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Slovenia Box Office for Phantom Thread (2017)

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Phantom Thread
Theatrical Performance (US$)
Slovenia Box Office $21,702Details
Worldwide Box Office $46,372,924Details
Home Market Performance
North America DVD Sales $217,873 Details
North America Blu-ray Sales $537,054 Details
Total North America Video Sales $754,927
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Set in the glamour of 1950’s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma, who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

Metrics

Movie Details

Slovenia Releases: February 22nd, 2018 (Wide)
Video Release: February 2nd, 2018 by Focus Features
MPAA Rating: R for language.
(Rating bulletin 2499 (Cert #51134), 10/25/2017)
Running Time: 130 minutes
Keywords: 1950s, Fashion, Relationships Gone Wrong, Medical and Hospitals, Cross-Class Romance, May / December Romance, Domestic Abuse, Non-Chronological, London, England
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production Companies: Annapurna Pictures, Ghoulardi Film Company, Focus Features, Perfect World Pictures
Production Countries: United States

Home Market Releases for April 10th, 2018

April 10th, 2018

Phantom Thread

The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition. More...

Theater Averages: Black Panther Can’t be Stopped from Taking Top Spot

March 6th, 2018

Black Panther

Black Panther was again the top film on the theater average chart earning $16,236. The only other film in the $10,000 club was Death House with $10,295 in its lone theater. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Oscar Highlight: Best Picture

March 1st, 2018

Three Billboards Outside Ebbing, Missouri

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We end with the biggest award of the night: Best Picture. It is actually competitive this year with two films in a tight race, while there is a long shot with a shot. More...

2017 Awards Season: Oscar Highlight: Best Director

March 1st, 2018

The Shape of Water

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. Today we look at Best Director, which I think is a more competitive category than most people think it will be. More...

2017 Awards Season: Oscar Highlight: Best Leading Actor

February 22nd, 2018

Darkest Hour

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. This week we look at the four acting categories, continuing with Best Lead Actor. As with every other acting category, there is an overwhelming favorite. More...

2017 Awards Season: Oscar Highlight: Best Supporting Actress

February 20th, 2018

I, Tonya

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. This week we look at the four acting categories, starting with Best Supporting Actress. In this category, there is an overwhelming favorite. And here’s a spoiler for the rest of the week, every single acting category has an overwhelming favorite. More...

2017 Awards Season: BAFTA Winners

February 18th, 2018

Three Billboards Outside Ebbing, Missouri

The BAFTAs were handed out on Sunday night, with Three Billboards Outside Ebbing, Missouri winning the most awards at five. This is not too surprising, as it was technically a British film, despite its setting, and that gave it a leg up on the competition. More...

Theater Averages: Exits is Golden with $11,719, Fifty Shades Freed Settles for Silver

February 13th, 2018

Golden Exits

Golden Exits earned first place with $11,719 in its lone theater. The only other film in the $10,000 club was Fifty Shades Freed with an average of $10,234. More...

Theater Averages: Padmaavat Spices Up the Theater Average Chart

January 31st, 2018

Padmaavat

Padmaavat was the only film to hit the $10,000 club earning an average of $13,179 in 324 theaters. More...

Home Market Releases for January 30th, 2018

January 31st, 2018

Professor Marston & The Wonder Women

This is one of the worse times of year for the home market. Until we start getting the holiday blockbusters landing on DVD / Blu-ray, there’s not much to talk about. That’s not to say there are no good releases, as God’s Own Country, The Square, and Steven Universe: Season One are all easily worth picking up. There are just no big releases. For example, the Pick of the Week goes to Professor Marston & The Wonder Women on Blu-ray, which was sadly ignored by moviegoers when it first hit theaters. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

Weekend Estimates: Jumanji Holds Off 12 Strong, Den of Thieves

January 21st, 2018

Jumanji: Welcome to the Jungle

Jumanji will win at the box office for a third straight weekend, according to studio estimates released on Sunday morning. Its weekend total of about $20.04 million is down just 29% from its MLK Holiday numbers, in spite of losing over 100 theaters (its theater average is off just 26%). With $317 million to date, it is now Sony’s most successful non-Spider-Man movie at the domestic box office, not accounting for ticket price inflation. Inflation-adjusted, it’s at number 8 for the studio, and should end up their fifth-best ticket seller ever.

Jumanji’s strength is far from the only good news this weekend. More...

Theater Averages: Phantom Hangs on by a Thread with $18,513

January 17th, 2018

Phantom Thread

Phantom Thread was the only film in the $10,000 club this past weekend, earning an average of $18,513 in 62 theaters. More...

Weekend Estimates: Jumanji Rules MLK Weekend

January 14th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle will come out an easy winner at the box office this MLK weekend. Over three days, the family adventure is headed for an estimated $27 million, for $283 million to date. With another $8 million or so on Monday, the film will finish the holiday on the threshold of $300 million domestically. Partly helped by the long weekend, it will record the 10th-best fourth weekend of all time—remarkable strength for a movie that ran the risk of being over-shadowed by The Last Jedi when it came out at Christmas. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Weekend Estimates: Jumanji, Insidious Beat Star Wars

January 7th, 2018

Jumanji: Welcome to the Jungle

The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time. More...

Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club

January 3rd, 2018

The Post

The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters. More...

Theater Averages: The Post Posts Top Marks with average of $58,446 / $84,673

December 27th, 2017

The Post

The Post dominated the Christmas weekend, earning an average of $58,446 in nine theaters, $84,673 if you include Christmas Day. The second best result of the four-day weekend was Phantom Thread, which earned an average of $31,818 in four theaters on Christmas Day alone. Last week’s winner, The Last Jedi, earned an average of $16,911 during its second weekend of release. The final two films in the $10,000 club were I, Tonya and Along With The Gods: The Two Worlds with averages of $11,169 and $10,914 respectively. More...

Limited and VOD Releases: Mr. Postman, Deliver Me a Hit

December 22nd, 2017

The Post

It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Phantom Thread Trailer

October 24th, 2017

Paul Thomas Anderson drama starring Daniel Day-Lewis opens Christmas Day ... Full Movie Details.

Set in the glamour of 1950’s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma, who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/02/16 - $2,839   2 $1,420   $4,046 1
2018/02/23 - $7,318 +158% 15 $488   $12,757 1
2018/03/02 - $2,810 -62% 11 $255   $16,658 2
2018/03/09 - $2,398 -15% 9 $266   $20,753 3
2018/03/16 - $468 -80% 2 $234   $21,702 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/15/2018 $136,339 40 43 134 $384,518 6/14/2018
Australia 2/2/2018 $237,947 67 67 483 $957,741 6/4/2018
Austria 2/2/2018 $41,991 19 22 126 $169,976 4/11/2018
Belgium 2/14/2018 $89,323 22 76 238 $346,403 4/18/2018
Bolivia 2/22/2018 $5,148 7 7 10 $7,643 3/7/2018
Brazil 2/22/2018 $263,499 63 94 257 $670,794 6/14/2018
Central America 3/1/2018 $37,456 34 34 65 $87,041 4/18/2018
Chile 2/22/2018 $28,917 13 13 32 $72,613 3/29/2018
Colombia 2/22/2018 $35,823 31 31 75 $92,550 4/11/2018
Croatia 3/8/2018 $4,938 11 11 28 $14,578 5/10/2018
Cyprus 2/1/2018 $6,217 6 6 12 $12,927 2/15/2018
Czech Republic 2/2/2018 $19,352 50 50 106 $69,018 3/15/2018
Denmark 2/15/2018 $65,299 37 37 136 $234,062 4/18/2018
Ecuador 2/23/2018 $10,127 22 22 50 $29,212 3/22/2018
Egypt 1/31/2018 $10,774 13 13 28 $20,953 3/29/2018
Estonia 3/2/2018 $13,177 15 15 40 $50,370 4/11/2018
Finland 2/23/2018 $34,430 39 39 146 $127,980 6/21/2018
France 2/14/2018 $860,537 0 280 1070 $3,009,722 6/13/2018
Germany 2/2/2018 $379,229 92 127 1011 $1,877,968 6/14/2018
Greece 2/2/2018 $325,675 0 20 39 $947,516 4/18/2018
Hong Kong 3/8/2018 $1,729 1 11 31 $119,023 4/11/2018
Hungary 2/1/2018 $38,538 35 42 123 $117,964 4/11/2018
India 2/2/2018 $63,821 99 99 138 $129,326 3/7/2018
Israel 2/2/2018 $84,076 19 28 142 $505,825 4/4/2018
Italy 2/24/2018 $1,328,934 0 38 38 $4,625,958 4/9/2018
Japan 5/26/2018 $86,945 0 0 0 $526,316 6/21/2018
Latvia 3/2/2018 $6,114 11 11 25 $26,383 4/18/2018
Lebanon 2/1/2018 $20,238 13 13 18 $48,827 3/7/2018
Lithuania 3/9/2018 $13,438 61 61 93 $31,609 5/4/2018
Mexico 2/23/2018 $98,153 55 56 270 $385,778 6/14/2018
Middle East Region 2/1/2018 $44,229 32 32 41 $74,082 2/15/2018
Netherlands 3/2/2018 $144,986 49 49 303 $700,163 6/21/2018
New Zealand 2/2/2018 $45,649 25 35 184 $201,751 4/18/2018
North America 12/25/2017 $216,495 4 1186 5798 $21,023,275
Norway 4/13/2018 $37,125 22 36 98 $208,932 6/21/2018
Paraguay 3/15/2018 $2,358 9 9 12 $4,571 4/11/2018
Peru 3/1/2018 $23,591 8 8 13 $46,539 3/29/2018
Poland 2/23/2018 $56,423 49 50 164 $208,763 5/16/2018
Portugal 2/2/2018 $60,184 33 37 146 $265,081 4/23/2018
Romania 2/16/2018 $36,392 49 49 141 $93,410 3/29/2018
Russia (CIS) 2/15/2018 $29,531 91 267 644 $310,322 6/5/2018
Singapore 1/25/2018 $0 0 5 17 $46,048 4/4/2018
Slovakia 2/2/2018 $10,520 44 44 68 $24,414 3/15/2018
Slovenia 2/22/2018 $2,839 2 15 39 $21,702 3/22/2018
South Africa 3/2/2018 $5,833 5 5 28 $35,115 5/16/2018
South Korea 3/8/2018 $9,947 15 39 156 $222,233 5/31/2018
Spain 2/2/2018 $551,373 145 154 821 $2,122,595 4/18/2018
Sweden 2/23/2018 $72,411 64 64 208 $332,748 5/2/2018
Switzerland 2/1/2018 $10,564 20 25 150 $442,813 4/11/2018
Switzerland (German Speaking) 2/2/2018 $76,000 19 19 19 $76,000 2/5/2018
Switzerland (Italian Speaking) 2/22/2018 $9,421 4 4 12 $26,742 3/15/2018
Taiwan 2/2/2018 $24,310 21 21 59 $76,852 3/22/2018
Thailand 2/22/2018 $16,018 16 16 43 $43,404 4/18/2018
Turkey 3/9/2018 $23,096 28 28 61 $72,960 4/11/2018
United Arab Emirates 2/2/2018 $53,561 22 22 31 $85,110 3/15/2018
United Kingdom 2/2/2018 $1,027,128 196 196 833 $3,781,793 5/2/2018
Uruguay 2/22/2018 $14,735 6 7 28 $43,546 4/11/2018
Venezuela 2/23/2018 $46,456 13 13 36 $81,366 4/4/2018
 
Worldwide Total$46,372,924 6/21/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

   Reynolds Woodcock
   Alma

Supporting Cast

Lesley Manville    Cyril Woodcock
Richard Graham    George Riley
Camilla Rutherford    Johanna
Gina McKee    Countess Henrietta Harding
Brian Gleeson    Dr Robert Hardy
Harriet Sansom Harris    Barbara Rose
Lujza Richter    Princess Mona Braganza
Julia Davis    Lady Baltimore

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Paul Thomas Anderson    Screenwriter
Joanne Sellar    Producer
Megan Ellison    Producer
Daniel Lupi    Producer
Adam Somner    Executive Producer
Peter Heslop    Executive Producer
Chelsea Barnard    Executive Producer
Jonny Greenwood    Composer
Mark Tildesley    Production Designer
Dylan Tichenor    Editor
Mark Bridges    Costume Designer
Cassandra Kulukundis    Casting Director

ProductionNext