekend of release, while its worldwide opening was $450.0 million. However, it wasn’t the only film at the international box office. More...

International Box Office: Coco Collects Another $55.3 million

December 13th, 2017

Coco

Coco earned first place for the second time with $55.3 million in 35 markets for totals of $254.0 million internationally and $389.7 million worldwide. Even if we pretended Christmas wasn’t right around the corner and that the film didn’t still have several major markets left to open in, it would still be on track to earn over $500 million worldwide, which is more than enough to cover its entire production budget and likely a sizable chunk of its advertising budget. With Christmas less than two weeks away and international openings in Australia, Italy, Brazil, South Korea, the U.K., and Japan still ahead, there’s a chance this film will finish with $750 million worldwide. That would be more than enough to pay for its combined production budget, meaning it will break even before it reaches the home market. As for this past weekend, the film continued to top the chart in China with $34.80 million over the weekend for a three-week total of $127.98 million. More...

International Box Office: Coco Catapults into First Place with $69.0 million

December 6th, 2017

Coco

Coco climbed into first place with $69.0 million in 33 markets for totals of $171.3 million internationally and $281.4 million worldwide. The film opened in a trio of major markets in Europe, earning first place in all three. France led the way with $5.2 million, $6.4 million including previews, while Spain ($2.8 million) and Germany ($2.0 million) were also strong results. It beat Moana’s opening in all three markets. The film grew 146% during its second weekend in China earning $44.17 million over the weekend for a two-week total of $75.79 million. The film is already the biggest Pixar hit in China and is in third place for Disney animated films, behind Zootopia and Big Hero 6.

More...

Weekend Predictions: Coco Will Repeat on Top, but Can it Catch Up with Moana?

November 30th, 2017

Coco

There are no wide releases this weekend, which means Coco should have no trouble remaining on top of the chart. In fact, most of the top five will remain the same as last weekend. Maybe one of the Awards Season contenders will expand enough to grab a spot in the top five, but that isn’t really likely. This weekend last year, Moana remained in first place, as there were also no new releases to compete against. 2017 should be able to win in the year-over-year comparison, but it will be awfully close. More...

International Box Office: Justice League Plummets, Still Grabs First with in $71.5 million

November 29th, 2017

Justice League

Justice League plummeted more than 60% to $71.5 million on 32,800 screens in 66 markets for two week totals of $310.98 million internationally and $482.88 million worldwide. It’s only major opening came in Japan, where it earned first place with $3.85 million on 645 screens. This is ahead of Wonder Woman and Thor: Ragnarok, so the movie is keeping its dreams of $800 million worldwide alive. It really needs that much to break even any time soon. Its biggest holdover was China, where it fell 68% to $16.36 million over the weekend for a two-week total of $84.17 million. It should be able to get to the century mark there, which will be reason to celebrate. It remained in first place in Brazil with $5.4 million on 1,617 screens for a two-week total of $24.8 million. More...

Weekend Wrap-Up: Coco is Cream of the Crop with $50.80 / $72.91 million

November 28th, 2017

Coco

Coco gave Disney yet another reason to be thankful for Thanksgiving weekend. It topped the chart, to give the studio 10 of the 11 biggest Thanksgiving openings of all time. Meanwhile, Justice League fell a little bit faster than expected, and $250 million domestically might be out of reach. It depends on how well it holds onto its theater count when The Last Jedi opens. Overall, the box office fell 5.2% from last weekend to $189 million. This is 2.4% higher than the same weekend last year. Granted, that’s not enough to deal with inflation, but at this point, I’m willing to use any excuse to celebrate. Year-to-date, 2017 was able to close the gap with 2016, but is still behind 4.1% with $9.53 billion to $9.95 billion. More...

Weekend Predictions: Will Coco Come to Life at the Box Office?

November 22nd, 2017

Coco

Coco is the only wide release of the week, which is amazing for Thanksgiving weekend. This should boost its chances at the box office and it is now expected to open in first place. Justice League was expected to repeat as box office champion this weekend, but that’s likely not going to happen now. This weekend last year, Moana earned $82 million over the five-day weekend. I don’t think Coco will match that, but it will come close enough to top the chart. More...

International Box Office: Justice League pulls in $184.95 million During Opening Weekend

November 22nd, 2017

Justice League

Justice League easily won the weekend race on the international chart with a total opening of $184.95 million on 47,000 screens in 65 markets. Its biggest market was China, where it opened with $50.58 million over the weekend for a total opening of $51.89 million. Its best market was Brazil, where it earned $14.2 million on 1,580 screens, which is the biggest all-time opening in that market. In most major markets, the film opened above Wonder Woman and Thor: Ragnarok. For example, the film earned $9.6 million in Mexico, compared to $8.22 million for Wonder Woman and $7.34 million for Thor: Ragnarok. It wasn’t as impressive in every market. For example, it only managed $9.67 million during its first place opening in the U.K., which is equivalent to a little more than $50 million here. The film opens in Japan this weekend, but it will need good legs to pay for its $300 million production budget. More...

Weekend Wrap-Up: Justice is Leagues ahead of Competition, but Misses Expectations with $93.84 million

November 21st, 2017

Justice League

Justice League easily won the race for first place on the weekend box office chart. However, it only managed $93.84 million, which is substantially lower than it was expected to open with. In fact, it’s the first film in the DCEU to not open with more than $100 million. (To be fair, it is doing better internationally.) Wonder was a surprising hit in second place and it helped the box office rise 32% from last weekend to $199 million. More importantly, this weekend was 26% higher than the same weekend last year. 2017 ended its most recent slump, but it is still 4.5% or $430 million behind last year’s pace at $9.21 billion to $9.65 billion. More...

Friday Estimates: Justice Prevails on Friday with $38.8 Million, but the DCEU in Peril

November 18th, 2017

Justice League

As predicted, Justice League dominated the Friday box office chart, earning four times its nearest competitor. However, it only managed $38.8 million on Friday, which is well below expectations. In fact, tracking has been dropping and the film is now widely expected to open with less than $100 million over the weekend, making it the only film in the DCEU to fail to reach the century mark during its opening weekend. There are a number of reasons why this film is struggling. Firstly, except for Wonder Woman, no film in the franchise has earned good reviews and mainstream audiences may have given up on the franchise. Secondly, the troubled production meant a lot of people who were part of the target audience, but not hardcore D.C. Comics fans, are taking a wait-and-see approach here. Since its reviews are bad, these people are staying home. Its CinemaScore is just a B plus, so it won’t have great legs going forward. Finally, there’s Thor: Ragnarok. That film is proving to be stronger than expected competition, as it started faster and is holding up better than most similar films. I think Warner Bros. is going to have to rethink the entire DCEU before going forward. Aquaman is already in post-production and Wonder Woman 2 is definitely going forward. After that, I’m not sure what films will or will not be made. More...

Weekend Predictions: Will Justice Reign at the Box Office?

November 16th, 2017

Justice League

Justice League is hoping to be the biggest hit of the month, but two things could get in the way of that goal. Firstly, Thor: Ragnarok got off to a faster than expected start. Secondly, Justice League’s reviews are significantly weaker. There are two other films coming out this week, The Star and Wonder, both of whom are simply hoping not to be lost in a crowded marketplace. This crowded marketplace should help 2017 end its slump against 2016. This weekend last year, Fantastic Beasts and Where to Find Them opened in first place with just under $75 million, while there were three other films that earned between $10 million and $20 million. This year, Justice League should top $100 million with ease, while Thor: Ragnarok will earn more than $25 million. The top two films this year should do better than the top five films from last year and that should lead to 2017 earning a comfortable win over 2016 in the year-over-year comparison. More...

International Box Office: Thor Threepeats with $75.9 million and Overtakes The Dark World

November 15th, 2017

Thor: Ragnarok

For the third weekend in a row, Thor: Ragnarok dominated the international chart, earning $75.9 million in 56 markets for totals of $438.5 internationally and $650.6 million worldwide. The film fell 59% during its second weekend in China, but this is actually much better than average for the market. It added $21.71 million this past weekend, pushing its running tally to $95.51 million after just two weeks of release in that market. The film held up even better in the U.K., where it dipped just 33% to $4.05 million in 569 theaters for a three-week total of $34.07 million. Its next biggest international market was South Korea, where it has earned $31.07 million, including $3.53 million on 856 screens this past weekend. The film already has more worldwide than either of the previous Thor films earned in total. It has entered the top ten in the MCU and it is on pace to enter the top five on that chart before its done. More...

Weekend Wrap-Up: Thor Rocks On with $57.08 million, but Weekend Box Office still Suffers

November 14th, 2017

Thor: Ragnarok

Thor: Ragnarok led the weekend chart and actually beat our prediction by a small degree with $57.08 million. The two new releases, Daddy’s Home 2 and Murder on the Orient Express, also beat expectations. Unfortunately, that wasn’t enough to help the overall box office, as it fell 16% from last weekend to $151 million over the weekend. This is 4.9% lower than the same weekend last year. 2017 has fallen further behind 2016 at $8.98 billion to $9.46 billion. 2017 is 5.1% or $480 million behind last year’s pace and I’ll be happy if we can cut that deficit in half by the end of the year. More...

Weekend Estimates: Daddies Sneak into Second Place; Thor Solid in Second Week

November 12th, 2017

Daddy’s Home 2

Thor: Ragnarok maintains a firm hold on top spot at the domestic and international box office this weekend, with a respectable decline of 54% at home taking it to $56.6 million for the weekend and $211.6 million to date. With another $75.9 million internationally, for a total of $438.5 million overseas, Ragnarok will pass $650 million worldwide today. That makes it the most successful Thor film already, and it seems like it should retain decent traction into the holidays, even with Justice League coming out next weekend. More...

Friday Estimates: Thor Tops Chart with $18.28 million, Race for Second Place Demands Attention

November 11th, 2017

Thor: Ragnarok

As predicted, Thor: Ragnarok easily won on Friday with $18.28 million. This is 61% lower than its opening Friday, which is better than most blockbusters manage. It also puts it on pace for $56 million during its sophomore stint, which is exactly on track with my prediction. Meanwhile, Disney’s share of the film’s worldwide box office is already above the film’s $180 million production budget, so profitability is all but guaranteed. More...

Thursday Night Previews: Murder Doesn’t Quite Kill the Competition with $1.6 million

November 10th, 2017

Murder on the Orient Express

Murder on the Orient Express pulled in $1.6 million during its previews lat night. In order to match our $27 million prediction, it will need a multiplier of just under 17. By comparison, The Girl on the Train, which is another murder mystery movie with a train in it, earned a multiplier of almost exactly 20 with $1.23 million in previews and an opening weekend of $24.54 million. Murder on the Orient Express also earned better reviews, which would suggest longer legs. On the other hand, it had louder buzz, which tends to result in a more front-loaded box office. We will have a better idea tomorrow when Friday’s estimates are in. More...

Weekend Predictions: Thor Looks to Dominate Newcomers

November 9th, 2017

Thor: Ragnarok

After last week’s debut, Thor: Ragnarok should have no trouble repeating in first place, but we do have two new releases that should be in a battle for second. Murder on the Orient Express had a strong opening in the U.K. and that bodes well for its opening this weekend. On the other hand, Daddy’s Home 2’s box office potential is moving in the other direction. As I started writing this, there were still no reviews on Rotten Tomatoes. This weekend last year, Doctor Strange led the way with $42.97 million. Thor: Ragnarok should top that by around $10 million. Likewise, this week’s new releases should top last year’s new releases. However, last year had a lot better depth. Last year, every film in the top ten earned more than $3 million. This year, I’m not sure the fifth place film will earn more than $3 million. I fear 2017 will lose yet again in the year-over-year comparison. More...

International Box Office: With $428.7 million, Ragnarok Races to Catch up to Thor

November 9th, 2017

Thor: Ragnarok

As expected, Thor: Ragnarok remained in first place on the international chart dominating the competition with $151.4 million in 55 markets during its second weekend of release for a two-week total of $306.0 million internationally and $428.7 million worldwide. After just two weeks of release, the film is within striking distance of the original Thor at the worldwide box office and by this time next week, it might surpass The Dark World. As for this past weekend’s highlights, the box office was led by China, where it earned first place with $53.42 million over the weekend for a total opening of $54.53 million. This is the biggest November opening in that market and the biggest total for a Thor film. It had to settle for second place in Mexico, but was still impressive with $7.34 million over the weekend for a total opening of $10.52 million. It also did well in Germany with $5.5 million over the weekend for a total opening of $8.9 million, which is 70% higher than Doctor Strange’s opening there last year. The best holdover came from South Korea, where it was down 47% to $6.39 million on 1,047 screens over the weekend for a two-week total of $25.88 million. The only market left to open in is Trinidad, but even with no major markets, the film will have no trouble getting to $500 million internationally and $800 million worldwide. More...

Contest: Home for the Holidays

November 2nd, 2017

Daddy’s Home 2

Next weekend, there are two wide releases, Daddy’s Home 2 and Murder on the Orient Express, both have a shot at $100 million, but both are expected to come up short. Even if both films earned the same amount in the end, Daddy’s Home 2 should still open faster, because of its target demographic. Therefore, Daddy’s Home 2 is the better choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Daddy’s Home 2.

We are continuing our Christmas contest for as long as I have supplies to mail out prizes, at which time the contest ends for good. The last of our winners will either get a Christmas present or a lump of coal. The present will include a couple of movies, TV shows, maybe some kids DVDs, etc., while the lump of coal will be the last of my HD-DVD titles, while they last, as well as something from the prize pool.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize, as described above. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

2017 Preview: November

November 1st, 2017

Thor: Ragnarok

October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point. More...

Murder on the Orient Express Trailer

June 2nd, 2017

Murder mystery with an ensemble cast led by Kenneth Branagh opens November 10 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/10 3 $28,681,472   3,341 $8,585   $28,681,472 1
2017/11/17 5 $13,807,562 -52% 3,354 $4,117   $51,735,924 2
2017/11/24 6 $13,170,932 -5% 3,152 $4,179   $74,364,192 3
2017/12/01 6 $6,767,002 -49% 3,201 $2,114   $84,839,515 4
2017/12/08 7 $5,162,331 -24% 3,089 $1,671   $92,769,846 5
2017/12/15 9 $2,527,507 -51% 1,923 $1,314   $97,310,249 6
2017/12/22 21 $519,484 -79% 447 $1,162   $99,241,467 7
2017/12/29 22 $616,575 +19% 391 $1,577   $100,619,624 8
2018/01/05 24 $450,509 -27% 314 $1,435   $101,555,644 9
2018/01/12 27 $257,346 -43% 272 $946   $101,985,707 10
2018/01/19 29 $181,210 -30% 202 $897   $102,303,321 11
2018/01/26 33 $127,129 -30% 179 $710   $102,513,318 12
2018/02/02 34 $72,197 -43% 134 $539   $102,641,814 13
2018/02/09 43 $49,652 -31% 94 $528   $102,726,660 14
2018/02/16 50 $27,412 -45% 51 $537   $102,783,519 15
2018/02/23 58 $16,498 -40% 37 $446   $102,816,689 16

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/11/10 3 $10,733,814   3,341 $3,213   $10,733,814 1
2017/11/11 3 $10,844,113 +1% 3,341 $3,246   $21,577,927 2
2017/11/12 3 $7,103,545 -34% 3,341 $2,126   $28,681,472 3
2017/11/13 2 $2,337,347 -67% 3,341 $700   $31,018,819 4
2017/11/14 2 $3,101,928 +33% 3,341 $928   $34,120,747 5
2017/11/15 2 $2,018,135 -35% 3,341 $604   $36,138,882 6
2017/11/16 2 $1,789,480 -11% 3,341 $536   $37,928,362 7
2017/11/17 4 $4,081,785 +128% 3,354 $1,217   $42,010,147 8
2017/11/18 5 $5,883,396 +44% 3,354 $1,754   $47,893,543 9
2017/11/19 5 $3,842,381 -35% 3,354 $1,146   $51,735,924 10
2017/11/20 4 $1,601,406 -58% 3,354 $477   $53,337,330 11
2017/11/21 4 $2,294,187 +43% 3,354 $684   $55,631,517 12
2017/11/22 6 $2,548,934 +11% 3,214 $793   $58,180,451 13
2017/11/23 5 $3,012,809 +18% 3,214 $937   $61,193,260 14
2017/11/24 5 $5,271,440 +75% 3,152 $1,672   $66,464,700 15
2017/11/25 6 $5,030,348 -5% 3,152 $1,596   $71,495,048 16
2017/11/26 6 $2,869,144 -43% 3,152 $910   $74,364,192 17
2017/11/27 5 $844,246 -71% 3,152 $268   $75,208,438 18
2017/11/28 4 $1,188,492 +41% 3,152 $377   $76,396,930 19
2017/11/29 5 $824,297 -31% 3,152 $262   $77,221,227 20
2017/11/30 5 $851,286 +3% 3,152 $270   $78,072,513 21
2017/12/01 6 $2,029,639 +138% 3,201 $634   $80,102,152 22
2017/12/02 6 $2,970,196 +46% 3,201 $928   $83,072,348 23
2017/12/03 6 $1,767,167 -41% 3,201 $552   $84,839,515 24
2017/12/04 5 $581,538 -67% 3,201 $182   $85,421,053 25
2017/12/05 5 $887,502 +53% 3,201 $277   $86,308,555 26
2017/12/06 5 $653,208 -26% 3,201 $204   $86,961,763 27
2017/12/07 5 $645,752 -1% 3,201 $202   $87,607,515 28
2017/12/08 7 $1,510,997 +134% 3,089 $489   $89,118,512 29
2017/12/09 6 $2,282,704 +51% 3,089 $739   $91,401,216 30
2017/12/10 7 $1,368,630 -40% 3,089 $443   $92,769,846 31
2017/12/11 6 $473,990 -65% 3,089 $153   $93,243,836 32
2017/12/12 6 $673,891 +42% 3,089 $218   $93,917,727 33
2017/12/13 6 $522,942 -22% 3,089 $169   $94,440,669 34
2017/12/14 6 $342,073 -35% 3,089 $111   $94,782,742 35
2017/12/15 9 $673,455 +97% 1,923 $350   $95,456,197 36
2017/12/16 9 $1,088,868 +62% 1,923 $566   $96,545,065 37
2017/12/17 9 $765,184 -30% 1,923 $398   $97,310,249 38
2017/12/18 9 $401,275 -48% 1,923 $209   $97,711,524 39
2017/12/19 9 $525,937 +31% 1,923 $273   $98,237,461 40
2017/12/20 13 $263,377 -50% 1,200 $219   $98,500,838 41
2017/12/21 13 $221,145 -16% 1,200 $184   $98,721,983 42
2017/12/22 - $177,474 -20% 447 $397   $98,899,457 43
2017/12/23 - $213,551 +20% 447 $478   $99,113,008 44
2017/12/24 - $128,459 -40% 447 $287   $99,241,467 45
2017/12/25 - $203,411 +58% 361 $563   $99,444,878 46
2017/12/26 - $195,017 -4% 361 $540   $99,639,895 47
2017/12/27 - $178,919 -8% 361 $496   $99,818,814 48
2017/12/28 - $184,235 +3% 361 $510   $100,003,049 49
2017/12/29 - $208,147 +13% 391 $532   $100,211,196 50
2017/12/30 - $232,223 +12% 391 $594   $100,443,419 51
2017/12/31 - $176,205 -24% 391 $451   $100,619,624 52
2018/01/01 - $196,704 +12% 391 $503   $100,816,328 53
2018/01/02 - $118,437 -40% 391 $303   $100,934,765 54
2018/01/03 - $93,718 -21% 391 $240   $101,028,483 55
2018/01/04 - $76,652 -18% 391 $196   $101,105,135 56
2018/01/05 - $138,303 +80% 314 $440   $101,243,438 57
2018/01/06 - $199,027 +44% 314 $634   $101,442,465 58
2018/01/07 - $113,179 -43% 314 $360   $101,555,644 59
2018/01/08 - $37,175 -67% 314 $118   $101,592,819 60
2018/01/09 - $49,804 +34% 314 $159   $101,642,623 61
2018/01/10 - $43,292 -13% 314 $138   $101,685,915 62
2018/01/11 - $42,446 -2% 314 $135   $101,728,361 63
2018/01/12 - $66,550 +57% 272 $245   $101,794,911 64
2018/01/13 - $109,176 +64% 272 $401   $101,904,087 65
2018/01/14 - $81,620 -25% 272 $300   $101,985,707 66
2018/01/15 - $52,077 -36% 272 $191   $102,037,784 67
2018/01/16 - $31,957 -39% 272 $117   $102,069,741 68
2018/01/17 - $26,773 -16% 272 $98   $102,096,514 69
2018/01/18 - $25,597 -4% 272 $94   $102,122,111 70
2018/01/19 - $53,163 +108% 202 $263   $102,175,274 71
2018/01/20 - $85,735 +61% 202 $424   $102,261,009 72
2018/01/21 - $42,312 -51% 202 $209   $102,303,321 73
2018/01/22 - $18,087 -57% 202 $90   $102,321,408 74
2018/01/23 - $23,890 +32% 202 $118   $102,345,298 75
2018/01/24 - $19,965 -16% 202 $99   $102,365,263 76
2018/01/25 - $20,926 +5% 202 $104   $102,386,189 77
2018/01/26 - $34,062 +63% 179 $190   $102,420,251 78
2018/01/27 - $59,868 +76% 179 $334   $102,480,119 79
2018/01/28 - $33,199 -45% 179 $185   $102,513,318 80
2018/01/29 - $12,925 -61% 179 $72   $102,526,243 81
2018/01/30 - $15,895 +23% 179 $89   $102,542,138 82
2018/01/31 - $14,156 -11% 179 $79   $102,556,294 83
2018/02/01 - $13,323 -6% 179 $74   $102,569,617 84
2018/02/02 - $22,090 +66% 134 $165   $102,591,707 85
2018/02/03 - $37,409 +69% 134 $279   $102,629,116 86
2018/02/04 - $12,698 -66% 134 $95   $102,641,814 87
2018/02/05 - $7,512 -41% 134 $56   $102,649,326 88
2018/02/06 - $9,610 +28% 134 $72   $102,658,936 89
2018/02/07 - $8,584 -11% 134 $64   $102,667,520 90
2018/02/08 - $9,488 +11% 134 $71   $102,677,008 91
2018/02/09 - $12,654 +33% 94 $135   $102,689,662 92
2018/02/10 - $22,007 +74% 94 $234   $102,711,669 93
2018/02/11 - $14,991 -32% 94 $159   $102,726,660 94
2018/02/12 - $6,706 -55% 94 $71   $102,733,366 95
2018/02/13 - $6,485 -3% 94 $69   $102,739,851 96
2018/02/14 - $9,608 +48% 94 $102   $102,749,459 97
2018/02/15 - $6,648 -31% 94 $71   $102,756,107 98
2018/02/16 - $7,295 +10% 51 $143   $102,763,402 99
2018/02/17 - $11,596 +59% 51 $227   $102,774,998 100
2018/02/18 - $8,521 -27% 51 $167   $102,783,519 101
2018/02/19 - $6,137 -28% 51 $120   $102,789,656 102
2018/02/20 - $3,608 -41% 51 $71   $102,793,264 103
2018/02/21 - $3,242 -10% 51 $64   $102,796,506 104
2018/02/22 - $3,685 +14% 51 $72   $102,800,191 105

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/10 2 $37,928,362   3,341 $11,352   $37,928,362 1
2017/11/17 5 $23,264,898 -39% 3,214 $7,239   $61,193,260 2
2017/11/24 5 $16,879,253 -27% 3,152 $5,355   $78,072,513 3
2017/12/01 6 $9,535,002 -44% 3,201 $2,979   $87,607,515 4
2017/12/08 7 $7,175,227 -25% 3,089 $2,323   $94,782,742 5
2017/12/15 11 $3,939,241 -45% 1,200 $3,283   $98,721,983 6
2017/12/22 22 $1,281,066 -67% 361 $3,549   $100,003,049 7
2017/12/29 23 $1,102,086 -14% 391 $2,819   $101,105,135 8
2018/01/05 23 $623,226 -43% 314 $1,985   $101,728,361 9
2018/01/12 27 $393,750 -37% 272 $1,448   $102,122,111 10
2018/01/19 30 $264,078 -33% 202 $1,307   $102,386,189 11
2018/01/26 33 $183,428 -31% 179 $1,025   $102,569,617 12
2018/02/02 35 $107,391 -41% 134 $801   $102,677,008 13
2018/02/09 42 $79,099 -26% 94 $841   $102,756,107 14
2018/02/16 51 $44,084 -44% 51 $864   $102,800,191 15
2018/02/23 57 $26,352 -40% 37 $712   $102,826,543 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/10/2017 $2,962,057 334 341 2242 $12,663,544 2/12/2018
Brazil 12/1/2017 $1,400,000 0 0 0 $3,200,000 12/11/2017
Bulgaria 11/10/2017 $80,960 0 0 0 $434,351 2/2/2018
China 11/10/2017 $19,050,000 68542 68542 86816 $34,670,000 12/14/2017
Czech Republic 11/10/2017 $322,032 143 143 465 $1,161,923 1/24/2018
France 12/15/2017 $2,300,000 0 0 0 $9,600,000 1/8/2018
Germany 11/9/2017 $2,541,137 420 689 2151 $13,500,000 1/2/2018
Hong Kong 12/1/2017 $976,000 0 0 0 $976,000 12/4/2017
Indonesia 12/1/2017 $1,900,000 0 0 0 $1,900,000 12/4/2017
Italy 12/1/2017 $3,850,197 0 0 0 $17,701,972 1/26/2018
Japan 12/8/2017 $2,600,000 0 0 0 $10,300,000 1/2/2018
Lithuania 11/10/2017 $57,935 113 259 515 $224,406 2/13/2018
Mexico 11/10/2017 $1,123,407 0 0 0 $2,845,328 12/5/2017
Netherlands 11/10/2017 $1,056,012 122 133 1119 $6,585,917 2/5/2018
New Zealand 11/10/2017 $550,117 110 112 768 $2,232,539 1/30/2018
Portugal 11/10/2017 $253,924 51 57 332 $1,260,871 1/22/2018
Russia (CIS) 11/10/2017 $6,112,161 1135 1135 4352 $15,829,108 1/11/2018
Singapore 12/1/2017 $584,000 0 0 0 $584,000 12/4/2017
Slovakia 11/10/2017 $182,478 68 68 213 $527,342 1/10/2018
South Korea 11/17/2017 $0 0 707 1435 $6,200,639 1/22/2018
Spain 11/24/2017 $2,628,746 372 384 2260 $11,350,376 2/2/2018
Taiwan 12/8/2017 $983,000 0 0 0 $983,000 12/11/2017
Turkey 11/10/2017 $231,665 111 111 331 $879,293 12/28/2017
United Kingdom 11/3/2017 $6,514,569 618 642 3950 $33,295,795 3/7/2018
 
Rest of World $57,480,639
 
International Total$246,387,043 3/7/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
3/4/20182121,416 121,416$1,816,383$1,816,3832

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
3/4/20182147,098 147,098$2,936,069$2,936,0692

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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